FATES WARNING
''DARKNESS IN A DIFFERENT LIGHT, DISC ONE''
OCTOBER 1 2013
79:05
DISC ONE
1 /One Thousand Fires
Ray Alder / Frank Aresti / Matheos/7:21
2 /Firefly
Ray Alder / Matheos/4:59
3 /Desire
Ray Alder / Matheos/3:59
4 /Falling
Ray Alder / Matheos/1:34
5 /I Am
Ray Alder / Bobby Jarzombek / Matheos/5:08
6 /Lighthouse
Ray Alder / Matheos/5:25
7 /Into the Black
Ray Alder / Matheos/5:09
8 /Kneel and Obey
Matheos/5:05
9 /O Chloroform
Kevin Moore/4:13
10 /And Yet It Moves
Matheos/14:03
DISC TWO
1 /Firefly [Extended]
Ray Alder / Matheos/7:22
2 /Falling Further
Ray Alder / Matheos/4:45
3 /One [Live]
Ray Alder / Matheos/4:41
4 /Life in Still Water [Live]
Ray Alder / Matheos/5:21
Ray Alder/Vocals
Frank Aresti/Additional Lead Guitar, Backing Vocals On 3
Bobby Jarzombek/Drums
Jim Matheos/Guitars
Joey Vera/Bass
REVIEW
by Gregory Heaney
Progressive metal pioneers Fates Warning finally make their return to the music world with their 11th album, Darkness in a Different Light, released nine years after their last full-length. A lot has changed in the metal world since their last outing, as best highlighted by the band's switch from longtime home Metal Blade to German prog label Inside Out. With the advent of progressive extreme metal, technicality has become more the norm in the metal world, with bands pushing their playing to the limits on a regular basis. And while these bands have no doubt benefited from Fates Warning's aggressive influence on the metal world, they've lost sight of some of the classical elements of the genre. With Darkness in a Different Light, the band rolls back the clock to bring us back to a time when songs felt more like sprawling compositions than theoretical math problems, slowing things down to let the music take on a life of its own as the songs build. This creates a feeling of drama and tension that makes the songs more than just musical thought experiments on the limits of human guitar heroics. While Darkness in a Different Light has a sound that definitely dates the band, it's good to see Fates Warning continuing to do their own thing. For some bands, the impulse to try chasing down the pack might lead to a real disaster of an album, but given how far ahead of everyone else they started out, their return finds them coming back to a metal world that might have moved on, but hasn't left them behind.
BIOGRAPHY
by Greg Prato
When prog rock first reared its head during the early '70s, it contained elements of hard rock, but few bands crossed the line into heavy metal. This all changed during the '80s, when bands such as Dream Theater, Watchtower, and Fates Warning merged their love of Yes and Rush with their admiration for Iron Maiden and Judas Priest. Formed in Hartford, Connecticut in 1983, Fates Warning have endured quite a few lineup changes since their inception, with the exception of guitarist Jim Matheos, who has been present through it all. Starting off as a straight-ahead metal band (their progressive side didn't show up until a few years later), Fates Warning built up a regional following, which soon led to a recording contract with metal indie label Metal Blade. With vocals being handled by John Arch, Fates Warning issued such titles as 1984's Night on Brocken, 1985's The Spectre Within, and 1986's Awaken the Guardian, the latter of which became the first record from the group to appear on the Billboard album charts.
Wanting to break out of a somewhat one-dimensional metal sound, Arch was dismissed in 1987 and replaced with Ray Alder. The move immediately paid off for Fates Warning, as their music (and lyrics/subject matter) became much more complex and challenging. The band's first recording with Alder, 1988's No Exit, would go on to become their highest-charting album ever (peaking at number 111), and was followed up a year later with Perfect Symmetry, as well as an inaugural tour of Europe. The early '90s saw Fates Warning focus primarily on touring (only one album was issued during a several-year span, 1991's Parallels), although Matheos did issue a solo album in 1993, First Impressions. In 1994 the group issued Inside Out, which was supported with a U.S. tour alongside Dream Theater (at a hometown gig in Connecticut, former frontman Arch joined the band on-stage). The band's first best-of compilation, Chasing Time, followed a year later, as did appearances on tribute albums for Rush (Working Man) and Judas Priest (Legends of Heavy Metal), which helped buy Fates Warning time as they began composing the most challenging album of their career. It was also around this time that former Armored Saint bassist Joey Vera joined the group (although he was originally thought to be a temporary replacement, Vera was still present several years later).
Finally issued in 1997, Pleasant Shade of Gray took the extended suite style of 2112 and Tales from Topographic Oceans to a new extreme, as the album was comprised of a single hourlong song (broken down into 12 different untitled sections). The very first live release by Fates Warning, Still Life, was issued in 1998, while Matheos issued a solo release the following year (Away with Words) and Alder, having formed a side project, Engine, recorded an eponymous CD. Fates Warning continue strong into the 21st century, as evidenced by 2000's studio album Disconnected and further extensive touring -- including a set of summer dates in 2003 alongside prog metal comrades Queensrÿche and Dream Theater. The band marked its 20th anniversary with the release of FWX in 2004. Though Fates Warning continued to tour, it would be nine years before they released another album, with their 11th outing, Darkness in a Different Light, finally arriving in 2013.
''DARKNESS IN A DIFFERENT LIGHT, DISC ONE''
OCTOBER 1 2013
79:05
DISC ONE
1 /One Thousand Fires
Ray Alder / Frank Aresti / Matheos/7:21
2 /Firefly
Ray Alder / Matheos/4:59
3 /Desire
Ray Alder / Matheos/3:59
4 /Falling
Ray Alder / Matheos/1:34
5 /I Am
Ray Alder / Bobby Jarzombek / Matheos/5:08
6 /Lighthouse
Ray Alder / Matheos/5:25
7 /Into the Black
Ray Alder / Matheos/5:09
8 /Kneel and Obey
Matheos/5:05
9 /O Chloroform
Kevin Moore/4:13
10 /And Yet It Moves
Matheos/14:03
DISC TWO
1 /Firefly [Extended]
Ray Alder / Matheos/7:22
2 /Falling Further
Ray Alder / Matheos/4:45
3 /One [Live]
Ray Alder / Matheos/4:41
4 /Life in Still Water [Live]
Ray Alder / Matheos/5:21
Ray Alder/Vocals
Frank Aresti/Additional Lead Guitar, Backing Vocals On 3
Bobby Jarzombek/Drums
Jim Matheos/Guitars
Joey Vera/Bass
REVIEW
by Gregory Heaney
Progressive metal pioneers Fates Warning finally make their return to the music world with their 11th album, Darkness in a Different Light, released nine years after their last full-length. A lot has changed in the metal world since their last outing, as best highlighted by the band's switch from longtime home Metal Blade to German prog label Inside Out. With the advent of progressive extreme metal, technicality has become more the norm in the metal world, with bands pushing their playing to the limits on a regular basis. And while these bands have no doubt benefited from Fates Warning's aggressive influence on the metal world, they've lost sight of some of the classical elements of the genre. With Darkness in a Different Light, the band rolls back the clock to bring us back to a time when songs felt more like sprawling compositions than theoretical math problems, slowing things down to let the music take on a life of its own as the songs build. This creates a feeling of drama and tension that makes the songs more than just musical thought experiments on the limits of human guitar heroics. While Darkness in a Different Light has a sound that definitely dates the band, it's good to see Fates Warning continuing to do their own thing. For some bands, the impulse to try chasing down the pack might lead to a real disaster of an album, but given how far ahead of everyone else they started out, their return finds them coming back to a metal world that might have moved on, but hasn't left them behind.
BIOGRAPHY
by Greg Prato
When prog rock first reared its head during the early '70s, it contained elements of hard rock, but few bands crossed the line into heavy metal. This all changed during the '80s, when bands such as Dream Theater, Watchtower, and Fates Warning merged their love of Yes and Rush with their admiration for Iron Maiden and Judas Priest. Formed in Hartford, Connecticut in 1983, Fates Warning have endured quite a few lineup changes since their inception, with the exception of guitarist Jim Matheos, who has been present through it all. Starting off as a straight-ahead metal band (their progressive side didn't show up until a few years later), Fates Warning built up a regional following, which soon led to a recording contract with metal indie label Metal Blade. With vocals being handled by John Arch, Fates Warning issued such titles as 1984's Night on Brocken, 1985's The Spectre Within, and 1986's Awaken the Guardian, the latter of which became the first record from the group to appear on the Billboard album charts.
Wanting to break out of a somewhat one-dimensional metal sound, Arch was dismissed in 1987 and replaced with Ray Alder. The move immediately paid off for Fates Warning, as their music (and lyrics/subject matter) became much more complex and challenging. The band's first recording with Alder, 1988's No Exit, would go on to become their highest-charting album ever (peaking at number 111), and was followed up a year later with Perfect Symmetry, as well as an inaugural tour of Europe. The early '90s saw Fates Warning focus primarily on touring (only one album was issued during a several-year span, 1991's Parallels), although Matheos did issue a solo album in 1993, First Impressions. In 1994 the group issued Inside Out, which was supported with a U.S. tour alongside Dream Theater (at a hometown gig in Connecticut, former frontman Arch joined the band on-stage). The band's first best-of compilation, Chasing Time, followed a year later, as did appearances on tribute albums for Rush (Working Man) and Judas Priest (Legends of Heavy Metal), which helped buy Fates Warning time as they began composing the most challenging album of their career. It was also around this time that former Armored Saint bassist Joey Vera joined the group (although he was originally thought to be a temporary replacement, Vera was still present several years later).
Finally issued in 1997, Pleasant Shade of Gray took the extended suite style of 2112 and Tales from Topographic Oceans to a new extreme, as the album was comprised of a single hourlong song (broken down into 12 different untitled sections). The very first live release by Fates Warning, Still Life, was issued in 1998, while Matheos issued a solo release the following year (Away with Words) and Alder, having formed a side project, Engine, recorded an eponymous CD. Fates Warning continue strong into the 21st century, as evidenced by 2000's studio album Disconnected and further extensive touring -- including a set of summer dates in 2003 alongside prog metal comrades Queensrÿche and Dream Theater. The band marked its 20th anniversary with the release of FWX in 2004. Though Fates Warning continued to tour, it would be nine years before they released another album, with their 11th outing, Darkness in a Different Light, finally arriving in 2013.
No comments :
Post a Comment