THE JAYHAWKS
''PAGING MR. PROUST''
APRIL 29 2015
45:38
**********
01 - Quiet Corners & Empty Spaces 03:05 (Gary Louris)
02 - Lost The Summer 03:31 (Karen Grotberg, Gary Louris, Tim O'Reagan, Marc Perlman)
03 - Lovers Of The Sun 03:15 (Gary Louris)
04 - Pretty Roses In Your Hair 04:20 (Gary Louris)
05 - Leaving The Monsters Behind 03:46
06 - Isabel's Daughter 03:26 (Gary Louris)
07 - Ace 05:37 (Gary Louris)
08 - The Devil Is In Her Eyes 03:36 (Gary Louris)
09 - Comeback Kids 04:00 (Gary Louris)
10 - The Dust Of Long-Dead Stars 03:37 (Karen Grotberg, Gary Louris, Tim O'Reagan, Marc Perlman)
11 - Lies In Black & White 03:34 (Gary Louris)
12 - I'll Be Your Key 03:46 (Gary Louris)
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Gary Louris/lead vocals, guitars
Marc Perlman/bass guitar
Tim O’Reagan/drums, vocals
Karen Grotberg/keyboards, vocals
Mike Mills/vocals on 05
**********
REVIEW/AMG
Mark Deming
When Mark Olson parted ways with the Jayhawks in 1996, the band responded with 1997's Sound of Lies, one of their scrappiest and most eclectic albums. It was as if the Jayhawks (in particular Gary Louris) wanted to show the world they were still strong and lively despite the departure of one of their co-founders. Olson returned to the Jayhawks for the 2011 reunion album Mockingbird Time, only to leave the band again on less than cordial terms. Released in 2016, Paging Mr. Proust is the first Jayhawks studio project since, and once again it finds Louris and his bandmates mixing up their formula, introducing new edges and angles to the group's evocative, lonesome Midwestern sound. Louris adds lots of jagged guitar to the loop-based construction of "Ace," while "Lost the Summer" is a lean, ominous rocker with a noisy attack. ("Pretty Roses in Your Hair" is another, more subtle tune built around a ghostly drum loop.) Much of the time, Louris' vocals and melodies follow the template he's established in the past, but there's a fresh degree of energy in these performances. Peter Buck and Tucker Martine (who co-produced the album with Louris) have given the guitars an edgier and less pastoral sound than one might expect from the Jayhawks. Neil Young is still the clear inspiration behind Louris' soloing, but here the tone is sharper and the crunch has more impact, even when the songs are gentle at heart. The yin and yang between the sharp guitar work from Louris and Kraig Johnson and the sweetness of the harmonies of Louris, keyboard player Karen Grotberg, and drummer Tim O'Reagan is honestly satisfying. And co-producer Buck has brought along some friends from his days in R.E.M., including Mike Mills and Scott McCaughey. All in all, Paging Mr. Proust is an album that honors the traditions of the Jayhawks but isn't afraid to play with convention. And if Mockingbird Time was a reminder of how well Olson and Louris complement one another, this album demonstrates that Louris still knows how to make a memorable album as the group's sole leader.
**********
BIOGRAPHY/AMG
Jason Ankeny
Led by the gifted songwriting, impeccable playing, and honeyed harmonies of vocalists/guitarists Mark Olson and Gary Louris, the Jayhawks' shimmering blend of country, folk, and bar band rock made them one of the most widely acclaimed artists to emerge from the alternative country scene. The group sprang up in 1985 out of the fertile musical community of Minneapolis, Minnesota, where Olson had been playing standup bass in a rockabilly band called Stagger Lee. His desire to write and perform his own country-folk material soon prompted him to begin a solo career, which he launched after enlisting Marc Perlman, the guitarist for a local band called the Neglecters, to become Olson's bassist. After the addition of drummer Norm Rogers, the group began booking shows, playing its first gig in front of a small crowd of less than a dozen people. One of those patrons, however, was Gary Louris, a veteran of the local bands Safety Last and Schnauzer. He and Olson began talking after the show; by the end of the evening, Louris -- who was famed locally for his innovative, pedal steel-like guitar sound -- had become a member of the group, which eventually adopted the name the Jayhawks.
Nashville Skyline
Drawing on influences like Gram Parsons, the Louvin Brothers, Tim Hardin, and Nashville Skyline-era Bob Dylan, the Jayhawks quickly became a local favorite, honing their sound in Twin Cities clubs before releasing their eponymous debut in 1986. Issued in a pressing of just a few thousand copies, the album was well received by those who heard it; a major recording deal did not follow, however, so the bandmembers continued to polish their craft live, with more and more of their songs bearing writing credits belonging to both Olson and Louris. In October 1988, after a lineup change that saw the departure of Rogers (who joined the Cows) followed by the addition of drummer Thad Spencer, Louris was nearly killed in an auto accident, and the Jayhawks went on hiatus. At much the same time, however, executives at the Minneapolis independent label Twin/Tone decided to issue the demos the group had been stockpiling over the past few years, and after some overdubbing and remixing, Blue Earth appeared in 1989. Richer in sound and more complex in its themes and concerns, the record's release brought the group considerable attention, and also brought Louris back into the fold. After another drummer switch (Spencer for Ken Callahan), the band hit the road for a national tour.
Hollywood Town Hall
The Jayhawks were signed to major label American Records after producer George Drakoulias heard Blue Earth playing in the background during a phone call to Twin/Tone's offices. With Drakoulias in the producer's seat, the band recorded its breakthrough album, Hollywood Town Hall, in 1991; a mainstay of critics' annual "best-of" lists, the album generated the alternative radio hits "Waiting for the Sun," "Take Me with You (When You Go)," and "Settled Down Like Rain." After a tour that saw the permanent addition of Minneapolis pianist Karen Grotberg, the individual bandmembers guested on albums from Counting Crows, Soul Asylum, Maria McKee, Joe Henry, and others. Before recording the fourth Jayhawks album, Callahan departed, and was replaced by session drummer Don Heffington. The resulting record, 1995's Tomorrow the Green Grass, is a beautiful collection of songs led off by the elegiac single "Blue," the recipient of significant airplay. A tour followed, but after some months on the road, Olson announced he was quitting the band.
Sound of Lies
In 1997, the Jayhawks -- now consisting of Louris, Perlman, Grotberg, and drummer Tim O'Reagan -- released the album Sound of Lies. Grotberg left the band in early 2000, and was replaced by ex-DAG keyboardist Jen Gunderman for the band's sixth album, Smile. A move to a new label (Lost Highway) in 2002 brought about more changes in the band's ever evolving lineup, leaving Louris, Perlman, and O'Reagan (assisted by newcomer Stephen McCarthy on guitar) to craft 2003's rootsier Rainy Day Music. After that, the band ceased operating under the moniker, though Olson and Louris toured together in 2005 and 2006 billed as "From the Jayhawks: An Evening with Mark Olson and Gary Louris, Together Again," eventually releasing an album together in 2009 called Ready for the Flood. That same year, the band released Music from the North Country: The Jayhawks Anthology, and a reissue of 1986's Bunkhouse Album appeared soon after.
Mockingbird Time
During the summer of 2009, the Jayhawks reunited for two festival dates in Spain. The success of both shows encouraged the bandmates to bring the reunion back to America, where they holed up in several locations (Louris' apartment in Minneapolis, Olson's home in Joshua Tree, a cabin in northern Minnesota) to write new material. Most of those new songs made their way onto 2011's Mockingbird Time, the band's first release in nearly ten years. The Jayhawks toured extensively in support of the album, but tensions within the group once again led Mark Olson to bow out of the lineup. Louris continued on without him, and the group continued to play live dates in 2014 and 2015. One show from the tour, a January 2015 performance at the Belly Up Club in Solana Beach, California, received a digital release as Live at the Belly Up. Later that year, the Jayhawks -- Louris, Grotberg, Perlman, O'Reagan, and guitarist Kraig Johnson -- returned to the studio to work on an album. Peter Buck and Tucker Martine served as producers for the sessions, which were released in April 2016 as Paging Mr. Proust. Buck and his former R.E.M. bandmate Mike Mills both made guest appearances on the album, as did Scott McCaughey of the Young Fresh Fellows and the Minus 5.
**********
WEBSITE
**********
TO THE TOP
**********
''PAGING MR. PROUST''
APRIL 29 2015
45:38
**********
01 - Quiet Corners & Empty Spaces 03:05 (Gary Louris)
02 - Lost The Summer 03:31 (Karen Grotberg, Gary Louris, Tim O'Reagan, Marc Perlman)
03 - Lovers Of The Sun 03:15 (Gary Louris)
04 - Pretty Roses In Your Hair 04:20 (Gary Louris)
05 - Leaving The Monsters Behind 03:46
06 - Isabel's Daughter 03:26 (Gary Louris)
07 - Ace 05:37 (Gary Louris)
08 - The Devil Is In Her Eyes 03:36 (Gary Louris)
09 - Comeback Kids 04:00 (Gary Louris)
10 - The Dust Of Long-Dead Stars 03:37 (Karen Grotberg, Gary Louris, Tim O'Reagan, Marc Perlman)
11 - Lies In Black & White 03:34 (Gary Louris)
12 - I'll Be Your Key 03:46 (Gary Louris)
**********
Gary Louris/lead vocals, guitars
Marc Perlman/bass guitar
Tim O’Reagan/drums, vocals
Karen Grotberg/keyboards, vocals
Mike Mills/vocals on 05
**********
REVIEW/AMG
Mark Deming
When Mark Olson parted ways with the Jayhawks in 1996, the band responded with 1997's Sound of Lies, one of their scrappiest and most eclectic albums. It was as if the Jayhawks (in particular Gary Louris) wanted to show the world they were still strong and lively despite the departure of one of their co-founders. Olson returned to the Jayhawks for the 2011 reunion album Mockingbird Time, only to leave the band again on less than cordial terms. Released in 2016, Paging Mr. Proust is the first Jayhawks studio project since, and once again it finds Louris and his bandmates mixing up their formula, introducing new edges and angles to the group's evocative, lonesome Midwestern sound. Louris adds lots of jagged guitar to the loop-based construction of "Ace," while "Lost the Summer" is a lean, ominous rocker with a noisy attack. ("Pretty Roses in Your Hair" is another, more subtle tune built around a ghostly drum loop.) Much of the time, Louris' vocals and melodies follow the template he's established in the past, but there's a fresh degree of energy in these performances. Peter Buck and Tucker Martine (who co-produced the album with Louris) have given the guitars an edgier and less pastoral sound than one might expect from the Jayhawks. Neil Young is still the clear inspiration behind Louris' soloing, but here the tone is sharper and the crunch has more impact, even when the songs are gentle at heart. The yin and yang between the sharp guitar work from Louris and Kraig Johnson and the sweetness of the harmonies of Louris, keyboard player Karen Grotberg, and drummer Tim O'Reagan is honestly satisfying. And co-producer Buck has brought along some friends from his days in R.E.M., including Mike Mills and Scott McCaughey. All in all, Paging Mr. Proust is an album that honors the traditions of the Jayhawks but isn't afraid to play with convention. And if Mockingbird Time was a reminder of how well Olson and Louris complement one another, this album demonstrates that Louris still knows how to make a memorable album as the group's sole leader.
**********
BIOGRAPHY/AMG
Jason Ankeny
Led by the gifted songwriting, impeccable playing, and honeyed harmonies of vocalists/guitarists Mark Olson and Gary Louris, the Jayhawks' shimmering blend of country, folk, and bar band rock made them one of the most widely acclaimed artists to emerge from the alternative country scene. The group sprang up in 1985 out of the fertile musical community of Minneapolis, Minnesota, where Olson had been playing standup bass in a rockabilly band called Stagger Lee. His desire to write and perform his own country-folk material soon prompted him to begin a solo career, which he launched after enlisting Marc Perlman, the guitarist for a local band called the Neglecters, to become Olson's bassist. After the addition of drummer Norm Rogers, the group began booking shows, playing its first gig in front of a small crowd of less than a dozen people. One of those patrons, however, was Gary Louris, a veteran of the local bands Safety Last and Schnauzer. He and Olson began talking after the show; by the end of the evening, Louris -- who was famed locally for his innovative, pedal steel-like guitar sound -- had become a member of the group, which eventually adopted the name the Jayhawks.
Nashville Skyline
Drawing on influences like Gram Parsons, the Louvin Brothers, Tim Hardin, and Nashville Skyline-era Bob Dylan, the Jayhawks quickly became a local favorite, honing their sound in Twin Cities clubs before releasing their eponymous debut in 1986. Issued in a pressing of just a few thousand copies, the album was well received by those who heard it; a major recording deal did not follow, however, so the bandmembers continued to polish their craft live, with more and more of their songs bearing writing credits belonging to both Olson and Louris. In October 1988, after a lineup change that saw the departure of Rogers (who joined the Cows) followed by the addition of drummer Thad Spencer, Louris was nearly killed in an auto accident, and the Jayhawks went on hiatus. At much the same time, however, executives at the Minneapolis independent label Twin/Tone decided to issue the demos the group had been stockpiling over the past few years, and after some overdubbing and remixing, Blue Earth appeared in 1989. Richer in sound and more complex in its themes and concerns, the record's release brought the group considerable attention, and also brought Louris back into the fold. After another drummer switch (Spencer for Ken Callahan), the band hit the road for a national tour.
Hollywood Town Hall
The Jayhawks were signed to major label American Records after producer George Drakoulias heard Blue Earth playing in the background during a phone call to Twin/Tone's offices. With Drakoulias in the producer's seat, the band recorded its breakthrough album, Hollywood Town Hall, in 1991; a mainstay of critics' annual "best-of" lists, the album generated the alternative radio hits "Waiting for the Sun," "Take Me with You (When You Go)," and "Settled Down Like Rain." After a tour that saw the permanent addition of Minneapolis pianist Karen Grotberg, the individual bandmembers guested on albums from Counting Crows, Soul Asylum, Maria McKee, Joe Henry, and others. Before recording the fourth Jayhawks album, Callahan departed, and was replaced by session drummer Don Heffington. The resulting record, 1995's Tomorrow the Green Grass, is a beautiful collection of songs led off by the elegiac single "Blue," the recipient of significant airplay. A tour followed, but after some months on the road, Olson announced he was quitting the band.
Sound of Lies
In 1997, the Jayhawks -- now consisting of Louris, Perlman, Grotberg, and drummer Tim O'Reagan -- released the album Sound of Lies. Grotberg left the band in early 2000, and was replaced by ex-DAG keyboardist Jen Gunderman for the band's sixth album, Smile. A move to a new label (Lost Highway) in 2002 brought about more changes in the band's ever evolving lineup, leaving Louris, Perlman, and O'Reagan (assisted by newcomer Stephen McCarthy on guitar) to craft 2003's rootsier Rainy Day Music. After that, the band ceased operating under the moniker, though Olson and Louris toured together in 2005 and 2006 billed as "From the Jayhawks: An Evening with Mark Olson and Gary Louris, Together Again," eventually releasing an album together in 2009 called Ready for the Flood. That same year, the band released Music from the North Country: The Jayhawks Anthology, and a reissue of 1986's Bunkhouse Album appeared soon after.
Mockingbird Time
During the summer of 2009, the Jayhawks reunited for two festival dates in Spain. The success of both shows encouraged the bandmates to bring the reunion back to America, where they holed up in several locations (Louris' apartment in Minneapolis, Olson's home in Joshua Tree, a cabin in northern Minnesota) to write new material. Most of those new songs made their way onto 2011's Mockingbird Time, the band's first release in nearly ten years. The Jayhawks toured extensively in support of the album, but tensions within the group once again led Mark Olson to bow out of the lineup. Louris continued on without him, and the group continued to play live dates in 2014 and 2015. One show from the tour, a January 2015 performance at the Belly Up Club in Solana Beach, California, received a digital release as Live at the Belly Up. Later that year, the Jayhawks -- Louris, Grotberg, Perlman, O'Reagan, and guitarist Kraig Johnson -- returned to the studio to work on an album. Peter Buck and Tucker Martine served as producers for the sessions, which were released in April 2016 as Paging Mr. Proust. Buck and his former R.E.M. bandmate Mike Mills both made guest appearances on the album, as did Scott McCaughey of the Young Fresh Fellows and the Minus 5.
**********
WEBSITE
**********
TO THE TOP
**********
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