COLOSSEUM
''TIME ON OUR SIDE MMXVI''
NOVEMBER 24 2014
52:41
1 Safe As Houses (Jon Hiseman, Barbara Thompson) 04:24
2 Blues To Music (Ana Gracey) 04:55
3 The Way You Waved Goodbye (Pete Brown, Clem Clempson) 05:10
4 Dick's Licks (Pete Brown, Dave Greenslade) 04:28
5 City of Love (Pete Brown, Clem Clempson) 05:41
6 Nowhere To Be Found (Pete Brown, Clem Clempson) 04:10
7 You Just Don't Get It (?) 06:28
8 New Day (Dave Greenslade) 03:53
9 Anno Domini (Pete Brown, Dave Greenslade) 06:04
10 Morning Story (Pete Brown, Jack Bruce, Janet Godfrey) 07:21
Jon Hiseman/Drums
Dave Greenslade/Hammond Organ, Keyboards
Clem Clempson/Guitar, Vocals, Keyboards
Mark Clarke/Bass Guitar, Vocals
Barbara Thompson/Saxes
Chris Farlowe/Vocals
REVIEW
by Andy Snipper, Music News
Eleven years since ‘Tomorrow’s Blues’ and an incredible 45 since ‘Valentyne’s Suite’, Colosseum are still creating music and still creating something that only happens when this collection of grizzled old musicians get together and, mostly, there is still magic there.
The classic lineup was Hiseman, Greenslade, Clempson, Clarke, Farlowe and Heckstall-Smith and though Barbara Thompson replaced Dick Heckstall-Smith when he died in 2004 they were pretty well set. This is the classic Colosseum lineup, older but still making music that is the magical combination of 6 unique and remarkable musicians.
Chris Farlowe’s bellow is smoother and less of the growl of his prime but the heart is still there and his tone is unmistakable while John Hiseman’s drumming is less ‘massive’ than in days of yore but has a greater subtlety that adds depth to the music. Dave Greenslade still plays Hammond like very few other keyboardsmen. As for Clem Clempson, he always has a sweet tone and fluid sound and his playing is still a delight.
Musically, this is definitely an album that shows the experience of the members but there is a wide range of styles and forms from the funky Blues of ‘Blues to Music’ through the rockier ‘The Way You Waved Goodbye’ with Thompson’s sax a perfect foil for Farlowe’s vocal and Hammond underpinning the song giving real swing.
‘Dock’s Licks’ is clearly a tribute to the late Heckstall-Smith and the sleazy and jazzy tone of the song along with a jaunty rhythm just sums the man beautifully.
‘Anno Domini’ is the most like the Colosseum of old with the whole band working together like a powerhouse of music. The ‘bonus’ track is a live version of Jack Bruce’s ‘Morning Glory’ which is a brilliant tribute to a man who had played such a massive part in the story of British jazz and Blues – Farlowe’s vocal is superb.
So, three things – definitely NOT a Colosseum tribute act. Still working together brilliantly and making music that is as classic and as up to date as any band could wish for. This isn’t an updated ‘Valentyne Suite’ or ‘Daughter of Time’ – it is a very today Colosseum album.
BIOGRAPHY
by Mark Deming, AMG
One of the most influential of the early British progressive rock bands, Colosseum fused an adventurous approach to rock with strong jazz and blues influences and classical keyboard accents; they earned a loyal and lasting following though they never scored a major breakthrough hit. Colosseum was founded in 1968 by saxophonist Dick Heckstall-Smith, bassist Tony Reeves, and drummer Jon Hiseman; the three had previously worked with John Mayall, playing on his album Bare Wires, and Heckstall-Smith and Hiseman were formerly members of the Graham Bond Organisation. The first lineup was completed with the addition of Dave Greenslade on keyboards, Jim Roche on guitar and vocalist James Litherland, who took over on guitar when Roche soon departed. After making their live debut in Newcastle, Colosseum earned a valuable ally in legendary BBC disc jockey John Peel, who featured the band on his Top Gear radio show. Fontana Records signed the band, and their first album, Those Who Are About to Die Salute You, was released in 1969; it fared well in the charts, and the lead-off track, "Walking in the Park," was issued as a single, though it proved to be the only 7" from the group. Colosseum's second album, Valentyne Suite, appeared later the same year; it was the debut release from Vertigo Records, the influential progressive and hard rock label. (Vertigo and Fontana were both affiliated with the Dutch recording firm Philips.) 1970's Daughter of Time featured a new lineup of the band; James Litherland left to form the band Mogul Thrash and Tony Reeves moved into production full-time, and Colosseum added guitarist Dave Clempson, bassist Mark Clarke, and lead vocalist Chris Farlowe. Another Colosseum album, The Grass Is Greener, appeared in 1970, but it was in fact a revised version of Valentyne Suite, released only in the United States and featuring four of the original selections from the LP and four new songs. In 1971, Colosseum jumped ship from Vertigo to the newly formed Bronze Records and recorded a handful of shows at Manchester University and the Big Apple club in Brighton; the band broke up before they could complete a studio album for their new label, and 1971's Colosseum Live would prove to be the last release from the group's first era. In 1975, Jon Hiseman launched Colosseum II, a more jazz-oriented combo which also featured Gary Moore on guitar and Don Airey on keyboards; the new group released three albums before parting ways in 1978. In 1994, the Daughter of Time lineup of Colosseum reunited for a concert tour, and a live album was drawn from the concerts. The band issued a new studio album in 1997, Breads & Circuses, and Colosseum has reconvened for periodic recordings and live shows ever since. Saxophonist Barbara Thompson (who is married to Jon Hiseman) frequently appeared with the reunited version of Colosseum, and became an official member of the group following the death of Dick Heckstall-Smith in 2004.
OFFICIAL WEBSITE
''TIME ON OUR SIDE MMXVI''
NOVEMBER 24 2014
52:41
1 Safe As Houses (Jon Hiseman, Barbara Thompson) 04:24
2 Blues To Music (Ana Gracey) 04:55
3 The Way You Waved Goodbye (Pete Brown, Clem Clempson) 05:10
4 Dick's Licks (Pete Brown, Dave Greenslade) 04:28
5 City of Love (Pete Brown, Clem Clempson) 05:41
6 Nowhere To Be Found (Pete Brown, Clem Clempson) 04:10
7 You Just Don't Get It (?) 06:28
8 New Day (Dave Greenslade) 03:53
9 Anno Domini (Pete Brown, Dave Greenslade) 06:04
10 Morning Story (Pete Brown, Jack Bruce, Janet Godfrey) 07:21
Jon Hiseman/Drums
Dave Greenslade/Hammond Organ, Keyboards
Clem Clempson/Guitar, Vocals, Keyboards
Mark Clarke/Bass Guitar, Vocals
Barbara Thompson/Saxes
Chris Farlowe/Vocals
REVIEW
by Andy Snipper, Music News
Eleven years since ‘Tomorrow’s Blues’ and an incredible 45 since ‘Valentyne’s Suite’, Colosseum are still creating music and still creating something that only happens when this collection of grizzled old musicians get together and, mostly, there is still magic there.
The classic lineup was Hiseman, Greenslade, Clempson, Clarke, Farlowe and Heckstall-Smith and though Barbara Thompson replaced Dick Heckstall-Smith when he died in 2004 they were pretty well set. This is the classic Colosseum lineup, older but still making music that is the magical combination of 6 unique and remarkable musicians.
Chris Farlowe’s bellow is smoother and less of the growl of his prime but the heart is still there and his tone is unmistakable while John Hiseman’s drumming is less ‘massive’ than in days of yore but has a greater subtlety that adds depth to the music. Dave Greenslade still plays Hammond like very few other keyboardsmen. As for Clem Clempson, he always has a sweet tone and fluid sound and his playing is still a delight.
Musically, this is definitely an album that shows the experience of the members but there is a wide range of styles and forms from the funky Blues of ‘Blues to Music’ through the rockier ‘The Way You Waved Goodbye’ with Thompson’s sax a perfect foil for Farlowe’s vocal and Hammond underpinning the song giving real swing.
‘Dock’s Licks’ is clearly a tribute to the late Heckstall-Smith and the sleazy and jazzy tone of the song along with a jaunty rhythm just sums the man beautifully.
‘Anno Domini’ is the most like the Colosseum of old with the whole band working together like a powerhouse of music. The ‘bonus’ track is a live version of Jack Bruce’s ‘Morning Glory’ which is a brilliant tribute to a man who had played such a massive part in the story of British jazz and Blues – Farlowe’s vocal is superb.
So, three things – definitely NOT a Colosseum tribute act. Still working together brilliantly and making music that is as classic and as up to date as any band could wish for. This isn’t an updated ‘Valentyne Suite’ or ‘Daughter of Time’ – it is a very today Colosseum album.
BIOGRAPHY
by Mark Deming, AMG
One of the most influential of the early British progressive rock bands, Colosseum fused an adventurous approach to rock with strong jazz and blues influences and classical keyboard accents; they earned a loyal and lasting following though they never scored a major breakthrough hit. Colosseum was founded in 1968 by saxophonist Dick Heckstall-Smith, bassist Tony Reeves, and drummer Jon Hiseman; the three had previously worked with John Mayall, playing on his album Bare Wires, and Heckstall-Smith and Hiseman were formerly members of the Graham Bond Organisation. The first lineup was completed with the addition of Dave Greenslade on keyboards, Jim Roche on guitar and vocalist James Litherland, who took over on guitar when Roche soon departed. After making their live debut in Newcastle, Colosseum earned a valuable ally in legendary BBC disc jockey John Peel, who featured the band on his Top Gear radio show. Fontana Records signed the band, and their first album, Those Who Are About to Die Salute You, was released in 1969; it fared well in the charts, and the lead-off track, "Walking in the Park," was issued as a single, though it proved to be the only 7" from the group. Colosseum's second album, Valentyne Suite, appeared later the same year; it was the debut release from Vertigo Records, the influential progressive and hard rock label. (Vertigo and Fontana were both affiliated with the Dutch recording firm Philips.) 1970's Daughter of Time featured a new lineup of the band; James Litherland left to form the band Mogul Thrash and Tony Reeves moved into production full-time, and Colosseum added guitarist Dave Clempson, bassist Mark Clarke, and lead vocalist Chris Farlowe. Another Colosseum album, The Grass Is Greener, appeared in 1970, but it was in fact a revised version of Valentyne Suite, released only in the United States and featuring four of the original selections from the LP and four new songs. In 1971, Colosseum jumped ship from Vertigo to the newly formed Bronze Records and recorded a handful of shows at Manchester University and the Big Apple club in Brighton; the band broke up before they could complete a studio album for their new label, and 1971's Colosseum Live would prove to be the last release from the group's first era. In 1975, Jon Hiseman launched Colosseum II, a more jazz-oriented combo which also featured Gary Moore on guitar and Don Airey on keyboards; the new group released three albums before parting ways in 1978. In 1994, the Daughter of Time lineup of Colosseum reunited for a concert tour, and a live album was drawn from the concerts. The band issued a new studio album in 1997, Breads & Circuses, and Colosseum has reconvened for periodic recordings and live shows ever since. Saxophonist Barbara Thompson (who is married to Jon Hiseman) frequently appeared with the reunited version of Colosseum, and became an official member of the group following the death of Dick Heckstall-Smith in 2004.
OFFICIAL WEBSITE
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