BUTTS BAND
''HEAR & NOW''
1975
37:31
DOWNLOAD
1/Get Up Stand Up/Marley, Tosh/3:35
2/Corner of My Mind/Krieger/4:35
3/Caught in the Middle/Krieger/3:21
4/Everybody's Fool/Richman/4:17
5/Livin' and Dyin'/Krieger, Lydia, Tegret/3:12
6/Don't Wake Up/Krieger/4:14
7/If You Gotta Make a Fool of Somebody/Clark/4:04
8/Feelin' So Bad/Richman/2:43
9/White House/Stull/4:27
10/Act of Love/Krieger/3:03
Mike Berkowitz/Percussion
John Densmore/Drums
Bobbi Hall/Congas
Robby Krieger/Guitar
Alex Richman/Keyboards, Vocals On Track 8
Karl "Slick" Rucker/Bass
Michael Stull/Guitar, Piano, Vocals
Jerry Fuller/Producer
REVIEW
by Joe Viglione
John Densmore and Robbie Krieger put together a second version of Butts Band for Hear & Now, which is really bizarre because Roy Davies, Phillip Chen, and vocalist Jess Roden did an admirable job on the first disc's folky blues sound. With Mike Berkowitz brought in as a second drummer, Karl Rucker on bass, and Bobbi Hall on congas, the band is expanded and substantially changed. Add Michael Stull and Alex Richman, both on keyboards and vocals, with Stull on guitar as well, and you may think you have what the Doors were up to on Other Voices. Almost, but not quite. The jazz element is definitely there, but subdued, for this is a soul record, an honest to God soul record by two of the guys who backed up Jim Morrison. Krieger and Densmore sound like they are sponsoring Barry White doing the songs of Percy Sledge. "If You Gotta Make a Fool of Somebody" is pure rhythm & blues, as is "Livin' and Dyin'," but it is not Butts Band that producer Bruce Botnick worked with. Sure it is dynamite stuff, but as the first go round for Butts Band had no image, this must have confused the hell out of radio programmers, retail workers, critics, and fans of the Doors. Botnick has been replaced by Jerry Fuller and is truly is the anomaly when it comes to Doors spin-off projects. Heck, even Ray Manzarek's work with poet Michael McClure contains Jim Morrison American Prayer elements, but the quasi-Steely Dan sound of "Caught in the Middle" could be early Lou Rawls cutting his teeth backed by a pseudo-pop band. It's commendable that Blue Thumb allowed rock stars to stretch like this, but no one familiar with Densmore and Krieger could get a handle on where Hear & Now was going. What might have been a nice calling card would be to take the Doors' "Touch Me" and let this crew send it up the R&B charts. For two members of a totally established group to create a new entity then switch genres is totally original and quite obscure. Butts Band would have been better off trying to get Tower of Power to do this arrangement of Bob Marley and Peter Tosh's "Get up, Stand Up." Robbie Krieger writes a majority of the songs, and female vocalist Alex Richman has a bit of Kathi McDonald in her for her composition "Everybody's Fool," but it is territory not embraced by most Doors aficionados. Labelmates with the Four Tops, this was moved to the Blue Thumb/ABC imprint (the Four Tops were on sister label Dunhill for their "Keeper of the Castle" phase). Gotta have it for the collection, but Manzarek's The Golden Scarab will get more spins.
''HEAR & NOW''
1975
37:31
DOWNLOAD
1/Get Up Stand Up/Marley, Tosh/3:35
2/Corner of My Mind/Krieger/4:35
3/Caught in the Middle/Krieger/3:21
4/Everybody's Fool/Richman/4:17
5/Livin' and Dyin'/Krieger, Lydia, Tegret/3:12
6/Don't Wake Up/Krieger/4:14
7/If You Gotta Make a Fool of Somebody/Clark/4:04
8/Feelin' So Bad/Richman/2:43
9/White House/Stull/4:27
10/Act of Love/Krieger/3:03
Mike Berkowitz/Percussion
John Densmore/Drums
Bobbi Hall/Congas
Robby Krieger/Guitar
Alex Richman/Keyboards, Vocals On Track 8
Karl "Slick" Rucker/Bass
Michael Stull/Guitar, Piano, Vocals
Jerry Fuller/Producer
REVIEW
by Joe Viglione
John Densmore and Robbie Krieger put together a second version of Butts Band for Hear & Now, which is really bizarre because Roy Davies, Phillip Chen, and vocalist Jess Roden did an admirable job on the first disc's folky blues sound. With Mike Berkowitz brought in as a second drummer, Karl Rucker on bass, and Bobbi Hall on congas, the band is expanded and substantially changed. Add Michael Stull and Alex Richman, both on keyboards and vocals, with Stull on guitar as well, and you may think you have what the Doors were up to on Other Voices. Almost, but not quite. The jazz element is definitely there, but subdued, for this is a soul record, an honest to God soul record by two of the guys who backed up Jim Morrison. Krieger and Densmore sound like they are sponsoring Barry White doing the songs of Percy Sledge. "If You Gotta Make a Fool of Somebody" is pure rhythm & blues, as is "Livin' and Dyin'," but it is not Butts Band that producer Bruce Botnick worked with. Sure it is dynamite stuff, but as the first go round for Butts Band had no image, this must have confused the hell out of radio programmers, retail workers, critics, and fans of the Doors. Botnick has been replaced by Jerry Fuller and is truly is the anomaly when it comes to Doors spin-off projects. Heck, even Ray Manzarek's work with poet Michael McClure contains Jim Morrison American Prayer elements, but the quasi-Steely Dan sound of "Caught in the Middle" could be early Lou Rawls cutting his teeth backed by a pseudo-pop band. It's commendable that Blue Thumb allowed rock stars to stretch like this, but no one familiar with Densmore and Krieger could get a handle on where Hear & Now was going. What might have been a nice calling card would be to take the Doors' "Touch Me" and let this crew send it up the R&B charts. For two members of a totally established group to create a new entity then switch genres is totally original and quite obscure. Butts Band would have been better off trying to get Tower of Power to do this arrangement of Bob Marley and Peter Tosh's "Get up, Stand Up." Robbie Krieger writes a majority of the songs, and female vocalist Alex Richman has a bit of Kathi McDonald in her for her composition "Everybody's Fool," but it is territory not embraced by most Doors aficionados. Labelmates with the Four Tops, this was moved to the Blue Thumb/ABC imprint (the Four Tops were on sister label Dunhill for their "Keeper of the Castle" phase). Gotta have it for the collection, but Manzarek's The Golden Scarab will get more spins.
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