ROBBIE FULKS
''COUNTRY LOVE SONGS''
1996
38:14
1. Every Kind of Music But Country/2:18
2. Rock Bottom, Population 1/2:39
3. The Buck Starts Here/3:44
4. (I Love) Nickels and Dimes/3:07
5. Barely Human/3:47
6. I'd Be Lonesome/2:47
7. She Took A Lot of Pills [and Died]/2:43
8. We'll Burn Together/2:51
9. Let's Live Together/3:01
10. The Scrapple Song/2:45
11. Pete Way's Trousers/2:34
12. Tears Only Run One Way/2:49
13. Papa Was a Steel-Headed Man/3:27
Keith Baumann /Lap Steel Guitar
Tom Brumley /Pedal Steel
Casey Driessen /Fiddle
Robbie Fulks /Guitar, Vocals
Bobby Lloyd Hicks /Drums
Ora Jones /Vocals
Steve Rosen /Fiddle, Vocals (Background)
Brett Simons /Bass
The Skeletons /Guest Artist, Vocals (Background)
Joe Terry /Keyboards, Piano
D. Clinton Thompson /Guitar (Electric)
Lou Whitney /Guitar (Bass)
Darren Wilcox /Bass
REVIEW
by Jack Leaver
Robbie Fulks is cleverly twisted, deliciously irreverent, and one of the best of the new country singer/songwriters. Musically, Country Love Songs supplies plenty of hardcore, bottle-tippin', honky tonk country, with a '50s production that sounds like it's supposed to be there. Fulks writes and sings country music that bears little or no resemblance to what dominates the airwaves; rather, his material harks back to an era when humor and dark subject matter shared the same page of a writer's composition book. Paying homage to the classic Bakersfield sound, with former Buckeroo Tom Brumley shining on pedal steel, Fulks delivers "The Buck Starts Here," which just might be the best country song since "He Stopped Loving Her Today." Lyrically, Fulks can travel some pretty spooky highways, as in the descriptive ballad "Barely Human," a drinking song that's as tortured as they get, with the song's character "barely human from twilight till dawn." Other strong tracks include the saga of an aging movie starlet who loses it in "She Took a Lot of Pills (And Died)" -- which first appeared on the second volume of the label's Insurgent Country compilations -- and the swingin' "Every Kind of Music But Country."
BIOGRAPHY
by Steve Huey
Singer/songwriter Robbie Fulks was one of the more heralded talents in the alternative country movement, displaying an offbeat, sometimes dark sense of humor in many of his best moments. As time passed, Fulks moved away from the country twang of his early work and into a crunchier roots rock hybrid. Fulks divided his childhood between Pennsylvania, Virginia, and North Carolina, and received his schooling at Columbia University. He moved to Chicago in 1983 and first served as vocalist and guitarist in bluegrass band the Special Consensus, appearing on their Grammy-nominated 1989 album A Hole in My Heart. He later performed in the musical revue Woody Guthrie's American Song and formed his own rock band, the Trailer Trash Revue, with whom he cut a locally popular single, "Little King" b/w "Jean Arthur."
Fulks got his first significant exposure via Bloodshot Records' 1994 compilation Insurgent Country, Vol. 1: For a Life of Sin, which included his track "Cigarette State"; the 1995 follow-up, Insurgent Country, Vol. 2: Hell-Bent, featured Fulks' "She Took a Lot of Pills (And Died)." Both cuts were produced by Steve Albini, who also helmed Fulks' Bloodshot debut, Country Love Songs, in 1996. The album received highly positive reviews and featured backing from roots rockers the Skeletons, as well as former Buck Owens steel guitarist Tom Brumley. The follow-up, South Mouth, took a similarly retro-minded approach, drawing from classic honky tonk and Bakersfield country. With a growing cult reputation, Fulks earned a major-label shot with Geffen, but many critics felt that his 1998 label debut, Let's Kill Saturday Night, undermined the organic strengths of his previous work with overly slick roots rock production. A merger between Universal and PolyGram shortly after the release of Let's Kill Saturday Night led to a gutting of the Geffen artist roster, and the album died on the vine as Fulks found himself without a label.
Fulks opted to start his own label, Boondoggle Records, distributed by his friends at Bloodshot, and launched it with The Very Best of Robbie Fulks, a facetiously titled collection of demos and unreleased recordings. In 2001, Fulks followed with 13 Hillbilly Giants, in which he covered a bakers' dozen songs of the 1950s and '60s, and later that year he issued his most ambitious set to date, Couples in Trouble, a bleak but compelling collection of original songs about a variety of failing relationships that found Fulks adding new dimensions to his interest in rock and left-field pop. In 2005, Fulks signed to the roots-oriented Yep Roc label and dug back into his country roots with his first album for the label, Georgia Hard. It was followed by the live collection Revenge in 2007.
''COUNTRY LOVE SONGS''
1996
38:14
1. Every Kind of Music But Country/2:18
2. Rock Bottom, Population 1/2:39
3. The Buck Starts Here/3:44
4. (I Love) Nickels and Dimes/3:07
5. Barely Human/3:47
6. I'd Be Lonesome/2:47
7. She Took A Lot of Pills [and Died]/2:43
8. We'll Burn Together/2:51
9. Let's Live Together/3:01
10. The Scrapple Song/2:45
11. Pete Way's Trousers/2:34
12. Tears Only Run One Way/2:49
13. Papa Was a Steel-Headed Man/3:27
Keith Baumann /Lap Steel Guitar
Tom Brumley /Pedal Steel
Casey Driessen /Fiddle
Robbie Fulks /Guitar, Vocals
Bobby Lloyd Hicks /Drums
Ora Jones /Vocals
Steve Rosen /Fiddle, Vocals (Background)
Brett Simons /Bass
The Skeletons /Guest Artist, Vocals (Background)
Joe Terry /Keyboards, Piano
D. Clinton Thompson /Guitar (Electric)
Lou Whitney /Guitar (Bass)
Darren Wilcox /Bass
REVIEW
by Jack Leaver
Robbie Fulks is cleverly twisted, deliciously irreverent, and one of the best of the new country singer/songwriters. Musically, Country Love Songs supplies plenty of hardcore, bottle-tippin', honky tonk country, with a '50s production that sounds like it's supposed to be there. Fulks writes and sings country music that bears little or no resemblance to what dominates the airwaves; rather, his material harks back to an era when humor and dark subject matter shared the same page of a writer's composition book. Paying homage to the classic Bakersfield sound, with former Buckeroo Tom Brumley shining on pedal steel, Fulks delivers "The Buck Starts Here," which just might be the best country song since "He Stopped Loving Her Today." Lyrically, Fulks can travel some pretty spooky highways, as in the descriptive ballad "Barely Human," a drinking song that's as tortured as they get, with the song's character "barely human from twilight till dawn." Other strong tracks include the saga of an aging movie starlet who loses it in "She Took a Lot of Pills (And Died)" -- which first appeared on the second volume of the label's Insurgent Country compilations -- and the swingin' "Every Kind of Music But Country."
BIOGRAPHY
by Steve Huey
Singer/songwriter Robbie Fulks was one of the more heralded talents in the alternative country movement, displaying an offbeat, sometimes dark sense of humor in many of his best moments. As time passed, Fulks moved away from the country twang of his early work and into a crunchier roots rock hybrid. Fulks divided his childhood between Pennsylvania, Virginia, and North Carolina, and received his schooling at Columbia University. He moved to Chicago in 1983 and first served as vocalist and guitarist in bluegrass band the Special Consensus, appearing on their Grammy-nominated 1989 album A Hole in My Heart. He later performed in the musical revue Woody Guthrie's American Song and formed his own rock band, the Trailer Trash Revue, with whom he cut a locally popular single, "Little King" b/w "Jean Arthur."
Fulks got his first significant exposure via Bloodshot Records' 1994 compilation Insurgent Country, Vol. 1: For a Life of Sin, which included his track "Cigarette State"; the 1995 follow-up, Insurgent Country, Vol. 2: Hell-Bent, featured Fulks' "She Took a Lot of Pills (And Died)." Both cuts were produced by Steve Albini, who also helmed Fulks' Bloodshot debut, Country Love Songs, in 1996. The album received highly positive reviews and featured backing from roots rockers the Skeletons, as well as former Buck Owens steel guitarist Tom Brumley. The follow-up, South Mouth, took a similarly retro-minded approach, drawing from classic honky tonk and Bakersfield country. With a growing cult reputation, Fulks earned a major-label shot with Geffen, but many critics felt that his 1998 label debut, Let's Kill Saturday Night, undermined the organic strengths of his previous work with overly slick roots rock production. A merger between Universal and PolyGram shortly after the release of Let's Kill Saturday Night led to a gutting of the Geffen artist roster, and the album died on the vine as Fulks found himself without a label.
Fulks opted to start his own label, Boondoggle Records, distributed by his friends at Bloodshot, and launched it with The Very Best of Robbie Fulks, a facetiously titled collection of demos and unreleased recordings. In 2001, Fulks followed with 13 Hillbilly Giants, in which he covered a bakers' dozen songs of the 1950s and '60s, and later that year he issued his most ambitious set to date, Couples in Trouble, a bleak but compelling collection of original songs about a variety of failing relationships that found Fulks adding new dimensions to his interest in rock and left-field pop. In 2005, Fulks signed to the roots-oriented Yep Roc label and dug back into his country roots with his first album for the label, Georgia Hard. It was followed by the live collection Revenge in 2007.
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