CATHERINE IRWIN
''CUT YOURSELF A SWITCH''
OCTOBER 8 2002
50:15
1/Needle in a Haystack
Catherine Irwin/5:11
2/Cry Our Little Eyes Out
Catherine Irwin/2:41
3/Hex
Catherine Irwin/6:01
4/Dirty Little Snowman
Catherine Irwin/5:19
5/Power of My Love
Bernie Baum / Bill Giant / Florence Kaye/3:07
6/Will You Miss Me/3:30
7/My Old Unlucky Home Far Away
Catherine Irwin/3:42
8/Swan Dive
Catherine Irwin/4:51
9/Don't We All Have the Right to Be Wrong/3:20
10/Paint the River Red
Catherine Irwin/4:22
11/The Only Hell My Momma Ever Raised
Mack Vickery/5:16
12/You Belong to Me
Pee Wee King / Chilton Price / Redd Stewart/2:55
David Wayne Gay /Bass
Morgan Geer /Guitar, Vocals
Catherine Irwin /Guitar, Vocals
Lance Wille /Accordion, Drums
REVIEW
by Sean Westergaard
After more than a decade of co-leading Freakwater, Catherine Ann Irwin has finally made a solo album, and it's a gem. Playing guitar and banjo, Irwin is joined only by longtime musical cohort Dave Gay (bass) on most tunes, but the sound is rich and full, thanks to Irwin's fine playing and wonderful voice, which recalls singers like Hazel Dickens and Sara Carter. Producers Bill Reynolds and Aaron Price have captured a warm and nuanced performance and gave Irwin's voice an amazing presence on this recording; it's the focal point and needs little else. Catherine Ann Irwin is a fine songwriter as well, dealing with the realities of the human condition with a keen eye, sharp wit, and oftentimes dark humor. Excellent originals like "Needle in a Haystack" and "Painting the River Red" are augmented by several well-chosen covers. Elvis Presley's "Power of My Love" and Johnny Paycheck's "The Only Hell My Momma Ever Raised" are given nice readings, as is "Will You Miss Me" by the Carter Family, clearly one of Irwin's main inspirations. Catherine Ann Irwin's voice and playing may hearken back to another time, but she is turning into one of the more individual singer/songwriters. Cut Yourself a Switch is an excellent solo debut and a great update on the old-timey sound.
BIOGRAPHY
by Mark Deming
Singer and songwriter Catherine Irwin is best known as a founding member of Freakwater, one of the most acclaimed alt-country acts of the 1980s and ‘90s. Both as a solo act and as a member of Freakwater, Irwin is celebrated for her evocative songs and spare, primarily acoustic music, which fuses with her rich but unpretentious vocals to evoke the spirit of Appalachian music of the ‘20s and ‘30s while dealing with subject matter that speaks to the present day. Catherine Ann Irwin was born in New Haven, Connecticut on March 4, 1962. Her parents were both educators with a keen interest in folk and traditional music; her father, originally from Ireland, was particularly interested in Celtic music and played the bagpipes, while his sister played in a skiffle band in her youth. Irwin was a young girl when her family moved from Connecticut to Goshen, Kentucky, not far from Louisville. She became interested in bluegrass music, and in her teens she formed a folk group with her brother Alec Irwin. In 1980, the Irwin siblings discovered punk rock, and soon picked up electric instruments, transforming the folk combo into a punk band called the Dickbrains, with Catherine on guitar and Alec on bass. The Dickbrains were short-lived, but earned a mention in a Village Voice piece on Louisville's burgeoning alternative music scene, and Catherine would become a mainstay in the Louisville underground music community. In 1982, she met Janet Beveridge Bean at a performance by the local band Circle X; the two had mutual friends as children, and they soon struck up a close friendship, with Bean moving into Irwin's apartment after a falling out with her parents. Irwin and Bean discovered a shared interest in vintage folk and country music, and began performing locally under a variety of names; they recorded their first demos in 1985, and one of their early recordings, a version of Woody Guthrie's "Little Black Train," appeared on a 1987 compilation Hog Butcher for the World, credited to Mojo Wishbean & Trippy Squashblossum. In 1988, Keith Holland of Amoeba Records approached Bean and Irwin about making an album; while Bean by this time was playing with the group Eleventh Dream Day, the two agreed to the deal, and the duo officially adopted the name Freakwater. With bassist David Gay accompanying Bean and Irwin, Freakwater would record six studio albums and a live set between 1989 and 1999, and while the group never quite broke through to mainstream acceptance, they consistently earned rave reviews and won a loyal following for their rich, heartfelt music. During Freakwater's periodic downtime (as Bean recorded and toured with Eleventh Dream Day, Irwin pursued a career as a visual artist (one of her paintings appears on the cover of EDD's Lived to Tell), and painted houses to support herself; she also appeared in the 1994 independent film Half-Cocked, singing Freakwater's "My Old Drunk Friend" at a punk rock house in Louisville. After touring in support of Freakwater's 1999 album End Times, the group went on hiatus as Bean took a job with a law firm in Chicago, and in 2000, Irwin made her debut as a solo act, playing a set at the South by Southwest Music Festival in Austin, Texas. In 2002, Irwin released her first solo album, Cut Yourself a Switch, and set out on a 15-show tour in support, with Dave Gay joining her on bass. Another tour followed in 2003, and several months later, Freakwater reunited to play three West Coast dates opening for Nick Cave & the Bad Seeds. Freakwater returned in 2005 with the album Thinking of You, and played an extensive American tour following its release; a live performance by the group was also featured on the DVD Burn to Shine, Vol. 2: Chicago. In 2006, after Freakwater toured Europe, Irwin played a handful of American dates opening for Neko Case, and she also contributed a track to the compilation album Old Town School of Folk Music, Vol. One, released by Bloodshot Records. In 2007, she played a few shows with Brett Eugene Ralph's Kentucky Chrome Revue (Ralph was another longtime veteran of the Louisville music scene), and she appeared on an album the group released in 2010. Irwin continued to play shows as a solo act and with Freakwater, while also working as an artist, contributing to a large installation called The Exquisite City at the Chicago Tourism Center and exhibiting her paintings at a number of galleries. In 2012, Irwin released her long-awaited second solo effort, Little Heater, through Thrill Jockey Records; the album was produced and recorded by Tara Jane O'Neil, a longtime friend and fellow Louisville musician who also played the female lead in Half-Cocked.
''CUT YOURSELF A SWITCH''
OCTOBER 8 2002
50:15
1/Needle in a Haystack
Catherine Irwin/5:11
2/Cry Our Little Eyes Out
Catherine Irwin/2:41
3/Hex
Catherine Irwin/6:01
4/Dirty Little Snowman
Catherine Irwin/5:19
5/Power of My Love
Bernie Baum / Bill Giant / Florence Kaye/3:07
6/Will You Miss Me/3:30
7/My Old Unlucky Home Far Away
Catherine Irwin/3:42
8/Swan Dive
Catherine Irwin/4:51
9/Don't We All Have the Right to Be Wrong/3:20
10/Paint the River Red
Catherine Irwin/4:22
11/The Only Hell My Momma Ever Raised
Mack Vickery/5:16
12/You Belong to Me
Pee Wee King / Chilton Price / Redd Stewart/2:55
David Wayne Gay /Bass
Morgan Geer /Guitar, Vocals
Catherine Irwin /Guitar, Vocals
Lance Wille /Accordion, Drums
REVIEW
by Sean Westergaard
After more than a decade of co-leading Freakwater, Catherine Ann Irwin has finally made a solo album, and it's a gem. Playing guitar and banjo, Irwin is joined only by longtime musical cohort Dave Gay (bass) on most tunes, but the sound is rich and full, thanks to Irwin's fine playing and wonderful voice, which recalls singers like Hazel Dickens and Sara Carter. Producers Bill Reynolds and Aaron Price have captured a warm and nuanced performance and gave Irwin's voice an amazing presence on this recording; it's the focal point and needs little else. Catherine Ann Irwin is a fine songwriter as well, dealing with the realities of the human condition with a keen eye, sharp wit, and oftentimes dark humor. Excellent originals like "Needle in a Haystack" and "Painting the River Red" are augmented by several well-chosen covers. Elvis Presley's "Power of My Love" and Johnny Paycheck's "The Only Hell My Momma Ever Raised" are given nice readings, as is "Will You Miss Me" by the Carter Family, clearly one of Irwin's main inspirations. Catherine Ann Irwin's voice and playing may hearken back to another time, but she is turning into one of the more individual singer/songwriters. Cut Yourself a Switch is an excellent solo debut and a great update on the old-timey sound.
BIOGRAPHY
by Mark Deming
Singer and songwriter Catherine Irwin is best known as a founding member of Freakwater, one of the most acclaimed alt-country acts of the 1980s and ‘90s. Both as a solo act and as a member of Freakwater, Irwin is celebrated for her evocative songs and spare, primarily acoustic music, which fuses with her rich but unpretentious vocals to evoke the spirit of Appalachian music of the ‘20s and ‘30s while dealing with subject matter that speaks to the present day. Catherine Ann Irwin was born in New Haven, Connecticut on March 4, 1962. Her parents were both educators with a keen interest in folk and traditional music; her father, originally from Ireland, was particularly interested in Celtic music and played the bagpipes, while his sister played in a skiffle band in her youth. Irwin was a young girl when her family moved from Connecticut to Goshen, Kentucky, not far from Louisville. She became interested in bluegrass music, and in her teens she formed a folk group with her brother Alec Irwin. In 1980, the Irwin siblings discovered punk rock, and soon picked up electric instruments, transforming the folk combo into a punk band called the Dickbrains, with Catherine on guitar and Alec on bass. The Dickbrains were short-lived, but earned a mention in a Village Voice piece on Louisville's burgeoning alternative music scene, and Catherine would become a mainstay in the Louisville underground music community. In 1982, she met Janet Beveridge Bean at a performance by the local band Circle X; the two had mutual friends as children, and they soon struck up a close friendship, with Bean moving into Irwin's apartment after a falling out with her parents. Irwin and Bean discovered a shared interest in vintage folk and country music, and began performing locally under a variety of names; they recorded their first demos in 1985, and one of their early recordings, a version of Woody Guthrie's "Little Black Train," appeared on a 1987 compilation Hog Butcher for the World, credited to Mojo Wishbean & Trippy Squashblossum. In 1988, Keith Holland of Amoeba Records approached Bean and Irwin about making an album; while Bean by this time was playing with the group Eleventh Dream Day, the two agreed to the deal, and the duo officially adopted the name Freakwater. With bassist David Gay accompanying Bean and Irwin, Freakwater would record six studio albums and a live set between 1989 and 1999, and while the group never quite broke through to mainstream acceptance, they consistently earned rave reviews and won a loyal following for their rich, heartfelt music. During Freakwater's periodic downtime (as Bean recorded and toured with Eleventh Dream Day, Irwin pursued a career as a visual artist (one of her paintings appears on the cover of EDD's Lived to Tell), and painted houses to support herself; she also appeared in the 1994 independent film Half-Cocked, singing Freakwater's "My Old Drunk Friend" at a punk rock house in Louisville. After touring in support of Freakwater's 1999 album End Times, the group went on hiatus as Bean took a job with a law firm in Chicago, and in 2000, Irwin made her debut as a solo act, playing a set at the South by Southwest Music Festival in Austin, Texas. In 2002, Irwin released her first solo album, Cut Yourself a Switch, and set out on a 15-show tour in support, with Dave Gay joining her on bass. Another tour followed in 2003, and several months later, Freakwater reunited to play three West Coast dates opening for Nick Cave & the Bad Seeds. Freakwater returned in 2005 with the album Thinking of You, and played an extensive American tour following its release; a live performance by the group was also featured on the DVD Burn to Shine, Vol. 2: Chicago. In 2006, after Freakwater toured Europe, Irwin played a handful of American dates opening for Neko Case, and she also contributed a track to the compilation album Old Town School of Folk Music, Vol. One, released by Bloodshot Records. In 2007, she played a few shows with Brett Eugene Ralph's Kentucky Chrome Revue (Ralph was another longtime veteran of the Louisville music scene), and she appeared on an album the group released in 2010. Irwin continued to play shows as a solo act and with Freakwater, while also working as an artist, contributing to a large installation called The Exquisite City at the Chicago Tourism Center and exhibiting her paintings at a number of galleries. In 2012, Irwin released her long-awaited second solo effort, Little Heater, through Thrill Jockey Records; the album was produced and recorded by Tara Jane O'Neil, a longtime friend and fellow Louisville musician who also played the female lead in Half-Cocked.
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