PETER WOLF
''SLEEPLESS''
SEP 2002
ARTEMIS RECORDS
40:36
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1/Growin' Pain/Petraglia, Wolf/3:12
.Shawn Pelton/Drums
.Tony Gamier/Acoustic Bass
.Larry Campbell/Guitar, Fiddle, Mandolin, Backing Vocals
.Duke Levine/Guitar, Solo
.Kenny White/Organ, Backing Vocals
.Angelo Petraglia/Acoustic Guitar
.Kevin Shurtleff/Additional Drums
.Rob Eaton/Backing Vocals
2/Nothing But the Wheel/Sherrill, Wolf/4:34
.Mick Jagger/Vocals, Harmonica
.Shawn Pelton/Drums
.Tony Garnier/Acoustic Bass
.Larry Campbell/Guitars, Fiddle, Pedal Steel
.Duke Levine/Guitar, Mandolin
.Kenny White/Acoustic Guitar, Piano
.Teresa Williams/Backing Vocals
3/A Lot of Good Ones Gone/Jennings, Wolf/3:33
.Charlie Drayton/Drums
.Warren McRae/Electric Bass
.Duke Levine/Guitars
.Kenny White/Organs
.Arno Hecht/Tenor Sax
.Crispin Ciao/Alto Sax
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
.Kevin Shurtleff/Percussion
.Cire Jones/Backing Vocals
4/Never Like This Before/Hayes, Jones, Porter, Wolf/3:21
.Shawn Pelton/Drums
.Tony Garnier/Acoustic Bass
.Larry Campbell/Guitar, Resophonic Guitar
.Duke Levine/Guitar
.Kenny White/Organ
.Cornell Dupree/Electric Guitar, Solo
.Crispin Ciao/Alto And Baritone Sax
.Arno Hecht/Tenor Sax
.Laurence Etkin/Trumpet
.Robert Funk/Tenor Trombone
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
.Kenny White/Backing Vocals
.Stu Kimball/Electric Guitar
.Angelo Petraglia/Acoustic Guitar
5/Run Silent, Run Deep/Mayer, Wolf/4:13
.Shawn Pelton/Drums
.Tony Gamier/Acoustic Bass
.Larry Campbell/Acoustic Guitar, Fiddle, Pedal Steel
.Duke Levine/Electric Guitar
.Kenny White/Piano Wurlitzer
.Cornell Dupree/Electric Guitar
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
.Kenny White/Backing Vocals
6/Homework/Clark, Perkins, Rush/2:39
.Shawn Pelton/Drums
.Tony Gamier/Acoustic Bass
.Larry Campbell/Resophonic Guitar, Fiddle
.Duke Levine/Guitar, Mandolin
.Kenny White/Organ
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
7/Five O'Clock Angel/Jennings, Wolf/3:00
.Charlie Drayton/Drums
.Warren McRae/Electric Bass
.Duke Levine/Electric Guitar
.Kenny White/Piano, Organ
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
8/Hey Jordan/Jennings, Wolf/3:03
.Shawn Pelton/Drums
.John Conte/Electric Bass
.Duke Levine/Guitar
.Kenny White/Wurlitzer
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
9/Too Close Together/Williamson, Wolf/2:24
.Keith Richards/Electric Guitar, Vocals
.Magic Dick/Harmonica
.Shawn Pelton/Drums
.Paul Ossola/Acoustic Bass
.Kenny White/Piano
10/Some Things You Don't Want toKnow/Jennings, Wolf/2:31
.Steve Earle/Vocal
.Shawn Pelton/Drums
.Tony Gamier/Acoustic Bass
.Larry Campbell/Fiddle, Mandolin
.Duke Levine/Electric Guitar
.Kenny White/Wurlitzer, Acoustic Guitar
.Tom West/Organ
.Stu Kimball/Electric Guitar
.Angelo Petraglia/Acoustic Guitar
.Teresa Williams/Backing Vocals
11/Oh Marianne/Jennings, Wolf/4:19
.Shawn Pelton/Drums
.Dan Reiser/Drums
.John Conte/Electric Bass
.Duke Levine/Guitars
.Kenny White/Piano, Organ
.Brian Mitchell/Accordion
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
.Cire Jones/Backing Vocals
.Fred Griffith/Backing Vocals
.Milt Grayson/Bass Vocal
12/Sleepless/Jennings, Wolf/4:05
.Shawn Pelton/Drums, Loop
.Tony Garnier/Acoustic Bass
.Larry Campbell/Acoustic Guitar, Pedal Steel
.Duke Levine/Electric Guitar, Baritone Guitar
.Kenny White/Piano, Organ, Acoustic Guitar
.Cornell Dupree/Guitar
.Crispin Ciao/Alto And Baritone Sax
.Arno Hecht/Tenor Sax
.Laurence Etkin/Trumpet
.Robert Funk/Tenor Trombone
.Sammy Merendino/Additional Percussion
.Ada Dyer/Backing Vocals
.Catherine Russell/Backing Vocals
REVIEW
by Robert L. Doerschuk/ALLMUSIC
With each step he takes past his years as frontman to the J. Geils Band, Peter Wolf builds on his legacy as a solo artist of remarkable distinction. Bits of the jive caricature of his early years surface on Sleepless, especially when reunited with his old running buddies Keith Richards and Magic Dick on "Too Close Together," but most of the album documents much more skillful and sensitive approaches to interpretation. In fact, in his ability to slide from singing to a spoken word or two and back again, Wolf affirms his mastery of the Bob Dylan method for bringing a lyric to life. The musical settings throughout Sleepless vary dramatically, from roadhouse country on the highway epic "Nothing but the Wheel" through Mexican romanticism on "Oh Marianne" and to raw blues with a Tom Waits edge on "Homework." In each of these, Wolf's voice, recorded bone dry and boosted high in the mix, flawlessly nails the feel; on one track, the Stax-flavored ballad "A Lot of Good Ones Gone," his performance -- reflective, understated, delicately phrased, and soulful -- compares favorably to some of Van Morrison's best work. It is, in other words, about as good as a performance can be in this genre.