DRUMS & TUBA
''LIVE''
JANUARY 4 2005
55:48
1. Eigth Degrees in Buffalo /12:31
2. The Donkey and the Walrus /6:39
3. Brain Liaters /6:42
4. Plethora /5:26
5. Ambalance /4:04
6. Magoo /8:35
7. The Metrics /8:08
8. Rock the Mess /3:43
REVIEW
by Stewart Mason
Recorded during the summer of 2004, the first live album by Drums & Tuba is evenly divided between new and likely improvisational pieces and familiar songs from the trio's two albums on Ani Difranco's Righteous Babe label. (The more scattershot, fragmentary material from the group's earlier records has seemingly been retired.) Kicking off with the outstanding 12-and-a-half-minute improv "Eight Degrees in Buffalo," the set then moves into the electronic clatter of "The Donkey and the Walrus" before shifting into a lively, polyrhythmic take on the cool, dubby groove of Mostly Ape's opening track "Brain Liaters." Although Brian Wolff's tuba and other horns provide the group's most unique sonic signature, Live is primarily a showcase for drummer and electronics expert Anthony Nozero, whose rhythmic drive and tasteful sonic manipulations form the basis of every song. Live is an enjoyable portrait of a band that treats the stage and the studio as two separate venues, showing off their impressively concise, non-noodly take on jam band improvisations.
BIOGRAPHY
by Robert Hicks
Drums & Tuba tapped a variety of musical traditions and experimentation to forge its eclectic identity. The New York-based trio carried its message home by combining rock, Afro-beat, jazz, punk, electronica, New Orleans brass band traditions, and funk into a heady mix of grooves and song-structured instrumental music. Drums & Tuba, consisting of Brian Wolff (tuba, trumpet, trombone), Anthony Nozero (drums, percussion, electronics), and Neal McKeeby (guitars), started to focus more attention on electronica and rock with the release of Vinyl Killer on Ani DiFranco's Righteous Babe Records in 2001.
It all started for the group in 1995 in Austin, TX, where all three members had migrated to discover new musical insights in the early '90s. Wolff and Nozero began as a duo called Just Drums & Tuba, performing weekend nights for tips on Sixth Street in downtown Austin. They considered adding another horn player and going the brass band route, but few good ones were available in Austin, so soon they added guitarist McKeeby (who had played with Wolff in the rock band Hominy Bop) and shortened their band name to Drums & Tuba. The trio released its first CD, Box Fetish, in 1997 on T.E.C. Tones (later reissued on My Pal God Records), following it with The Flying Ballerina (1998) and Flatheads and Spoonies (1999), the band's first for My Pal God. Early on, the Rebirth Brass Band from New Orleans influenced Wolff, and all three listened to the Meters, but electronica started to surface in the band's music on Flatheads and Spoonies. (Electronica and Fela Kuti's Afro-beat music would play an increasingly important role on Drum & Tuba's CD Vinyl Killer.) After performing locally in Austin and touring briefly, the band began to splinter in late 1999 when its members relocated to different cities. Wolff returned to his hometown, New York City, to complete a Masters degree in music education at New York University. Nozero, from Madison, WI, moved to Chicago.
Drums & Tuba was resurrected after Ani DiFranco asked the group to open for her band on tour in 1998. She spent a lot of time in Austin recording her own songs and heard about Drums & Tuba from a recording engineer at Congress House Studios. Touring enabled the band to reactivate and it became more energetic about identifying its sound. The group took a mainstream approach to song structure, but was experimental in its embrace of various musical genres. Drums & Tuba self-released its next two records, a 7" called Borscht and an EP called Cairo, in 2000. They toured again with DiFranco and with the New Orleans-based group Galactic in 2000. DiFranco later signed the trio to her Righteous Babe Records and released its Vinyl Killer (co-produced by DiFranco and her associate Andrew "Goat Boy" Gilchrist) in 2001, followed by Mostly Ape a year later and Battles Olé in 2005.
''LIVE''
JANUARY 4 2005
55:48
1. Eigth Degrees in Buffalo /12:31
2. The Donkey and the Walrus /6:39
3. Brain Liaters /6:42
4. Plethora /5:26
5. Ambalance /4:04
6. Magoo /8:35
7. The Metrics /8:08
8. Rock the Mess /3:43
REVIEW
by Stewart Mason
Recorded during the summer of 2004, the first live album by Drums & Tuba is evenly divided between new and likely improvisational pieces and familiar songs from the trio's two albums on Ani Difranco's Righteous Babe label. (The more scattershot, fragmentary material from the group's earlier records has seemingly been retired.) Kicking off with the outstanding 12-and-a-half-minute improv "Eight Degrees in Buffalo," the set then moves into the electronic clatter of "The Donkey and the Walrus" before shifting into a lively, polyrhythmic take on the cool, dubby groove of Mostly Ape's opening track "Brain Liaters." Although Brian Wolff's tuba and other horns provide the group's most unique sonic signature, Live is primarily a showcase for drummer and electronics expert Anthony Nozero, whose rhythmic drive and tasteful sonic manipulations form the basis of every song. Live is an enjoyable portrait of a band that treats the stage and the studio as two separate venues, showing off their impressively concise, non-noodly take on jam band improvisations.
BIOGRAPHY
by Robert Hicks
Drums & Tuba tapped a variety of musical traditions and experimentation to forge its eclectic identity. The New York-based trio carried its message home by combining rock, Afro-beat, jazz, punk, electronica, New Orleans brass band traditions, and funk into a heady mix of grooves and song-structured instrumental music. Drums & Tuba, consisting of Brian Wolff (tuba, trumpet, trombone), Anthony Nozero (drums, percussion, electronics), and Neal McKeeby (guitars), started to focus more attention on electronica and rock with the release of Vinyl Killer on Ani DiFranco's Righteous Babe Records in 2001.
It all started for the group in 1995 in Austin, TX, where all three members had migrated to discover new musical insights in the early '90s. Wolff and Nozero began as a duo called Just Drums & Tuba, performing weekend nights for tips on Sixth Street in downtown Austin. They considered adding another horn player and going the brass band route, but few good ones were available in Austin, so soon they added guitarist McKeeby (who had played with Wolff in the rock band Hominy Bop) and shortened their band name to Drums & Tuba. The trio released its first CD, Box Fetish, in 1997 on T.E.C. Tones (later reissued on My Pal God Records), following it with The Flying Ballerina (1998) and Flatheads and Spoonies (1999), the band's first for My Pal God. Early on, the Rebirth Brass Band from New Orleans influenced Wolff, and all three listened to the Meters, but electronica started to surface in the band's music on Flatheads and Spoonies. (Electronica and Fela Kuti's Afro-beat music would play an increasingly important role on Drum & Tuba's CD Vinyl Killer.) After performing locally in Austin and touring briefly, the band began to splinter in late 1999 when its members relocated to different cities. Wolff returned to his hometown, New York City, to complete a Masters degree in music education at New York University. Nozero, from Madison, WI, moved to Chicago.
Drums & Tuba was resurrected after Ani DiFranco asked the group to open for her band on tour in 1998. She spent a lot of time in Austin recording her own songs and heard about Drums & Tuba from a recording engineer at Congress House Studios. Touring enabled the band to reactivate and it became more energetic about identifying its sound. The group took a mainstream approach to song structure, but was experimental in its embrace of various musical genres. Drums & Tuba self-released its next two records, a 7" called Borscht and an EP called Cairo, in 2000. They toured again with DiFranco and with the New Orleans-based group Galactic in 2000. DiFranco later signed the trio to her Righteous Babe Records and released its Vinyl Killer (co-produced by DiFranco and her associate Andrew "Goat Boy" Gilchrist) in 2001, followed by Mostly Ape a year later and Battles Olé in 2005.
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