LIVING COLOUR
''EVERYTHING IS POSSIBLE_ THE VERY BEST OF LIVING COLOUR''
JANUARY 17 2006
76:25
1/Cult of Personality/Calhoun, Glover, Reid, Skillings/4:54
2/Open Letter (To a Landlord)/Morris, Reid/5:31
3/Funny Vibe/Reid/4:21
4/Glamour Boys/Reid/3:41
5/Middle Man/Glover, Reid/3:48
6/Memories Can't Wait/Byrne, Harrison/4:30
7/Elvis Is Dead/Reid/3:50
8/Type/Reid/6:27
9/Solace of You/Glover, Reid/3:35
10/Pride/Calhoun/4:54
11/Time's Up/Calhoun, Glover, Reid, Skillings/3:05
12/Go Away/Calhoun, Glover, Reid, Wimbish/4:02
13/Nothingness/Calhoun/3:31
14/Burning of the Midnight Lamp/Hendrix/5:29
15/Sunshine of Your Love/Brown, Bruce, Clapton/5:14
16/Flying/Calhoun, Glover, Reid, Skillings/4:24
17/Love Rears Its Ugly Head [Soulpower Hip Hop Remix]/Reid/5:09
William Calhoun - Percussion, Drums, Tabla, Vocals, Sampling, Electronic Percussion, Water Drums, Loop
Annette Daniels - Vocals (bckgr)
D.K. Dyson - Vocals (bckgr)
Fowler Family - Vocals (bckgr)
Bernard Fowler - Vocals (bckgr)
Muriel Fowler - Vocals (bckgr)
William Fowler - Vocals (bckgr)
Doug E. Fresh - Mouth Percussion
Corey Glover - Guitar (Rhythm), Vocals
Mick Jagger - Vocals (bckgr), Guest Appearance
Toshi Kubota - Guest Appearance
Yubie Navas - Guest Appearance
Maceo Parker - Saxophone
Vernon Reid - Guitar (Acoustic), Guitar, Guitar (Electric), Vocals, Sampling, Guitar Synth
Alva Rogers - Guest Appearance
Rosa Russ - Vocals (bckgr)
Muzz Skillings - Bass, Vocals
Francine Stasium - Guest Appearance
Doug Wimbish - Bass, Vocals, Beats
Derin Young - Vocals, Vocals (bckgr)
REVIEW
by Stephen Thomas Erlewine
Eleven years after Living Colour released its post-breakup compilation Pride and three years after their reunion album Collideøscope, Epic/Legacy released the career-spanning collection Everything Is Possible: The Very Best of Living Colour. Since Living Colour had a career that burned like a supernova -- bright and intense at its beginning in 1988, but by 1993, they had imploded -- they're an ideal band for a compilation, and Everything Is Possible is indeed an excellent history of the band, drawing heavily from 1988's Vivid and its 1990 follow-up, Time's Up, while treating 1993's Stain as a footnote and sampling from the reunion record. As such, this is a lively portrait of the band at its peak, containing nearly all of the MTV and album rock radio hits (Stain's "Leave It Alone" is missing, but it's not noticeable), plus a healthy representation of the best album tracks. That almost all of these are culled from Vivid (over half the album is here) and Time's Up (just under half the album, if the "Soulpower Hip Hop Remix" of "Love Rears Its Ugly Head" is counted) is, again, no surprise: not only did the band turned dank and gloomy for Stain, but their neon-colored fiercely multi-cultural hard rock was in full force for those two albums. Truth be told, it even showed signs of exhausting itself on Time's Up, something that Everything Is Possible obscures even if it can't completely hide it: by that point, the politics, genre-hopping, celebrity cameos, and PC social consciousness were dampening the freshness of Vivid, which itself suffered from being overly earnest and as self-consciously complicated as the stop-start riff to their biggest hit, "Cult of Personality." Nevertheless, over the course of those two albums Living Colour produced some bright, ambitious hard rock that crystallized a lot of the ideas and trends of the late '80s and early '90s, and nowhere is that better heard than on this compilation, which captures a band that was and remains as interesting to theorize about as it is to listen to.
BIOGRAPHY
by Greg Prato
During the 1980s, rock had become completely segregated and predictable, the opposite of the late '60s/early '70s, when such musically and ethnically varied artists as Jimi Hendrix, Sly & the Family Stone, and Santana ruled the Earth. But bands such as New York's Living Colour helped break down the doors by the end of the '80s, leading to a much more open-minded musical landscape that would eventually pave the way for future bands (Rage Against the Machine, Sevendust, etc.). The group (singer Corey Glover, guitarist Vernon Reid, bassist Muzz Skillings, and drummer Will Calhoun) first formed in the mid-'80s, with Reid being the only member with real prior band experience; he was a member of Ronald Shannon Jackson's experimental jazz outfit, and had recorded with Defunkt, Public Enemy, as well as issuing a solo album with Bill Frisell, 1984's Smash & Scatteration.
It took the fledgling band a few years for their sound to gel, as they honed their act at N.Y.C.'s famed CBGB's. But the group found an unlikely supporter in Mick Jagger, who took the band under his wing, produced a demo for the quartet, and helped them secure a record deal with Epic (just prior, Glover had to take a brief leave of absence from the band, as he landed a role in Oliver Stone's Vietnam War epic movie, Platoon). Living Colour's debut album, Vivid, was issued in the summer of 1988, yet it would take a few months for momentum to build. By the winter, the band's striking video for their anthem "Cult of Personality" was all over MTV, pushing Vivid to the upper reaches of the charts and to platinum certification. Living Colour also took home their first of several Grammy Awards, as "Cult" won Best Hard Rock Performance at the 1989 ceremony, and the band supported the release with a string of dates opening stadiums for the Rolling Stones' first U.S. tour in eight years that autumn.
Starting with Vivid and continuing on future albums, the band showed that rock could still convey a message (as evidenced by such tracks as "Open Letter to a Landlord," "Funny Vibe," among others). The quartet regrouped a year later for their sophomore effort, Time's Up, an album that performed respectably on the charts but failed to live up to the expectations of their smash debut. An appearance at the inaugural Lollapalooza tour in the summer of 1991 kept the group in the public's eye, as did an EP of outtakes, Biscuits. Skillings left the group shortly thereafter (replaced by studio vet Doug Wimbish), as their darkest and most challenging release yet, Stain, was issued in 1993. Although it failed to sell as well as its predecessors, it retained the band's large and dedicated following, as Living Colour appeared to be entering an interesting and groundbreaking new musical phase of their career. The band began writing the following year for what would be their fourth full-length, but an inability to settle on a single musical direction caused friction between the members, leading to Living Colour's demise in early 1995.
In the wake of Living Colour's split, all of its former members pursued other projects. Reid issued a solo album, 1996's Mistaken Identity (as well as guesting on other artists recordings), while Glover attempted to launch a career as a solo artist, issuing the overlooked Hymns in 1998 and finding time to appear as a VJ on VH1 and acting in the 1996 movie Loose Women. Calhoun and Wimbish remained together and launched a new outfit, the drum'n'bass-inspired Jungle Funk, who issued a self-titled debut release in 1997 (Wimbish also issued a solo album, Trippy Notes for Bass, in 1999). With Living Colour out of commission for several years by the early 21st century, Calhoun and Wimbish teamed up once more with Glover in a new outfit, Headfake, playing often in the New York City area. A few days before Christmas in 2000, Headfake played a show at CBGB's, and were joined on-stage by Reid, which led to rumors of an impending Living Colour reunion. The rumors proved to be true, as Living Colour launched their first tour together in six years during the summer of 2001. In 2003, Living Colour returned with a deal with Sanctuary and their most experimental release to date, Collideøscope. Two years later the rarities collection What's Your Favorite Color? was released, followed by Everything Is Possible: The Very Best of Living Colour in 2006 and the all new Chair in the Doorway in 2009.
DoWnLoAd
''EVERYTHING IS POSSIBLE_ THE VERY BEST OF LIVING COLOUR''
JANUARY 17 2006
76:25
1/Cult of Personality/Calhoun, Glover, Reid, Skillings/4:54
2/Open Letter (To a Landlord)/Morris, Reid/5:31
3/Funny Vibe/Reid/4:21
4/Glamour Boys/Reid/3:41
5/Middle Man/Glover, Reid/3:48
6/Memories Can't Wait/Byrne, Harrison/4:30
7/Elvis Is Dead/Reid/3:50
8/Type/Reid/6:27
9/Solace of You/Glover, Reid/3:35
10/Pride/Calhoun/4:54
11/Time's Up/Calhoun, Glover, Reid, Skillings/3:05
12/Go Away/Calhoun, Glover, Reid, Wimbish/4:02
13/Nothingness/Calhoun/3:31
14/Burning of the Midnight Lamp/Hendrix/5:29
15/Sunshine of Your Love/Brown, Bruce, Clapton/5:14
16/Flying/Calhoun, Glover, Reid, Skillings/4:24
17/Love Rears Its Ugly Head [Soulpower Hip Hop Remix]/Reid/5:09
William Calhoun - Percussion, Drums, Tabla, Vocals, Sampling, Electronic Percussion, Water Drums, Loop
Annette Daniels - Vocals (bckgr)
D.K. Dyson - Vocals (bckgr)
Fowler Family - Vocals (bckgr)
Bernard Fowler - Vocals (bckgr)
Muriel Fowler - Vocals (bckgr)
William Fowler - Vocals (bckgr)
Doug E. Fresh - Mouth Percussion
Corey Glover - Guitar (Rhythm), Vocals
Mick Jagger - Vocals (bckgr), Guest Appearance
Toshi Kubota - Guest Appearance
Yubie Navas - Guest Appearance
Maceo Parker - Saxophone
Vernon Reid - Guitar (Acoustic), Guitar, Guitar (Electric), Vocals, Sampling, Guitar Synth
Alva Rogers - Guest Appearance
Rosa Russ - Vocals (bckgr)
Muzz Skillings - Bass, Vocals
Francine Stasium - Guest Appearance
Doug Wimbish - Bass, Vocals, Beats
Derin Young - Vocals, Vocals (bckgr)
REVIEW
by Stephen Thomas Erlewine
Eleven years after Living Colour released its post-breakup compilation Pride and three years after their reunion album Collideøscope, Epic/Legacy released the career-spanning collection Everything Is Possible: The Very Best of Living Colour. Since Living Colour had a career that burned like a supernova -- bright and intense at its beginning in 1988, but by 1993, they had imploded -- they're an ideal band for a compilation, and Everything Is Possible is indeed an excellent history of the band, drawing heavily from 1988's Vivid and its 1990 follow-up, Time's Up, while treating 1993's Stain as a footnote and sampling from the reunion record. As such, this is a lively portrait of the band at its peak, containing nearly all of the MTV and album rock radio hits (Stain's "Leave It Alone" is missing, but it's not noticeable), plus a healthy representation of the best album tracks. That almost all of these are culled from Vivid (over half the album is here) and Time's Up (just under half the album, if the "Soulpower Hip Hop Remix" of "Love Rears Its Ugly Head" is counted) is, again, no surprise: not only did the band turned dank and gloomy for Stain, but their neon-colored fiercely multi-cultural hard rock was in full force for those two albums. Truth be told, it even showed signs of exhausting itself on Time's Up, something that Everything Is Possible obscures even if it can't completely hide it: by that point, the politics, genre-hopping, celebrity cameos, and PC social consciousness were dampening the freshness of Vivid, which itself suffered from being overly earnest and as self-consciously complicated as the stop-start riff to their biggest hit, "Cult of Personality." Nevertheless, over the course of those two albums Living Colour produced some bright, ambitious hard rock that crystallized a lot of the ideas and trends of the late '80s and early '90s, and nowhere is that better heard than on this compilation, which captures a band that was and remains as interesting to theorize about as it is to listen to.
BIOGRAPHY
by Greg Prato
During the 1980s, rock had become completely segregated and predictable, the opposite of the late '60s/early '70s, when such musically and ethnically varied artists as Jimi Hendrix, Sly & the Family Stone, and Santana ruled the Earth. But bands such as New York's Living Colour helped break down the doors by the end of the '80s, leading to a much more open-minded musical landscape that would eventually pave the way for future bands (Rage Against the Machine, Sevendust, etc.). The group (singer Corey Glover, guitarist Vernon Reid, bassist Muzz Skillings, and drummer Will Calhoun) first formed in the mid-'80s, with Reid being the only member with real prior band experience; he was a member of Ronald Shannon Jackson's experimental jazz outfit, and had recorded with Defunkt, Public Enemy, as well as issuing a solo album with Bill Frisell, 1984's Smash & Scatteration.
It took the fledgling band a few years for their sound to gel, as they honed their act at N.Y.C.'s famed CBGB's. But the group found an unlikely supporter in Mick Jagger, who took the band under his wing, produced a demo for the quartet, and helped them secure a record deal with Epic (just prior, Glover had to take a brief leave of absence from the band, as he landed a role in Oliver Stone's Vietnam War epic movie, Platoon). Living Colour's debut album, Vivid, was issued in the summer of 1988, yet it would take a few months for momentum to build. By the winter, the band's striking video for their anthem "Cult of Personality" was all over MTV, pushing Vivid to the upper reaches of the charts and to platinum certification. Living Colour also took home their first of several Grammy Awards, as "Cult" won Best Hard Rock Performance at the 1989 ceremony, and the band supported the release with a string of dates opening stadiums for the Rolling Stones' first U.S. tour in eight years that autumn.
Starting with Vivid and continuing on future albums, the band showed that rock could still convey a message (as evidenced by such tracks as "Open Letter to a Landlord," "Funny Vibe," among others). The quartet regrouped a year later for their sophomore effort, Time's Up, an album that performed respectably on the charts but failed to live up to the expectations of their smash debut. An appearance at the inaugural Lollapalooza tour in the summer of 1991 kept the group in the public's eye, as did an EP of outtakes, Biscuits. Skillings left the group shortly thereafter (replaced by studio vet Doug Wimbish), as their darkest and most challenging release yet, Stain, was issued in 1993. Although it failed to sell as well as its predecessors, it retained the band's large and dedicated following, as Living Colour appeared to be entering an interesting and groundbreaking new musical phase of their career. The band began writing the following year for what would be their fourth full-length, but an inability to settle on a single musical direction caused friction between the members, leading to Living Colour's demise in early 1995.
In the wake of Living Colour's split, all of its former members pursued other projects. Reid issued a solo album, 1996's Mistaken Identity (as well as guesting on other artists recordings), while Glover attempted to launch a career as a solo artist, issuing the overlooked Hymns in 1998 and finding time to appear as a VJ on VH1 and acting in the 1996 movie Loose Women. Calhoun and Wimbish remained together and launched a new outfit, the drum'n'bass-inspired Jungle Funk, who issued a self-titled debut release in 1997 (Wimbish also issued a solo album, Trippy Notes for Bass, in 1999). With Living Colour out of commission for several years by the early 21st century, Calhoun and Wimbish teamed up once more with Glover in a new outfit, Headfake, playing often in the New York City area. A few days before Christmas in 2000, Headfake played a show at CBGB's, and were joined on-stage by Reid, which led to rumors of an impending Living Colour reunion. The rumors proved to be true, as Living Colour launched their first tour together in six years during the summer of 2001. In 2003, Living Colour returned with a deal with Sanctuary and their most experimental release to date, Collideøscope. Two years later the rarities collection What's Your Favorite Color? was released, followed by Everything Is Possible: The Very Best of Living Colour in 2006 and the all new Chair in the Doorway in 2009.
DoWnLoAd
