MARCUS MILLER
''AFRODEEZIA''
MARCH 17 2015
64:44
1 Hylife 06:56
2 B's River 06:45
3 Preacher's Kid (Song For William H) 05:42
4 We Were There 06:46
5 Papa Was A Rolling Stone 06:02
6 I Still Believe I Hear (feat. Ben Hong) 07:05
7 Son Of Macbeth 06:11
8 Prism (Interlude) 00:29
9 Xtraordinary 06:10
10 Water Dancer 07:25
11 I Can't Breathe (feat. Mocean Worker) 05:05
ABOUT THE ALBUM
By http://www.soultracks.com/
Bassist/composer Marcus Miller has signed to Universal Jazz & Classics in France and make his debut for Blue Note Records new album Afrodeezia, which will be available March 16 in Europe and March 17 in the U.S. The album’s lead single “Hylife” is available today across all digital retailers and streaming services. Miller has also announced select shows around the album’s March release in Chicago, Washington DC, New York and Los Angeles, with further tour dates to be announced shortly.
Afrodeezia—which was inspired by Miller’s role as a UNESCO Artist For Peace and spokesperson for the organization’s Slave Route Project—was recorded in locations around the world including Morocco, Paris, Rio de Janeiro, New Orleans and Los Angeles, and features a wide range of guests including rapper Chuck D., vocalist Lalah Hathaway, keyboardist Robert Glasper, trumpeters Etienne Charles and Ambrose Akinmusire, guitarists Keb’ Mo’ and Wah Wah Watson, bassist/producer Mocean Worker, and cellist Ben Hong, as well as musicians from Africa, South America and the Caribbean. Miller’s core band includes saxophonist Alex Han, trumpeter Lee Hogans, pianist Brett Williams, guitarist Adam Agati, and drummer Louis Cato.
"It was after visiting the House of Slaves on Gorée Island that I composed “Gorée,” explains Miller, referring to the powerful track featured on his previous album Renaissance. “Onstage I felt the need to say what I had been feeling in Senegal. I wanted people to understand that this tune spoke not only of the slave tragedy but, through the music especially, that these people who suddenly found themselves at the bottom of a ship's hold had discovered a way to survive, and were able in time to transform their distress into joy. Shortly after my trip to Gorée, UNESCO named me an Artist for Peace, and made me the spokesperson for the Slave Route Project. That was when I started thinking about Afrodeezia."
"The power of music has no limits,” states Miller. “Through spirituals, jazz and soul we were able to preserve our history, because all the rest had been erased. What I wanted most was to go back to the source of the rhythms that make our musical heritage so rich, to follow them like footprints from their beginnings in Africa all the way to the United States. That journey took us from Mali to Paris, from New Orleans to Sao Paulo and across the Caribbean.”
“For this project, I collaborated with musicians from West Africa, South America, the Caribbean, the southern U.S. and the large northern cities of the U.S. This is my way of paying tribute to the long journey of my African ancestors who became African-Americans. The melodies and rhythms they carried with them from Africa have EXPLODED into a ‘dizzying’ array of musical styles and genres that have changed the world.”
BIOGRAPHY / AMG
by Andy Kellman
Primarily a bassist, multi-instrumentalist, and producer, Marcus Miller has worked on hundreds of sessions - crossing jazz, R&B, and rock - and has released several solo recordings since his late-'70s beginnings with Bobbi Humphrey and Lonnie Liston Smith. Despite the many hats he has worn - improviser, interpreter, arranger, songwriter, film-music composer, bassist, clarinetist, saxophonist - none of them have been put on for the sake of a whim. Never one to merely get his feet wet, Miller has been a utility player in the most extreme and prolific sense.
He was a fixture as a performer in New York's jazz clubs before he was old enough to drive. Born in Brooklyn on June 14, 1959, and raised in nearby Jamaica, he knew how to play several instruments with ease by the time he entered his teenage years. His father, who directed a choir and played organ, had a profound impact upon his musical upbringing. Once he broke in with Humphrey and Smith, he gained steady work with the likes of Dave Grusin, Earl Klugh, Grover Washington, Jr., Chaka Khan, and Bob James. During 1981 and 1982, the in-demand musician went on the road with longtime personal hero Miles Davis and would end up working with him on several albums - including Tutu and Music from Siesta - after that.
Throughout the '80s, '90s, and 2000s, Miller scattered several of his own albums throughout the constant pull of production and session work. His solo recordings were almost as diverse as his outside work; hybrids of smooth R&B, funk, and jazz peppered the majority of the albums, while 1993's The Sun Don't Lie and the following year's Tales (both issued through PRA) also incorporated sampling technology. 2001's M2 won a Grammy for Best Contemporary Jazz Album. 2003's The Ozell Tapes: The Official Bootleg, released on Telarc, displayed his range as well as anything else bearing his handiwork; the live set incorporated originals, improvisation, and covers that ranged from material originally recorded by Talking Heads and the Stylistics to John Coltrane. Silver Rain appeared in 2005. In 2007, Miller issued Free in Europe, while 2008 saw Marcus released globally; it was his debut for Concord Jazz. In 2009, Miller formed a touring band with Christian Scott on trumpet; they recorded Tutu Revisited, a wide-ranging tribute to Miles Davis, and it was released in Europe in 2011 as a CD/DVD package. Miller returned to the studio for 2012's Renaissance, an album which contained a vocal duet by Gretchen Parlato and Rubén Blades, as well as a guest spot by Dr. John.
Miller was selected as a UNESCO Artist for Peace and also became spokesperson for the organization’s Slave Route Project. Recording sessions took place in Africa, Europe, South America, the Caribbean, and the United States. The sessions featured a wide range of guests including Chuck D., Lalah Hathaway, Robert Glasper, Etienne Charles, Ambrose Akinmusire, Keb’ Mo’, Wah-Wah Watson, Mocean Worker, and Ben Hong. A pre-release single, "Hylife," was issued in February of 2015, and hit the top spot on several jazz charts. The album, Afrodeezia, followed in March.
OFFICIAL SITE
TO THE TOP
''AFRODEEZIA''
MARCH 17 2015
64:44
1 Hylife 06:56
2 B's River 06:45
3 Preacher's Kid (Song For William H) 05:42
4 We Were There 06:46
5 Papa Was A Rolling Stone 06:02
6 I Still Believe I Hear (feat. Ben Hong) 07:05
7 Son Of Macbeth 06:11
8 Prism (Interlude) 00:29
9 Xtraordinary 06:10
10 Water Dancer 07:25
11 I Can't Breathe (feat. Mocean Worker) 05:05
ABOUT THE ALBUM
By http://www.soultracks.com/
Bassist/composer Marcus Miller has signed to Universal Jazz & Classics in France and make his debut for Blue Note Records new album Afrodeezia, which will be available March 16 in Europe and March 17 in the U.S. The album’s lead single “Hylife” is available today across all digital retailers and streaming services. Miller has also announced select shows around the album’s March release in Chicago, Washington DC, New York and Los Angeles, with further tour dates to be announced shortly.
Afrodeezia—which was inspired by Miller’s role as a UNESCO Artist For Peace and spokesperson for the organization’s Slave Route Project—was recorded in locations around the world including Morocco, Paris, Rio de Janeiro, New Orleans and Los Angeles, and features a wide range of guests including rapper Chuck D., vocalist Lalah Hathaway, keyboardist Robert Glasper, trumpeters Etienne Charles and Ambrose Akinmusire, guitarists Keb’ Mo’ and Wah Wah Watson, bassist/producer Mocean Worker, and cellist Ben Hong, as well as musicians from Africa, South America and the Caribbean. Miller’s core band includes saxophonist Alex Han, trumpeter Lee Hogans, pianist Brett Williams, guitarist Adam Agati, and drummer Louis Cato.
"It was after visiting the House of Slaves on Gorée Island that I composed “Gorée,” explains Miller, referring to the powerful track featured on his previous album Renaissance. “Onstage I felt the need to say what I had been feeling in Senegal. I wanted people to understand that this tune spoke not only of the slave tragedy but, through the music especially, that these people who suddenly found themselves at the bottom of a ship's hold had discovered a way to survive, and were able in time to transform their distress into joy. Shortly after my trip to Gorée, UNESCO named me an Artist for Peace, and made me the spokesperson for the Slave Route Project. That was when I started thinking about Afrodeezia."
"The power of music has no limits,” states Miller. “Through spirituals, jazz and soul we were able to preserve our history, because all the rest had been erased. What I wanted most was to go back to the source of the rhythms that make our musical heritage so rich, to follow them like footprints from their beginnings in Africa all the way to the United States. That journey took us from Mali to Paris, from New Orleans to Sao Paulo and across the Caribbean.”
“For this project, I collaborated with musicians from West Africa, South America, the Caribbean, the southern U.S. and the large northern cities of the U.S. This is my way of paying tribute to the long journey of my African ancestors who became African-Americans. The melodies and rhythms they carried with them from Africa have EXPLODED into a ‘dizzying’ array of musical styles and genres that have changed the world.”
BIOGRAPHY / AMG
by Andy Kellman
Primarily a bassist, multi-instrumentalist, and producer, Marcus Miller has worked on hundreds of sessions - crossing jazz, R&B, and rock - and has released several solo recordings since his late-'70s beginnings with Bobbi Humphrey and Lonnie Liston Smith. Despite the many hats he has worn - improviser, interpreter, arranger, songwriter, film-music composer, bassist, clarinetist, saxophonist - none of them have been put on for the sake of a whim. Never one to merely get his feet wet, Miller has been a utility player in the most extreme and prolific sense.
He was a fixture as a performer in New York's jazz clubs before he was old enough to drive. Born in Brooklyn on June 14, 1959, and raised in nearby Jamaica, he knew how to play several instruments with ease by the time he entered his teenage years. His father, who directed a choir and played organ, had a profound impact upon his musical upbringing. Once he broke in with Humphrey and Smith, he gained steady work with the likes of Dave Grusin, Earl Klugh, Grover Washington, Jr., Chaka Khan, and Bob James. During 1981 and 1982, the in-demand musician went on the road with longtime personal hero Miles Davis and would end up working with him on several albums - including Tutu and Music from Siesta - after that.
Throughout the '80s, '90s, and 2000s, Miller scattered several of his own albums throughout the constant pull of production and session work. His solo recordings were almost as diverse as his outside work; hybrids of smooth R&B, funk, and jazz peppered the majority of the albums, while 1993's The Sun Don't Lie and the following year's Tales (both issued through PRA) also incorporated sampling technology. 2001's M2 won a Grammy for Best Contemporary Jazz Album. 2003's The Ozell Tapes: The Official Bootleg, released on Telarc, displayed his range as well as anything else bearing his handiwork; the live set incorporated originals, improvisation, and covers that ranged from material originally recorded by Talking Heads and the Stylistics to John Coltrane. Silver Rain appeared in 2005. In 2007, Miller issued Free in Europe, while 2008 saw Marcus released globally; it was his debut for Concord Jazz. In 2009, Miller formed a touring band with Christian Scott on trumpet; they recorded Tutu Revisited, a wide-ranging tribute to Miles Davis, and it was released in Europe in 2011 as a CD/DVD package. Miller returned to the studio for 2012's Renaissance, an album which contained a vocal duet by Gretchen Parlato and Rubén Blades, as well as a guest spot by Dr. John.
Miller was selected as a UNESCO Artist for Peace and also became spokesperson for the organization’s Slave Route Project. Recording sessions took place in Africa, Europe, South America, the Caribbean, and the United States. The sessions featured a wide range of guests including Chuck D., Lalah Hathaway, Robert Glasper, Etienne Charles, Ambrose Akinmusire, Keb’ Mo’, Wah-Wah Watson, Mocean Worker, and Ben Hong. A pre-release single, "Hylife," was issued in February of 2015, and hit the top spot on several jazz charts. The album, Afrodeezia, followed in March.
OFFICIAL SITE
TO THE TOP
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