
WILLIE HUTCH
''THE VERY BEST OF WILLIE HUTCH''
AUGUST 25 1998
60:10
1/Love Power/4:18
2/Party Down
Willie Hutch/3:49
3/The Way We Were
Alan Bergman / Marilyn Bergman / Marvin Hamlisch/4:37
4/I'll Be There
Hal Davis / Willie Hutch / Berry Gordy, Jr. / Bob West/5:04
5/I Choose You
Willie Hutch/3:40
6/Slick
Willie Hutch/3:35
7/What You Gonna Do After the Party
Willie Hutch/4:21
8/Get Ready for the Get Down
Willie Hutch/3:51
9/Stormy Weather
Harold Arlen / Ted Koehler/4:24
10/Theme of Foxy Brown/Overture of Foxy Brown
Willie Hutch/3:21
11/Sunshine Lady
Willie Hutch/3:54
12/If You Ain't Got No Money (You Can't Get No Honey)
Richard Hutch / Willie Hutch/3:13
13/Brother's Gonna Work It Out
Willie Hutch/4:45
14/In and Out
Willie Hutch/7:18
REVIEW
by Alex Henderson
One of the unsung heroes of 1970s soul, Willie Hutch was never the big name he deserved to be. The smooth singer/composer had a few major and moderate hits, but commercially, he didn't make it to the level of Marvin Gaye, Ronald Isley, and Curtis Mayfield (all of whom he inspires comparisons to). Released in late 1998, The Very Best of Willie Hutch spans 1972-1982 and reminds us how engaging a singer he was in his heyday. Hutch could get funky when he wanted to, and he does so with splendid results on "Get Ready for the Get Down" (a number 24 R&B hit), "Brothers Gonna Work It Out," and the theme from the 1973 blaxploitation film Foxy Brown. But for the most part, Hutch made his mark as a romantic crooner. It is Hutch's smooth, romantic side that prevails on "Sunshine Lady," "I Choose You," "What You Gonna Do After the Party," and his inspired makeover of Barbra Streisand's "The Way We Were." Appropriately, the CD opens with Hutch's biggest hit: the perky, feel-good anthem "Love Power," which went to number nine on the R&B singles charts. Full of gems that were recorded during Hutch's peak years, this CD is essential listening for lovers of 1970s soul.
BIOGRAPHY
by Greg Prato
A versatile figure during Motown's "golden years," Willie Hutch penned hits for other artists, as well as issuing albums on his own. Born Willie McKinley Hutchinson during 1946 in Los Angeles, CA, Hutch was raised in Dallas, TX, where he began signing as a teenager (as a member of an outfit called the Ambassadors). It was also during his teenaged years that Hutch began penning his own songs, and in 1964 issued a debut solo single, "Love Has Put Me Down." Soon after, his songwriting talents attracted the attention of the soon to be renowned '60s pop-soul outfit the 5th Dimension, for whom Hutch penned several tracks, as well as earning a co-production credit for the group's 1967 debut full-length Up, Up and Away. In 1970, producer Hal Davis asked Hutch to help finish off a song he desperately needed completed for the Jackson 5, "I'll Be There." Hutch delivered; the band recorded Hutch's version the next day, as it eventually became one of the 5's biggest early hits, and led to Motown head honcho Berry Gordy hiring Hutch to act as a songwriter/producer for other Motown artists on a regular basis.
Hutch then produced albums for Michael Jackson and Smokey Robinson during the early '70s, during which time Hutch penned the soundtrack to the 1973 blaxploitation flick The Mack on his own. The soundtrack is often considered to be one of the era's finest, as it spawned such funk-soul classics as the title track, "Brother's Gonna Work It Out," and "Slick." Hutch continued to issue solo releases for Motown, including such titles as Fully Exposed (1973), Foxy Brown, (1975), The Mark of the Beast (1975), Concert in Blues (1976), and Color Her Sunshine (1976), among others. After briefly relocating to the Whitfield record company for a few releases, Hutch returned back to Motown, where he issued further solo albums and worked with others, including a duet between the Four Tops and Aretha Franklin (1983's "What Have We Got to Lose"), Sammy Davis, Jr.'s "Hello Detroit" (1984), and a soundtrack album for the 1985 movie The Last Dragon. Hutch sporadically issued further solo sets in the '90s (1994's From the Heart and 1996's The Mack Is Back), before returning six years later with 2002's Sexalicious. He passed away on September 19, 2005, at his home outside Dallas, TX.
DoWnLoAd
''THE VERY BEST OF WILLIE HUTCH''
AUGUST 25 1998
60:10
1/Love Power/4:18
2/Party Down
Willie Hutch/3:49
3/The Way We Were
Alan Bergman / Marilyn Bergman / Marvin Hamlisch/4:37
4/I'll Be There
Hal Davis / Willie Hutch / Berry Gordy, Jr. / Bob West/5:04
5/I Choose You
Willie Hutch/3:40
6/Slick
Willie Hutch/3:35
7/What You Gonna Do After the Party
Willie Hutch/4:21
8/Get Ready for the Get Down
Willie Hutch/3:51
9/Stormy Weather
Harold Arlen / Ted Koehler/4:24
10/Theme of Foxy Brown/Overture of Foxy Brown
Willie Hutch/3:21
11/Sunshine Lady
Willie Hutch/3:54
12/If You Ain't Got No Money (You Can't Get No Honey)
Richard Hutch / Willie Hutch/3:13
13/Brother's Gonna Work It Out
Willie Hutch/4:45
14/In and Out
Willie Hutch/7:18
REVIEW
by Alex Henderson
One of the unsung heroes of 1970s soul, Willie Hutch was never the big name he deserved to be. The smooth singer/composer had a few major and moderate hits, but commercially, he didn't make it to the level of Marvin Gaye, Ronald Isley, and Curtis Mayfield (all of whom he inspires comparisons to). Released in late 1998, The Very Best of Willie Hutch spans 1972-1982 and reminds us how engaging a singer he was in his heyday. Hutch could get funky when he wanted to, and he does so with splendid results on "Get Ready for the Get Down" (a number 24 R&B hit), "Brothers Gonna Work It Out," and the theme from the 1973 blaxploitation film Foxy Brown. But for the most part, Hutch made his mark as a romantic crooner. It is Hutch's smooth, romantic side that prevails on "Sunshine Lady," "I Choose You," "What You Gonna Do After the Party," and his inspired makeover of Barbra Streisand's "The Way We Were." Appropriately, the CD opens with Hutch's biggest hit: the perky, feel-good anthem "Love Power," which went to number nine on the R&B singles charts. Full of gems that were recorded during Hutch's peak years, this CD is essential listening for lovers of 1970s soul.
BIOGRAPHY
by Greg Prato
A versatile figure during Motown's "golden years," Willie Hutch penned hits for other artists, as well as issuing albums on his own. Born Willie McKinley Hutchinson during 1946 in Los Angeles, CA, Hutch was raised in Dallas, TX, where he began signing as a teenager (as a member of an outfit called the Ambassadors). It was also during his teenaged years that Hutch began penning his own songs, and in 1964 issued a debut solo single, "Love Has Put Me Down." Soon after, his songwriting talents attracted the attention of the soon to be renowned '60s pop-soul outfit the 5th Dimension, for whom Hutch penned several tracks, as well as earning a co-production credit for the group's 1967 debut full-length Up, Up and Away. In 1970, producer Hal Davis asked Hutch to help finish off a song he desperately needed completed for the Jackson 5, "I'll Be There." Hutch delivered; the band recorded Hutch's version the next day, as it eventually became one of the 5's biggest early hits, and led to Motown head honcho Berry Gordy hiring Hutch to act as a songwriter/producer for other Motown artists on a regular basis.
Hutch then produced albums for Michael Jackson and Smokey Robinson during the early '70s, during which time Hutch penned the soundtrack to the 1973 blaxploitation flick The Mack on his own. The soundtrack is often considered to be one of the era's finest, as it spawned such funk-soul classics as the title track, "Brother's Gonna Work It Out," and "Slick." Hutch continued to issue solo releases for Motown, including such titles as Fully Exposed (1973), Foxy Brown, (1975), The Mark of the Beast (1975), Concert in Blues (1976), and Color Her Sunshine (1976), among others. After briefly relocating to the Whitfield record company for a few releases, Hutch returned back to Motown, where he issued further solo albums and worked with others, including a duet between the Four Tops and Aretha Franklin (1983's "What Have We Got to Lose"), Sammy Davis, Jr.'s "Hello Detroit" (1984), and a soundtrack album for the 1985 movie The Last Dragon. Hutch sporadically issued further solo sets in the '90s (1994's From the Heart and 1996's The Mack Is Back), before returning six years later with 2002's Sexalicious. He passed away on September 19, 2005, at his home outside Dallas, TX.
DoWnLoAd