VASHTI BUNYAN
''JUST ANOTHER DIAMOND DAY''
1970
39:52
1 Just Another Diamond Day
Vashti Bunyan 1:47
2 Glow Worms
Vashti Bunyan feat: Robin Williamson 2:16
3 Lily Pond
Vashti Bunyan 1:24
4 Timothy
Vashti Bunyan 3:15
5 Where I Like to Stand
Vashti Bunyan / John James feat: Dave Swarbrick 2:21
6 Swallow Song
Vashti Bunyan 2:16
7 Window Over the Bay
Vashti Bunyan / Robert Lewis 1:47
8 Rose Hip November
Vashti Bunyan feat: Robin Williamson 2:27
9 Come Wind Come Rain
Vashti Bunyan feat: Dave Swarbrick 2:07
10 Hebridean Sun
Vashti Bunyan / Robert Lewis 1:13
11 Rainbow River
Vashti Bunyan 3:22
12 Trawlerman's Song
Vashti Bunyan / Robert Lewis 1:56
13 Jog Along Bess
Vashti Bunyan feat: Dave Williamson 3:36
14 Iris's Song for Us
Vashti Bunyan / Wally Dix feat: Dave Swarbrick 1:33
15 Love Song
Vashti Bunyan 1:58
16 I'd Like to Walk Around in Your Mind
Vashti Bunyan 2:15
17 Winter Is Blue
Vashti Bunyan feat: Mike Crowther 1:48
18 Iris's Song for Us
Vashti Bunyan / Wally Dix 2:31
Vashti Bunyan/Acoustic Guitar, Vocals
Mike Crowther/Guitar On 17
Dave Swarbrick/Fiddle, Mandolin
Robin Williamson/Fiddle, Irish Harp, Whistle (Human) On 8, 13
Christopher Sykes/Piano, Organ
John James/Dulcitone
Simon Nicol/Banjo On 5, 9, 14
Robert Kirby/String and Recorder Arrangements on 1, 6, 11
REVIEW
by Richie Unterberger
About five years after briefly surfacing as part of Andrew Loog Oldham's stable, Vashti -- now billing herself with her full name, Vashti Bunyan -- made her only album. A folkier and more serious-minded effort than her initial mid-'60s recordings, it is a pleasing yet overly dainty slice of British rock-tinged folk, produced by Joe Boyd. A certain similarity to some other acts under Boyd's supervision, such as the Incredible String Band and Fairport Convention, was assured by contributions from the ISB's Robin Williamson and Fairport's Dave Swarbrick and Simon Nicol. For good measure, there were string and recorder arrangements by Robert Kirby, who had done some string arrangements for Nick Drake, another Boyd-produced artist. Comprised solely of original material, Just Another Diamond Day contained dignified yet slightly sad ruminations with a pastoral, indeed rural feel, imbued with images of solitary meditations upon rain, wind, sunsets, and open fields. The drum-less, acoustic arrangements yielded an intimate ambience well-suited for Vashti's fragile, measured, almost despondently wispy vocals. These were rather in the manner of Marianne Faithfull's highest and most whispery early efforts, albeit with far folkier setting and more vivid lyrics. The CD reissue of this rarity (on Spinney) is enhanced by four bonus tracks that, with an oh-so-slight poppier bent, actually rate as the best material on the disc: the 1966 B-side "Love Song," a pair of unreleased 1966-1967 acetates, and a 1969 version of "Iris' Song" (to be redone as "Iris's Song for Us" on the LP). It's too bad, though, that the other three songs from her official 1965-1966 singles weren't added, as well, to make this a more complete retrospective.
BIOGRAPHY
by Bruce Eder
Vashti Bunyan is a folk chanteuse and singer/songwriter, best known for her 1970 album Just Another Diamond Day, which was rediscovered in the 21st century and dusted off with a new CD issue as one of the great musical finds of its era. Born in London in 1945 -- and counting herself a direct descendant of writer/preacher John Bunyan (1629-1688) -- she first took up the guitar while a student at the Ruskin School of Fine Art and Drawing, from which she was ultimately expelled at age 18 for spending too much time writing songs and not enough time painting. A bit of a free spirit even then, she took a trip to New York and, while there, fell under the spell of Bob Dylan's music, especially his album The Freewheelin' Bob Dylan. Once back in London, Bunyan was committed to a career in music, and through theatrical agent Monte Mackay she soon met Rolling Stones manager/producer Andrew Loog Oldham. In his recollections in 2007, he saw and heard in her the equivalent of Juliette Gréco, Marie Laforet, and Françoise Hardy, except that she was English -- he signed her to Decca Records and for her debut single brought her the Mick Jagger/Keith Richards-penned "Some Things Just Stick in Your Mind." The record earned little attention, and Bunyan moved to Columbia for the follow-up, "Train Song," released in May of 1966.
She moved into the orbit of Oldham's Immediate Records after its founding that year and recorded a brace of sides, mostly of her own music, none of which was issued commercially. She also cut one side with the Twice as Much (Immediate's answer to Simon & Garfunkel), entitled "The Coldest Night of the Year." The latter, with its Phil Spector-like production and beautiful harmonizing, showed off her singing at its most pop-oriented and commercial. This was during what one might call the "dolly bird" phase of Bunyan's career, in which she was part of the Swinging London scene (at least musically), and one supremely atmospheric and hauntingly beautiful performance of hers that did see the light of day was "Winter Is Blue," which turned up in Peter Whitehead's documentary Tonite Let's All Make Love in London (1967). Sometime after that, she left London in a horse-drawn wagon on a two-year journey into communal living in the Hebrides, with the ultimate goal of meeting folk icon Donovan on the Isle of Skye. She later chanced to cross paths with American producer Joe Boyd, who had made his name in London recording acts such as Pink Floyd and Fairport Convention. Throughout her travels Bunyan had continued writing songs, and in 1969 she teamed with Boyd to record her debut LP, the lovely Just Another Diamond Day, which included some assistance from such British folk notables as Simon Nicol and Dave Swarbrick from Fairport Convention, and the Incredible String Band's Robin Williamson. After completing the album she left for Ireland, dropping out of music to raise a family.
Long out of print and a highly prized collectible, Just Another Diamond Day was finally reissued on CD in the summer of 2000 and attracted an extraordinary amount of enthusiastic press, as well as something like the sales to match. Suddenly, Bunyan was in demand, fans and writers knocking at her door and sending e-mails of encouragement and support. In 2005 she returned with Lookaftering, a reference to her years "lookaftering" her family. The album appeared on Fat Cat's DiCristina imprint and featured artwork by Vashti's daughter. The release was followed by a series of performances that took her all the way to New York City, among other international locales -- by that time, word had spread sufficiently about Bunyan as a rediscovered talent that the New York performance rated mention in The New York Times. In 2007, Fat Cat/DiCristina released Some Things Just Stick in Your Mind, a compilation of Vashti Bunyan's '60s Decca, Columbia, and Immediate recordings, plus a set of demos dating from 1964.
2008 saw the release of a feature documentary, Vashti Bunyan: From Here to Before and that same year she revealed in an interview that she had begun to write some new material. In 2014, she announced that she had completed her third album, entitled Heartleap. Self-recorded and produced, she announced that it would be her final album. Heartleap was released in October of 2014.
''JUST ANOTHER DIAMOND DAY''
1970
39:52
1 Just Another Diamond Day
Vashti Bunyan 1:47
2 Glow Worms
Vashti Bunyan feat: Robin Williamson 2:16
3 Lily Pond
Vashti Bunyan 1:24
4 Timothy
Vashti Bunyan 3:15
5 Where I Like to Stand
Vashti Bunyan / John James feat: Dave Swarbrick 2:21
6 Swallow Song
Vashti Bunyan 2:16
7 Window Over the Bay
Vashti Bunyan / Robert Lewis 1:47
8 Rose Hip November
Vashti Bunyan feat: Robin Williamson 2:27
9 Come Wind Come Rain
Vashti Bunyan feat: Dave Swarbrick 2:07
10 Hebridean Sun
Vashti Bunyan / Robert Lewis 1:13
11 Rainbow River
Vashti Bunyan 3:22
12 Trawlerman's Song
Vashti Bunyan / Robert Lewis 1:56
13 Jog Along Bess
Vashti Bunyan feat: Dave Williamson 3:36
14 Iris's Song for Us
Vashti Bunyan / Wally Dix feat: Dave Swarbrick 1:33
15 Love Song
Vashti Bunyan 1:58
16 I'd Like to Walk Around in Your Mind
Vashti Bunyan 2:15
17 Winter Is Blue
Vashti Bunyan feat: Mike Crowther 1:48
18 Iris's Song for Us
Vashti Bunyan / Wally Dix 2:31
Vashti Bunyan/Acoustic Guitar, Vocals
Mike Crowther/Guitar On 17
Dave Swarbrick/Fiddle, Mandolin
Robin Williamson/Fiddle, Irish Harp, Whistle (Human) On 8, 13
Christopher Sykes/Piano, Organ
John James/Dulcitone
Simon Nicol/Banjo On 5, 9, 14
Robert Kirby/String and Recorder Arrangements on 1, 6, 11
REVIEW
by Richie Unterberger
About five years after briefly surfacing as part of Andrew Loog Oldham's stable, Vashti -- now billing herself with her full name, Vashti Bunyan -- made her only album. A folkier and more serious-minded effort than her initial mid-'60s recordings, it is a pleasing yet overly dainty slice of British rock-tinged folk, produced by Joe Boyd. A certain similarity to some other acts under Boyd's supervision, such as the Incredible String Band and Fairport Convention, was assured by contributions from the ISB's Robin Williamson and Fairport's Dave Swarbrick and Simon Nicol. For good measure, there were string and recorder arrangements by Robert Kirby, who had done some string arrangements for Nick Drake, another Boyd-produced artist. Comprised solely of original material, Just Another Diamond Day contained dignified yet slightly sad ruminations with a pastoral, indeed rural feel, imbued with images of solitary meditations upon rain, wind, sunsets, and open fields. The drum-less, acoustic arrangements yielded an intimate ambience well-suited for Vashti's fragile, measured, almost despondently wispy vocals. These were rather in the manner of Marianne Faithfull's highest and most whispery early efforts, albeit with far folkier setting and more vivid lyrics. The CD reissue of this rarity (on Spinney) is enhanced by four bonus tracks that, with an oh-so-slight poppier bent, actually rate as the best material on the disc: the 1966 B-side "Love Song," a pair of unreleased 1966-1967 acetates, and a 1969 version of "Iris' Song" (to be redone as "Iris's Song for Us" on the LP). It's too bad, though, that the other three songs from her official 1965-1966 singles weren't added, as well, to make this a more complete retrospective.
BIOGRAPHY
by Bruce Eder
Vashti Bunyan is a folk chanteuse and singer/songwriter, best known for her 1970 album Just Another Diamond Day, which was rediscovered in the 21st century and dusted off with a new CD issue as one of the great musical finds of its era. Born in London in 1945 -- and counting herself a direct descendant of writer/preacher John Bunyan (1629-1688) -- she first took up the guitar while a student at the Ruskin School of Fine Art and Drawing, from which she was ultimately expelled at age 18 for spending too much time writing songs and not enough time painting. A bit of a free spirit even then, she took a trip to New York and, while there, fell under the spell of Bob Dylan's music, especially his album The Freewheelin' Bob Dylan. Once back in London, Bunyan was committed to a career in music, and through theatrical agent Monte Mackay she soon met Rolling Stones manager/producer Andrew Loog Oldham. In his recollections in 2007, he saw and heard in her the equivalent of Juliette Gréco, Marie Laforet, and Françoise Hardy, except that she was English -- he signed her to Decca Records and for her debut single brought her the Mick Jagger/Keith Richards-penned "Some Things Just Stick in Your Mind." The record earned little attention, and Bunyan moved to Columbia for the follow-up, "Train Song," released in May of 1966.
She moved into the orbit of Oldham's Immediate Records after its founding that year and recorded a brace of sides, mostly of her own music, none of which was issued commercially. She also cut one side with the Twice as Much (Immediate's answer to Simon & Garfunkel), entitled "The Coldest Night of the Year." The latter, with its Phil Spector-like production and beautiful harmonizing, showed off her singing at its most pop-oriented and commercial. This was during what one might call the "dolly bird" phase of Bunyan's career, in which she was part of the Swinging London scene (at least musically), and one supremely atmospheric and hauntingly beautiful performance of hers that did see the light of day was "Winter Is Blue," which turned up in Peter Whitehead's documentary Tonite Let's All Make Love in London (1967). Sometime after that, she left London in a horse-drawn wagon on a two-year journey into communal living in the Hebrides, with the ultimate goal of meeting folk icon Donovan on the Isle of Skye. She later chanced to cross paths with American producer Joe Boyd, who had made his name in London recording acts such as Pink Floyd and Fairport Convention. Throughout her travels Bunyan had continued writing songs, and in 1969 she teamed with Boyd to record her debut LP, the lovely Just Another Diamond Day, which included some assistance from such British folk notables as Simon Nicol and Dave Swarbrick from Fairport Convention, and the Incredible String Band's Robin Williamson. After completing the album she left for Ireland, dropping out of music to raise a family.
Long out of print and a highly prized collectible, Just Another Diamond Day was finally reissued on CD in the summer of 2000 and attracted an extraordinary amount of enthusiastic press, as well as something like the sales to match. Suddenly, Bunyan was in demand, fans and writers knocking at her door and sending e-mails of encouragement and support. In 2005 she returned with Lookaftering, a reference to her years "lookaftering" her family. The album appeared on Fat Cat's DiCristina imprint and featured artwork by Vashti's daughter. The release was followed by a series of performances that took her all the way to New York City, among other international locales -- by that time, word had spread sufficiently about Bunyan as a rediscovered talent that the New York performance rated mention in The New York Times. In 2007, Fat Cat/DiCristina released Some Things Just Stick in Your Mind, a compilation of Vashti Bunyan's '60s Decca, Columbia, and Immediate recordings, plus a set of demos dating from 1964.
2008 saw the release of a feature documentary, Vashti Bunyan: From Here to Before and that same year she revealed in an interview that she had begun to write some new material. In 2014, she announced that she had completed her third album, entitled Heartleap. Self-recorded and produced, she announced that it would be her final album. Heartleap was released in October of 2014.
No comments :
Post a Comment