NEEDTOBREATHE
''THE RECKONING''
SEP 19 2011
ATLANTIC RECORDS
55:30
1. Oohs And Ahhs/4:37
2. White Fences/3:45
3. Drive All Night/4:13
4. A Place Only You Can Go/3:12
5. Slumber/3:35
6. The Reckoning/3:44
7. Able/4:21
8. Maybe They're On To Us/3:10
9. Wanted Man/4:06
10. Keep Your Eyes Open/4:10
11. Tyrant Kings/4:09
12. Devil's Been Talkin'/3:35
13. Angel At My Door/4:32
14. Learn To Love/4:21
All Tracks By Bo Rinehart
REVIEW
by Andrew Leahey
There's little gray room when it comes to recording a Christian rock album. You either keep things sacred by aiming your songs directly at a churchgoing audience, or you move over to secular territory and ditch the "Christian" tag altogether. Needtobreathe, like Switchfoot and grunge-era Jars of Clay, are one of the only bands with a foothold on both sides of the sacred/secular divide, and The Reckoning takes the best from both camps. On one hand, these 14 tracks are full of Bible allusions and parable-like lyrics. Even the title itself, which hints at Judgment Day, has a Christian bent. At the same time, the band's music -- a mix of heartland rock & roll and chest-thumping, rafter-reaching uplift -- is more indebted to rock than anything else, and The Reckoning builds upon the raw, rootsy sound that The Outsiders helped introduce, with the banjo often taking as much airtime as the electric guitar. Bear Rinehart sings like Will Hoge, growling his melodies in a husky baritone and hitting the high notes like they're punching bags. Whenever his bandmates join in, they stack their harmonies three voices deep. Some of the louder songs are almost too passionate for their own good -- there's a fine line between a heartfelt epic and over-sentimental stadium schlock -- but the guys err on the side of caution, stripping songs like "A Place Only You Can Go" down to their bare essentials and avoiding most of the pitfalls that plague people who make "big" music. That's what that The Reckoning is, though -- big music -- and Needtobreathe have the balls and brawn to pull it off well.
BIOGRAPHY
by Marisa Brown
Named after acclaimed University of Alabama football coach Paul "Bear" Bryant, brothers Bear and Bryant "Bo" Rinehart were born and raised in rural Possum Kingdom, South Carolina, where their pastor father ran a church camp. After moving to nearby Seneca, the two siblings were exposed to a variety of music and started playing instruments themselves. While enrolled at Furman University several years later, Bear -- besides being an excellent wide receiver (he won the 2002 Banks McFadden trophy for South Carolina's football player of the year) -- moonlighted as a vocalist, guitarist, and pianist, even finding time to perform around campus with longtime friend and drummer Joe Stillwell. Meanwhile, Bo studied architecture at Clemson while playing guitar in his spare time, and he and bassist Seth Bolt joined the Bear/Stillwell duo to form Needtobreathe.
Seth Bolt had received a degree in recording engineering, and the band honed its sound while recording several EPs at Bolt's own Plantation Studios. A strenuous tour of the U.S. Southeast and Midwest followed. The hard work paid off when Needtobreathe came to the attention of Atlantic/Lava Records, who signed the band in 2005. A debut full-length album, Daylight (the cover of which was painted by Bo), arrived one year later, having been recorded at the British Heliocentric Studios with Keane's producer, Andy Green. Tours with Train, Collective Soul, and Will Hoge kept the guys busy throughout the year, and they returned to the studio in December to begin work on their follow-up. The Heat was released in August 2007, and helped establish the band as one of Christian rock's most successful newcomers, spawning several singles and earning two Dove Award nominations.
The Outsiders followed in 2009, boasting an epic sound reminiscent of U2 and the Fray. The album also highlighted Needtobreathe's love for Southern rock, leading to a string of strong singles that helped The Outsiders fare well with Christian audiences (resulting in the receipt of three Dove Awards in 2010) and secular listeners (who helped push the album to number 20 on the Billboard charts). The band's heavy tour ethic helped, too, and the group wound up staying on the road for two straight years, playing festivals like Bonnaroo before opening a series of North American stadium shows for Taylor Swift. Meanwhile, they continued writing new material, much of which wound up on 2011's The Reckoning.
''THE RECKONING''
SEP 19 2011
ATLANTIC RECORDS
55:30
1. Oohs And Ahhs/4:37
2. White Fences/3:45
3. Drive All Night/4:13
4. A Place Only You Can Go/3:12
5. Slumber/3:35
6. The Reckoning/3:44
7. Able/4:21
8. Maybe They're On To Us/3:10
9. Wanted Man/4:06
10. Keep Your Eyes Open/4:10
11. Tyrant Kings/4:09
12. Devil's Been Talkin'/3:35
13. Angel At My Door/4:32
14. Learn To Love/4:21
All Tracks By Bo Rinehart
REVIEW
by Andrew Leahey
There's little gray room when it comes to recording a Christian rock album. You either keep things sacred by aiming your songs directly at a churchgoing audience, or you move over to secular territory and ditch the "Christian" tag altogether. Needtobreathe, like Switchfoot and grunge-era Jars of Clay, are one of the only bands with a foothold on both sides of the sacred/secular divide, and The Reckoning takes the best from both camps. On one hand, these 14 tracks are full of Bible allusions and parable-like lyrics. Even the title itself, which hints at Judgment Day, has a Christian bent. At the same time, the band's music -- a mix of heartland rock & roll and chest-thumping, rafter-reaching uplift -- is more indebted to rock than anything else, and The Reckoning builds upon the raw, rootsy sound that The Outsiders helped introduce, with the banjo often taking as much airtime as the electric guitar. Bear Rinehart sings like Will Hoge, growling his melodies in a husky baritone and hitting the high notes like they're punching bags. Whenever his bandmates join in, they stack their harmonies three voices deep. Some of the louder songs are almost too passionate for their own good -- there's a fine line between a heartfelt epic and over-sentimental stadium schlock -- but the guys err on the side of caution, stripping songs like "A Place Only You Can Go" down to their bare essentials and avoiding most of the pitfalls that plague people who make "big" music. That's what that The Reckoning is, though -- big music -- and Needtobreathe have the balls and brawn to pull it off well.
BIOGRAPHY
by Marisa Brown
Named after acclaimed University of Alabama football coach Paul "Bear" Bryant, brothers Bear and Bryant "Bo" Rinehart were born and raised in rural Possum Kingdom, South Carolina, where their pastor father ran a church camp. After moving to nearby Seneca, the two siblings were exposed to a variety of music and started playing instruments themselves. While enrolled at Furman University several years later, Bear -- besides being an excellent wide receiver (he won the 2002 Banks McFadden trophy for South Carolina's football player of the year) -- moonlighted as a vocalist, guitarist, and pianist, even finding time to perform around campus with longtime friend and drummer Joe Stillwell. Meanwhile, Bo studied architecture at Clemson while playing guitar in his spare time, and he and bassist Seth Bolt joined the Bear/Stillwell duo to form Needtobreathe.
Seth Bolt had received a degree in recording engineering, and the band honed its sound while recording several EPs at Bolt's own Plantation Studios. A strenuous tour of the U.S. Southeast and Midwest followed. The hard work paid off when Needtobreathe came to the attention of Atlantic/Lava Records, who signed the band in 2005. A debut full-length album, Daylight (the cover of which was painted by Bo), arrived one year later, having been recorded at the British Heliocentric Studios with Keane's producer, Andy Green. Tours with Train, Collective Soul, and Will Hoge kept the guys busy throughout the year, and they returned to the studio in December to begin work on their follow-up. The Heat was released in August 2007, and helped establish the band as one of Christian rock's most successful newcomers, spawning several singles and earning two Dove Award nominations.
The Outsiders followed in 2009, boasting an epic sound reminiscent of U2 and the Fray. The album also highlighted Needtobreathe's love for Southern rock, leading to a string of strong singles that helped The Outsiders fare well with Christian audiences (resulting in the receipt of three Dove Awards in 2010) and secular listeners (who helped push the album to number 20 on the Billboard charts). The band's heavy tour ethic helped, too, and the group wound up staying on the road for two straight years, playing festivals like Bonnaroo before opening a series of North American stadium shows for Taylor Swift. Meanwhile, they continued writing new material, much of which wound up on 2011's The Reckoning.
No comments :
Post a Comment