CHRIS FARLOWE & THE THUNDERBIRDS
''BURSTING OVER BREMEN, DISC ONE''
APRIL 7 2014
95:10
DISC ONE
1./Watching the River Flow/06:24
2./Jealous Kind/06:43
3./Satisfy Susie/07:00
4./Stormy Monday Blues/13:42
5./Watch Your Step/04:05
6./I Think It's Going to Rain Today/04:08
7./Time Is Tight/03:49
DISC TWO
1./I Haven't Found Nothing Yet/03:47
2./Shakey Ground/05:48
3./I've Been Born Again/05:51
4./The Thrill Is Gone/08:40
5./Lucille/06:23
6./Sweet Little Sixteen/05:28
7./Ain't No Love in the Heart of the City/05:46
8./I Believe in You/04:00
9./Going Back to Louisiana/03:27
Review
By Jimbo Starr
The M.i.G. (Made in Germany) label expand their Chris Farlowe catalogue further by issuing a superb 1985 concert recording on CD for the first time. "Bursting Over Bremen" captures Chris and a line-up of The Thunderbirds live in Schauburg, Bremen on October 7th 1985 (this was the first time that Chris had played in Germany with this group of musicians). The show was broadcast by Radio Bremen, and the recording quality is first class!
According to the sleeve notes, Chris himself doesn't recall the show but when he heard the recording he remarked "I didn't know how good we were!" The Thunderbirds line-up at the time consisted of Tim Hinkley (keyboards), Mo Witham (guitar), Tex Comer (bass), one-time Dr Feelgood drummer John `The Big Figure' Martin, and Martin Winning (saxophone). The band is in sparkling form throughout, with the set a diverse mixture of blues / R&B standards (but strangely no `Out of Time'!).
Four of the tracks had previously been recorded for Chris's 1985 album "Out Of The Blue", while `I've Been Born Again' would appear on the following year's "Born Again" (these albums have recently been issued as a twofer by M.i.G. - Out Of The Blue / Born Again ).
The show kicks off with Bob Dylan's `Watching The River Flow', followed by what Chris considers his favourite from this recording - Delbert McClinton's `Jealous Kind'. The band really hit their stride with a funky take on the Charlie Feathers number `Satisfy Susie', notable for some terrific sax from Martin Winning. There's a sizzling and lengthy bluesy workout of the classic `Stormy Monday Blues' and then a fiery version of Bobby Parker's `Watch Your Step' (which features some wonderful lead guitar work by Mo Witham).
Chris demonstrates why he's known as "The Voice" with a magnificent a cappella solo rendition of Randy Newman's `I Think It's Going To Rain Today', before he takes a well deserved break and leaves the band to showcase an instrumental classic - Booker T & The MG's `Time Is Tight'.
CD2 opens with the Ray Charles number `I Haven't Found Nothing Yet' and the band then demonstrate their funkiness again with `Shakey Ground' (co-written by Funkadelic's Eddie Hazel, and originally a hit for The Temptations). Next up is `I've Been Born Again', and then one of the great R&B / blues songs, `The Thrill is Gone' (written in 1951 by Roy Hawkins and Rick Darnell and recorded by, amongst others, BB King).
A classic double dose of rock'n'roll follows in the guise of Little Richard's `Lucille' and Chuck Berry's `Sweet Little Sixteen'. There's an atmospheric take on `Ain't No Love In The Heart Of The City' (first recorded by Bobby "Blue" Bland), before the set concludes with `I Believe In You' (no writer credit for this one) and a lively `Going Back To Louisiana' (another song made famous by Delbert McClinton).
The two CDs are housed in an attractive foldout digipak. There are a mixture of vintage and more contemporary photographs, and 4 pages of notes about Chris's career written by Uli Kniep. Overall, this is an excellent release - sound quality is superb, and Chris and the band are on top form!
Biography
by Bruce Eder
Chris Farlowe always seemed destined for great things as a singer -- and based on the company he kept on-stage and the people he worked with in the mid-'60s, he did succeed, at least on that level. Born John Henry Deighton in Islington, North London, in 1940, he reached his early teens just as the skiffle boom was breaking in England, and was inspired by Lonnie Donegan to enter music. His first band was his own John Henry Skiffle Group, where he played guitar as well as sang, but he gave up playing to concentrate on his voice, as he made the switch to rock & roll. He eventually took the name Chris Farlowe, the surname appropriated from American jazz guitarist Tal Farlow, and was fronting a group called the Thunderbirds, as Chris Farlowe & the Thunderbirds. They built their reputation as a live act in England and Germany, and slowly switched from rock & roll to R&B during the early years of the '60s. Their debut single, "Air Travel," released in 1962, failed to chart, but the following year, Chris Farlowe & the Thunderbirds (whose ranks included future star guitarist Albert Lee) were signed to EMI's Columbia imprint, through which they issued a series of five singles thru 1966, all of which got enthusiastic critical receptions while generating poor sales.
In 1966, with his EMI contract up, Farlowe was snatched up by Andrew Oldham, who knew a thing or two about white Britons who could sing R&B, having signed the Rolling Stones three years earlier, and put him under contract to his new Immediate Records label. Immediate's history with unestablished artists is mostly a story of talent cultivated for future success, but with Farlowe it was different -- he actually became a star on the label, through the label. His luck began to change early on, as he saw a Top 40 chart placement with his introduction of the Jagger/Richards song "Think," which the Rolling Stones later released as an album track on Aftermath. That summer, he had the biggest hit of his career with his rendition of the Stones' "Out of Time," in a moody and dramatic version orchestrated by Arthur Greenslade, which reached number one on the British charts. Farlowe had enough credibility as a soul singer by then to be asked to appear on the Ready, Steady, Go broadcast of September 16, 1966, a special program featuring visiting American soul legend Otis Redding -- he'd covered Redding's "Mr. Pitiful" on an Immediate EP, and now Farlowe was on stage with Otis (and Eric Burdon), and got featured in two numbers.
That was to be his peak year, however. The subsequent single releases on Immediate, including his version of the Stones' "Ride on Baby," failed to match the success of the first two singles, and he last charted for Immediate with "Handbags and Gladrags," written for him by Manfred Mann's Mike d'Abo. The label, always in dire financial straits, tried repackaging his songs several different ways on LP, but after 1967 his recording career was more or less frozen until the label's demise in 1970. After that, Farlowe's story became one of awkward match-ups with certain groups, including the original Colosseum on three albums, and Atomic Rooster (post-Carl Palmer). Following a car accident that left him inactive for two years, he made an attempt at re-forming the Thunderbirds in the mid-'70s, and "Out of Time" kept turning up in various reissues, but he saw little new success. Farlowe was rescued from oblivion by his better-known contemporary (and fellow Immediate Records alumnus) Jimmy Page, appearing on the latter's Outrider album in the '80s, which heralded a BBC appearance that brought him back to center stage in the public consciousness for the first time in two decades. Farlowe followed this up with new albums and touring with various reconstituted '60s and '70s groups, and although he never saw another hit single, his reputation as a live performer was enough to sustain a career -- nor did the release of his Ready, Steady, Go appearance with Otis Redding on videotape and laser disc exactly hurt his reputation; indeed, that was the first time many Americans appreciated just how serious a following he'd had in England. His recent albums, including The Voice, have gotten respectable reviews, and his Immediate Records legacy was finally getting treated properly in the 21st century, as well. Along with Manfred Mann's Mike d'Abo and Paul Jones, Farlowe remains one of those voices from 1960s England that -- with good reason -- hasn't faded and simply won't disappear.
OFFICIAL SITE
''BURSTING OVER BREMEN, DISC ONE''
APRIL 7 2014
95:10
DISC ONE
1./Watching the River Flow/06:24
2./Jealous Kind/06:43
3./Satisfy Susie/07:00
4./Stormy Monday Blues/13:42
5./Watch Your Step/04:05
6./I Think It's Going to Rain Today/04:08
7./Time Is Tight/03:49
DISC TWO
1./I Haven't Found Nothing Yet/03:47
2./Shakey Ground/05:48
3./I've Been Born Again/05:51
4./The Thrill Is Gone/08:40
5./Lucille/06:23
6./Sweet Little Sixteen/05:28
7./Ain't No Love in the Heart of the City/05:46
8./I Believe in You/04:00
9./Going Back to Louisiana/03:27
Review
By Jimbo Starr
The M.i.G. (Made in Germany) label expand their Chris Farlowe catalogue further by issuing a superb 1985 concert recording on CD for the first time. "Bursting Over Bremen" captures Chris and a line-up of The Thunderbirds live in Schauburg, Bremen on October 7th 1985 (this was the first time that Chris had played in Germany with this group of musicians). The show was broadcast by Radio Bremen, and the recording quality is first class!
According to the sleeve notes, Chris himself doesn't recall the show but when he heard the recording he remarked "I didn't know how good we were!" The Thunderbirds line-up at the time consisted of Tim Hinkley (keyboards), Mo Witham (guitar), Tex Comer (bass), one-time Dr Feelgood drummer John `The Big Figure' Martin, and Martin Winning (saxophone). The band is in sparkling form throughout, with the set a diverse mixture of blues / R&B standards (but strangely no `Out of Time'!).
Four of the tracks had previously been recorded for Chris's 1985 album "Out Of The Blue", while `I've Been Born Again' would appear on the following year's "Born Again" (these albums have recently been issued as a twofer by M.i.G. - Out Of The Blue / Born Again ).
The show kicks off with Bob Dylan's `Watching The River Flow', followed by what Chris considers his favourite from this recording - Delbert McClinton's `Jealous Kind'. The band really hit their stride with a funky take on the Charlie Feathers number `Satisfy Susie', notable for some terrific sax from Martin Winning. There's a sizzling and lengthy bluesy workout of the classic `Stormy Monday Blues' and then a fiery version of Bobby Parker's `Watch Your Step' (which features some wonderful lead guitar work by Mo Witham).
Chris demonstrates why he's known as "The Voice" with a magnificent a cappella solo rendition of Randy Newman's `I Think It's Going To Rain Today', before he takes a well deserved break and leaves the band to showcase an instrumental classic - Booker T & The MG's `Time Is Tight'.
CD2 opens with the Ray Charles number `I Haven't Found Nothing Yet' and the band then demonstrate their funkiness again with `Shakey Ground' (co-written by Funkadelic's Eddie Hazel, and originally a hit for The Temptations). Next up is `I've Been Born Again', and then one of the great R&B / blues songs, `The Thrill is Gone' (written in 1951 by Roy Hawkins and Rick Darnell and recorded by, amongst others, BB King).
A classic double dose of rock'n'roll follows in the guise of Little Richard's `Lucille' and Chuck Berry's `Sweet Little Sixteen'. There's an atmospheric take on `Ain't No Love In The Heart Of The City' (first recorded by Bobby "Blue" Bland), before the set concludes with `I Believe In You' (no writer credit for this one) and a lively `Going Back To Louisiana' (another song made famous by Delbert McClinton).
The two CDs are housed in an attractive foldout digipak. There are a mixture of vintage and more contemporary photographs, and 4 pages of notes about Chris's career written by Uli Kniep. Overall, this is an excellent release - sound quality is superb, and Chris and the band are on top form!
Biography
by Bruce Eder
Chris Farlowe always seemed destined for great things as a singer -- and based on the company he kept on-stage and the people he worked with in the mid-'60s, he did succeed, at least on that level. Born John Henry Deighton in Islington, North London, in 1940, he reached his early teens just as the skiffle boom was breaking in England, and was inspired by Lonnie Donegan to enter music. His first band was his own John Henry Skiffle Group, where he played guitar as well as sang, but he gave up playing to concentrate on his voice, as he made the switch to rock & roll. He eventually took the name Chris Farlowe, the surname appropriated from American jazz guitarist Tal Farlow, and was fronting a group called the Thunderbirds, as Chris Farlowe & the Thunderbirds. They built their reputation as a live act in England and Germany, and slowly switched from rock & roll to R&B during the early years of the '60s. Their debut single, "Air Travel," released in 1962, failed to chart, but the following year, Chris Farlowe & the Thunderbirds (whose ranks included future star guitarist Albert Lee) were signed to EMI's Columbia imprint, through which they issued a series of five singles thru 1966, all of which got enthusiastic critical receptions while generating poor sales.
In 1966, with his EMI contract up, Farlowe was snatched up by Andrew Oldham, who knew a thing or two about white Britons who could sing R&B, having signed the Rolling Stones three years earlier, and put him under contract to his new Immediate Records label. Immediate's history with unestablished artists is mostly a story of talent cultivated for future success, but with Farlowe it was different -- he actually became a star on the label, through the label. His luck began to change early on, as he saw a Top 40 chart placement with his introduction of the Jagger/Richards song "Think," which the Rolling Stones later released as an album track on Aftermath. That summer, he had the biggest hit of his career with his rendition of the Stones' "Out of Time," in a moody and dramatic version orchestrated by Arthur Greenslade, which reached number one on the British charts. Farlowe had enough credibility as a soul singer by then to be asked to appear on the Ready, Steady, Go broadcast of September 16, 1966, a special program featuring visiting American soul legend Otis Redding -- he'd covered Redding's "Mr. Pitiful" on an Immediate EP, and now Farlowe was on stage with Otis (and Eric Burdon), and got featured in two numbers.
That was to be his peak year, however. The subsequent single releases on Immediate, including his version of the Stones' "Ride on Baby," failed to match the success of the first two singles, and he last charted for Immediate with "Handbags and Gladrags," written for him by Manfred Mann's Mike d'Abo. The label, always in dire financial straits, tried repackaging his songs several different ways on LP, but after 1967 his recording career was more or less frozen until the label's demise in 1970. After that, Farlowe's story became one of awkward match-ups with certain groups, including the original Colosseum on three albums, and Atomic Rooster (post-Carl Palmer). Following a car accident that left him inactive for two years, he made an attempt at re-forming the Thunderbirds in the mid-'70s, and "Out of Time" kept turning up in various reissues, but he saw little new success. Farlowe was rescued from oblivion by his better-known contemporary (and fellow Immediate Records alumnus) Jimmy Page, appearing on the latter's Outrider album in the '80s, which heralded a BBC appearance that brought him back to center stage in the public consciousness for the first time in two decades. Farlowe followed this up with new albums and touring with various reconstituted '60s and '70s groups, and although he never saw another hit single, his reputation as a live performer was enough to sustain a career -- nor did the release of his Ready, Steady, Go appearance with Otis Redding on videotape and laser disc exactly hurt his reputation; indeed, that was the first time many Americans appreciated just how serious a following he'd had in England. His recent albums, including The Voice, have gotten respectable reviews, and his Immediate Records legacy was finally getting treated properly in the 21st century, as well. Along with Manfred Mann's Mike d'Abo and Paul Jones, Farlowe remains one of those voices from 1960s England that -- with good reason -- hasn't faded and simply won't disappear.
OFFICIAL SITE
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