RAUL MALO
''YOU'RE ONLY LONELY''
JULY 25 2006
49:55
1 You're Only Lonely (J.D.Souther) 04:20
2 Angels Flying Too Close To The Ground (Willie Nelson) 04:44
3 Feels Like Home (Randy Newman) 04:33
4 So Sad (Don Everly) 04:18
5 At Last (Mack Gordon, Harry Warren) 04:00
6 Games That Lovers Play (Günter Loose, Eddie Snyder) 03:40
7 For You (Raul Malo, Alan Miller) 03:58
8 Secret Heart (Ron Sexsmith) 03:10
9 Run To Me (Barry Gibb, Maruce Gibb, Robin Gibb) 04:13
10 Tomorrow Night (Sam Coslow, Will Grosz) 04:32
11 Remember (Harry Nilsson) 03:47
12 Feels Like Home (Randy Newman) 04:33
Robert Bailey/Vocals (Background)
Bob Becker/Viola
Charlie Bisharat/Violin
David Campbell/Conductor, Orchestral Arrangements
Glen Caruba/Percussion
Robert Chevrier/Band
Larry Corbett/Celli, Principal
Chad Cromwell/Drums
Joel Derouin/Concert Master, Violin
Dan Dugmore/Pedal Steel, Slide Guitar, Soloist
Earl Dumler/Oboe
Kimberly Fleming/Vocals (Background)
Armen Garabedian/Violin
Berj Garabedian/Violin
Kenny Greenberg/Guitar, Soloist
Vicki Hampton/Vocals (Background)
Suzie Katayama/Contractor
Natalie Leggett/Violin
Mario de León/Violin
Tom Lewis/Band
Raul Malo/Guitar, Soloist
Andy Martin/Soloist, Trombone
Martina McBride
Gordon Mote/Keyboards
Sara Parkins/Violin
Eddie Perez/Guitar
Steve Richards/Celli
David R. Stone/Double Bass
Josefina Vergara/Violin
Glen Warf/Bass
Evan Wilson/Principal, Viola
REVIEW
by Mark Deming
***/*****
Raul Malo's voice is one of the great natural resources of American music, and anyone familiar with his work with the Mavericks or as a solo act is already aware that the man can seemingly sing anything he puts his mind to and make it sound wonderful. However, in many ways You're Only Lonely feels like a concerted effort to present him in a new light to a new audience. Produced by Peter Asher, best known for his work with Linda Ronstadt and James Taylor, You're Only Lonely dials down the country and Latin accents that have long been a large part of Malo's music in favor of smooth and elaborate MOR-style arrangements (complete with a shimmering string section) and a set list dotted with such familiar classics as "At Last," "Tomorrow Night," and "Games That Lover's Play." (Malo does get to tear into a solid Cuban-style number here, "For You," and covers Willie Nelson's wonderful "Angel Flying Too Close to the Ground," but there's no arguing that both numbers boast significantly more polish than they would have received on Malo's earlier projects.) Much as Linda Ronstadt's albums with arranger Nelson Riddle in the '80s (produced by Peter Asher) seemed designed to convince an older and more musically sophisticated audience that she was a "real" singer rather than just another rock & roll belter, You're Only Lonely plays as Malo's calling card to people wary of his country background, demonstrating he can sing supper club blues, standards and jazz-leaning ballads as well as anyone. Malo certainly handles this material with seasoned panache, his vocal chops are as solid as ever, and there are a few idiosyncratic but inspired song selections, including Harry Nilsson's nostalgic "Remember" and the early Bee Gees' hit "Run to Me." But for all the superlative craft displayed on You're Only Lonely, Asher's production has buffed most of the texture out of this music, and there's a sadly noticeable lack of passion in most of the performances; it's a collection of glorious surfaces that ring just a bit hollow, something you can't usually say about an album featuring Raul Malo.
BIOGRAPHY/AMG
by Eleanor Ditzel
Originally making his mark in the country music world and then slipping into the Latin and jazz arenas via rock & roll, Raul Malo has proven to be an ever-expanding musical talent. Malo, born in Miami of Cuban parents, started playing bass guitar in high school and soon found his way into several small bands. In 1987, he made his first recording with the Basics, and one song, "Paperheart," appeared on the promotional album Unsigned. While the album wasn't a success, the experience whet Malo's appetite for more. Later in the '80s, Malo and a high-school friend, Robert Reynolds (bass), joined together to form their own country band, based on their mutual love for Hank Williams, Johnny Cash, and Patsy Cline. Paul Deakin, with experience in several progressive rock bands, became the drummer, and the group chose the name the Mavericks. This band went on to become one of the outstanding country bands of the '90s.
Under Malo's leadership, the Mavericks released their debut self-titled album in the fall of 1990. The album managed to grab the attention of many big labels, and MCA Records signed the Mavericks in May 1991, when they played their first gig in Nashville. David Lee Holt, who previously played with Carlene Carter, Joe Ely, and Rosie Flores, became the lead guitarist for the band, with Malo concentrating on the songwriting and vocals. MCA released From Hell to Paradise in 1992 and issued five more albums for the band during the '90s. From Hell to Paradise was critically acclaimed, but not a success financially. However, What a Crying Shame brought forth financial fortunes when it was released in 1994, with its title track reaching the Top 40; the album went platinum by spring 1995. Holt was replaced with Nick Kane as lead guitarist for the next releases. Many of the band's singles reached the Top 40, with "O What a Thrill" making number 18 in the summer of 1994 and "There Goes My Heart" reaching number 20. Music for All Occasions, released in 1995, went gold. the Mavericks eventually won a Grammy and the Country Music Association twice bestowed them with Top Vocal Group honors. One of the highlights of the band's career was playing at the Royal Albert Hall in London.
As Malo began to integrate Latin rhythms into his songwriting during the latter part of the '90s, the albums picked up a stronger Havana influence, leaving the country rhythms in the shadows. The band became an eclectic mix of rockabilly, honky tonk, Tejano, native Cuban, and country. The MCA label continued to release the Mavericks' albums and singles throughout the '90s, with the final compilation being 20th Century Masters - The Millennium Collection: The Best of the Mavericks in 2001. Malo then switched to the Universal label for the band's release of O What a Thrill: An Introduction to the Mavericks. Although the Mavericks quit playing gigs together in early 2001, they didn't really break up as a band and Malo still has tight connections with the members.
During the latter years of the '90s, Malo began doing parallel solo work, sometimes accompanied by the Dennis Burnside Orchestra. In October 1999 he completed his first solo tour in the U.K., performing many of his new songs. By 2000 he had become a producer with Ethan Allen and K.T. Oslin, and joined Los Super Seven as a lead vocalist and songwriter, in addition to working with Latin singer Rick Trevino in his studios. Malo's first solo recording, "Bailare (El Merecumbe)," was self-penned in Spanish, and he also did a solo recording of "Downbound Train" by Bruce Springsteen. When the Country Music Association needed a voice that could handle singing all the different hits of those being inducted into the Country Music Hall of Fame in 2001, they called on Malo because of his ability to handle diverse rhythms.
Malo's first album as a solo artist, Today, reflected his Cuban background, but didn't entirely leave out the deep-twang guitar of country music. His exuberance flowed on the album as he mingled the pop sounds of the '60s with salsa and country. Released by OmTown/Higher Octave Music in October 2001, the album also included Shelby Lynne on vocals and a backup band of 11 that produced the big-band sounds of which Malo had become fond. The album featured Malo singing in both Spanish and English, reflecting calypso, carnival, jazz, salsa, and country influences playing out the theme of universal love. Malo also covered "Black Is Black," a Latin rock hit, on Los Straitjackets' 2001 album, and sang on Raffi's compilation of country songs for children. The Nashville Acoustic Sessions, a pared-down collaboration with Nashville session staples Pat Flynn, Rob Ickes, and Dave Pomeroy, was released in 2004. Malo returned to the studio for You're Only Lonely and After Hours in 2006 and 2007, respectively. Lucky One followed in 2009.
In late 2009, Malo signed to Concord's Fantasy imprint and began recording a slew of new tracks at his home studio in Nashville. He took them to Sam "Lightning" Seifert at Bismeaux Studio in Austin and enlisted the help of the legendary Vox Continental organist Augie Meyers; guitarist Shawn Sahm (son of the late Doug Sahm of the Sir Douglas Quintet); accordionist Michael Guerra (known for his work with the Tex Mex Experience); and Austin's lauded vocal group the Trishas (Savannah Welch, Kelley Mickwee, Liz Foster, and Jamie Wilson), who provided background vocals. The end result was Malo's debut for the label, Sinners & Saints, released in October of 2010. In 2012, he delivered Around the World, a set of classic love songs backed by Britain's 30-piece Northern Sinfonia orchestra, including versions of "Let It Be Me," "Make the World Go Away," "Dance the Night Away," and "Around the World."
WEBSITE
TO THE TOP
''YOU'RE ONLY LONELY''
JULY 25 2006
49:55
1 You're Only Lonely (J.D.Souther) 04:20
2 Angels Flying Too Close To The Ground (Willie Nelson) 04:44
3 Feels Like Home (Randy Newman) 04:33
4 So Sad (Don Everly) 04:18
5 At Last (Mack Gordon, Harry Warren) 04:00
6 Games That Lovers Play (Günter Loose, Eddie Snyder) 03:40
7 For You (Raul Malo, Alan Miller) 03:58
8 Secret Heart (Ron Sexsmith) 03:10
9 Run To Me (Barry Gibb, Maruce Gibb, Robin Gibb) 04:13
10 Tomorrow Night (Sam Coslow, Will Grosz) 04:32
11 Remember (Harry Nilsson) 03:47
12 Feels Like Home (Randy Newman) 04:33
Robert Bailey/Vocals (Background)
Bob Becker/Viola
Charlie Bisharat/Violin
David Campbell/Conductor, Orchestral Arrangements
Glen Caruba/Percussion
Robert Chevrier/Band
Larry Corbett/Celli, Principal
Chad Cromwell/Drums
Joel Derouin/Concert Master, Violin
Dan Dugmore/Pedal Steel, Slide Guitar, Soloist
Earl Dumler/Oboe
Kimberly Fleming/Vocals (Background)
Armen Garabedian/Violin
Berj Garabedian/Violin
Kenny Greenberg/Guitar, Soloist
Vicki Hampton/Vocals (Background)
Suzie Katayama/Contractor
Natalie Leggett/Violin
Mario de León/Violin
Tom Lewis/Band
Raul Malo/Guitar, Soloist
Andy Martin/Soloist, Trombone
Martina McBride
Gordon Mote/Keyboards
Sara Parkins/Violin
Eddie Perez/Guitar
Steve Richards/Celli
David R. Stone/Double Bass
Josefina Vergara/Violin
Glen Warf/Bass
Evan Wilson/Principal, Viola
REVIEW
by Mark Deming
***/*****
Raul Malo's voice is one of the great natural resources of American music, and anyone familiar with his work with the Mavericks or as a solo act is already aware that the man can seemingly sing anything he puts his mind to and make it sound wonderful. However, in many ways You're Only Lonely feels like a concerted effort to present him in a new light to a new audience. Produced by Peter Asher, best known for his work with Linda Ronstadt and James Taylor, You're Only Lonely dials down the country and Latin accents that have long been a large part of Malo's music in favor of smooth and elaborate MOR-style arrangements (complete with a shimmering string section) and a set list dotted with such familiar classics as "At Last," "Tomorrow Night," and "Games That Lover's Play." (Malo does get to tear into a solid Cuban-style number here, "For You," and covers Willie Nelson's wonderful "Angel Flying Too Close to the Ground," but there's no arguing that both numbers boast significantly more polish than they would have received on Malo's earlier projects.) Much as Linda Ronstadt's albums with arranger Nelson Riddle in the '80s (produced by Peter Asher) seemed designed to convince an older and more musically sophisticated audience that she was a "real" singer rather than just another rock & roll belter, You're Only Lonely plays as Malo's calling card to people wary of his country background, demonstrating he can sing supper club blues, standards and jazz-leaning ballads as well as anyone. Malo certainly handles this material with seasoned panache, his vocal chops are as solid as ever, and there are a few idiosyncratic but inspired song selections, including Harry Nilsson's nostalgic "Remember" and the early Bee Gees' hit "Run to Me." But for all the superlative craft displayed on You're Only Lonely, Asher's production has buffed most of the texture out of this music, and there's a sadly noticeable lack of passion in most of the performances; it's a collection of glorious surfaces that ring just a bit hollow, something you can't usually say about an album featuring Raul Malo.
BIOGRAPHY/AMG
by Eleanor Ditzel
Originally making his mark in the country music world and then slipping into the Latin and jazz arenas via rock & roll, Raul Malo has proven to be an ever-expanding musical talent. Malo, born in Miami of Cuban parents, started playing bass guitar in high school and soon found his way into several small bands. In 1987, he made his first recording with the Basics, and one song, "Paperheart," appeared on the promotional album Unsigned. While the album wasn't a success, the experience whet Malo's appetite for more. Later in the '80s, Malo and a high-school friend, Robert Reynolds (bass), joined together to form their own country band, based on their mutual love for Hank Williams, Johnny Cash, and Patsy Cline. Paul Deakin, with experience in several progressive rock bands, became the drummer, and the group chose the name the Mavericks. This band went on to become one of the outstanding country bands of the '90s.
Under Malo's leadership, the Mavericks released their debut self-titled album in the fall of 1990. The album managed to grab the attention of many big labels, and MCA Records signed the Mavericks in May 1991, when they played their first gig in Nashville. David Lee Holt, who previously played with Carlene Carter, Joe Ely, and Rosie Flores, became the lead guitarist for the band, with Malo concentrating on the songwriting and vocals. MCA released From Hell to Paradise in 1992 and issued five more albums for the band during the '90s. From Hell to Paradise was critically acclaimed, but not a success financially. However, What a Crying Shame brought forth financial fortunes when it was released in 1994, with its title track reaching the Top 40; the album went platinum by spring 1995. Holt was replaced with Nick Kane as lead guitarist for the next releases. Many of the band's singles reached the Top 40, with "O What a Thrill" making number 18 in the summer of 1994 and "There Goes My Heart" reaching number 20. Music for All Occasions, released in 1995, went gold. the Mavericks eventually won a Grammy and the Country Music Association twice bestowed them with Top Vocal Group honors. One of the highlights of the band's career was playing at the Royal Albert Hall in London.
As Malo began to integrate Latin rhythms into his songwriting during the latter part of the '90s, the albums picked up a stronger Havana influence, leaving the country rhythms in the shadows. The band became an eclectic mix of rockabilly, honky tonk, Tejano, native Cuban, and country. The MCA label continued to release the Mavericks' albums and singles throughout the '90s, with the final compilation being 20th Century Masters - The Millennium Collection: The Best of the Mavericks in 2001. Malo then switched to the Universal label for the band's release of O What a Thrill: An Introduction to the Mavericks. Although the Mavericks quit playing gigs together in early 2001, they didn't really break up as a band and Malo still has tight connections with the members.
During the latter years of the '90s, Malo began doing parallel solo work, sometimes accompanied by the Dennis Burnside Orchestra. In October 1999 he completed his first solo tour in the U.K., performing many of his new songs. By 2000 he had become a producer with Ethan Allen and K.T. Oslin, and joined Los Super Seven as a lead vocalist and songwriter, in addition to working with Latin singer Rick Trevino in his studios. Malo's first solo recording, "Bailare (El Merecumbe)," was self-penned in Spanish, and he also did a solo recording of "Downbound Train" by Bruce Springsteen. When the Country Music Association needed a voice that could handle singing all the different hits of those being inducted into the Country Music Hall of Fame in 2001, they called on Malo because of his ability to handle diverse rhythms.
Malo's first album as a solo artist, Today, reflected his Cuban background, but didn't entirely leave out the deep-twang guitar of country music. His exuberance flowed on the album as he mingled the pop sounds of the '60s with salsa and country. Released by OmTown/Higher Octave Music in October 2001, the album also included Shelby Lynne on vocals and a backup band of 11 that produced the big-band sounds of which Malo had become fond. The album featured Malo singing in both Spanish and English, reflecting calypso, carnival, jazz, salsa, and country influences playing out the theme of universal love. Malo also covered "Black Is Black," a Latin rock hit, on Los Straitjackets' 2001 album, and sang on Raffi's compilation of country songs for children. The Nashville Acoustic Sessions, a pared-down collaboration with Nashville session staples Pat Flynn, Rob Ickes, and Dave Pomeroy, was released in 2004. Malo returned to the studio for You're Only Lonely and After Hours in 2006 and 2007, respectively. Lucky One followed in 2009.
In late 2009, Malo signed to Concord's Fantasy imprint and began recording a slew of new tracks at his home studio in Nashville. He took them to Sam "Lightning" Seifert at Bismeaux Studio in Austin and enlisted the help of the legendary Vox Continental organist Augie Meyers; guitarist Shawn Sahm (son of the late Doug Sahm of the Sir Douglas Quintet); accordionist Michael Guerra (known for his work with the Tex Mex Experience); and Austin's lauded vocal group the Trishas (Savannah Welch, Kelley Mickwee, Liz Foster, and Jamie Wilson), who provided background vocals. The end result was Malo's debut for the label, Sinners & Saints, released in October of 2010. In 2012, he delivered Around the World, a set of classic love songs backed by Britain's 30-piece Northern Sinfonia orchestra, including versions of "Let It Be Me," "Make the World Go Away," "Dance the Night Away," and "Around the World."
WEBSITE
TO THE TOP
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