SWAMP DYLAN
''ROOTS''
2007
SOWETO PRODUCTIONS
43:02
DOWNLOAD
1. PEGGY DAY
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: acoustic guitar
* gary (stumpy) campo: bass
* tom rice: drums
* craig owens: fiddle
2. MAN IN THE LONG BLACK COAT
* whitaker caine-smith: vocals, acoustic & electric guitar, percussion
* pancho alan: dobro, electric guitar & background vocals
* james (jack) hohner: bass
* keith (petro) petropoulos: congas
* tom rice: cabassa & castanets
3. THINGS HAVE CHANGED
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar
* gary (stumpy) campo: bass
* tom rice: drums
4. IF YOU BELONGED TO ME
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: acoustic guitar
* gary (stumpy) campo: bass
* keith (petro) petropoulos: bongos
* craig owens: fiddle
5. MISSISSIPPI
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar, banjo
* gary (stumpy) campo: bass
* keith (petro) petropoulos: congas
* craig owens: violin
6. COUNTRY PIE
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: acoustic guitar, background vocals
* gary (stumpy) campo: bass, background vocals
* tom rice: drums
* craig owens: fiddle
7. SPIRIT ON THE WATER
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar
* gary (stumpy) campo: bass
* tom rice: drums
* craig owens: fiddle
8. COLD IRON BOUNDS
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar, dobro
* gary (stumpy) campo: bass
* keith (petro) petropoulos: congas
On the heals of their critically acclaimed self-titled release, SWAMP DYLAN is pleased to present their second studio effort: ROOTS. ROOTS is a musical snapshot of the sweet and powerful energy of the bayou. As always: No preconceived notions as to what should happen within the performance or recordings was entertained or discussed. There was very little thought, only action in the form of performance and listening with an opened and sensitive ear and heart. It was much more a visceral experience creating these recordings than one based in the body of reason and know-how. And we hope you can feel it too.
''ROOTS''
2007
SOWETO PRODUCTIONS
43:02
DOWNLOAD
1. PEGGY DAY
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: acoustic guitar
* gary (stumpy) campo: bass
* tom rice: drums
* craig owens: fiddle
2. MAN IN THE LONG BLACK COAT
* whitaker caine-smith: vocals, acoustic & electric guitar, percussion
* pancho alan: dobro, electric guitar & background vocals
* james (jack) hohner: bass
* keith (petro) petropoulos: congas
* tom rice: cabassa & castanets
3. THINGS HAVE CHANGED
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar
* gary (stumpy) campo: bass
* tom rice: drums
4. IF YOU BELONGED TO ME
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: acoustic guitar
* gary (stumpy) campo: bass
* keith (petro) petropoulos: bongos
* craig owens: fiddle
5. MISSISSIPPI
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar, banjo
* gary (stumpy) campo: bass
* keith (petro) petropoulos: congas
* craig owens: violin
6. COUNTRY PIE
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: acoustic guitar, background vocals
* gary (stumpy) campo: bass, background vocals
* tom rice: drums
* craig owens: fiddle
7. SPIRIT ON THE WATER
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar
* gary (stumpy) campo: bass
* tom rice: drums
* craig owens: fiddle
8. COLD IRON BOUNDS
* whitaker caine-smith: vocals, acoustic guitar, percussion
* pancho alan: electric guitar, dobro
* gary (stumpy) campo: bass
* keith (petro) petropoulos: congas
On the heals of their critically acclaimed self-titled release, SWAMP DYLAN is pleased to present their second studio effort: ROOTS. ROOTS is a musical snapshot of the sweet and powerful energy of the bayou. As always: No preconceived notions as to what should happen within the performance or recordings was entertained or discussed. There was very little thought, only action in the form of performance and listening with an opened and sensitive ear and heart. It was much more a visceral experience creating these recordings than one based in the body of reason and know-how. And we hope you can feel it too.
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