''ON TOUR WITH ERIC CLAPTON''
MARCH 1970
42:35
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01 - Things Get Better 04:18 (Steve Cropper, Eddie Floyd, Wayne Jackson)
02 - Poor Elijah - Tribute To Johnson (Medley) 05:09 (Delaney Bramlett, Jim Ford, Leon Russell)
03 - Only You Know And I Know 04:43 (Dave Mason)
04 - I Don't Want To Discuss It 05:35 (Beth Beatty, Dick Cooper, Ernie Shelby)
05 - That's What My Man Is For 04:37 (Bessie Griffin)
06 - Where There's A Will There's A Way 05:20 (Bonnie Bramlett, Delaney Bramlett, Bobby Whitlock)
07 - Coming Home 06:52 (Bonnie Bramlett, Delaney Bramlett, Eric Clapton)
08 - Little Richard Medley 05:57 (Richard Penniman, Bobby Troup, Robert Blackwell)
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Bonnie Bramlett — vocals
Delaney Bramlett — guitars, vocals
Eric Clapton — lead guitars, vocals
Dave Mason — guitars
Bobby Whitlock — organ, keyboards, vocals
Carl Radle — bass guitar
Jim Gordon — drums, percussion
Tex Johnson - percussion
Doug Bartenfeld - guitar
Bobby Keys — saxophone
Jim Price — trombone, trumpet, horn arrangements
Rita Coolidge — backing vocals
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REVIEW/AMG
Bruce Eder
This 42-minute, eight-song live album, cut at Croydon late in 1969, is not only the peak of Delaney & Bonnie's output, but also the nexus in the recording and performing careers of Eric Clapton and George Harrison. On Tour features Clapton performing the same blend of country, blues, and gospel that would characterize his own early solo ventures in 1970. He rises to the occasion with dazzling displays of virtuosity throughout, highlighted by a dizzying solo on "I Don't Want to Discuss," a long, languid part on "Only You Know and I Know," and searing, soulful lead on the beautifully harmonized "Coming Home." Vocally, Delaney & Bonnie were never better than they come off on this live set, and the 11-piece band sounds tighter musically than a lot of quartets that were working at the time, whether they're playing extended blues or ripping through a medley of Little Richard songs. It's no accident that the band featured here would become Clapton's own studio outfit for his debut solo LP, or that the core of this group -- Bobby Whitlock, Carl Radle, and Jim Gordon -- would transform itself into Derek & the Dominoes as well; or that most of the full band here would also comprise the group that played with George Harrison on All Things Must Pass and at the Concert for Bangladesh, except that the playing here (not to mention the recording) is better. Half the musicians on this record achieved near-superstar status less than a year later, and although the reasons behind their fame didn't last, listening to their work decades later, it all seems justified.
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BIOGRAPHY/AMG
Jason Ankeny
The husband-and-wife duo of Delaney & Bonnie Bramlett created some of the most distinctive and unique music of the early '70s, but their alchemical sound -- equal parts blue-eyed soul, blues, country, and gospel -- was often marginalized by the attention instead paid to the contributions of their famous "friends," including rock icons like Eric Clapton, Duane Allman and George Harrison.
Delaney Bramlett was born July 1, 1939 in Pontotoc County, Mississippi, later befriending fellow aspiring musicians Leon Russell and J.J. Cale. On their recommendation he relocated to Los Angeles, briefly landing with the Champs before he was hired to play guitar with the Shindogs, the house band on the popular ABC television variety series Shindig. Bonnie Lynn O'Farrell, meanwhile, was born November 8, 1944 in Alton, Illinois and raised in nearby East St. Louis; as a teen she backed blues acts including Albert King and Little Milton, before signing on as the first-ever white Ikette behind Ike & Tina Turner. She eventually migrated to Los Angeles as well, and met Delaney while the Shindogs were moonlighting at a local bowling alley. Within a week, the couple were married.
Home
After signing to the famed Memphis soul label, Stax, Delaney & Bonnie recorded their debut LP, 1969's Home. Though cut with the aid of Stax linchpins like Booker T. & the MG's, William Bell, and Isaac Hayes, the record went virtually unnoticed and the duo were released from their contract. They landed with Elektra to release the follow-up, Accept No Substitute -- recorded with a superb backing band including keyboardist Bobby Whitlock, bassist Carl Radle, and drummer Jim Keltner, the album was another commercial failure, but the couple's gritty, soulful vocals and earthy sound earned the appreciation of fellow musicians at home and abroad, not to mention an invitation to serve as the opening act on British supergroup Blind Faith's 1969 U.S. tour. Blind Faith's superstar guitarist Clapton was soon a fixture aboard Delaney & Bonnie's tour bus, regularly jamming with the Bramletts and their band. When Blind Faith disbanded after the tour ended, Clapton joined Delaney & Bonnie full-time, assuming a sideman role and actively avoiding the spotlight on-stage and off. The group eventually toured the U.K., where Clapton friends like Harrison and Dave Mason occasionally popped up on-stage -- a late 1969 show in Croydon was released the following year as On Tour with Eric Clapton, becoming the duo's best-selling LP when it cracked the American Top 30.
Mad Dogs & Englishmen
Now dubbed Delaney & Bonnie & Friends, the group briefly joined up with John Lennon's Plastic Ono Band and toured Europe before returning stateside in 1970. When Clapton dropped out to begin working on his debut solo album -- a record that introduced a bluesy, raw vocal style clearly indebted to Delaney -- audience interest began to dissipate. Worse, Leon Russell lured away Radle and Keltner to join Joe Cocker's Mad Dogs & Englishmen tour, forcing the couple to cancel a planned tour of their own. Nevertheless, the backing band assembled for 1970's Tom Dowd-produced To Bonnie from Delaney was first-rate, including guitarist Duane Allman, bassist Jerry Scheff, pianist Jim Dickinson, and saxophonist King Curtis. 1971's Motel Shot was another all-star affair, highlighted by Delaney & Bonnie's biggest U.S. pop hit, "Never Ending Song of Love." The following year's D & B Together yielded another Top 20 hit, a reading of Dave Mason's "Only You Know and I Know." However, the LP was Delaney & Bonnie's last -- when their marriage fell apart, so did their musical collaboration.
Sounds from Home
After the couple's divorce, Delaney recorded a pair of solo albums, 1972's Something's Coming, and 1973's Mobius Strip, to fulfill their contract with Columbia Records; after 1978's Delaney Bramlett with Steve Cropper, a collaboration with the legendary Stax house guitarist recorded for Motown's Prodigal subsidiary, he largely disappeared from sight, overcoming a battle with alcoholism to become a born-again Christian and making a living by writing commercial jingles. In 2000, he returned with a new solo album, Sounds from Home, with Sweet Inspiration following in late 2003. Bonnie, meanwhile, made her solo debut with 1973's Sweet Bonnie Bramlett, recorded with the Average White Band. She then cut three little-noticed albums for Capricorn, and while touring with Stephen Stills in 1979, made headlines when she punched out Elvis Costello in a Columbus, Ohio bar after the British upstart reputedly called Ray Charles a "blind, ignorant nigger." She later changed her professional surname to Sheridan, found Jesus, and was, for a short time, a supporting cast member on the hit 1990s sitcom Roseanne. Bonnie returned to recording with I'm Still the Same. In 1993, Bekka Bramlett, Delaney and Bonnie's daughter, joined Fleetwood Mac, replacing Stevie Nicks.
BIOGRAPHY/WIKIPEDIA
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Muito obrigado !
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