LUCKY PETERSON
''EVERY SECOND A FOOL IS BORN''
APRIL 19 2011
51:44
1 /Ain't Going to Boss Me 4:15
2 /I Can Do Better by Myself 3:28
3 /Changing Ways 3:29
4 /Every Second a Fool Is Born 5:27
5 /Baby Please 3:48
6 /Love Me 6:53
7 /After the Dance 3:43
8 /My Baby Changed 6:15
9 /Running Down the Railroad 6:38
10 /Have Mercy on Us 3:15
11 /Lucky's Blues 4:33
Liz Mikel /Guest Artist, Vocals
Todd Parsnow /Vocals (Background)
Lucky Peterson /Guitar, Keyboards, Vocals
Tamara Peterson /Guest Artist, Vocals
Raul Valdez /Drums
REVIEW
by Steve Leggett
The son of blues guitarist and singer James Peterson, Lucky Peterson was born to the blues. He was a child prodigy Hammond B-3 organ player and, mentored by one of his father's friends, the great songwriter, bassist, arranger, and producer Willie Dixon, Peterson was still only five when he scored an R&B hit with the Dixon-produced "1-2-3-4," the novelty of it all landing him appearances on The Tonight Show, The Ed Sullivan Show, and others, and his debut album appeared in 1969. But then Peterson discovered the electric guitar, and by the time his Bob Greenlee-produced Lucky Strikes! album appeared in 1989, he was a triple-threat multi-instrumentalist who managed to fuse R&B, jazz, gospel, funk, and rock with the blues. This set, released in 2011 by JSP Records, is a fine example of Peterson's joyous fusion approach to the blues, and features plenty of his beautiful and emotionally searing guitar leads, as well as some pretty good piano and organ, too.
BIOGRAPHY
by Bill Dahl
Child prodigy status is sometimes difficult to overcome upon reaching maturity. Not so for Lucky Peterson -- he's far bigger (in more ways than one) on the contemporary blues circuit than he was at the precocious age of six, when he scored a national R&B hit with the Willie Dixon-produced "1-2-3-4."
Little Lucky Peterson was lucky to be born into a musical family. His dad, James Peterson, owned the Governor's Inn, a popular Buffalo, New York blues nightclub that booked the biggies: Jimmy Reed, Muddy Waters, Bill Doggett. The latter's mighty Hammond B-3 organ fascinated the four-and-a-half-year-old lad, and soon Peterson was on his way under Dixon's tutelage. "1-2-3-4" got Peterson on The Tonight Show and The Ed Sullivan Show, but he didn't rest on his laurels -- he was doubling on guitar at age eight, and at 17, he signed on as Little Milton's keyboardist for three years.
A three-year stint with Bobby Bland preceded Peterson's solo career launch, which took off when he struck up a musical relationship with Florida-based producer Bob Greenlee. Two Greenlee-produced albums for Alligator, 1989's Lucky Strikes! and the following year's Triple Play, remain a pair of his finest recorded offerings. Extensive session work behind everyone from Etta James to Kenny Neal to Otis Rush also commenced during this period.
In 1992, Peterson's first Verve label album, I'm Ready, found him boldly mixing contemporary rock and soul into his simmering blues stew. More high-energy Verve sets followed, making it clear that Peterson's career was in full swing (meanwhile, his father fashioned his own career as a bluesman with albums for Ichiban and Waldoxy and remained an active player in Florida until his death in 2010). Lucky made his debut for new label Blue Thumb with a self-titled effort released in 1999, and Double Dealin' followed in early 2001.
The new millennium found Peterson recording a number of well-received albums for various labels, including Black Midnight Sun (2003, Dreyfus), the father-and-son James and Lucky Peterson duo album If You Can't Fix It (2004, JSP), Heart of Pain (2010, JSP), You Can Always Turn Around (2010, Dreyfus), and Every Second a Fool Is Born (2011, JSP). Peterson self-produced himself for the first time with 2014's The Son of a Bluesman, which appeared on the Jazz Village imprint.
OFFICIAL SITE
''EVERY SECOND A FOOL IS BORN''
APRIL 19 2011
51:44
1 /Ain't Going to Boss Me 4:15
2 /I Can Do Better by Myself 3:28
3 /Changing Ways 3:29
4 /Every Second a Fool Is Born 5:27
5 /Baby Please 3:48
6 /Love Me 6:53
7 /After the Dance 3:43
8 /My Baby Changed 6:15
9 /Running Down the Railroad 6:38
10 /Have Mercy on Us 3:15
11 /Lucky's Blues 4:33
Liz Mikel /Guest Artist, Vocals
Todd Parsnow /Vocals (Background)
Lucky Peterson /Guitar, Keyboards, Vocals
Tamara Peterson /Guest Artist, Vocals
Raul Valdez /Drums
REVIEW
by Steve Leggett
The son of blues guitarist and singer James Peterson, Lucky Peterson was born to the blues. He was a child prodigy Hammond B-3 organ player and, mentored by one of his father's friends, the great songwriter, bassist, arranger, and producer Willie Dixon, Peterson was still only five when he scored an R&B hit with the Dixon-produced "1-2-3-4," the novelty of it all landing him appearances on The Tonight Show, The Ed Sullivan Show, and others, and his debut album appeared in 1969. But then Peterson discovered the electric guitar, and by the time his Bob Greenlee-produced Lucky Strikes! album appeared in 1989, he was a triple-threat multi-instrumentalist who managed to fuse R&B, jazz, gospel, funk, and rock with the blues. This set, released in 2011 by JSP Records, is a fine example of Peterson's joyous fusion approach to the blues, and features plenty of his beautiful and emotionally searing guitar leads, as well as some pretty good piano and organ, too.
BIOGRAPHY
by Bill Dahl
Child prodigy status is sometimes difficult to overcome upon reaching maturity. Not so for Lucky Peterson -- he's far bigger (in more ways than one) on the contemporary blues circuit than he was at the precocious age of six, when he scored a national R&B hit with the Willie Dixon-produced "1-2-3-4."
Little Lucky Peterson was lucky to be born into a musical family. His dad, James Peterson, owned the Governor's Inn, a popular Buffalo, New York blues nightclub that booked the biggies: Jimmy Reed, Muddy Waters, Bill Doggett. The latter's mighty Hammond B-3 organ fascinated the four-and-a-half-year-old lad, and soon Peterson was on his way under Dixon's tutelage. "1-2-3-4" got Peterson on The Tonight Show and The Ed Sullivan Show, but he didn't rest on his laurels -- he was doubling on guitar at age eight, and at 17, he signed on as Little Milton's keyboardist for three years.
A three-year stint with Bobby Bland preceded Peterson's solo career launch, which took off when he struck up a musical relationship with Florida-based producer Bob Greenlee. Two Greenlee-produced albums for Alligator, 1989's Lucky Strikes! and the following year's Triple Play, remain a pair of his finest recorded offerings. Extensive session work behind everyone from Etta James to Kenny Neal to Otis Rush also commenced during this period.
In 1992, Peterson's first Verve label album, I'm Ready, found him boldly mixing contemporary rock and soul into his simmering blues stew. More high-energy Verve sets followed, making it clear that Peterson's career was in full swing (meanwhile, his father fashioned his own career as a bluesman with albums for Ichiban and Waldoxy and remained an active player in Florida until his death in 2010). Lucky made his debut for new label Blue Thumb with a self-titled effort released in 1999, and Double Dealin' followed in early 2001.
The new millennium found Peterson recording a number of well-received albums for various labels, including Black Midnight Sun (2003, Dreyfus), the father-and-son James and Lucky Peterson duo album If You Can't Fix It (2004, JSP), Heart of Pain (2010, JSP), You Can Always Turn Around (2010, Dreyfus), and Every Second a Fool Is Born (2011, JSP). Peterson self-produced himself for the first time with 2014's The Son of a Bluesman, which appeared on the Jazz Village imprint.
OFFICIAL SITE
2 comments :
Thanks Davi, good stuff!!
the same for Mccoy !!
George
Thanks, friend...
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