DOG SOLDIER
''DOG SOLDIER''
1975
65:27
1 - Pillar To Post/4:58
2 - Several People/5:16
3 - You Are My Spark/7:14
4 - Long & Lonely Night/5:26
5 - Giving As Good As You Get/4:48
6 - Thieves & Robbers/5:48
7 - Stranger In My Own Time/4:34
8 - Looks Like Rain/11:29
9 - Looks Like Rain (First Version) (Bonus Track)/15:32
Miller Anderson - guitar, vocals
Derek Griffiths - guitar, vocals
Mel Simpson - keyboards, vocals
Paul Bliss - bass, vocals
Keef Hartley - drums
Eric Dillon - drums
Jim Leverton - bass
REVIEW
by Richie Unterberger
Dog Soldier's sole, self-titled album had strong connections to the Keef Hartley Band, with Hartley on drums; longtime Hartley band singer and guitarist Miller Anderson; and Derek Griffiths, who'd played alongside Hartley in the mid-'60s in the Artwoods, on guitar and vocals as well. The record isn't as blues-rock-oriented as most of Hartley's past work, perhaps because, according to the liner notes to the 2011 CD reissue, "the story goes that the band were placed under a certain amount of pressure to pursue a radio-friendly American AOR feel, much against their will." Despite the group's impressive credentials, the record is indeed an unsatisfying, unimpressive mid-'70s AOR effort, and not solely because the bandmembers seem uncertain of their direction. There's some undistinguished histrionic hard rock of the kind you'd expect from an album whose cover boasts a ludicrous painting of a Native American warrior astride a rocket ship. This is leavened by touches of art rock, usually via Mel Simpson's sometimes spacy keyboards, as well as some nagging if unmemorable hard rock riffs and a dose of the pop harmonies you'd expect from a band pressured to get American airplay. The CD reissue on Esoteric adds historical liner notes and a lengthier version (identified as "first version") of the most interesting track, the 11-minute closer, "Looks Like Rain," which has the record's most extended and faintly psychedelic instrumental progressive rock passage.
BIOGRAPHY
By Allmusic
Born 8 March 1944, Preston, Lancashire, England, died 27 November 2011. Together with Colosseum, the Keef Hartley Band of the late 60s forged jazz and rock music sympathetically to appeal to the UK progressive music scene. Drummer Hartley had already had vast experience in live performances as Ringo Starr’s replacement in Rory Storm And The Hurricanes. When Merseybeat died, Hartley was enlisted by the London-based R&B band the Artwoods, whose line-up included future Deep Purple leader Jon Lord. Hartley was present on their only album, Art Gallery (now a much sought-after collector’s item). He joined John Mayall’s Bluesbreakers and was present during one of Mayall’s vintage periods. Both Crusade and Diary Of A Band highlighted Hartley’s economical drumming and faultless timing. The brass-laden instrumental track on John Mayall’s Bare Wires is titled ‘Hartley Quits’. The good-natured banter between Hartley and his ex-boss continued onto Hartley’s strong debut, Halfbreed. The opening track, ‘Hearts And Flowers,’ has the voice of Mayall on the telephone officially sacking Hartley, albeit tongue-in-cheek, while the closing track ‘Sacked’ has Hartley dismissing Mayall! The intervening music features some of the best ever late-60s jazz-influenced blues, and the album remains an undiscovered classic.
The band for the first album was comprised of Miller Anderson (b. 12 April 1945, Johnston, Renfrewshire, Scotland; guitar and vocals), Gary Thain (b. 15 May 1948, Wellington, New Zealand, d. 8 December 1975, Norwood Green, Middlesex, England; bass), Peter Dines (b. 17 December 1944, Hertford, England, d. 28 January 2004; organ) and Spit James (guitar). Later members to join Hartley’s fluid line-up included Mick Weaver (aka Wynder K. Frog) organ, Henry Lowther (b. 11 July 1941, Leicester, England; trumpet/violin), Jimmy Jewell (saxophone), Johnny Almond (flute), Jon Hiseman (who guested on percussion and congas) and Harry Beckett. Hartley, often dressed as an American Indian, sometimes soberly, sometimes in full headdress and war paint, was a popular attraction on the small club scene. His was one of the few British bands to play the Woodstock Festival, where his critics compared him favourably with Blood, Sweat And Tears. The Battle Of North West Six in 1969 further enhanced his club reputation, although chart success still eluded him. By the time of the third album both Lowther and Jewell had departed, although Hartley always maintained that his band was like a jazz band, in that musicians could come and go and be free to play with other aggregations.
Dave Caswell and Lyle Jenkins came in and made The Time Is Near.... This album demonstrated Miller Anderson’s fine songwriting ability, and producer Neil Slaven’s excellent production. They were justly rewarded when the album briefly nudged its way into the UK and US charts. Subsequent albums lost the fire that Hartley kindled on the first three, although the formation of his Little Big Band and the subsequent live album had some fine moments. The recording at London’s Marquee club saw the largest ever band assembled on the tiny stage; almost the entire British jazz/rock fraternity seemed to be present, including Chris Mercer, Lynn Dobson, Ray Warleigh, Barbara Thompson and Derek Wadsworth. By the time Seventy Second Brave was released, Anderson had departed, having signed a contract as a solo artist. He was clearly the jewel in Hartley’s crown (or headgear) and the cohesion that Anderson gave the band as the main songwriter, lead vocalist and lead guitar was instantly lost. Future recordings also lacked Slaven’s even production. Hartley and Anderson came together again in 1974 for one album as Dog Soldier but Hartley was largely inactive in music for many years apart from the occasional tour with John Mayall and sessions with Michael Chapman. In the mid-90s he had a carpentry business in Preston, Lancashire, and although it was alleged that he no longer owned a drum kit, attempts were made in the mid-90s to re-form the original line-up of this highly undervalued band (which certainly warrants reappraisal in the 21st century). However, the reunion never transpired, and Keef Hartley died on 27 November 2011 at the age of 67.
''DOG SOLDIER''
1975
65:27
1 - Pillar To Post/4:58
2 - Several People/5:16
3 - You Are My Spark/7:14
4 - Long & Lonely Night/5:26
5 - Giving As Good As You Get/4:48
6 - Thieves & Robbers/5:48
7 - Stranger In My Own Time/4:34
8 - Looks Like Rain/11:29
9 - Looks Like Rain (First Version) (Bonus Track)/15:32
Miller Anderson - guitar, vocals
Derek Griffiths - guitar, vocals
Mel Simpson - keyboards, vocals
Paul Bliss - bass, vocals
Keef Hartley - drums
Eric Dillon - drums
Jim Leverton - bass
REVIEW
by Richie Unterberger
Dog Soldier's sole, self-titled album had strong connections to the Keef Hartley Band, with Hartley on drums; longtime Hartley band singer and guitarist Miller Anderson; and Derek Griffiths, who'd played alongside Hartley in the mid-'60s in the Artwoods, on guitar and vocals as well. The record isn't as blues-rock-oriented as most of Hartley's past work, perhaps because, according to the liner notes to the 2011 CD reissue, "the story goes that the band were placed under a certain amount of pressure to pursue a radio-friendly American AOR feel, much against their will." Despite the group's impressive credentials, the record is indeed an unsatisfying, unimpressive mid-'70s AOR effort, and not solely because the bandmembers seem uncertain of their direction. There's some undistinguished histrionic hard rock of the kind you'd expect from an album whose cover boasts a ludicrous painting of a Native American warrior astride a rocket ship. This is leavened by touches of art rock, usually via Mel Simpson's sometimes spacy keyboards, as well as some nagging if unmemorable hard rock riffs and a dose of the pop harmonies you'd expect from a band pressured to get American airplay. The CD reissue on Esoteric adds historical liner notes and a lengthier version (identified as "first version") of the most interesting track, the 11-minute closer, "Looks Like Rain," which has the record's most extended and faintly psychedelic instrumental progressive rock passage.
BIOGRAPHY
By Allmusic
Born 8 March 1944, Preston, Lancashire, England, died 27 November 2011. Together with Colosseum, the Keef Hartley Band of the late 60s forged jazz and rock music sympathetically to appeal to the UK progressive music scene. Drummer Hartley had already had vast experience in live performances as Ringo Starr’s replacement in Rory Storm And The Hurricanes. When Merseybeat died, Hartley was enlisted by the London-based R&B band the Artwoods, whose line-up included future Deep Purple leader Jon Lord. Hartley was present on their only album, Art Gallery (now a much sought-after collector’s item). He joined John Mayall’s Bluesbreakers and was present during one of Mayall’s vintage periods. Both Crusade and Diary Of A Band highlighted Hartley’s economical drumming and faultless timing. The brass-laden instrumental track on John Mayall’s Bare Wires is titled ‘Hartley Quits’. The good-natured banter between Hartley and his ex-boss continued onto Hartley’s strong debut, Halfbreed. The opening track, ‘Hearts And Flowers,’ has the voice of Mayall on the telephone officially sacking Hartley, albeit tongue-in-cheek, while the closing track ‘Sacked’ has Hartley dismissing Mayall! The intervening music features some of the best ever late-60s jazz-influenced blues, and the album remains an undiscovered classic.
The band for the first album was comprised of Miller Anderson (b. 12 April 1945, Johnston, Renfrewshire, Scotland; guitar and vocals), Gary Thain (b. 15 May 1948, Wellington, New Zealand, d. 8 December 1975, Norwood Green, Middlesex, England; bass), Peter Dines (b. 17 December 1944, Hertford, England, d. 28 January 2004; organ) and Spit James (guitar). Later members to join Hartley’s fluid line-up included Mick Weaver (aka Wynder K. Frog) organ, Henry Lowther (b. 11 July 1941, Leicester, England; trumpet/violin), Jimmy Jewell (saxophone), Johnny Almond (flute), Jon Hiseman (who guested on percussion and congas) and Harry Beckett. Hartley, often dressed as an American Indian, sometimes soberly, sometimes in full headdress and war paint, was a popular attraction on the small club scene. His was one of the few British bands to play the Woodstock Festival, where his critics compared him favourably with Blood, Sweat And Tears. The Battle Of North West Six in 1969 further enhanced his club reputation, although chart success still eluded him. By the time of the third album both Lowther and Jewell had departed, although Hartley always maintained that his band was like a jazz band, in that musicians could come and go and be free to play with other aggregations.
Dave Caswell and Lyle Jenkins came in and made The Time Is Near.... This album demonstrated Miller Anderson’s fine songwriting ability, and producer Neil Slaven’s excellent production. They were justly rewarded when the album briefly nudged its way into the UK and US charts. Subsequent albums lost the fire that Hartley kindled on the first three, although the formation of his Little Big Band and the subsequent live album had some fine moments. The recording at London’s Marquee club saw the largest ever band assembled on the tiny stage; almost the entire British jazz/rock fraternity seemed to be present, including Chris Mercer, Lynn Dobson, Ray Warleigh, Barbara Thompson and Derek Wadsworth. By the time Seventy Second Brave was released, Anderson had departed, having signed a contract as a solo artist. He was clearly the jewel in Hartley’s crown (or headgear) and the cohesion that Anderson gave the band as the main songwriter, lead vocalist and lead guitar was instantly lost. Future recordings also lacked Slaven’s even production. Hartley and Anderson came together again in 1974 for one album as Dog Soldier but Hartley was largely inactive in music for many years apart from the occasional tour with John Mayall and sessions with Michael Chapman. In the mid-90s he had a carpentry business in Preston, Lancashire, and although it was alleged that he no longer owned a drum kit, attempts were made in the mid-90s to re-form the original line-up of this highly undervalued band (which certainly warrants reappraisal in the 21st century). However, the reunion never transpired, and Keef Hartley died on 27 November 2011 at the age of 67.
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