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9987 - LUTHER DICKINSON - ROCK 'N ROLL BLUES (2014)

LUTHER DICKINSON
''ROCK 'N ROLL BLUES''
MARCH 18 2014
34:16

1 Vandalize 02:53
2 Blood 'n Guts 03:17
3 Yard Man 03:04
4 Goin' Country 03:17
5 Mojo, Mojo 05:16
6 Rock 'n Roll Blues 02:44
7 Bar Band 02:42
8 Stone's Throw (Luther Dickinson, Luke Reynolds) 04:15
9 Some Ol' Day 03:17
10 Karmic Debt 03:26
Tracks By Luther Dickinson, Except 8

Luther Dickinson/Guitar (Acoustic), Vocals
Amy LaVere/Bass (Upright), Vocals
Lightnin' Malcolm/Drums, Vocals
Shardé Thomas/Drums, Fife, Vocals

REVIEW/AMG
by Thom Jurek
In 2012, Luther Dickinson released four albums; among them was the instrumental acoustic record Hambone's Meditations -- his first proper solo album apart from the North Mississippi All-Stars. It was nominated for a Grammy. Rock 'n Roll Blues is, in a way, an extension of that record. It's a collection of ten songs that Dickinson claims didn't fit on his other records. Altogether they create a loose, autobiographical song cycle about a life spent making music. It's played by a tight, all-acoustic band in a relaxed backporch manner. Dickinson's voice and guitar are supported by Amy LaVere's upright bass, Sharde Thomas' drums and fife, and second drummer Lightnin' Malcolm. Everybody sings backup. The album unfolds like a road map through the backwoods of Dickinson's life. "Blood 'n Guts" is an easy-grooving yet cautionary country Americana number with shuffling snares and tom-toms. "Yard Man" is a swinging country blues with stinging acoustic guitar; the ghostly harmonies and hypnotic drums on "Goin' Country" evoke both Junior Kimbrough and R.L. Burnside. Woven through all of these tunes are senses, impressions, humorous asides, hard luck, the influences of forebears and musical ancestors, joy, grief, etc., all delivered by a wiseacre guitar-slinging poet whose insight is keen enough to keep his lyrics free of maudlin bullshit. In the title and "Bar Band," tender Mississippi open-field melodies counter the poignant lyrics. "Mojo, Mojo" is a sweet country blues girded by Thomas' fife, LaVere's bass vamp, tight tom-toms and snares, and lilting harmonies. This is the sound of Dickinson paying tribute to one of his prime influences, Thomas' grandfather Othar Turner. John Fahey's earthy American Primitive fuels "Stone's Throw," whose lyrics contains genuine irony. "Some Ol' Day" is ushered in by drums and bass, then riven with a distorted acoustic guitar to become a genuine hoodoo rocker. Closer "Karmic Debt" is an old-timey country waltz; its title disguising its romantic nature (a hymn of gratitude to a spouse), but there's enough kickdrum and razor-sharp fingerpicking to push through the skin and into the bone. Though Rock 'n Roll Blues is autobiographical in nature, it's actually much bigger. Dickinson goes outside himself as music evokes the spirits of earlier generations and the earth that bore them.

BIOGRAPHY/AMG
by Mark Deming

A gifted guitarist with an eclectic range of influences, Luther Dickinson has earned a reputation as an innovator in modern blues while also having a keen understanding and respect for its rich history. Dickinson came from a notable musical family: his father, Jim Dickinson, was an influential studio musician and producer who played piano with Aretha Franklin, Bob Dylan, Los Lobos, Delaney & Bonnie, and the Rolling Stones, and produced sessions for Ry Cooder, Big Star, Toots Hibbert, and Mudhoney, among many, many others. Luther was born on January 18, 1973, in Memphis, which was his father's base of operations for many years. He made his recording debut at the age of 14, adding some guitar howls to the sessions for the Replacements' Pleased to Meet Me, produced by his dad. Around the same time that Luther began recording, the Dickinsons moved to Mississippi, and Luther and his family became regulars at juke joints where Southern blues individualists such as R.L. Burnside and Junior Kimbrough still played on a regular basis. Luther's brother Cody, who played drums, became his musical sidekick, and after briefly backing up their dad in the memorably named combo Jim Dickinson & the Can't Hardly Playboys, the siblings formed a funk-influenced punk band with bassist Paul Taylor, called DDT. But the Mississippi hill country blues had a stronger influence on the Dickinsons, and Luther began jamming regularly with Othar Turner, one of the last surviving exponents of the Mississippi fife-and-drum tradition; Luther helped produce and compile a collection of Turner's unique music on the album Everybody's Hollerin' Goat, released in 1998. DDT had periodically performed acoustic blues sets under the name Gutbucket (releasing a 7" single on Shangri-La Records), and as Luther and Cody became more interested in cutting new blues music, they teamed up with bassist Chris Chew in 1996 to form the North Mississippi All-Stars. In 2000, the group released their debut album, Shake Hands with Shorty, which earned them enthusiastic reviews and a Grammy nomination for Best Contemporary Blues Album. The North Mississippi All-Stars developed a following as a stellar live act, and as word of Luther's instrumental prowess spread, he began doing session work, recording with the likes of the Jon Spencer Blues Explosion, Willy DeVille, and Lucero. In 2001, the North Mississippi All-Stars teamed up with John Medeski (of Medeski, Martin & Wood) and pedal steel virtuoso Robert Randolph to form an ad-hoc group called the Word, who released an acclaimed self-titled album. In 2001, NMAS also released their second album, and Luther remained busy playing live shows and doing session work. In 2005, John Hiatt chose Jim Dickinson to produce his album Master of Disaster; Jim brought his sons Luther and Cody in to play on the sessions, and Hiatt was impressed enough that he brought the North Mississippi All-Stars on the road with him, serving as both his opening act and backing band. While the NMAS had become a major draw on the jam band circuit with their gift for soulful improvisation, the Dickinsons proved they hadn't lost touch with their punkier side in 2005 when they joined forces with Jon Spencer to record as Spencer Dickinson, cutting the album The Man Who Lives for Love. In 2008, Luther Dickinson expanded his résumé by joining the Black Crowes, making his debut with the band on their album Warpaint; the same year, Luther backed up John Hiatt again, playing on his album Same Old Man. While Luther would release both a live album and a new studio set with the Black Crowes in 2009, the year also marked the passing of his father, and only a few days after Jim Dickinson's funeral, Luther led a musical tribute with a number of family friends and musical compatriots at the family's Mississippi studio; the recordings became an album, Onward and Upward, which was released under the group name Luther Dickinson & the Sons of Mudboy. In 2010, Luther became part of another roots music supergroup with the release of the debut album from the South Memphis String Band, which also included ex-Squirrel Nut Zippers guitarist Jimbo Mathus and Grammy-winning bluesman Alvin Youngblood Hart. 2012 saw Luther releasing his first proper solo album with a set of acoustic instrumentals, Hambone's Meditations, a second album with the South Memphis String Band (Old Times There...), and Go On Now, You Can't Stay Here, the debut of his new band the Wandering (Valerie June, Amy LaVere, Sharde Thomas, and Shannon McNally) all on the same day. The album 3 Skulls and the Truth, in collaboration with David Hidalgo and Mato Nanji was released later the year, making a total of four. Dickinson spent most of 2013 working with his brother in the North Mississippi All-Stars (their acclaimed World Boogie Is Coming appeared in the fall of that year) but also found time to contribute to recordings by McNally, Jim Lauderdale, and Devon Allman. His next solo recording, Rock 'n Roll Blues, was released in early 2014.

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