VAN MORRISON
''HYMNS TO THE SILENCE, DISC ONE''
SEPTEMBER 24 1991
94:28
DISC ONE (46:28)
1 Professional Jealousy 03:42
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals, Electric Guitar – Van Morrison
Piano, Synth – Neil Drinkwater
2 I'm Not Feeling It Anymore 06:28
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums, Percussion – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Piano – Eddie Friel
Synth – Derek Bell, Neil Drinkwater
3 Ordinary Life 03:29
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals, Electric Guitar, Harmonica – Van Morrison
Organ – Georgie Fame
Piano – Neil Drinkwater
4 Some Peace Of Mind 06:22
Alto Saxophone – Candy Dulfer
Backing Vocals – Carol Kenyon, Katie Kissoon
Baritone Saxophone – Steve Gregory
Bass – Nicky Scott
Drums, Percussion – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Organ – Georgie Fame
5 So Complicated 03:17
Alto Saxophone [Solo] – Carol Kenyon
Baritone Saxophone – Steve Gregory
Bass – Nicky Scott
Drums – Paul Robinson
Flugelhorn – Haji Ahkba
Lead Vocals, Alto Saxophone – Van Morrison
Piano – Neil Drinkwater
Piano, Organ, Backing Vocals – Georgie Fame
6 I Can't Stop Loving You (Don Gibson) 03:53
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Organ, Backing Vocals – Georgie Fame
Piano – Eddie Friel
Violin, Pipe, Whistle, Synth – The Chieftains
7 Why Must I Always Explain 03:49
Backing Vocals – Georgie Fame
Bass – Nicky Scott
Drums – Paul Robinson
Flute – Steve Gregory
Lead Vocals, Electric Guitar – Van Morrison
Piano, Accordion – Neil Drinkwater
8 Village Idiot 03:12
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Bass Drum – Paul Robinson
Cor Anglais – Kate St. John
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Accordion – Neil Drinkwater
Strings Arranged By Fiachra Trench
Strings Led By Gavyn Wright
9 See Me Through Part II (Just A Closer Walk With Thee) (Traditional) 03:08
Arranged By Van Morrison
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals – Van Morrison
Organ – Georgie Fame
Piano – Neil Drinkwate
10 Take Me Back 09:05
Bass – Steve Pearce
Drums – Dave Early
Lead Vocals, Electric Guitar, Harmonica – Van Morrison
Organ – Georgie Fame
Piano – Terry Disley
Synth – Neil Drinkwater
DISC TWO (47:46)
1 By His Grace 02:33
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Organ, Backing Vocals – Georgie Fame
2 All Saints Day 02:27
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Organ, Backing Vocals – Georgie Fame
Piano – Neil Drinkwater
3 Hymns To The Silence 09:33
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Organ – Eddie Friel, Georgie Fame
Piano, Synth – Neil Drinkwater
4 On Hyndford Street 05:17
Lead Vocals, Electric Guitar – Van Morrison
Synth – Derek Bell
5 Be Thou My Vision (Traditional) 03:47
Arranged By Van Morrison
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Piano, Violin, Pipe, Whistle – The Chieftains
Synth – Eddie Friel
6 Carrying A Torch 04:22
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals – Van Morrison
Piano, Synth – Neil Drinkwater
Strings Arranged By Fiachra Trench
Strings Led By Gavyn Wright
7 Green Mansions 03:37
Bass – Nicky Scott
Cor Anglais – Kate St. John
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Organ – Georgie Fame
Piano – Eddie Friel
Synth – Derek Bell
8 Pagan Streams 03:35
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals – Van Morrison
Piano – Neil Drinkwater
9 Quality Street (Van Morrison (Music), Mac Rebennack (Words)) 03:57
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals – Van Morrison
Piano, Organ – Georgie Fame
10 It Must Be You 04:05
Alto Saxophone – Candy Dulfer
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Organ – Georgie Fame
Piano – Neil Drinkwater
Strings Arranged By Fiachra Trench
Strings Led By Gavyn Wright
11 I Need Your Kind Of Loving 04:28
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Flute – Steve Gregory
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Organ – Georgie Fame
REVIEW/AMG
by Michael Gallucci
***1/2 Of *****
Morrison's best album of the '90s still casually hangs out in the spiritual world that served as his home for most of his '80s material, but the mystical touches are at least kept in check for a good deal of the time. Better still is that Morrison sings with a passion that had crawled into laziness during big, and crucial, chunks of his career (most prominently the early to mid-'80s). The songs, or more accurately (as the title makes very clear) hymns, combine the elements that have guided Morrison's best albums -- R&B, folk, pop, Celtic, rock, even gospel -- for a satisfying journey through the mystic and the real. Its double-disc length, however, is a bit off-putting; a spirited rewrite of his last album (1990's Enlightenment) really doesn't need this much space to make its point. But his rambling musings (like the soulfully suave "Why Must I Always Explain") retain a compelling power.
BIOGRAPHY/AMG
by Jason Ankeny
Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock & roll canon. Subject only to the whims of his own muse, his recordings cover extraordinary stylistic ground yet retain a consistency and purity virtually unmatched among his contemporaries, connected by the mythic power of his singular musical vision and his incendiary vocal delivery: spiraling repetitions of wails and whispers that bypass the confines of language to articulate emotional truths far beyond the scope of literal meaning.
George Ivan Morrison was born in Belfast, Northern Ireland, on August 31, 1945; his mother was a singer, while his father ardently collected classic American jazz and blues recordings. At 15, he quit school to join the local R&B band the Monarchs, touring military bases throughout Europe before returning home to form his own group, Them. Boasting a fiery, gritty sound heavily influenced by Morrison heroes like Howlin' Wolf, Brownie McGhee, Sonny Boy Williamson, and Little Walter, Them quickly earned a devout local following and in late 1964 recorded their debut single, "Don't Start Crying Now." The follow-up, an electrifying reading of Big Joe Williams' "Baby Please Don't Go," cracked the U.K. Top Ten in early 1965. Though not a major hit upon its original release, Them's Morrison-penned "Gloria" endures among the true classics of the rock pantheon, covered by everyone from the Doors to Patti Smith. Lineup changes plagued the band throughout its lifespan, however, and at the insistence of producer Bert Berns, over time session musicians increasingly assumed the lion's share of recording duties. A frustrated Morrison finally left Them following a 1966 tour of the U.S., quitting the music business and returning to Belfast.
After Berns relocated to New York City to form Bang Records, he convinced Morrison to travel stateside and record as a solo artist; the sessions produced arguably his most familiar hit, the jubilant "Brown-Eyed Girl" (originally titled "Brown-Skinned Girl"), a Top Ten smash in the summer of 1967. By contrast, however, the resulting album, Blowin' Your Mind, was a bleak, bluesy effort highlighted by the harrowing "T.B. Sheets." The sessions were originally intended to produce only material for singles, so when Berns released the LP against Morrison's wishes, he again retreated home to Ireland while the album tanked on the charts. Berns suffered a fatal heart attack in late 1967, which freed Morrison of his contractual obligations and energized him to start working on new material.
His first album for new label Warner Bros., 1968's Astral Weeks, remains not only Morrison's masterpiece, but one of the greatest records ever made. A haunting, deeply personal collection of impressionistic folk-styled epics recorded by an all-star jazz backing unit including bassist Richard Davis and drummer Connie Kay, its poetic complexity earned critical raves but made only a minimal commercial impact. The follow-up, 1970's Moondance, was every bit as brilliant; buoyant and optimistic where Astral Weeks had been dark and anguished, it cracked the Top 40, generating the perennials "Caravan" and "Into the Mystic."
The first half of the 1970s was the most fertile creative period of Morrison's career. From Moondance onward, his records reflected an increasingly celebratory and profoundly mystical outlook spurred on in large part by his marriage to wife Janet Planet and the couple's relocation to California. After His Band and the Street Choir yielded his biggest chart hit, "Domino," Morrison released 1971's Tupelo Honey, a lovely, pastoral meditation on wedded bliss highlighted by the single "Wild Night." In the wake of the following year's stirring Saint Dominic's Preview, he formed the Caledonia Soul Orchestra, featured both on the studio effort Hard Nose the Highway and on the excellent live set It's Too Late to Stop Now. However, in 1973 he not only dissolved the group but also divorced Planet and moved back to Belfast. The stunning 1974 LP Veedon Fleece chronicled Morrison's emotional turmoil; he then remained silent for three years, reportedly working on a number of aborted projects but releasing nothing until 1977's aptly titled A Period of Transition.
Plagued for some time by chronic stage fright, Morrison mounted his first tour in close to five years in support of 1978's Wavelength; his performances became more and more erratic, however, and during a 1979 date at New York's Palladium, he even stalked off-stage in mid-set and did not return. Into the Music, released later that year, evoked a more conventionally spiritual perspective than before, a pattern continued on successive outings for years to come. Albums like 1983's Inarticulate Speech of the Heart, 1985's A Sense of Wonder, and 1986's No Guru, No Method, No Teacher are all largely cut from the same cloth, employing serenely beautiful musical backdrops to explore themes of faith and healing. For 1988's Irish Heartbeat, however, Morrison teamed with another of his homeland's musical institutions, the famed Chieftains, for a collection of traditional folk songs.
Meanwhile, Avalon Sunset heralded a commercial rebirth of sorts in 1989. While "Whenever God Shines His Light," a duet with Cliff Richard, became Morrison's first U.K. Top 20 hit in over two decades, the gorgeous "Have I Told You Lately That I Love You" emerged as something of a contemporary standard, with a Rod Stewart cover cracking the U.S. Top Five in 1993. Further proof of Morrison's renewed popularity arrived with the 1990 release of Mercury's best-of package; far and away the best-selling album of his career, it introduced the singer to a new generation of fans. A new studio record, Enlightenment, appeared that same year, followed in 1991 by the ambitious double set Hymns to the Silence, widely hailed as his most impressive outing in years.
Following the uniformity of his 1980s work, the remainder of the decade proved impressively eclectic: 1993's Too Long in Exile returned Morrison to his musical roots with covers of blues and R&B classics, while on 1995's Days Like This he teamed with daughter Shana for a duet on "You Don't Know Me." For the Verve label, he cut 1996's How Long Has This Been Going On, a traditional jazz record co-credited to longtime pianist Georgie Fame, while for the follow-up Tell Me Something: The Songs of Mose Allison he worked with guest of honor Allison himself. Morrison continued balancing the past and the future in the years to follow, alternating between new studio albums (1997's The Healing Game, 1999's Back on Top) and collections of rare and live material (1998's The Philosopher's Stone and 2000's The Skiffle Sessions and You Win Again).
It wasn't until 2002 that an album of new material surfaced, but in May his long-anticipated Down the Road was released. Three years later, Morrison issued Magic Time. Pay the Devil, a country-tinged set, appeared in 2006 on Lost Highway Records. That same year, Morrison released his first commercial DVD, Live at Montreux 1980 and 1974, drawn from two separate appearances at the Montreux Jazz Festival. In 2008, Morrison released Keep It Simple, his first album of all-original material since 1999's Back on Top. In November of that same year, Morrison performed the entire Astral Weeks album live at two shows at the Hollywood Bowl in Los Angeles, which resulted in 2009's Astral Weeks: Live at the Hollywood Bowl album and Astral Weeks Live at the Hollywood Bowl: The Concert Film. His 34th studio album, Born to Sing: No Plan B, recorded in Belfast, appeared in the fall of 2012. In 2015, Morrison made his debut for RCA Records with Duets: Re-working the Catalogue, which found him sharing the vocal mike on 16 songs from throughout his career with artists such as Michael Bublé, Steve Winwood, Mick Hucknall, and Joss Stone.
WEBSITE
TO THE TOP
''HYMNS TO THE SILENCE, DISC ONE''
SEPTEMBER 24 1991
94:28
DISC ONE (46:28)
1 Professional Jealousy 03:42
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals, Electric Guitar – Van Morrison
Piano, Synth – Neil Drinkwater
2 I'm Not Feeling It Anymore 06:28
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums, Percussion – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Piano – Eddie Friel
Synth – Derek Bell, Neil Drinkwater
3 Ordinary Life 03:29
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals, Electric Guitar, Harmonica – Van Morrison
Organ – Georgie Fame
Piano – Neil Drinkwater
4 Some Peace Of Mind 06:22
Alto Saxophone – Candy Dulfer
Backing Vocals – Carol Kenyon, Katie Kissoon
Baritone Saxophone – Steve Gregory
Bass – Nicky Scott
Drums, Percussion – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Organ – Georgie Fame
5 So Complicated 03:17
Alto Saxophone [Solo] – Carol Kenyon
Baritone Saxophone – Steve Gregory
Bass – Nicky Scott
Drums – Paul Robinson
Flugelhorn – Haji Ahkba
Lead Vocals, Alto Saxophone – Van Morrison
Piano – Neil Drinkwater
Piano, Organ, Backing Vocals – Georgie Fame
6 I Can't Stop Loving You (Don Gibson) 03:53
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Organ, Backing Vocals – Georgie Fame
Piano – Eddie Friel
Violin, Pipe, Whistle, Synth – The Chieftains
7 Why Must I Always Explain 03:49
Backing Vocals – Georgie Fame
Bass – Nicky Scott
Drums – Paul Robinson
Flute – Steve Gregory
Lead Vocals, Electric Guitar – Van Morrison
Piano, Accordion – Neil Drinkwater
8 Village Idiot 03:12
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Bass Drum – Paul Robinson
Cor Anglais – Kate St. John
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Accordion – Neil Drinkwater
Strings Arranged By Fiachra Trench
Strings Led By Gavyn Wright
9 See Me Through Part II (Just A Closer Walk With Thee) (Traditional) 03:08
Arranged By Van Morrison
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals – Van Morrison
Organ – Georgie Fame
Piano – Neil Drinkwate
10 Take Me Back 09:05
Bass – Steve Pearce
Drums – Dave Early
Lead Vocals, Electric Guitar, Harmonica – Van Morrison
Organ – Georgie Fame
Piano – Terry Disley
Synth – Neil Drinkwater
DISC TWO (47:46)
1 By His Grace 02:33
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Organ, Backing Vocals – Georgie Fame
2 All Saints Day 02:27
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Organ, Backing Vocals – Georgie Fame
Piano – Neil Drinkwater
3 Hymns To The Silence 09:33
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Acoustic Guitar – Van Morrison
Organ – Eddie Friel, Georgie Fame
Piano, Synth – Neil Drinkwater
4 On Hyndford Street 05:17
Lead Vocals, Electric Guitar – Van Morrison
Synth – Derek Bell
5 Be Thou My Vision (Traditional) 03:47
Arranged By Van Morrison
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Piano, Violin, Pipe, Whistle – The Chieftains
Synth – Eddie Friel
6 Carrying A Torch 04:22
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals – Van Morrison
Piano, Synth – Neil Drinkwater
Strings Arranged By Fiachra Trench
Strings Led By Gavyn Wright
7 Green Mansions 03:37
Bass – Nicky Scott
Cor Anglais – Kate St. John
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Organ – Georgie Fame
Piano – Eddie Friel
Synth – Derek Bell
8 Pagan Streams 03:35
Bass – Nicky Scott
Drums – Paul Robinson
Lead Vocals – Van Morrison
Piano – Neil Drinkwater
9 Quality Street (Van Morrison (Music), Mac Rebennack (Words)) 03:57
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals – Van Morrison
Piano, Organ – Georgie Fame
10 It Must Be You 04:05
Alto Saxophone – Candy Dulfer
Backing Vocals – Carol Kenyon, Katie Kissoon
Bass – Nicky Scott
Drums – Dave Early
Lead Vocals, Electric Guitar – Van Morrison
Organ – Georgie Fame
Piano – Neil Drinkwater
Strings Arranged By Fiachra Trench
Strings Led By Gavyn Wright
11 I Need Your Kind Of Loving 04:28
Backing Vocals – Carol Kenyon
Bass – Nicky Scott
Drums – Dave Early
Flute – Steve Gregory
Lead Vocals, Acoustic Guitar – Van Morrison
Piano, Organ – Georgie Fame
REVIEW/AMG
by Michael Gallucci
***1/2 Of *****
Morrison's best album of the '90s still casually hangs out in the spiritual world that served as his home for most of his '80s material, but the mystical touches are at least kept in check for a good deal of the time. Better still is that Morrison sings with a passion that had crawled into laziness during big, and crucial, chunks of his career (most prominently the early to mid-'80s). The songs, or more accurately (as the title makes very clear) hymns, combine the elements that have guided Morrison's best albums -- R&B, folk, pop, Celtic, rock, even gospel -- for a satisfying journey through the mystic and the real. Its double-disc length, however, is a bit off-putting; a spirited rewrite of his last album (1990's Enlightenment) really doesn't need this much space to make its point. But his rambling musings (like the soulfully suave "Why Must I Always Explain") retain a compelling power.
BIOGRAPHY/AMG
by Jason Ankeny
Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock & roll canon. Subject only to the whims of his own muse, his recordings cover extraordinary stylistic ground yet retain a consistency and purity virtually unmatched among his contemporaries, connected by the mythic power of his singular musical vision and his incendiary vocal delivery: spiraling repetitions of wails and whispers that bypass the confines of language to articulate emotional truths far beyond the scope of literal meaning.
George Ivan Morrison was born in Belfast, Northern Ireland, on August 31, 1945; his mother was a singer, while his father ardently collected classic American jazz and blues recordings. At 15, he quit school to join the local R&B band the Monarchs, touring military bases throughout Europe before returning home to form his own group, Them. Boasting a fiery, gritty sound heavily influenced by Morrison heroes like Howlin' Wolf, Brownie McGhee, Sonny Boy Williamson, and Little Walter, Them quickly earned a devout local following and in late 1964 recorded their debut single, "Don't Start Crying Now." The follow-up, an electrifying reading of Big Joe Williams' "Baby Please Don't Go," cracked the U.K. Top Ten in early 1965. Though not a major hit upon its original release, Them's Morrison-penned "Gloria" endures among the true classics of the rock pantheon, covered by everyone from the Doors to Patti Smith. Lineup changes plagued the band throughout its lifespan, however, and at the insistence of producer Bert Berns, over time session musicians increasingly assumed the lion's share of recording duties. A frustrated Morrison finally left Them following a 1966 tour of the U.S., quitting the music business and returning to Belfast.
After Berns relocated to New York City to form Bang Records, he convinced Morrison to travel stateside and record as a solo artist; the sessions produced arguably his most familiar hit, the jubilant "Brown-Eyed Girl" (originally titled "Brown-Skinned Girl"), a Top Ten smash in the summer of 1967. By contrast, however, the resulting album, Blowin' Your Mind, was a bleak, bluesy effort highlighted by the harrowing "T.B. Sheets." The sessions were originally intended to produce only material for singles, so when Berns released the LP against Morrison's wishes, he again retreated home to Ireland while the album tanked on the charts. Berns suffered a fatal heart attack in late 1967, which freed Morrison of his contractual obligations and energized him to start working on new material.
His first album for new label Warner Bros., 1968's Astral Weeks, remains not only Morrison's masterpiece, but one of the greatest records ever made. A haunting, deeply personal collection of impressionistic folk-styled epics recorded by an all-star jazz backing unit including bassist Richard Davis and drummer Connie Kay, its poetic complexity earned critical raves but made only a minimal commercial impact. The follow-up, 1970's Moondance, was every bit as brilliant; buoyant and optimistic where Astral Weeks had been dark and anguished, it cracked the Top 40, generating the perennials "Caravan" and "Into the Mystic."
The first half of the 1970s was the most fertile creative period of Morrison's career. From Moondance onward, his records reflected an increasingly celebratory and profoundly mystical outlook spurred on in large part by his marriage to wife Janet Planet and the couple's relocation to California. After His Band and the Street Choir yielded his biggest chart hit, "Domino," Morrison released 1971's Tupelo Honey, a lovely, pastoral meditation on wedded bliss highlighted by the single "Wild Night." In the wake of the following year's stirring Saint Dominic's Preview, he formed the Caledonia Soul Orchestra, featured both on the studio effort Hard Nose the Highway and on the excellent live set It's Too Late to Stop Now. However, in 1973 he not only dissolved the group but also divorced Planet and moved back to Belfast. The stunning 1974 LP Veedon Fleece chronicled Morrison's emotional turmoil; he then remained silent for three years, reportedly working on a number of aborted projects but releasing nothing until 1977's aptly titled A Period of Transition.
Plagued for some time by chronic stage fright, Morrison mounted his first tour in close to five years in support of 1978's Wavelength; his performances became more and more erratic, however, and during a 1979 date at New York's Palladium, he even stalked off-stage in mid-set and did not return. Into the Music, released later that year, evoked a more conventionally spiritual perspective than before, a pattern continued on successive outings for years to come. Albums like 1983's Inarticulate Speech of the Heart, 1985's A Sense of Wonder, and 1986's No Guru, No Method, No Teacher are all largely cut from the same cloth, employing serenely beautiful musical backdrops to explore themes of faith and healing. For 1988's Irish Heartbeat, however, Morrison teamed with another of his homeland's musical institutions, the famed Chieftains, for a collection of traditional folk songs.
Meanwhile, Avalon Sunset heralded a commercial rebirth of sorts in 1989. While "Whenever God Shines His Light," a duet with Cliff Richard, became Morrison's first U.K. Top 20 hit in over two decades, the gorgeous "Have I Told You Lately That I Love You" emerged as something of a contemporary standard, with a Rod Stewart cover cracking the U.S. Top Five in 1993. Further proof of Morrison's renewed popularity arrived with the 1990 release of Mercury's best-of package; far and away the best-selling album of his career, it introduced the singer to a new generation of fans. A new studio record, Enlightenment, appeared that same year, followed in 1991 by the ambitious double set Hymns to the Silence, widely hailed as his most impressive outing in years.
Following the uniformity of his 1980s work, the remainder of the decade proved impressively eclectic: 1993's Too Long in Exile returned Morrison to his musical roots with covers of blues and R&B classics, while on 1995's Days Like This he teamed with daughter Shana for a duet on "You Don't Know Me." For the Verve label, he cut 1996's How Long Has This Been Going On, a traditional jazz record co-credited to longtime pianist Georgie Fame, while for the follow-up Tell Me Something: The Songs of Mose Allison he worked with guest of honor Allison himself. Morrison continued balancing the past and the future in the years to follow, alternating between new studio albums (1997's The Healing Game, 1999's Back on Top) and collections of rare and live material (1998's The Philosopher's Stone and 2000's The Skiffle Sessions and You Win Again).
It wasn't until 2002 that an album of new material surfaced, but in May his long-anticipated Down the Road was released. Three years later, Morrison issued Magic Time. Pay the Devil, a country-tinged set, appeared in 2006 on Lost Highway Records. That same year, Morrison released his first commercial DVD, Live at Montreux 1980 and 1974, drawn from two separate appearances at the Montreux Jazz Festival. In 2008, Morrison released Keep It Simple, his first album of all-original material since 1999's Back on Top. In November of that same year, Morrison performed the entire Astral Weeks album live at two shows at the Hollywood Bowl in Los Angeles, which resulted in 2009's Astral Weeks: Live at the Hollywood Bowl album and Astral Weeks Live at the Hollywood Bowl: The Concert Film. His 34th studio album, Born to Sing: No Plan B, recorded in Belfast, appeared in the fall of 2012. In 2015, Morrison made his debut for RCA Records with Duets: Re-working the Catalogue, which found him sharing the vocal mike on 16 songs from throughout his career with artists such as Michael Bublé, Steve Winwood, Mick Hucknall, and Joss Stone.
WEBSITE
TO THE TOP
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