6727 - RAILROAD EARTH - Last of the Outlaws (2014)

RAILROAD EARTH
''LAST OF THE OUTLAWS''
2014
70:25

1 /Chasin' a Rainbow
Todd Sheaffer/4:06
2 /The Last of the Outlaws
Carey Harmon / Todd Sheaffer/6:31
3 /Grandfather Mountain
Todd Sheaffer/8:56
4 /All That's Dead May Live Again
Todd Sheaffer/2:15
5 /All That's Dead May Live Again: Introit
Todd Sheaffer/1:50
6 /All That's Dead May Live Again: Tuba Mirum
John Skehan/4:28
7 /All That's Dead May Live Again: Lacrimosa
Todd Sheaffer / John Skehan/1:58
8 /All That's Dead May Live Again: Dies Irae
Todd Sheaffer/0:54
9 /Face with a Hole
Todd Sheaffer / John Skehan/5:36
10 /Face with a Hole: In Paradisium
Todd Sheaffer / John Skehan/3:44
11 /Monkey
Todd Sheaffer/4:01
12 /Hangtown Ball
Todd Sheaffer/8:41
13 /When the Sun Gets In Your Blood
Andrew Altman / John Skehan/5:58
14 /One More Night On the Road
Todd Sheaffer/5:40
15 /Take a Bow
Todd Sheaffer/5:47

Andrew Altman /Bass (Acoustic), Bass (Electric)
Tim Carbone /Accordion, Baritone Violin, Guitar (Electric), Viola, Violin, Vocals
Andy Goessling /Banjo, Clarinet, Clarinet (Bass), Dobro, Guitar (Nylon String), Guitar (Steel), Lap Steel Guitar, Penny Whistle, Saxophone, Vocals
Carey Harmon /Drums, Vocals
Todd Sheaffer /Guitar (Acoustic), Vocals
John Skehan /Bouzouki, Mandolin, Piano

BIOGRAPHY
By Robert Hicks
Railroad Earth emerged from the breakup of one of New Jersey's most popular bands, From Good Homes, in early 2001. Later that year, with appearances at some of the major summer festivals on the bluegrass circuit under their belt -- including the Telluride Bluegrass Festival, Grey Fox Bluegrass Festival, and High Sierra Music Festival -- Railroad Earth showed that their music could go well beyond the realm of traditional bluegrass to incorporate folk, Celtic, jazz, and rock music. Todd Sheaffer, the group's main songwriter and former lead singer of From Good Homes, stood at the forefront of the group's vision, and Railroad Earth began releasing albums within six months of the band's formation.
Railroad Earth's seeds were planted as far back as 1998, when violinist Timothy Carbone (Blue Sparks from Hell, Kings in Disguise) met film music supervisor Brian Ross, a former booking agent with Family Tree Agency, at the now-defunct Wetlands club in New York City. The two started a conversation about bluegrass music during a break in the evening's lineup. After keeping in touch for several months, the two hatched an idea to gather together professional musicians in New Jersey to play bluegrass at informal jam sessions. Meanwhile, Ross hired Carbone and Andy Goessling (also in Blue Sparks from Hell, Kings in Disguise) to play music for the film Big Eden. Sheaffer arrived at the bluegrass sessions in the fall of 2000 with some new songs, which the musicians rendered as bluegrass numbers.
All the musicians started to gather at the Shindig, an open-mike event sponsored by the Pocono Bluegrass Society. Informal jam sessions continued at Goessling's house, with multi-instrumentalist John Skehan (Bobby Syvarth Band) joining the other three musicians. Eventually, Ross approached the musicians about forming a band and performing as Railroad Earth. The new group secured its core members in Sheaffer (who handled vocals and acoustic guitar), Goessling (acoustic guitar, mandolin, banjo, penny whistle, saxophone), Carbone (violin, acoustic guitar), and session player John Skehan (mandolin, guitar, piano). Drummer/percussionist Carey Harmon (formerly with the Hour and Bobby Syvarth Band) and upright/electric bassist Dave Von Dollen completed the lineup in January 2001.

One month after forming, the bluegrass-rock group recorded a five-song demo at Mixolydian Studios in Lafayette, NJ. Four of those songs ("Head," "Black Bear," "Stillwater Getaway," and "Cold Water") were combined with six new songs recorded in April 2001 to form the band's debut CD, The Black Bear Sessions, which was released in June by BOS Music. Railroad Earth broadened their songwriting style during the remainder of 2001, carrying on the improvisational, multiple-genre tradition started by the Grateful Dead, String Cheese Incident, Phish, and Leftover Salmon. The group skated the edge of traditional bluegrass and the jam band tradition to produce an eclectic blend of folk, Celtic, jazz, and rock filtered through a bluegrass lens. A second album (and the band's first release for Sugar Hill), Bird in a House, followed in 2002, and producer Stewart Lerman joined Railroad Earth in the studio to record 2004's The Good Life. A live album named Elko followed in early 2006.

Railroad Earth toured heavily, but the band also found time to regularly return to the studio. In 2008, the guys released their fourth studio effort, Amen Corner, which doubled as their last recording with bassist Johnny Grubb, who had replaced Dave Von Dollen five years prior. The group drafted Andrew Altman as his replacement and hit the studio once again, this time to record 2010's self-titled Railroad Earth.

4240 - RAILROAD EARTH - Bird In A House (2006)

RAILROAD EARTH
''BIRD IN A HOUSE''
2002
66:14

1. Drag Him Down/4:19
2. Bird In A House/5:28
3. Like A Buddha/7:05
4. Pack A Day/3:09
5. Mountain Time/7:02
6. Give That Boy A Hand/4:19
7. Peace On Earth/4:29
8. Walk On By/5:57
9. Mighty River/5:28
10. Lois Ann/3:47
11. Came Up Smilin'/5:53
12. Dandelion Wine/4:38
13. Saddle Of The Sun/4:39

Tim Carbone/Piano, Violin, Vocals
Buck Dilly/Pedal Steel
Andy Goessling/Banjo, Clarinet, Dobro, Flute, Guitar, Marxophone, Penny Whistle, Ukulele, Vox Organ
Carey Harmon/Cymbals, Drums, Drums (Snare), Percussion, Vocals
Todd Sheaffer/Guitar, Trumpet, Vocals
John Skehan/Mandolin, Piano, Tuba
Dave Von Dollen/Bass, Kalimba, Trombone (Valve), Vocals

REVIEW
by Chris Nickson
Put the CD on, and it's not so much a sound heard once more as one that's completely reborn. In this case, that's the sound of the Gram Parsons-era Byrds. There's a fire, and sometimes frivolity in what Railroad Earth does that evokes more than the spirit, but without ever sounding like copyists; it's as if they've arrived at the same destination all by themselves, penning some glorious songs along the way, like the up-tempo "Drag Him Down," the spiritual quest of "Like a Buddha," and the fairly epic "Walk On By." But there's more going on, as you discover when you listen, with kalimba and clarinet in there somewhere, adding extra textures to the music. What they come up with can only be described as country-rock -- alt-country may be the moniker of choice these days, but the band's sound is more timeless, while at the same time utterly unique -- just cop the intro to "Like a Buddha," for example. Poppy enough to hold memorable choruses over rippling mandolins ("Mighty River"), and unafraid to make a small nod to Celtic territory ("Lois Ann"), it's a work of not only rare charm, but ageless beauty.

BIOGRAPHY
by Robert Hicks
Railroad Earth emerged from the breakup of one of New Jersey's most popular bands, From Good Homes, in early 2001. Later that year, with appearances at some of the major summer festivals on the bluegrass circuit under their belt -- including the Telluride Bluegrass Festival, Grey Fox Bluegrass Festival, and High Sierra Music Festival -- Railroad Earth showed that their music could go well beyond the realm of traditional bluegrass to incorporate folk, Celtic, jazz, and rock music. Todd Sheaffer, the group's main songwriter and former lead singer of From Good Homes, stood at the forefront of the group's vision, and Railroad Earth began releasing albums within six months of the band's formation.
Railroad Earth's seeds were planted as far back as 1998, when violinist Timothy Carbone (Blue Sparks from Hell, Kings in Disguise) met film music supervisor Brian Ross, a former booking agent with Family Tree Agency, at the now-defunct Wetlands club in New York City. The two started a conversation about bluegrass music during a break in the evening's lineup. After keeping in touch for several months, the two hatched an idea to gather together professional musicians in New Jersey to play bluegrass at informal jam sessions. Meanwhile, Ross hired Carbone and Andy Goessling (also in Blue Sparks from Hell, Kings in Disguise) to play music for the film Big Eden. Sheaffer arrived at the bluegrass sessions in the fall of 2000 with some new songs, which the musicians rendered as bluegrass numbers.
All the musicians started to gather at the Shindig, an open-mike event sponsored by the Pocono Bluegrass Society. Informal jam sessions continued at Goessling's house, with multi-instrumentalist John Skehan (Bobby Syvarth Band) joining the other three musicians. Eventually, Ross approached the musicians about forming a band and performing as Railroad Earth. The new group secured its core members in Sheaffer (who handled vocals and acoustic guitar), Goessling (acoustic guitar, mandolin, banjo, penny whistle, saxophone), Carbone (violin, acoustic guitar), and session player John Skehan (mandolin, guitar, piano). Drummer/percussionist Carey Harmon (formerly with the Hour and Bobby Syvarth Band) and upright/electric bassist Dave Von Dollen completed the lineup in January 2001.
One month after forming, the bluegrass-rock group recorded a five-song demo at Mixolydian Studios in Lafayette, NJ. Four of those songs ("Head," "Black Bear," "Stillwater Getaway," and "Cold Water") were combined with six new songs recorded in April 2001 to form the band's debut CD, The Black Bear Sessions, which was released in June by BOS Music. Railroad Earth broadened their songwriting style during the remainder of 2001, carrying on the improvisational, multiple-genre tradition started by the Grateful Dead, String Cheese Incident, Phish, and Leftover Salmon. The group skated the edge of traditional bluegrass and the jam band tradition to produce an eclectic blend of folk, Celtic, jazz, and rock filtered through a bluegrass lens. A second album (and the band's first release for Sugar Hill), Bird in a House, followed in 2002, and producer Stewart Lerman joined Railroad Earth in the studio to record 2004's The Good Life. A live album named Elko followed in early 2006.
Railroad Earth toured heavily, but the band also found time to regularly return to the studio. In 2008, the guys released their fourth studio effort, Amen Corner, which doubled as their last recording with bassist Johnny Grubb, who had replaced Dave Von Dollen five years prior. The group drafted Andrew Altman as his replacement and hit the studio once again, this time to record 2010's self-titled Railroad Earth.

DoWnLoAd