EELS
''WONDERFUL, GLORIOUS, DISC TWO''
FEBRUARY 5 2013
90:30
DISC ONE
1. Bombs Away/5:23
2. Kinda Fuzzy/3:38
3. Accident Prone/2:48
4. Peach Blossom/4:01
5. On the Ropes/3:10
6. The Turnaround/4:49
7. New Alphabet/4:08
8. Stick Together/3:42
9. True Original/3:48
10. Open My Present/3:09
11. You're My Friend/3:47
12. I Am Building a Shrine/3:35
13. Wonderful, Glorious/3:43
DISC TWO
1. Hold On to Your Hat/0:46
2. Your Mama Warned You/3:09
3. I'm Your Brave Little Soldier/2:51
4. There's Something Strange/3:12
5. Happy Hour (We're Gonna Rock)/3:50
6. That's Not Really Funny (Live 2011)/4:55
7. In My Dreams (Live 2010)/3:07
8. Prizefighter (Live 2010)/3:01
9. Looking Up (Live 2011)/5:06
10. What I Have To Offer (Live At Kexp)/2:56
11. I Like The Way This Is Going (Live At Kexp)/2:13
12. Spectacular Girl (Live At Kexp)/3:32
13. Summer In The City (Live At Kexp)/2:12
REVIEW
by Gregory Heaney
On his tenth album under the Eels moniker, Mark "E" Everett continues to follow his musical muse wherever it'll take him with Wonderful, Glorious. After so many records it seems like E would be well past the point of any new firsts, but this is the first album to be recorded in his expansive new studio, mysteriously named The Compound, as well as the first album written in collaboration with the rest of the band. This more open, organic process comes through on the songs, providing E and company with a refreshing amount of creative freedom after the relative confinement of doing a conceptual three-album trilogy (2009's Hombre Lobo and 2010's End Times and Tomorrow Morning). While this process and studio have made their impact musically, Eels fans can rest assured that E's melancholic, beaten-down lyricism remains intact. Proclaiming "Every time I find myself in this old bind, watching the death of all my hopes/In the ring so long gonna prove 'em wrong, I'm not knocked out but I'm on the ropes" during the sad yet hopeful "On the Ropes," the album finds Everett in a more grounded and, relatively, positive place. This feeling is reinforced on "New Alphabet," where Everett lets us know "It's looking good, I dug my way out/I'm changing up what the story's about," making it clear that this new way of making music is working for him both artistically and personally, and though there's plenty of evidence that E is still out there suffering for his art, it seems that his days are a little less dark than usual.
BIOGRAPHY
by Greg Prato
Although Eels are often marketed as a full-fledged band, singer/songwriter E (real name: Mark Oliver Everett) is responsible for the group's sound and direction. Born in Virginia on April 9, 1963, Everett became interested in rock music at an early age via his sister's record collection, and began playing drums at the age of six (as well as tinkering on his family's piano). As the years progressed, Everett began leading a troubled teenage life, which was further complicated by his father's death. However, the turmoil led to an even stronger interest in music, as he taught himself how to play his sister's guitar and began writing his own original compositions. (Tragedy would later form the catalyst for Eels' magnum opus, Electro-Shock Blues.)
Due to the fact that several of his friends also were named Mark, it was also around this time that Everett began going by his initials -- and eventually, solely by the letter "E." By his early twenties, E was recording demo material on a used four-track cassette recorder, and eventually decided to pursue his rock & roll dreams by relocating to Los Angeles. Due to his prolific songwriting, the quality of his tunes naturally began to improve, which led to a recording contract as a solo artist for Polydor Records. This was followed by a pair of underappreciated releases, 1992's A Man Called E (which was supported with a tour opening for Tori Amos) and 1993's Broken Toy Shop, before E left the label and formed Eels along with bassist Tommy Walter and drummer Butch Norton. The trio inked a deal with the then-newly formed Dreamworks label and issued Eels' debut, 1996's Beautiful Freak. The album spawned a sizable MTV/alternative radio hit with "Novocaine for the Soul," its promo clip received three MTV Video Music Award nominations the following year, and the group's popularity rose in England (resulting in a Brit Award, which was presented to the group by goof metallists Spinal Tap).
What should have been a time of great promise for E turned out to be one of tragedy, as both the singer's sister and mother passed away in quick succession. This was compounded by Walter's departure from the group. The dark mood resonated in Eels' sophomore effort, Electro-Shock Blues, which proved to be stronger than its predecessor yet failed to fuel much commercial success. With new bassist Adam Siegal in tow, the group toured behind the album's release before returning to the studio immediately afterward to work on a third album. Issued in 2000, Daisies of the Galaxy offered a slightly brighter outlook and featured a guest appearance from R.E.M.'s guitarist Peter Buck, who also helped co-pen a track. Despite the album's commercial failure, E put together "the Eels Orchestra" and launched an international tour in support of its release. The six-piece band featured saxophone, trombone, trumpet, banjo, guitar, violin, upright bass, piano, melodica, clarinet, and timpani -- to make it work on-stage, each bandmember was required to play three to four different instruments each night.
After a live recording of the 2000 Eels Orchestra tour, Oh What a Beautiful Morning, was issued via the group's official website, E began preparing for Eels' fourth studio release. Instead of penning the entire album by himself (as he'd done with the group's previous work), E turned to John Parish for help. The two created Souljacker, which was issued throughout most of the world in September 2001 and hit American shores early the following year (in the U.S., the first edition of the CD also contained a bonus four-track disc). The resulting tour saw E and Norton joined by multi-instrumentalist Parish, as well as new bassist/synthesizer player Koool G Murder. A live disc, Electro-Shock Blues Show, followed soon after to promote the tour.
Spring 2003 began a flurry of Eels/E-related releases, beginning with MC Honky and his SpinART release I Am the Messiah. While the man behind Messiah's splattering mix of hip-hop beats, dance grooves, and kitschy samples was little more than E in DJ drag, the album was nevertheless an enjoyable slice of summertime fun. E's score for the indie film Levity arrived in April, and June saw the release of the Eels' fifth studio album, Shootenanny! Its follow-up, 2005's Blinking Lights and Other Revelations, was an ambitious double album including 33 songs. Eels' With Strings: Live at Town Hall album, recorded June 30, 2005, documented the New York Town Hall performance during their 2005 tour of the same name, and another With Strings: Live at Town Hall edition was simultaneously issued in February 2006 with a concert DVD.
In 2008, Eels released two CD/DVD sets -- Meet the Eels: Essential Eels 1996-2006, Vol. 1 and Useless Trinkets: B Sides, Soundtracks, Rarities and Unreleased 1996-2007. The band's music also comprised the bulk of the soundtrack for Yes Man, a comedy featuring Jim Carrey. E then returned to the drawing board and emerged with Hombre Lobo, a concept album about desire that arrived in mid-2009, followed closely by the MySpace Transmissions Session 2009 live EP. The lo-fi End Times, which revolved around the central theme of broken love, arrived in 2010, but was followed in August by Tomorrow Morning, a much more polished album of upbeat optimism that relied heavily on analog electronics to drive its songs. In 2011 Eels issued Hombre Loco, End Times, and Tomorrow Morning as a box set entitled Trilogy with an accompanying DVD. Eels 10th album, Wonderful, Glorious, arrived early in 2013.
''WONDERFUL, GLORIOUS, DISC TWO''
FEBRUARY 5 2013
90:30
DISC ONE
1. Bombs Away/5:23
2. Kinda Fuzzy/3:38
3. Accident Prone/2:48
4. Peach Blossom/4:01
5. On the Ropes/3:10
6. The Turnaround/4:49
7. New Alphabet/4:08
8. Stick Together/3:42
9. True Original/3:48
10. Open My Present/3:09
11. You're My Friend/3:47
12. I Am Building a Shrine/3:35
13. Wonderful, Glorious/3:43
DISC TWO
1. Hold On to Your Hat/0:46
2. Your Mama Warned You/3:09
3. I'm Your Brave Little Soldier/2:51
4. There's Something Strange/3:12
5. Happy Hour (We're Gonna Rock)/3:50
6. That's Not Really Funny (Live 2011)/4:55
7. In My Dreams (Live 2010)/3:07
8. Prizefighter (Live 2010)/3:01
9. Looking Up (Live 2011)/5:06
10. What I Have To Offer (Live At Kexp)/2:56
11. I Like The Way This Is Going (Live At Kexp)/2:13
12. Spectacular Girl (Live At Kexp)/3:32
13. Summer In The City (Live At Kexp)/2:12
REVIEW
by Gregory Heaney
On his tenth album under the Eels moniker, Mark "E" Everett continues to follow his musical muse wherever it'll take him with Wonderful, Glorious. After so many records it seems like E would be well past the point of any new firsts, but this is the first album to be recorded in his expansive new studio, mysteriously named The Compound, as well as the first album written in collaboration with the rest of the band. This more open, organic process comes through on the songs, providing E and company with a refreshing amount of creative freedom after the relative confinement of doing a conceptual three-album trilogy (2009's Hombre Lobo and 2010's End Times and Tomorrow Morning). While this process and studio have made their impact musically, Eels fans can rest assured that E's melancholic, beaten-down lyricism remains intact. Proclaiming "Every time I find myself in this old bind, watching the death of all my hopes/In the ring so long gonna prove 'em wrong, I'm not knocked out but I'm on the ropes" during the sad yet hopeful "On the Ropes," the album finds Everett in a more grounded and, relatively, positive place. This feeling is reinforced on "New Alphabet," where Everett lets us know "It's looking good, I dug my way out/I'm changing up what the story's about," making it clear that this new way of making music is working for him both artistically and personally, and though there's plenty of evidence that E is still out there suffering for his art, it seems that his days are a little less dark than usual.
BIOGRAPHY
by Greg Prato
Although Eels are often marketed as a full-fledged band, singer/songwriter E (real name: Mark Oliver Everett) is responsible for the group's sound and direction. Born in Virginia on April 9, 1963, Everett became interested in rock music at an early age via his sister's record collection, and began playing drums at the age of six (as well as tinkering on his family's piano). As the years progressed, Everett began leading a troubled teenage life, which was further complicated by his father's death. However, the turmoil led to an even stronger interest in music, as he taught himself how to play his sister's guitar and began writing his own original compositions. (Tragedy would later form the catalyst for Eels' magnum opus, Electro-Shock Blues.)
Due to the fact that several of his friends also were named Mark, it was also around this time that Everett began going by his initials -- and eventually, solely by the letter "E." By his early twenties, E was recording demo material on a used four-track cassette recorder, and eventually decided to pursue his rock & roll dreams by relocating to Los Angeles. Due to his prolific songwriting, the quality of his tunes naturally began to improve, which led to a recording contract as a solo artist for Polydor Records. This was followed by a pair of underappreciated releases, 1992's A Man Called E (which was supported with a tour opening for Tori Amos) and 1993's Broken Toy Shop, before E left the label and formed Eels along with bassist Tommy Walter and drummer Butch Norton. The trio inked a deal with the then-newly formed Dreamworks label and issued Eels' debut, 1996's Beautiful Freak. The album spawned a sizable MTV/alternative radio hit with "Novocaine for the Soul," its promo clip received three MTV Video Music Award nominations the following year, and the group's popularity rose in England (resulting in a Brit Award, which was presented to the group by goof metallists Spinal Tap).
What should have been a time of great promise for E turned out to be one of tragedy, as both the singer's sister and mother passed away in quick succession. This was compounded by Walter's departure from the group. The dark mood resonated in Eels' sophomore effort, Electro-Shock Blues, which proved to be stronger than its predecessor yet failed to fuel much commercial success. With new bassist Adam Siegal in tow, the group toured behind the album's release before returning to the studio immediately afterward to work on a third album. Issued in 2000, Daisies of the Galaxy offered a slightly brighter outlook and featured a guest appearance from R.E.M.'s guitarist Peter Buck, who also helped co-pen a track. Despite the album's commercial failure, E put together "the Eels Orchestra" and launched an international tour in support of its release. The six-piece band featured saxophone, trombone, trumpet, banjo, guitar, violin, upright bass, piano, melodica, clarinet, and timpani -- to make it work on-stage, each bandmember was required to play three to four different instruments each night.
After a live recording of the 2000 Eels Orchestra tour, Oh What a Beautiful Morning, was issued via the group's official website, E began preparing for Eels' fourth studio release. Instead of penning the entire album by himself (as he'd done with the group's previous work), E turned to John Parish for help. The two created Souljacker, which was issued throughout most of the world in September 2001 and hit American shores early the following year (in the U.S., the first edition of the CD also contained a bonus four-track disc). The resulting tour saw E and Norton joined by multi-instrumentalist Parish, as well as new bassist/synthesizer player Koool G Murder. A live disc, Electro-Shock Blues Show, followed soon after to promote the tour.
Spring 2003 began a flurry of Eels/E-related releases, beginning with MC Honky and his SpinART release I Am the Messiah. While the man behind Messiah's splattering mix of hip-hop beats, dance grooves, and kitschy samples was little more than E in DJ drag, the album was nevertheless an enjoyable slice of summertime fun. E's score for the indie film Levity arrived in April, and June saw the release of the Eels' fifth studio album, Shootenanny! Its follow-up, 2005's Blinking Lights and Other Revelations, was an ambitious double album including 33 songs. Eels' With Strings: Live at Town Hall album, recorded June 30, 2005, documented the New York Town Hall performance during their 2005 tour of the same name, and another With Strings: Live at Town Hall edition was simultaneously issued in February 2006 with a concert DVD.
In 2008, Eels released two CD/DVD sets -- Meet the Eels: Essential Eels 1996-2006, Vol. 1 and Useless Trinkets: B Sides, Soundtracks, Rarities and Unreleased 1996-2007. The band's music also comprised the bulk of the soundtrack for Yes Man, a comedy featuring Jim Carrey. E then returned to the drawing board and emerged with Hombre Lobo, a concept album about desire that arrived in mid-2009, followed closely by the MySpace Transmissions Session 2009 live EP. The lo-fi End Times, which revolved around the central theme of broken love, arrived in 2010, but was followed in August by Tomorrow Morning, a much more polished album of upbeat optimism that relied heavily on analog electronics to drive its songs. In 2011 Eels issued Hombre Loco, End Times, and Tomorrow Morning as a box set entitled Trilogy with an accompanying DVD. Eels 10th album, Wonderful, Glorious, arrived early in 2013.
