JOE PERRY PROJECT
''LET THE MUSIC DO THE TALKING''
1980
37:52
1 Let the Music Do the Talking
Joe Perry 4:43
2 Conflict of Interest
Joe Perry 4:43
3 Discount Dogs
Ralph Mormon / Joe Perry 3:42
4 Shooting Star
Joe Perry 3:39
5 Break Song
David Hull / Joe Perry / Ronnie Stewart 2:06
6 Rockin' Train
Ralph Mormon / Joe Perry 6:02
7 The Mist Is Rising
Joe Perry 6:30
8 Ready on the Firing Line
Joe Perry 3:54
9 Life at a Glance
Joe Perry 2:42
David Hull /Bass, Composer, Guitar (Bass), Vocals, Vocals (Background)
Ralph Mormon /Vocals
Joe Perry /Guitar, Producer, Synthesizer, Vocals
Ronnie Stewart /Drums
REVIEW
by Greg Prato
Joe Perry split from Aerosmith under less than favorable circumstances in 1979, directly assembling a solo band, the Joe Perry Project (with Ralph Mormon [vocals], David Hull [bass], and Ronnie Stewart [drums]), which soon released its first album, 1980's Let the Music Do the Talking. Unlike his former band, which would now take excessive amounts of time to record albums that should have been cranked out quickly, L.T.M.D.T.T. recalled the brash and trashy appeal of early Aerosmith. Maybe because he wanted to show his former bandmates that he could succeed without them, the performances were extremely inspired, while the songwriting was sharp and focused. The anthemic title track was aimed at all the in-press bickering that was going on at the time between Aerosmith and Perry. While subsequent Perry Project albums didn't contain many Perry lead vocal spots, the singing on the debut is split 50/50 between Perry and Mormon. Tracks such as "Conflict of Interest," "Discount Dogs," "Shooting Star," and "Rocking Train" were all up-tempo highlights, and the instrumental "Break Song" showed off the fantastic interplay between the new band, while "The Mist Is Rising" was more low-key. A truly great and underrated record, Let the Music Do the Talking could have been a classic Aerosmith release if the drugs hadn't split the band apart.
BIOGRAPHY
by Greg Prato
Along with Kiss' Ace Frehley, Aerosmith's Joe Perry was responsible for inspiring thousands of teenagers to pick up guitars and start rocking & rolling in the 1970s and beyond. Born September 10, 1950 in Lawrence, MA, Perry got his first taste of rock & roll at the ripe old age of six, when neighbors turned him on to such early rock nuggets as "Rock Around the Clock," "Tutti Frutti," etc. Infatuated by the likes of The Beatles and The Rolling Stones in the '60s, Perry picked up the guitar during his teenage years, and started jamming along with such British blues-rockers as The Yardbirds (Having a Rave Up with the Yardbirds) and John Mayall (Bluesbreakers), which would serve as the basis for his tough & rough blues licks that would later put Aerosmith over the top. Getting his chops together by playing with such bands as Flash, Just Us, Plastic Glass, and the Jam Band (during which he hooked up with future Aerosmith bassist Tom Hamilton), Perry crossed paths with New York City native Steven Tyler (then named Steven Tallarico) in 1969, when each of their bands would play at Sunapee, N.H.'s The Barn. Shortly thereafter, Aerosmith was formed -- consisting of Perry on guitar, Tyler on vocals, Hamilton on bass, Joey Kramer on drums, and Ray Tabano on second guitar (later replaced by Brad Whitford). Combining the blues grit of The Stones and The Yardbirds with the heavy riffing of Led Zeppelin, the band would issue their first album on Columbia in 1973, and by the late-'70s, would be one of the world's biggest rock bands (on the strength of sold-out tours and such classic albums as 1975's Toys In the Attic and 76's Rocks). But Aerosmith's first reign at the top didn't last long. Hard drugs eventually weakened the band's camaraderie and blurred their original musical vision -- leading to spats between Perry and Tyler. Frustrated with band, Perry left during the recording of 1979's Night in the Ruts, soon after forming his own band, The Joe Perry Project. The original lineup (consisting of Ralph Mormon on vocals, David Hull on bass, and Ronnie Stewart on drums, in addition to Perry), issued an inspired, woefully overlooked debut, Let the Music Do the Talking, one year later. Although the new band was promising, old habits were hard to break, as drugs ruined the band. Still, Perry soldiered on (facing bankruptcy at the time), issuing two more so-so albums with a revolving door of bandmembers. With Aerosmith's career sagging as well, Perry patched up his differences with Tyler, and reunited the classic Aero lineup by 1984. Drug abuse still ran rampant, resulting in their unfocused debut for Geffen, 1985's Done With Mirrors. But a surprise hit with rappers RUN-DMC (a remake of Aerosmith's "Walk This Way") and the Aero-members finally kicking drugs and drink for good, led to an immediate resurgence in their popularity. By the late '80s, Aerosmith was on top of the rock world again, where Perry and co remained, issuing such hit albums as Permanent Vacation, Pump, and Get a Grip.
''LET THE MUSIC DO THE TALKING''
1980
37:52
1 Let the Music Do the Talking
Joe Perry 4:43
2 Conflict of Interest
Joe Perry 4:43
3 Discount Dogs
Ralph Mormon / Joe Perry 3:42
4 Shooting Star
Joe Perry 3:39
5 Break Song
David Hull / Joe Perry / Ronnie Stewart 2:06
6 Rockin' Train
Ralph Mormon / Joe Perry 6:02
7 The Mist Is Rising
Joe Perry 6:30
8 Ready on the Firing Line
Joe Perry 3:54
9 Life at a Glance
Joe Perry 2:42
David Hull /Bass, Composer, Guitar (Bass), Vocals, Vocals (Background)
Ralph Mormon /Vocals
Joe Perry /Guitar, Producer, Synthesizer, Vocals
Ronnie Stewart /Drums
REVIEW
by Greg Prato
Joe Perry split from Aerosmith under less than favorable circumstances in 1979, directly assembling a solo band, the Joe Perry Project (with Ralph Mormon [vocals], David Hull [bass], and Ronnie Stewart [drums]), which soon released its first album, 1980's Let the Music Do the Talking. Unlike his former band, which would now take excessive amounts of time to record albums that should have been cranked out quickly, L.T.M.D.T.T. recalled the brash and trashy appeal of early Aerosmith. Maybe because he wanted to show his former bandmates that he could succeed without them, the performances were extremely inspired, while the songwriting was sharp and focused. The anthemic title track was aimed at all the in-press bickering that was going on at the time between Aerosmith and Perry. While subsequent Perry Project albums didn't contain many Perry lead vocal spots, the singing on the debut is split 50/50 between Perry and Mormon. Tracks such as "Conflict of Interest," "Discount Dogs," "Shooting Star," and "Rocking Train" were all up-tempo highlights, and the instrumental "Break Song" showed off the fantastic interplay between the new band, while "The Mist Is Rising" was more low-key. A truly great and underrated record, Let the Music Do the Talking could have been a classic Aerosmith release if the drugs hadn't split the band apart.
BIOGRAPHY
by Greg Prato
Along with Kiss' Ace Frehley, Aerosmith's Joe Perry was responsible for inspiring thousands of teenagers to pick up guitars and start rocking & rolling in the 1970s and beyond. Born September 10, 1950 in Lawrence, MA, Perry got his first taste of rock & roll at the ripe old age of six, when neighbors turned him on to such early rock nuggets as "Rock Around the Clock," "Tutti Frutti," etc. Infatuated by the likes of The Beatles and The Rolling Stones in the '60s, Perry picked up the guitar during his teenage years, and started jamming along with such British blues-rockers as The Yardbirds (Having a Rave Up with the Yardbirds) and John Mayall (Bluesbreakers), which would serve as the basis for his tough & rough blues licks that would later put Aerosmith over the top. Getting his chops together by playing with such bands as Flash, Just Us, Plastic Glass, and the Jam Band (during which he hooked up with future Aerosmith bassist Tom Hamilton), Perry crossed paths with New York City native Steven Tyler (then named Steven Tallarico) in 1969, when each of their bands would play at Sunapee, N.H.'s The Barn. Shortly thereafter, Aerosmith was formed -- consisting of Perry on guitar, Tyler on vocals, Hamilton on bass, Joey Kramer on drums, and Ray Tabano on second guitar (later replaced by Brad Whitford). Combining the blues grit of The Stones and The Yardbirds with the heavy riffing of Led Zeppelin, the band would issue their first album on Columbia in 1973, and by the late-'70s, would be one of the world's biggest rock bands (on the strength of sold-out tours and such classic albums as 1975's Toys In the Attic and 76's Rocks). But Aerosmith's first reign at the top didn't last long. Hard drugs eventually weakened the band's camaraderie and blurred their original musical vision -- leading to spats between Perry and Tyler. Frustrated with band, Perry left during the recording of 1979's Night in the Ruts, soon after forming his own band, The Joe Perry Project. The original lineup (consisting of Ralph Mormon on vocals, David Hull on bass, and Ronnie Stewart on drums, in addition to Perry), issued an inspired, woefully overlooked debut, Let the Music Do the Talking, one year later. Although the new band was promising, old habits were hard to break, as drugs ruined the band. Still, Perry soldiered on (facing bankruptcy at the time), issuing two more so-so albums with a revolving door of bandmembers. With Aerosmith's career sagging as well, Perry patched up his differences with Tyler, and reunited the classic Aero lineup by 1984. Drug abuse still ran rampant, resulting in their unfocused debut for Geffen, 1985's Done With Mirrors. But a surprise hit with rappers RUN-DMC (a remake of Aerosmith's "Walk This Way") and the Aero-members finally kicking drugs and drink for good, led to an immediate resurgence in their popularity. By the late '80s, Aerosmith was on top of the rock world again, where Perry and co remained, issuing such hit albums as Permanent Vacation, Pump, and Get a Grip.
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