THE CIVIL WARS & T BONE BURNETT
''A PLACE AT THE TABLE (ORIGINAL MOTION PICTURE SOUNDTRACK)''
FEBRUARY 26 2013
38:11
1. Mississippi Delta /1:35
2. Long Time Gone /3:44
3. Uptown Brown's /3:39
4. Focus (Rosie's Theme) /2:21
5. At the Table /1:26
6. The Need /2:38
7. Long Time Gone (Dustbowl Version) /2:43
8. Food Deserts /2:22
9. Jonestown Elementary (Tremonica) /3:05
10. Getting Worse /2:00
11. Barbie at the Bodega /2:56
12. Witnesses to Hunger /2:26
13. I Do Exist /3:36
14. Finding North /3:40
REVIEW
By Tyler Kane
The Civil Wars are set to appear on the soundtrack of the forthcoming film, A Place at the Table, a documentary from Food, Inc. producers that explores American food and hunger issues. The soundtrack—which will feature 14 new, original tracks from The Civil Wars and T Bone Burnett—is set for a Feb. 26 release through Sensibility Music.
“We met T Bone in New York City at the Americana Awards nomination announcements a couple of years ago," John Paul White said in a press release. “Turns out Rosanne Cash, the sweetheart, had turned him onto the music. He expressed a desire to work together, which was quickly reciprocated.”
The documentary is set for a March 1 release. A press release for the documentary notes that the band and Burnett are offering 100 percent of the label’s net profits and producer/artist royalties to the Participant Foundation, an organization that “exists to support programs that support a sustainable and peaceful world.”
“Being a part of A Place At The Table opened my eyes to an epidemic that is happening in our country right now—underneath many of our noses," Joy Williams said. "It’s happening to our neighbors, to our friends, to children. It’s a silent battle that can be won, if we as a nation set our minds to ending it. Linking arms with T Bone Burnett to create music for such a timely and important film as this was an honor.”
The band released a new single from the soundtrack today, titled “Long Time Gone.” Take a listen in the player below.
As previously reported, The Civil Wars unexpectedly canceled several tour dates last year, citing “internal discord and irreconcilable differences of ambition” as a touring entity. Many speculated this meant a break-up for the band, but these new studio tracks could prove otherwise.
BIOGRAPHY
by Jason Ankeny
Despite critical acclaim as a performer, the rootsy singer/songwriter T Bone Burnett earned his greatest renown as a producer, helming recording sessions for acts ranging from Roy Orbison and Elvis Costello to Counting Crows and Sam Phillips. Born Joseph Henry Burnett on January 14, 1948, in St. Louis, MO, he grew up in Fort Worth, TX, soaking in the area's indigenous blend of blues, R&B, and Tex-Mex sounds. Instead of attending college, he opted to open his own Fort Worth recording studio, while also performing in a series of blues bands; in the early '70s he relocated to Los Angeles, producing sessions for Glen Clark and Delbert McClinton.
After recording his own 1972 debut, The B-52 Band & the Fabulous Skylarks, Burnett toured with Delaney & Bonnie before befriending Bob Neuwirth, a singer/songwriter known for his ties to Bob Dylan. Three years later, Dylan invited Burnett to play guitar on his Rolling Thunder Revue tour. After the Revue concluded, he and fellow Rolling Thunder alumni Dave Mansfield and Steve Soles founded the Alpha Band, releasing their eponymous debut in 1977. Spark in the Dark followed later that year, and like its predecessor failed to find commercial favor; when 1978's Statue Makers of Hollywood met a similar fate, the Alpha Band split, and Burnett returned to his solo career. He resurfaced in 1980 with the acclaimed Truth Decay, which, like all of his solo work, found its lyrical center in his spiritual concerns. A move to Warner Bros. followed for 1982's Trap Door EP, and 1983's full-length Proof Through the Night featured guests Pete Townshend, Ry Cooder, and Richard Thompson. Still, commercial success eluded him, and so he continued working as a producer, overseeing highly regarded records like Los Lobos' How Will the Wolf Survive?, Marshall Crenshaw's Downtown, and the BoDeans' Love & Hope & Sex & Dreams.
After recording a self-titled 1986 solo effort, Burnett agreed to produce The Turning, an album for the successful Christian pop singer Leslie Phillips. The album won wide acclaim even from secular outposts, but it was to be Phillips' last overtly religious release; instead, she began performing under her nickname, Sam, and with Burnett's aid landed a deal with the Virgin label for 1987's acclaimed The Indescribable Wow. Prior to recording her 1991 LP, Cruel Inventions, Phillips and Burnett wed, and he remained in the producer's seat for her later efforts, including 1994's Martinis & Bikinis and 1996's Omnipop. Despite his additional success manning albums like Elvis Costello's masterful 1986 effort King of America as well as producing the star-studded 1987 Roy Orbison tribute Black & White Night, Burnett continued his solo career; like earlier efforts, 1988's The Talking Animals won raves from the press but failed to find an audience outside of his devoted cult following. His output dwindled as his production work increased, and only in 1992 did he release a follow-up, the Spartan Criminal Under My Own Hat. Instead, Burnett remained one of the most prolific and distinctive producers of his day, crafting successes like Costello's Spike, Counting Crows' August and Everything After, the Wallflowers' Bringing Down the Horse, and Gillian Welch's Revival.
Burnett's public profile took a huge leap in 2001 when he served as composer and music producer for the Coen Brothers' film O Brother, Where Art Thou? as well as producing the soundtrack album from the film, which became somewhat of a cultural phenomenon, selling close to nine million copies and earning Burnett four Grammys. He partnered with the Coen Brothers to form DMZ Records in 2002, and the label has released several soundtrack albums either produced or executive produced by Burnett, including Cold Mountain, A Mighty Wind, Crossing Jordan, and The Ladykillers. Burnett finally released an album of new original material, The True False Identity, in 2006 on Sony, which that same year also released a 40-song retrospective set spanning Burnett's entire career, Twenty Twenty: The Essential T Bone Burnett. Tooth of Crime followed in 2008 on Nonesuch Records.
''A PLACE AT THE TABLE (ORIGINAL MOTION PICTURE SOUNDTRACK)''
FEBRUARY 26 2013
38:11
1. Mississippi Delta /1:35
2. Long Time Gone /3:44
3. Uptown Brown's /3:39
4. Focus (Rosie's Theme) /2:21
5. At the Table /1:26
6. The Need /2:38
7. Long Time Gone (Dustbowl Version) /2:43
8. Food Deserts /2:22
9. Jonestown Elementary (Tremonica) /3:05
10. Getting Worse /2:00
11. Barbie at the Bodega /2:56
12. Witnesses to Hunger /2:26
13. I Do Exist /3:36
14. Finding North /3:40
REVIEW
By Tyler Kane
The Civil Wars are set to appear on the soundtrack of the forthcoming film, A Place at the Table, a documentary from Food, Inc. producers that explores American food and hunger issues. The soundtrack—which will feature 14 new, original tracks from The Civil Wars and T Bone Burnett—is set for a Feb. 26 release through Sensibility Music.
“We met T Bone in New York City at the Americana Awards nomination announcements a couple of years ago," John Paul White said in a press release. “Turns out Rosanne Cash, the sweetheart, had turned him onto the music. He expressed a desire to work together, which was quickly reciprocated.”
The documentary is set for a March 1 release. A press release for the documentary notes that the band and Burnett are offering 100 percent of the label’s net profits and producer/artist royalties to the Participant Foundation, an organization that “exists to support programs that support a sustainable and peaceful world.”
“Being a part of A Place At The Table opened my eyes to an epidemic that is happening in our country right now—underneath many of our noses," Joy Williams said. "It’s happening to our neighbors, to our friends, to children. It’s a silent battle that can be won, if we as a nation set our minds to ending it. Linking arms with T Bone Burnett to create music for such a timely and important film as this was an honor.”
The band released a new single from the soundtrack today, titled “Long Time Gone.” Take a listen in the player below.
As previously reported, The Civil Wars unexpectedly canceled several tour dates last year, citing “internal discord and irreconcilable differences of ambition” as a touring entity. Many speculated this meant a break-up for the band, but these new studio tracks could prove otherwise.
BIOGRAPHY
by Jason Ankeny
Despite critical acclaim as a performer, the rootsy singer/songwriter T Bone Burnett earned his greatest renown as a producer, helming recording sessions for acts ranging from Roy Orbison and Elvis Costello to Counting Crows and Sam Phillips. Born Joseph Henry Burnett on January 14, 1948, in St. Louis, MO, he grew up in Fort Worth, TX, soaking in the area's indigenous blend of blues, R&B, and Tex-Mex sounds. Instead of attending college, he opted to open his own Fort Worth recording studio, while also performing in a series of blues bands; in the early '70s he relocated to Los Angeles, producing sessions for Glen Clark and Delbert McClinton.
After recording his own 1972 debut, The B-52 Band & the Fabulous Skylarks, Burnett toured with Delaney & Bonnie before befriending Bob Neuwirth, a singer/songwriter known for his ties to Bob Dylan. Three years later, Dylan invited Burnett to play guitar on his Rolling Thunder Revue tour. After the Revue concluded, he and fellow Rolling Thunder alumni Dave Mansfield and Steve Soles founded the Alpha Band, releasing their eponymous debut in 1977. Spark in the Dark followed later that year, and like its predecessor failed to find commercial favor; when 1978's Statue Makers of Hollywood met a similar fate, the Alpha Band split, and Burnett returned to his solo career. He resurfaced in 1980 with the acclaimed Truth Decay, which, like all of his solo work, found its lyrical center in his spiritual concerns. A move to Warner Bros. followed for 1982's Trap Door EP, and 1983's full-length Proof Through the Night featured guests Pete Townshend, Ry Cooder, and Richard Thompson. Still, commercial success eluded him, and so he continued working as a producer, overseeing highly regarded records like Los Lobos' How Will the Wolf Survive?, Marshall Crenshaw's Downtown, and the BoDeans' Love & Hope & Sex & Dreams.
After recording a self-titled 1986 solo effort, Burnett agreed to produce The Turning, an album for the successful Christian pop singer Leslie Phillips. The album won wide acclaim even from secular outposts, but it was to be Phillips' last overtly religious release; instead, she began performing under her nickname, Sam, and with Burnett's aid landed a deal with the Virgin label for 1987's acclaimed The Indescribable Wow. Prior to recording her 1991 LP, Cruel Inventions, Phillips and Burnett wed, and he remained in the producer's seat for her later efforts, including 1994's Martinis & Bikinis and 1996's Omnipop. Despite his additional success manning albums like Elvis Costello's masterful 1986 effort King of America as well as producing the star-studded 1987 Roy Orbison tribute Black & White Night, Burnett continued his solo career; like earlier efforts, 1988's The Talking Animals won raves from the press but failed to find an audience outside of his devoted cult following. His output dwindled as his production work increased, and only in 1992 did he release a follow-up, the Spartan Criminal Under My Own Hat. Instead, Burnett remained one of the most prolific and distinctive producers of his day, crafting successes like Costello's Spike, Counting Crows' August and Everything After, the Wallflowers' Bringing Down the Horse, and Gillian Welch's Revival.
Burnett's public profile took a huge leap in 2001 when he served as composer and music producer for the Coen Brothers' film O Brother, Where Art Thou? as well as producing the soundtrack album from the film, which became somewhat of a cultural phenomenon, selling close to nine million copies and earning Burnett four Grammys. He partnered with the Coen Brothers to form DMZ Records in 2002, and the label has released several soundtrack albums either produced or executive produced by Burnett, including Cold Mountain, A Mighty Wind, Crossing Jordan, and The Ladykillers. Burnett finally released an album of new original material, The True False Identity, in 2006 on Sony, which that same year also released a 40-song retrospective set spanning Burnett's entire career, Twenty Twenty: The Essential T Bone Burnett. Tooth of Crime followed in 2008 on Nonesuch Records.
