THE CHARLIE DANIELS BAND
''OFF THE GRID: DOIN' IT DYLAN''
APRIL 1 2014
40:26
01 - Tangled up in Blue/4:13
02 - Times They Are a Changin'/3:21
03 - I'll Be Your Baby Tonight/3:23
04 - Gotta Serve Somebody/5:29
05 - I Shall Be Released/4:30
06 - Country Pie/2:18
07 - Mr. Tambourine Man/4:29
08 - Hard Rain's a Gonna Fall/4:17
09 - Just Like a Woman/4:23
10 - Quinn the Eskimo (The Mighty Quinn)/3:43
REVIEW
By Stephen Thomas Erlewine
Back when Charlie Daniels was a working musician and not a star, he played on three albums by Bob Dylan -- he played guitar and bass on the sessions that became Nashville Skyline, Self Portrait, and New Morning (which means he also shows up on the acclaimed 2013 archival release, Another Self Portrait (1969-1971)) -- so his decision to cut an album devoted to Dylan is not out of the blue. What is surprising is that Off the Grid: Doin' It Dylan isn't one of Daniels' tossed-off latter-day albums, but rather a record where Charlie really digs in, savoring the interplay of his band as well as how the words feel in his mouth. Daniels does indeed choose a few of Bob's densely written songs -- "Mr. Tambourine Man," "A Hard Rain's Gonna Fall," and "Just Like a Woman" are here, none of them seeming like easy fits on paper, but each carried with conviction by Charlie -- along with country-rockers that are sure bets: the rollicking ditty "Country Pie," "I'll Be Your Baby Tonight," and "Tangled Up in Blue," whose narrative gets trimmed down and sped up without losing its power. That impassioned reworking of "Tangled Up in Blue" -- which finds a counterpart in a nicely raucous back porch rendition of "Quinn the Eskimo" -- goes a long way toward explaining what's so joyous about Off the Grid. Daniels enjoys not the words of Dylan so much as the melodies and music, using these songs not as ruminative reflection but full-bore celebration. Even the ballads -- and there are a few here -- are played for keeps and if that music-first emphasis is a relative rarity among Dylan tributes, it's also true that it's been a long time since Daniels has sounded as engaged on a record as he is here.
BIOGRAPHY
By Stephen Thomas Erlewine
A talented and showy fiddler, Charlie Daniels and his band fuse hardcore country with a hard-edged Southern rock, boogie, and blues. The group -- which has had a rotating cast of musicians over the years -- has always been known for its instrumental dexterity, but Daniels and company were also notorious for their down-home, good-old-boy attitude; in the early '80s, they became a virtual symbol of conservative country values. Daniels and his band experienced the height of their popularity at the end of the '70s and early '80s, but they remained a popular concert attraction well into the '90s. 
Daniels was born and raised in North Carolina, playing fiddle and guitar in several bands during his teenage years. At the age of 21, he decided become a professional musician, assembling an instrumental rock & roll combo called the Jaguars. The group landed a recording session for Epic Records in 1959 with Bob Johnson, who would later become Columbia Records' leading folk and country producer. The record didn't receive much attention, but the band continued to play and Daniels continued to write songs. One of his originals, "It Hurts Me," was recorded by Elvis Presley in 1963. By the late '60s, it had become clear that the Jaguars weren't going to hit the big time, so Johnson recommended to Daniels that he move to Nashville to become a session musician. Daniels followed the advice and became one of the most popular fiddlers in Nashville. He played on several Bob Dylan albums -- Nashville Skyline, Self Portrait, New Morning, and Dylan -- as well as Ringo Starr's 1970 record Beaucoups of Blues. He also became part of Leonard Cohen's touring band in the late '60s and produced the Youngbloods' Elephant Mountain album around the same time. 
Daniels cut an album for Capitol Records in the early '70s that was ignored. In 1972, he formed the Charlie Daniels Band, using the Southern rock of the Allman Brothers as a blueprint. The band was comprised of Daniels (lead guitar, vocals, fiddle), lead guitarist Don Murray, bassist Charlie Hayward, drummer James W. Marshall, and keyboardist Joe DiGregorio. The formula worked, and in 1973 they had a minor hit with "Uneasy Rider," which was released on Kama Sutra Records. In 1974, they released Fire on the Mountain, which became a gold record within months of its release; the album would eventually go platinum. Its successor, 1975's Nightrider, did even better, thanks to the Top 40 country hit "Texas." Saddle Tramp, released in 1976, became his first country Top Ten album, going gold. 
Throughout the mid-'70s, the Charlie Daniels Band pursued a Southern rock direction. They were moderately successful, but they never had a breakthrough hit either on the pop or country charts. By the late '70s, Daniels sensed that the audience for Southern rock was evaporating, so he refashioned the band as a more straightforward country band. The change paid off in 1979 when the single "The Devil Went Down to Georgia" became a number one hit, crossing over into the pop charts, where it hit number three. The song was named the Country Music Association's Single of the Year and helped its accompanying album, Million Mile Reflections, become a multi-platinum success. 
Daniels wasn't able to follow "The Devil Went Down to Georgia" with another blockbuster single on the country charts but, ironically, he had several rock crossover successes in the years following the success of Million Mile Reflections: Full Moon (1980) went platinum and Windows (1982) went gold. Although he continued to sell respectably throughout the '80s, he didn't have a big hit until 1989's Simple Man, which went gold. In the '90s, his records failed to chart well, although he remained a popular concert draw, a trend that continued through into the 21st century. 
During the first decade of the new millennium, Daniels quietly transitioned from major labels to independents, releasing records on Blue Hat and Audium, garnering some headlines in 2003 with his pro-Iraq War anthem “This Ain’t No Rag, It’s a Flag,” a song popular enough to launch a spinoff book Ain’t No Rag. Two years later, Daniels established a long-running relationship with Koch in 2005 with Songs from the Longleaf Pines. Daniels’ albums for Koch ran the gamut from bluegrass to bluesy country-rock, punctuated with holiday collections and live records, or thematic compilations like 2010’s patriotic The Land That I Love. Daniels was inducted into the Grand Ole Opry in 2007.
''OFF THE GRID: DOIN' IT DYLAN''
APRIL 1 2014
40:26
01 - Tangled up in Blue/4:13
02 - Times They Are a Changin'/3:21
03 - I'll Be Your Baby Tonight/3:23
04 - Gotta Serve Somebody/5:29
05 - I Shall Be Released/4:30
06 - Country Pie/2:18
07 - Mr. Tambourine Man/4:29
08 - Hard Rain's a Gonna Fall/4:17
09 - Just Like a Woman/4:23
10 - Quinn the Eskimo (The Mighty Quinn)/3:43
REVIEW
By Stephen Thomas Erlewine
Back when Charlie Daniels was a working musician and not a star, he played on three albums by Bob Dylan -- he played guitar and bass on the sessions that became Nashville Skyline, Self Portrait, and New Morning (which means he also shows up on the acclaimed 2013 archival release, Another Self Portrait (1969-1971)) -- so his decision to cut an album devoted to Dylan is not out of the blue. What is surprising is that Off the Grid: Doin' It Dylan isn't one of Daniels' tossed-off latter-day albums, but rather a record where Charlie really digs in, savoring the interplay of his band as well as how the words feel in his mouth. Daniels does indeed choose a few of Bob's densely written songs -- "Mr. Tambourine Man," "A Hard Rain's Gonna Fall," and "Just Like a Woman" are here, none of them seeming like easy fits on paper, but each carried with conviction by Charlie -- along with country-rockers that are sure bets: the rollicking ditty "Country Pie," "I'll Be Your Baby Tonight," and "Tangled Up in Blue," whose narrative gets trimmed down and sped up without losing its power. That impassioned reworking of "Tangled Up in Blue" -- which finds a counterpart in a nicely raucous back porch rendition of "Quinn the Eskimo" -- goes a long way toward explaining what's so joyous about Off the Grid. Daniels enjoys not the words of Dylan so much as the melodies and music, using these songs not as ruminative reflection but full-bore celebration. Even the ballads -- and there are a few here -- are played for keeps and if that music-first emphasis is a relative rarity among Dylan tributes, it's also true that it's been a long time since Daniels has sounded as engaged on a record as he is here.
BIOGRAPHY
By Stephen Thomas Erlewine
A talented and showy fiddler, Charlie Daniels and his band fuse hardcore country with a hard-edged Southern rock, boogie, and blues. The group -- which has had a rotating cast of musicians over the years -- has always been known for its instrumental dexterity, but Daniels and company were also notorious for their down-home, good-old-boy attitude; in the early '80s, they became a virtual symbol of conservative country values. Daniels and his band experienced the height of their popularity at the end of the '70s and early '80s, but they remained a popular concert attraction well into the '90s.
Daniels was born and raised in North Carolina, playing fiddle and guitar in several bands during his teenage years. At the age of 21, he decided become a professional musician, assembling an instrumental rock & roll combo called the Jaguars. The group landed a recording session for Epic Records in 1959 with Bob Johnson, who would later become Columbia Records' leading folk and country producer. The record didn't receive much attention, but the band continued to play and Daniels continued to write songs. One of his originals, "It Hurts Me," was recorded by Elvis Presley in 1963. By the late '60s, it had become clear that the Jaguars weren't going to hit the big time, so Johnson recommended to Daniels that he move to Nashville to become a session musician. Daniels followed the advice and became one of the most popular fiddlers in Nashville. He played on several Bob Dylan albums -- Nashville Skyline, Self Portrait, New Morning, and Dylan -- as well as Ringo Starr's 1970 record Beaucoups of Blues. He also became part of Leonard Cohen's touring band in the late '60s and produced the Youngbloods' Elephant Mountain album around the same time.
Daniels cut an album for Capitol Records in the early '70s that was ignored. In 1972, he formed the Charlie Daniels Band, using the Southern rock of the Allman Brothers as a blueprint. The band was comprised of Daniels (lead guitar, vocals, fiddle), lead guitarist Don Murray, bassist Charlie Hayward, drummer James W. Marshall, and keyboardist Joe DiGregorio. The formula worked, and in 1973 they had a minor hit with "Uneasy Rider," which was released on Kama Sutra Records. In 1974, they released Fire on the Mountain, which became a gold record within months of its release; the album would eventually go platinum. Its successor, 1975's Nightrider, did even better, thanks to the Top 40 country hit "Texas." Saddle Tramp, released in 1976, became his first country Top Ten album, going gold.
Throughout the mid-'70s, the Charlie Daniels Band pursued a Southern rock direction. They were moderately successful, but they never had a breakthrough hit either on the pop or country charts. By the late '70s, Daniels sensed that the audience for Southern rock was evaporating, so he refashioned the band as a more straightforward country band. The change paid off in 1979 when the single "The Devil Went Down to Georgia" became a number one hit, crossing over into the pop charts, where it hit number three. The song was named the Country Music Association's Single of the Year and helped its accompanying album, Million Mile Reflections, become a multi-platinum success.
Daniels wasn't able to follow "The Devil Went Down to Georgia" with another blockbuster single on the country charts but, ironically, he had several rock crossover successes in the years following the success of Million Mile Reflections: Full Moon (1980) went platinum and Windows (1982) went gold. Although he continued to sell respectably throughout the '80s, he didn't have a big hit until 1989's Simple Man, which went gold. In the '90s, his records failed to chart well, although he remained a popular concert draw, a trend that continued through into the 21st century.
During the first decade of the new millennium, Daniels quietly transitioned from major labels to independents, releasing records on Blue Hat and Audium, garnering some headlines in 2003 with his pro-Iraq War anthem “This Ain’t No Rag, It’s a Flag,” a song popular enough to launch a spinoff book Ain’t No Rag. Two years later, Daniels established a long-running relationship with Koch in 2005 with Songs from the Longleaf Pines. Daniels’ albums for Koch ran the gamut from bluegrass to bluesy country-rock, punctuated with holiday collections and live records, or thematic compilations like 2010’s patriotic The Land That I Love. Daniels was inducted into the Grand Ole Opry in 2007.
