LONDON UNDERGROUND
''THROUGH A GLASS DARKLY''
2003
47:29
1/End of the Race
Daniele Caputo/3:41
2/Travelling Lady
Mike Hugg / Manfred Mann/5:31
3/Sermonette
Daniele Caputo / Stefano Gabbani/4:14
4/The Days of Man
Daniele Caputo/4:06
5/Analonihum
Daniele Caputo/5:30
6/A Beautiful Child
Daniele Caputo/4:44
7/Through a Glass Darkly
Daniele Caputo/3:27
8/Cryptical Purple Browne Orcharde
Daniele Caputo/3:51
9/Can't Find the Reason
Vincent Crane/3:47
10/Everything Is Coming to an End
Daniele Caputo/3:13
11/Another Rude Awakening
Daniele Caputo / Stefano Gabbani/5:25
Daniele Caputo/drums; lead vocals
Stefano Gabbani/electric bass
Gianni Vergello/acoustic & electric guitars
Gianluca Gerlini/keyboards
Stefano Negri/saxophone & flute on 2
Lucumonius/flute on 7
Beatrice Tinagli/backing vocals on 9
ABOUT
By Lise, CANADA
A side project of STANDARTE's drummer/vocalist Daniele Caputo, this fairly recent Italian trio took their name from the very style of music that was played in the London underground during the late 60's. Caputo is joined by bassist Marco Piaggesi and keyboard player Gianluca Gerlini. Bassist Stefano Gabbani eventually replaced Piagesi and then guitarist Gianni Vergelli also joined in. Their style is similar to STANDARTE albeit much less heavy, and the guitars are used sparingly, leaving room for Gerlini to shine on the Hammond organ, Mellotron and Moog. Their albums feature excellent vocal harmonies that would have fit right into any BEATLES or TRAFFIC album of old. As influences go, we could cite BIGELF, PINK FLOYD, KING CRIMSON, ATOMIC ROOSTER, CARAVAN, ARGENT, and definitely THE BEATLES.
Both of their albums, "London Underground" and "Through a Glass Darkly" (a spoof on an old STONES compilation LP), are a real throwback to the swinging 60's and early 70's; in fact, if it wasn't for the clean production, you'd swear these were recorded in 1970. The first album revisits the late 60's psychedelia whereas the second is fully early 70's progressive. The overall sound is very British (these Italian vocalists possess an impeccable command of the English language, b.t.w.) and both albums are expertly played and well produced. Is it prog? Well, it is definitely experimental yet accessible, delightfully retro and thoroughly enjoyable. Very cool stuff!
Excellent albums for a trip back to the hip days, with tons of Mellotron. Both are highly recommended.
''THROUGH A GLASS DARKLY''
2003
47:29
1/End of the Race
Daniele Caputo/3:41
2/Travelling Lady
Mike Hugg / Manfred Mann/5:31
3/Sermonette
Daniele Caputo / Stefano Gabbani/4:14
4/The Days of Man
Daniele Caputo/4:06
5/Analonihum
Daniele Caputo/5:30
6/A Beautiful Child
Daniele Caputo/4:44
7/Through a Glass Darkly
Daniele Caputo/3:27
8/Cryptical Purple Browne Orcharde
Daniele Caputo/3:51
9/Can't Find the Reason
Vincent Crane/3:47
10/Everything Is Coming to an End
Daniele Caputo/3:13
11/Another Rude Awakening
Daniele Caputo / Stefano Gabbani/5:25
Daniele Caputo/drums; lead vocals
Stefano Gabbani/electric bass
Gianni Vergello/acoustic & electric guitars
Gianluca Gerlini/keyboards
Stefano Negri/saxophone & flute on 2
Lucumonius/flute on 7
Beatrice Tinagli/backing vocals on 9
ABOUT
By Lise, CANADA
A side project of STANDARTE's drummer/vocalist Daniele Caputo, this fairly recent Italian trio took their name from the very style of music that was played in the London underground during the late 60's. Caputo is joined by bassist Marco Piaggesi and keyboard player Gianluca Gerlini. Bassist Stefano Gabbani eventually replaced Piagesi and then guitarist Gianni Vergelli also joined in. Their style is similar to STANDARTE albeit much less heavy, and the guitars are used sparingly, leaving room for Gerlini to shine on the Hammond organ, Mellotron and Moog. Their albums feature excellent vocal harmonies that would have fit right into any BEATLES or TRAFFIC album of old. As influences go, we could cite BIGELF, PINK FLOYD, KING CRIMSON, ATOMIC ROOSTER, CARAVAN, ARGENT, and definitely THE BEATLES.
Both of their albums, "London Underground" and "Through a Glass Darkly" (a spoof on an old STONES compilation LP), are a real throwback to the swinging 60's and early 70's; in fact, if it wasn't for the clean production, you'd swear these were recorded in 1970. The first album revisits the late 60's psychedelia whereas the second is fully early 70's progressive. The overall sound is very British (these Italian vocalists possess an impeccable command of the English language, b.t.w.) and both albums are expertly played and well produced. Is it prog? Well, it is definitely experimental yet accessible, delightfully retro and thoroughly enjoyable. Very cool stuff!
Excellent albums for a trip back to the hip days, with tons of Mellotron. Both are highly recommended.
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