GOV'T MULE
''THE GEORGIA BOOTLEG BOX, DISC FOUR''
OCTOBER 16 2012
385:01
1. Don't Step On the Grass, Sam (Live from Atlanta 4/12/96)/7:59
2. Birth of the Mule (Live From Atlanta 4/12/96)/5:31
3. Just Got Paid (Live From Atlanta 4/12/96)/7:32
4. Going Out West (Live From Atlanta 4/12/96)/6:16
5. The Same Thing (Live From Atlanta 4/12/96)/10:17
6. Gonna Send You Back To Georgia (Live From Atlanta 4/12/96)/8:33
7. Young Man Blues (Live From Atlanta 4/12/96)/2:35
8. Good Morning Little School Girl (Live From Atlanta 4/12/96)/7:23
9. Young Man Blues (Live From Atlanta 4/12/96)/1:59
REVIEW
by Thom Jurek The Georgia Bootleg Box is the first entry in Gov't Mule's official bootleg series on Evil Teen. This documents the original trio lineup of Warren Haynes, Matt Abts, and the late Allen Woody during a three-night springtime run in Georgia in 1996 -- Athens on April 11, Atlanta's Roxy on the 12th, and the Elizabeth Reed Music Hall in Macon on the 13th. This set's six discs contain over seven hours of music. Gov't Mule had been playing live for over three years at the time these shows took place. They had established not just their trademark loud and proud brand of gritty blues-rock and improvisation, but had gelled as a unit who could communicate with one another without a lot of interference. 1996 was a pivotal year, and what's documented here reveals this in spades. Despite the similarity in the set lists each night, the performances are often quite distinct from one another -- in terms of spontaneity and musicality, not quality. All are exceptional. These were not workmanlike gigs. Check the three different reads of the then-new "Game Face," which all commence exactly the same way yet spiral off in different directions. The metallic blues of "Mother Earth" may be a basic 12-bar, but it reveals the depth of communication between Woody's fat-bottom, fluid bass playing and Abts' drumming. It's so intuitive it allows Haynes an elastic freedom -- he can play at his bandmembers but also move far afield without worrying about the groove being fluid and in the pocket -- and sometimes, as on "Blind Man in the Dark," which opens each night, he travels great distances. There are a number of extra treats here as well. Derek Trucks joins the band's encores in Atlanta and Athens, while blues hero Tinsley Ellis appears on the Macon date. Some of the covers are true highlights as well, including Blind Faith's "Presence of the Lord," Steppenwolf's "Don’t Step On the Grass, Sam" (Atlanta), and an amazing cover of Little Feat's "Spanish Moon" with Trucks on slide. Given its sheer volume, The Georgia Bootleg Box is for the hardcore Mule fan to be sure. That said, this behemoth also reveals in intricate detail what a hungry power trio playing at its very best is capable of.
BIOGRAPHY
by John Bush
The leaders of Gov't Mule, Warren Haynes and Allen Woody, should be well known to Allman Brothers fans for their stint in Southern rock's most famous native sons. In 1989, Haynes became the second replacement for Duane Allman, providing a good foil for Gregg Allman and Dickey Betts on guitar and vocals; Woody filled out the Allman sound on bass. Five years after their debut, the duo joined drummer Matt Abts in the side project Gov't Mule, a band in which the Allman Brothers' influence is apparent but complicated with the psychedelic, bluesy power trio feel of Cream.
Gov't Mule debuted in 1995 with a self-titled album on Capricorn Records, followed by the stellar concert date Live at Roseland Ballroom. The studio follow-up, Dose, appeared in early 1998; another concert set, Live...With a Little Help from Our Friends, followed a year later, with the complete show later appearing as a four-disc limited-edition set. A new studio effort, Life Before Insanity, appeared in early 2000. A vital member of the band was lost, however, on August 26, 2000, when Woody was found dead in a hotel room in New York City. The band had been preparing to record their next album, and after a time, Gov't Mule finally decided to carry on with the project, this time with guest bassists ranging from Flea to Bootsy Collins. The two-volume Deep End series for ATO Records resulted. Phish bassist Mike Gordon also got involved in the project, filming the recording of the albums for a planned documentary. In mid-September 2001, the group hit the road for a six-week tour in support of Deep End, Vol. 1; Oteil Burbridge filled in as bassist for most of the dates.
The second volume of Live...With a Little Help from Our Friends appeared in 2002 and the Deepest End: Live in Concert CD and DVD in 2003. One year later saw the release of Déjà Voodoo, Gov't Mule's first studio effort since Woody's death. It featured his official replacement, bassist Andy Hess, as well as new keyboardist Danny Louis. The same lineup released High & Mighty in 2006. The two-volume Benefit Concert series followed in 2007. In 2009, Gov't Mule issued By a Thread, its first studio album in three years. Hess was replaced by bassist Jorgen Carlsson, and the album featured a guest appearance by ZZ Top guitarist Billy Gibbons. In 2010, the Evil Teen imprint issued Mulennium, a three-disc package that commemorated Gov't Mule's complete 1999 New Year's Eve concert at Atlanta's historic Roxy Theatre with the band's original lineup. The concert also included guest appearances by the Black Crowes, Little Milton, and Audley Freed.
''THE GEORGIA BOOTLEG BOX, DISC FOUR''
OCTOBER 16 2012
385:01
1. Don't Step On the Grass, Sam (Live from Atlanta 4/12/96)/7:59
2. Birth of the Mule (Live From Atlanta 4/12/96)/5:31
3. Just Got Paid (Live From Atlanta 4/12/96)/7:32
4. Going Out West (Live From Atlanta 4/12/96)/6:16
5. The Same Thing (Live From Atlanta 4/12/96)/10:17
6. Gonna Send You Back To Georgia (Live From Atlanta 4/12/96)/8:33
7. Young Man Blues (Live From Atlanta 4/12/96)/2:35
8. Good Morning Little School Girl (Live From Atlanta 4/12/96)/7:23
9. Young Man Blues (Live From Atlanta 4/12/96)/1:59
REVIEW
by Thom Jurek The Georgia Bootleg Box is the first entry in Gov't Mule's official bootleg series on Evil Teen. This documents the original trio lineup of Warren Haynes, Matt Abts, and the late Allen Woody during a three-night springtime run in Georgia in 1996 -- Athens on April 11, Atlanta's Roxy on the 12th, and the Elizabeth Reed Music Hall in Macon on the 13th. This set's six discs contain over seven hours of music. Gov't Mule had been playing live for over three years at the time these shows took place. They had established not just their trademark loud and proud brand of gritty blues-rock and improvisation, but had gelled as a unit who could communicate with one another without a lot of interference. 1996 was a pivotal year, and what's documented here reveals this in spades. Despite the similarity in the set lists each night, the performances are often quite distinct from one another -- in terms of spontaneity and musicality, not quality. All are exceptional. These were not workmanlike gigs. Check the three different reads of the then-new "Game Face," which all commence exactly the same way yet spiral off in different directions. The metallic blues of "Mother Earth" may be a basic 12-bar, but it reveals the depth of communication between Woody's fat-bottom, fluid bass playing and Abts' drumming. It's so intuitive it allows Haynes an elastic freedom -- he can play at his bandmembers but also move far afield without worrying about the groove being fluid and in the pocket -- and sometimes, as on "Blind Man in the Dark," which opens each night, he travels great distances. There are a number of extra treats here as well. Derek Trucks joins the band's encores in Atlanta and Athens, while blues hero Tinsley Ellis appears on the Macon date. Some of the covers are true highlights as well, including Blind Faith's "Presence of the Lord," Steppenwolf's "Don’t Step On the Grass, Sam" (Atlanta), and an amazing cover of Little Feat's "Spanish Moon" with Trucks on slide. Given its sheer volume, The Georgia Bootleg Box is for the hardcore Mule fan to be sure. That said, this behemoth also reveals in intricate detail what a hungry power trio playing at its very best is capable of.
BIOGRAPHY
by John Bush
The leaders of Gov't Mule, Warren Haynes and Allen Woody, should be well known to Allman Brothers fans for their stint in Southern rock's most famous native sons. In 1989, Haynes became the second replacement for Duane Allman, providing a good foil for Gregg Allman and Dickey Betts on guitar and vocals; Woody filled out the Allman sound on bass. Five years after their debut, the duo joined drummer Matt Abts in the side project Gov't Mule, a band in which the Allman Brothers' influence is apparent but complicated with the psychedelic, bluesy power trio feel of Cream.
Gov't Mule debuted in 1995 with a self-titled album on Capricorn Records, followed by the stellar concert date Live at Roseland Ballroom. The studio follow-up, Dose, appeared in early 1998; another concert set, Live...With a Little Help from Our Friends, followed a year later, with the complete show later appearing as a four-disc limited-edition set. A new studio effort, Life Before Insanity, appeared in early 2000. A vital member of the band was lost, however, on August 26, 2000, when Woody was found dead in a hotel room in New York City. The band had been preparing to record their next album, and after a time, Gov't Mule finally decided to carry on with the project, this time with guest bassists ranging from Flea to Bootsy Collins. The two-volume Deep End series for ATO Records resulted. Phish bassist Mike Gordon also got involved in the project, filming the recording of the albums for a planned documentary. In mid-September 2001, the group hit the road for a six-week tour in support of Deep End, Vol. 1; Oteil Burbridge filled in as bassist for most of the dates.
The second volume of Live...With a Little Help from Our Friends appeared in 2002 and the Deepest End: Live in Concert CD and DVD in 2003. One year later saw the release of Déjà Voodoo, Gov't Mule's first studio effort since Woody's death. It featured his official replacement, bassist Andy Hess, as well as new keyboardist Danny Louis. The same lineup released High & Mighty in 2006. The two-volume Benefit Concert series followed in 2007. In 2009, Gov't Mule issued By a Thread, its first studio album in three years. Hess was replaced by bassist Jorgen Carlsson, and the album featured a guest appearance by ZZ Top guitarist Billy Gibbons. In 2010, the Evil Teen imprint issued Mulennium, a three-disc package that commemorated Gov't Mule's complete 1999 New Year's Eve concert at Atlanta's historic Roxy Theatre with the band's original lineup. The concert also included guest appearances by the Black Crowes, Little Milton, and Audley Freed.
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