THE BOB SEGER SYSTEM
''NOAH''
SEPTEMBER 1969
34:05
**********
01 - Noah 02:52 (Bob Seger)
02 - Innervenus Eyes 02:35 (Dan Honaker, Pep Perrine, Bob Seger)
03 - Lonely Man 03:06 (Tom Neme)
04 - Loneliness Is a Feeling 02:56 (Tom Neme)
05 - Cat 06:13 (Dan Honaker, Pep Perrine, Bob Seger)
06 - Jumpin' Humpin' Hip Hypocrite 03:05 (Tom Neme)
07 - Follow the Children 03:21 (Tom Neme)
08 - Lennie Johnson 03:00 (Dan Honaker)
09 - Paint Them a Picture 04:01 (Tom Neme)
10 - Death Row 02:52 (Bob Seger)
**********
Bob Seger - guitar, rhythm guitar, vocals
Dan Honaker - bass, guitar, vocals
Tom Neme - guitar, piano, rhythm guitar, keyboard, vocals
Pep Perrine - percussion, drums, vocals
Bob Schultz - organ, piano, keyboard, saxophone, vocals, background vocals
**********
/DISCOGRAPHY/WIKIPEDIA
**********
REVIEW/AMG
Stephen Thomas Erlewine
For reasons never entirely explained, Bob Seger suffered a bit of a breakdown shortly after Ramblin' Gamblin' Man, so he decided to bring Tom Neme, a guitarist/pianist, into the Bob Seger System to help lighten the load and share the burden. Thing is, Neme wound up taking over the band. It's hard to tell whether Seger endorsed his mutiny or if he was just so disinterested that he didn't put up a fight, but all the same, the second Seger album, Noah, is one strange affair. The band makes no secret of the change, stating on the back cover that "Seger will always be Bob Seger, (but) any change must come from the System and Tom Neme." So, the liner notes seem like a way to gloss over a real lack of leadership or a coup, depending on your point of view. This release holds together better than it would seem, but it's still an awkward album that's never sure where it wants to go. Ironically, Neme tries to replicate Seger's hard-driving rock songs several times throughout the album while Seger sounds more comfortable with the folky shuffle of the title track. Of course, he can still tear it up with "Innervenus Eyes," and he delves deeper into darkness than he ever has with the weirdly intense, claustrophobic closer, "Death Row." No matter how good these individual cuts may be -- and they're certainly worth the time of any devoted fan -- they still are isolated moments on the only album where he sounds tentative, confused, and disinterested. In other words, the only album where Seger doesn't seem like he'll always be Seger.
**********
BIOGRAPHY/AMG
Stephen Thomas Erlewine
Originally a hard-driving rocker in the vein of fellow Michigan garage rockers the Rationals and Mitch Ryder, Bob Seger developed into one of the most popular heartland rockers over the course of the '70s. Combining the driving charge of Ryder's Detroit Wheels with Stonesy garage rock and devotion to hard-edged soul and R&B, he crafted a distinctively American sound. While he never attained the critical respect of his contemporary Bruce Springsteen, Seger did develop a dedicated following through constant touring with his Silver Bullet Band. Following several years of missed chances and lost opportunities, Seger finally achieved a national audience in 1976 with the back-to-back release of Live Bullet and Night Moves. After the platinum success of those albums, Seger retained his popularity for the next two decades, releasing seven Top Ten, platinum-selling albums in a row.
Seger began playing music in 1961 as the leader of the Detroit-based trio the Decibels; his future manager, Eddie "Punch" Andrews was also a member of the band. Moving to Ann Arbor, he played with the Town Criers before he became the keyboardist and vocalist for Doug Brown & the Omens. Billing themselves as the Beach Bums, the band released "The Ballad of the Yellow Beret," a parody of the Sgt. Barry Sadler song "The Ballad of the Green Beret." The single was withdrawn shortly after its release after Sadler threatened a lawsuit. In 1966, Seger released his first solo single, "East Side Story," which became a regional hit. Several other local hit singles followed on Cameo Records, including "Persecution Smith" and "Heavy Music," before his label folded. In 1968, he formed the Bob Seger System and signed with Capitol Records, releasing his debut album, Ramblin' Gamblin' Man, in the spring of that year. The title track became a national hit, climbing to number 17, but the group's follow-up, Noah, stiffed and Seger decided to quit the music business at the end of 1969 to attend college.
By the end of the summer, Seger had returned to rock & roll with a new backing band, releasing Mongrel at the end of the year. For 1971's Brand New Morning, he disbanded his group and recorded a singer/songwriter effort. Following its release, he began performing with the duo Dave Teegarden and Skip "Van Winkle" Knape, and the duo provided support on 1972's Smokin' O.P.'s, which was the first release on Palladium Records, a label he formed with Andrews. The album failed to sell, as did Back in '72 (1973) and Seven (1974), and he moved back to Capitol Records for 1975's Beautiful Loser. For the recording of Beautiful Loser, Seger formed the Silver Bullet Band, which consisted of guitarist Drew Abbott, bassist Chris Campbell, keyboardist Robyn Robbins, saxophonist Alto Reed, and drummer Charlie Allen Martin. Seger supported Beautiful Loser with an extensive tour with the Silver Bullet Band, and while it didn't make the album a hit, it provided a widespread grassroots following across the country. The touring paid off in 1976, when Live Bullet, a double album recorded in Detroit, became a hit, spending over three years on the U.S. charts and going gold; the album would eventually go quadruple platinum.
The groundswell behind Live Bullet sent Seger's next studio album, Night Moves (1976), into the Top Ten early in 1977. Night Moves became a blockbuster, generating the hit singles "Night Moves," "Mainstreet," and "Rock & Roll Never Forgets." Stranger in Town, released in the summer 1978, was just as successful, featuring the hits "Still the Same," "Hollywood Nights," "We've Got Tonite," and "Old Time Rock & Roll." Stranger in Town confirming his status as one America's most popular rockers. Seger's next album, 1980's Against the Wind, became his first number one album and all of its big hits -- "Fire Lake," "Against the Wind," "You'll Accomp'ny Me" -- were ballads. The live album Nine Tonight continued his multi-platinum success in 1981, selling three million copies and peaking at number three.
Seger returned with The Distance in 1982. The Distance was the first album since Seven to be recorded with the addition of session musicians, which caused guitarist Abbott to quit the band in frustration. Over the course of the next decade, the membership of the Silver Bullet Band shifted constantly. While The Distance featured "Shame on the Moon," his biggest hit single to date, its sales plateaued at a million copies, suggesting that his popularity was beginning to level off. Seger also began to drastically reduce his recording and touring schedules -- he only released one other album, 1986's Like a Rock, during the '80s. Like a Rock and its supporting tour were both successes, paving the way for "Shakedown," a song taken from the soundtrack to Beverly Hills Cop II, to become Seger's lone number one hit in 1987. Four years after its release, he returned with The Fire Inside. Although the album went platinum and reached the Top Ten, it only appealed to Seger's devoted following, as did 1995's It's a Mystery, which became his first album since Live Bullet to fail to go platinum, leveling off at gold status.
A long hiatus followed, where Seger kept his head down and spent time with his family. These quiet years were only interrupted by his 2004 induction into the Rock & Roll Hall of Fame. Finally, in 2006, after an 11-year hiatus, Seger released Face the Promise, his first record since 1975's Beautiful Loser not to feature the Silver Bullet Band. Although it spawned no big hit singles -- "Wait for Me" made it into the Billboard Adult Contemporary Top 20 -- Face the Promise performed well, debuting at four on the Billboard charts on its way to a platinum certification. A couple archival projects followed: the 2009 compilation Early Seger, Vol. 1 that balanced previously released cuts with re-recorded old tunes, and the 2011 double-disc set Ultimate Hits: Rock & Roll Never Forgets, which was certified platinum and generated the modest adult contemporary hit cover of Tom Waits' "Downtown Train." A new album called Ride Out appeared in October of 2014, debuting at number three on the Billboard charts.
**********
WIKIPEDIA
**********
OFFICIAL SITE
**********
TO THE TOP
**********
''NOAH''
SEPTEMBER 1969
34:05
**********
01 - Noah 02:52 (Bob Seger)
02 - Innervenus Eyes 02:35 (Dan Honaker, Pep Perrine, Bob Seger)
03 - Lonely Man 03:06 (Tom Neme)
04 - Loneliness Is a Feeling 02:56 (Tom Neme)
05 - Cat 06:13 (Dan Honaker, Pep Perrine, Bob Seger)
06 - Jumpin' Humpin' Hip Hypocrite 03:05 (Tom Neme)
07 - Follow the Children 03:21 (Tom Neme)
08 - Lennie Johnson 03:00 (Dan Honaker)
09 - Paint Them a Picture 04:01 (Tom Neme)
10 - Death Row 02:52 (Bob Seger)
**********
Bob Seger - guitar, rhythm guitar, vocals
Dan Honaker - bass, guitar, vocals
Tom Neme - guitar, piano, rhythm guitar, keyboard, vocals
Pep Perrine - percussion, drums, vocals
Bob Schultz - organ, piano, keyboard, saxophone, vocals, background vocals
**********
/DISCOGRAPHY/WIKIPEDIA
**********
REVIEW/AMG
Stephen Thomas Erlewine
For reasons never entirely explained, Bob Seger suffered a bit of a breakdown shortly after Ramblin' Gamblin' Man, so he decided to bring Tom Neme, a guitarist/pianist, into the Bob Seger System to help lighten the load and share the burden. Thing is, Neme wound up taking over the band. It's hard to tell whether Seger endorsed his mutiny or if he was just so disinterested that he didn't put up a fight, but all the same, the second Seger album, Noah, is one strange affair. The band makes no secret of the change, stating on the back cover that "Seger will always be Bob Seger, (but) any change must come from the System and Tom Neme." So, the liner notes seem like a way to gloss over a real lack of leadership or a coup, depending on your point of view. This release holds together better than it would seem, but it's still an awkward album that's never sure where it wants to go. Ironically, Neme tries to replicate Seger's hard-driving rock songs several times throughout the album while Seger sounds more comfortable with the folky shuffle of the title track. Of course, he can still tear it up with "Innervenus Eyes," and he delves deeper into darkness than he ever has with the weirdly intense, claustrophobic closer, "Death Row." No matter how good these individual cuts may be -- and they're certainly worth the time of any devoted fan -- they still are isolated moments on the only album where he sounds tentative, confused, and disinterested. In other words, the only album where Seger doesn't seem like he'll always be Seger.
**********
BIOGRAPHY/AMG
Stephen Thomas Erlewine
Originally a hard-driving rocker in the vein of fellow Michigan garage rockers the Rationals and Mitch Ryder, Bob Seger developed into one of the most popular heartland rockers over the course of the '70s. Combining the driving charge of Ryder's Detroit Wheels with Stonesy garage rock and devotion to hard-edged soul and R&B, he crafted a distinctively American sound. While he never attained the critical respect of his contemporary Bruce Springsteen, Seger did develop a dedicated following through constant touring with his Silver Bullet Band. Following several years of missed chances and lost opportunities, Seger finally achieved a national audience in 1976 with the back-to-back release of Live Bullet and Night Moves. After the platinum success of those albums, Seger retained his popularity for the next two decades, releasing seven Top Ten, platinum-selling albums in a row.
Seger began playing music in 1961 as the leader of the Detroit-based trio the Decibels; his future manager, Eddie "Punch" Andrews was also a member of the band. Moving to Ann Arbor, he played with the Town Criers before he became the keyboardist and vocalist for Doug Brown & the Omens. Billing themselves as the Beach Bums, the band released "The Ballad of the Yellow Beret," a parody of the Sgt. Barry Sadler song "The Ballad of the Green Beret." The single was withdrawn shortly after its release after Sadler threatened a lawsuit. In 1966, Seger released his first solo single, "East Side Story," which became a regional hit. Several other local hit singles followed on Cameo Records, including "Persecution Smith" and "Heavy Music," before his label folded. In 1968, he formed the Bob Seger System and signed with Capitol Records, releasing his debut album, Ramblin' Gamblin' Man, in the spring of that year. The title track became a national hit, climbing to number 17, but the group's follow-up, Noah, stiffed and Seger decided to quit the music business at the end of 1969 to attend college.
By the end of the summer, Seger had returned to rock & roll with a new backing band, releasing Mongrel at the end of the year. For 1971's Brand New Morning, he disbanded his group and recorded a singer/songwriter effort. Following its release, he began performing with the duo Dave Teegarden and Skip "Van Winkle" Knape, and the duo provided support on 1972's Smokin' O.P.'s, which was the first release on Palladium Records, a label he formed with Andrews. The album failed to sell, as did Back in '72 (1973) and Seven (1974), and he moved back to Capitol Records for 1975's Beautiful Loser. For the recording of Beautiful Loser, Seger formed the Silver Bullet Band, which consisted of guitarist Drew Abbott, bassist Chris Campbell, keyboardist Robyn Robbins, saxophonist Alto Reed, and drummer Charlie Allen Martin. Seger supported Beautiful Loser with an extensive tour with the Silver Bullet Band, and while it didn't make the album a hit, it provided a widespread grassroots following across the country. The touring paid off in 1976, when Live Bullet, a double album recorded in Detroit, became a hit, spending over three years on the U.S. charts and going gold; the album would eventually go quadruple platinum.
The groundswell behind Live Bullet sent Seger's next studio album, Night Moves (1976), into the Top Ten early in 1977. Night Moves became a blockbuster, generating the hit singles "Night Moves," "Mainstreet," and "Rock & Roll Never Forgets." Stranger in Town, released in the summer 1978, was just as successful, featuring the hits "Still the Same," "Hollywood Nights," "We've Got Tonite," and "Old Time Rock & Roll." Stranger in Town confirming his status as one America's most popular rockers. Seger's next album, 1980's Against the Wind, became his first number one album and all of its big hits -- "Fire Lake," "Against the Wind," "You'll Accomp'ny Me" -- were ballads. The live album Nine Tonight continued his multi-platinum success in 1981, selling three million copies and peaking at number three.
Seger returned with The Distance in 1982. The Distance was the first album since Seven to be recorded with the addition of session musicians, which caused guitarist Abbott to quit the band in frustration. Over the course of the next decade, the membership of the Silver Bullet Band shifted constantly. While The Distance featured "Shame on the Moon," his biggest hit single to date, its sales plateaued at a million copies, suggesting that his popularity was beginning to level off. Seger also began to drastically reduce his recording and touring schedules -- he only released one other album, 1986's Like a Rock, during the '80s. Like a Rock and its supporting tour were both successes, paving the way for "Shakedown," a song taken from the soundtrack to Beverly Hills Cop II, to become Seger's lone number one hit in 1987. Four years after its release, he returned with The Fire Inside. Although the album went platinum and reached the Top Ten, it only appealed to Seger's devoted following, as did 1995's It's a Mystery, which became his first album since Live Bullet to fail to go platinum, leveling off at gold status.
A long hiatus followed, where Seger kept his head down and spent time with his family. These quiet years were only interrupted by his 2004 induction into the Rock & Roll Hall of Fame. Finally, in 2006, after an 11-year hiatus, Seger released Face the Promise, his first record since 1975's Beautiful Loser not to feature the Silver Bullet Band. Although it spawned no big hit singles -- "Wait for Me" made it into the Billboard Adult Contemporary Top 20 -- Face the Promise performed well, debuting at four on the Billboard charts on its way to a platinum certification. A couple archival projects followed: the 2009 compilation Early Seger, Vol. 1 that balanced previously released cuts with re-recorded old tunes, and the 2011 double-disc set Ultimate Hits: Rock & Roll Never Forgets, which was certified platinum and generated the modest adult contemporary hit cover of Tom Waits' "Downtown Train." A new album called Ride Out appeared in October of 2014, debuting at number three on the Billboard charts.
**********
WIKIPEDIA
**********
OFFICIAL SITE
**********
TO THE TOP
**********
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