10451 - MICHAEL STANLEY BAND LIVE AT THE RITZ NYC 1983 (2015)
MICHAEL STANLEY BAND
''LIVE AT THE RITZ NYC 1983''
OCTOBER 16 2015
68:58
**********
1 Working Again 04:37
2 In The Heartland 03:26
3 I'll Never Need Anyone 03:40
4 Highlife 04:35
5 How Can You Call This 05:23
6 Hard Time 03:49
7 In Between The Lines 05:51
8 Spanish Nights 06:34
9 My Town 04:43
10 Fire In The Hole 04:52
11 Someone Like You 06:40
12 Lover 05:20
13 Somewhere In The Night 04:39
14 He Can't Love You 04:43
**********´
About Michael Stanley
Born on March 25, 1948, in Cleveland, Ohio, Michael Stanley Gee's early musical inclinations, as a Rocky River High School student, were typical of most teen boys in a 'garage band': "It was just something that was fun to do," Michael Stanley recalled, in a 1981 'TEEN Magazine interview, "It was a good way to pick up some quick money and meet some girls."
In 1965, the proverbial 'first' band was one called the 'Scepters'. Things became more serious, musically, when Michael joined the 'Tree Stumps', and a single was released, "Listen To Love". By 1969, Michael was a student at Hiram College, working on his Bachelor of Arts degree, and the Tree Stumps had become 'Silk', a locally-popular folk group that had advanced into the recording studio and produced an LP, "Smooth As Raw Silk"...
At a point when the band was on the verge of breaking up, they were asked to play a local Cleveland hotspotand they took the gig with the idea that they could, at the very least, 'go out on top'...
New York record producer, Bill Szymczyk, was in the audience that night, and was impressed; a record contract followed...
Michael had continued working his 'day job' at Disc Records, having by then become the Regional Manager, in charge of stores in 12 states, AND married--with two infant, twin daughters, Sarah and Anna. For two years, he juggled his time between the studio, work and family at a somewhat leisurely pace, judiciously using several weeks of vacation time a year to record both his debut, "Michael Stanley", and second LP, "Friends & Legends"...
Further supplementing his creative zen, he had also begun collaborating with two area musicians, Daniel Pecchio and Jonah Koslen, with the newly formed trio playing Stanley's solo songs as well as new material.
In 1973, Michael and his boss had a dispute that resulted in disaster: he was fired. With a new family, new car--and no job--Michael was momentarily 'stranded'. By now a close friend, Joe Walsh (another Cleveland area musician, who had joined Michael in the studio on both LP's) suggested Michael either 'give it (music) his all' or get out--no 'half-efforts' were going to suffice. It was a turning point for Michael, and one where he finally saw music as his lifeblood, deciding to consider it a full-time pursuit.
Michael's decision to 'hang tough' with the music, along with prodding from Pecchio and Koslen, became the catalyst that brought in drummer Tommy Dobeck, and the Michael Stanley Band came into being...
The Michael Stanley Band...
From the mid 70's to the mid 80's, the Michael Stanley Band enjoyed a strong and fiercely loyal following, touring with some of the superstar bands of that period (including Bruce Springsteen, The Eagles, Foreigner and The Doobie Brothers); there were several Top-20 and Top-30 hits, among them "He Can't Love You" in 1980 and "My Town" in 1983, but it seemed the 'one great hit' never came--the kind of chartbuster that saw acts like Bob Seger, Bryan Adams, John Cougar (now Mellencamp), make their names and hometowns, literally, household words...
In late 1982, MSB released what would be their final album for EMI: "You Can't Fight Fashion". The single, "My Town", had made it to 29 on Billboard Magazine's charts, sales were good, and the band was on tour, when EMI stunned the band by offering them an 'extension', rather than a contract renewal with a long-term financial comittment. When Michael confidently 'called their bluff', their label pulled the plug, halting promotion and tour-backing immediately.
Although it was a financial blow that staggered the band, they gamely continued performing venues in the Northern Ohio and midwest circuit, producing two independent releases, 1983's "Inside Moves", and "Fourth And Ten" in 1984 (recorded live at Blossom Music Center--a two nighter that saw the venue's all-time attendance records shattered), before formally disbanding in late 1986, shortly after performing nine 'farewell' concerts at Cleveland's Front Row...
"...We broke up not because we didn't like each other, but because we couldn't survive. It was the hardest thing I've ever done. It was like a group divorce," Michael Stanley would later recall, to Cleveland Magazine in a July, 1994 interview.
"After we did the last show with the band in December, 1987 (the Front Row Club "farewell" shows), I didn't touch a guitar for six months," Michael Stanley said in a 1992 interview, "...I wanted to walk away from it for awhile. I thought, 'Yeah, I'll stop for a little bit, come back and it'll be like turning on the faucet.' It was the total opposite. It was like writer's block for a long, long time."
In late 1991, the 'block' fell away...
Not surprisingly, Michael's 'post-MSB' years found him still working in the Cleveland-area entertainment spotlight: he served as co-host of WJW-Channel 8's "Cleveland Tonight" and "P.M. Magazine", 'til they were cancelled, and later as a weekly featured reporter for TV8's "First Look". It was only natural he'd find music calling him again, and he overlapped his television career with a new one in radio broadcasting--as afternoon disc jockey and on-air personality at Cleveland's WNCX 98.5...
Coming Up For Air...
In December, 1991, during a Las Vegas vacation, Michael suffered a heart attack. The near-tragedy resulted in Michael's re-evaluation of his life and career, and, with renewed determination and perspective, he began building a life of balance, exploring new interests while rediscovering old ones. He 'settled in', buying Chagrin Falls acreage, and lent his support to a number of good causes and charitable projects. Former Ohio native and MSB-fan, Razor & Tie Records' Cliff Chenfield, had contacted him, and the 'compilation' release they had discussed, "Right Back At Ya", was released in February, 1992, leading to a following decision to 're-issue' the entire Michael Stanley catalog. Michael remarked, in a 1994 Cleveland Magazine interview, "After a six-year draught, we had eight albums out one year and four the next. I finally got to have a copy of everything we'd done."
In 1993, Michael reunited with Jonah Koslen, Bob Pelander and Jennifer Lee (an area singer whose vocals had contributed to many MSB studio projects and concert appearances) to form The Ghost Poets. With the MSB reissues selling so well, Cliff Chenfield decided to release the group's eponymously-titled "The Ghost Poets" through Razor & Tie Records in 1994. Sales that followed were good, but local airplay was difficult--a Cleveland 'blackout' had resulted, as many radio stations viewed Michael Stanley--WNCX's highly-visible personality--as a competitor. The Ghost Poets continued to perform for a little over a year after the release, when a decision was made to disband the effort, and move on...
Following the quiet disbanding of The Ghost Poets, Michael went into the studio with another set of former MSB bandmates--including Bob Pelander, drummer Tommy Dobeck, bassist Michael Gismondi and guitarist Danny Powers--and recorded his first 'solo' endeavor since 1973's "Friends & Legends".
"Coming Up For Air", a quiet, intensely emotional and introspective album that centered around the title track--Stanley's chilling reliving of his recent heart attack--was released through Intersound Music (now Platinum Entertainment) on February 27, 1996.
"Though declaring a 1994 Blossom 'MSB reunion' concert as the 'final' one, Michael Stanley continued to perform with several long-time friends and former band members in and around the Cleveland area, billed as 'Michael Stanley & Friends'. Not surprisingly, his solo work led him to a decidedly 'acoustic' approach: in April, 1997, a two-nighter at Akron's Tangiers was duly recorded, and released by Razor & Tie Records as "Live In Tangiers: The Acoustic Shows" on June 3, 1998...
The release was received warmly by his fans and new converts alike, and the following 2 years were ones spent engaged in work on his next studio release. On June 6, 2000, of "Eighteen Down": elegantly titled (as an eighteenth album -- nineteen if one includes his debut endeavor with Silk, "Smooth As Raw Silk" -- spanning a musical career of over three decades) and brimming with new songs that both rocked with heartland spirit and embraced an oftimes-reflective maturity. Again, many familiar names joined Michael Stanley in the creation of that effort. (for MORE on "Eighteen Down", click here.)
Now, and on "The Ground"...
The following year saw Michael maintaining a busy schedule of work at WNCX, 'Friends' appearances and creative time in the studio mulling his next move. All was right in the world...
September 11, 2001, changed a lot of lives, and Michael was no exception. Tragedy has long inspired art, perhaps as a memorial to loss, grief and change. And, in the process, we are tutored as to what is really 'right in the world', and made stronger by the realization. It was a muse that would lead Stanley to pen new material that reflected this, to cherish family and embrace friends.
By now, "Michael Stanley & The Resonators" had become the band's performing moniker, and they were pleasing their loyal MSB fans while winning over new ones, with a setlist of old favorites and clever covers interspersed with fresh originals...
Not long after, a gumbo of Cleveland talent began rocking the Northcoast music scene as "The Midlife Chryslers", composed of musical alumni of the Resonators, MSB, The TopKats, My Old School, Jonah Koslen and the Gentleman Rockers, Wish You Were Here and more...
It was during this storm of creative activity that Michael somehow found the time to hit the studio and begin work on what is now his most recent work, "The Ground", to release on October 21, 2003. Michael continues to man the airwaves as afternoon 'drive-time' personality at Cleveland's popular WNCX, while performing with "The Resonators" and "Midlife Chryslers" throughout Ohio...
The pace shows no signs of letting up...
**********
BIOGRAPHY/AMG
Bret Adams
Cleveland native Michael Stanley became a regional phenomenon, but the singer/songwriter/guitarist and his Michael Stanley Band deserved more national success than they achieved. Stanley, whose real name is Michael Stanley Gee, played bass with the folk-rock group Silk in the late '60s. He then went solo and released two solo albums in the early '70s that fit right in with the "singer/songwriter" era. His talent attracted the likes of producer Bill Szymczyk and guest musicians Joe Walsh, Todd Rundgren, and David Sanborn from the beginning. He formed the Michael Stanley Band (aka MSB) in 1975 and pursued a more straightforward rock direction. MSB recorded a string of albums through the late '70s and early '80s that were modest successes nationally but major hits in Ohio. In fact, the Michael Stanley Band was such a sensation at home that it still holds attendance records at major concert venues. 1980's Heartland was easily MSB's best album, and Stanley agrees. It included the hit single "He Can't Love You" (sung by vocalist/keyboardist Kevin Raleigh) and the minor hit "Lover" (sung by Stanley and featuring blistering saxophone by Clarence Clemons). MSB's second and last Top 40 hit was Stanley's anthem "My Town" in 1983. After recording for Epic, Arista, and EMI, MSB independently released two albums on their own before breaking up in 1987.
The Michael Stanley Band was a reliably consistent, meat-and-potatoes enterprise responsible for superb Midwestern rock & roll. Stanley went on to become a popular television and radio personality in Cleveland. He still regularly releases albums -- solo and the one-off group project the Ghost Poets -- and performs annual summer and New Year's Eve shows along with occasional acoustic dates; these concerts and albums both feature MSB alumni and other Cleveland musicians. Razor & Tie has reissued most of MSB's catalog and two excellent best-of collections on compact disc.
**********
BIO/WIKIPEDIA
**********
WEBSITE
**********
TO THE TOP
**********
''LIVE AT THE RITZ NYC 1983''
OCTOBER 16 2015
68:58
**********
1 Working Again 04:37
2 In The Heartland 03:26
3 I'll Never Need Anyone 03:40
4 Highlife 04:35
5 How Can You Call This 05:23
6 Hard Time 03:49
7 In Between The Lines 05:51
8 Spanish Nights 06:34
9 My Town 04:43
10 Fire In The Hole 04:52
11 Someone Like You 06:40
12 Lover 05:20
13 Somewhere In The Night 04:39
14 He Can't Love You 04:43
**********´
About Michael Stanley
Born on March 25, 1948, in Cleveland, Ohio, Michael Stanley Gee's early musical inclinations, as a Rocky River High School student, were typical of most teen boys in a 'garage band': "It was just something that was fun to do," Michael Stanley recalled, in a 1981 'TEEN Magazine interview, "It was a good way to pick up some quick money and meet some girls."
In 1965, the proverbial 'first' band was one called the 'Scepters'. Things became more serious, musically, when Michael joined the 'Tree Stumps', and a single was released, "Listen To Love". By 1969, Michael was a student at Hiram College, working on his Bachelor of Arts degree, and the Tree Stumps had become 'Silk', a locally-popular folk group that had advanced into the recording studio and produced an LP, "Smooth As Raw Silk"...
At a point when the band was on the verge of breaking up, they were asked to play a local Cleveland hotspotand they took the gig with the idea that they could, at the very least, 'go out on top'...
New York record producer, Bill Szymczyk, was in the audience that night, and was impressed; a record contract followed...
Michael had continued working his 'day job' at Disc Records, having by then become the Regional Manager, in charge of stores in 12 states, AND married--with two infant, twin daughters, Sarah and Anna. For two years, he juggled his time between the studio, work and family at a somewhat leisurely pace, judiciously using several weeks of vacation time a year to record both his debut, "Michael Stanley", and second LP, "Friends & Legends"...
Further supplementing his creative zen, he had also begun collaborating with two area musicians, Daniel Pecchio and Jonah Koslen, with the newly formed trio playing Stanley's solo songs as well as new material.
In 1973, Michael and his boss had a dispute that resulted in disaster: he was fired. With a new family, new car--and no job--Michael was momentarily 'stranded'. By now a close friend, Joe Walsh (another Cleveland area musician, who had joined Michael in the studio on both LP's) suggested Michael either 'give it (music) his all' or get out--no 'half-efforts' were going to suffice. It was a turning point for Michael, and one where he finally saw music as his lifeblood, deciding to consider it a full-time pursuit.
Michael's decision to 'hang tough' with the music, along with prodding from Pecchio and Koslen, became the catalyst that brought in drummer Tommy Dobeck, and the Michael Stanley Band came into being...
The Michael Stanley Band...
From the mid 70's to the mid 80's, the Michael Stanley Band enjoyed a strong and fiercely loyal following, touring with some of the superstar bands of that period (including Bruce Springsteen, The Eagles, Foreigner and The Doobie Brothers); there were several Top-20 and Top-30 hits, among them "He Can't Love You" in 1980 and "My Town" in 1983, but it seemed the 'one great hit' never came--the kind of chartbuster that saw acts like Bob Seger, Bryan Adams, John Cougar (now Mellencamp), make their names and hometowns, literally, household words...
In late 1982, MSB released what would be their final album for EMI: "You Can't Fight Fashion". The single, "My Town", had made it to 29 on Billboard Magazine's charts, sales were good, and the band was on tour, when EMI stunned the band by offering them an 'extension', rather than a contract renewal with a long-term financial comittment. When Michael confidently 'called their bluff', their label pulled the plug, halting promotion and tour-backing immediately.
Although it was a financial blow that staggered the band, they gamely continued performing venues in the Northern Ohio and midwest circuit, producing two independent releases, 1983's "Inside Moves", and "Fourth And Ten" in 1984 (recorded live at Blossom Music Center--a two nighter that saw the venue's all-time attendance records shattered), before formally disbanding in late 1986, shortly after performing nine 'farewell' concerts at Cleveland's Front Row...
"...We broke up not because we didn't like each other, but because we couldn't survive. It was the hardest thing I've ever done. It was like a group divorce," Michael Stanley would later recall, to Cleveland Magazine in a July, 1994 interview.
"After we did the last show with the band in December, 1987 (the Front Row Club "farewell" shows), I didn't touch a guitar for six months," Michael Stanley said in a 1992 interview, "...I wanted to walk away from it for awhile. I thought, 'Yeah, I'll stop for a little bit, come back and it'll be like turning on the faucet.' It was the total opposite. It was like writer's block for a long, long time."
In late 1991, the 'block' fell away...
Not surprisingly, Michael's 'post-MSB' years found him still working in the Cleveland-area entertainment spotlight: he served as co-host of WJW-Channel 8's "Cleveland Tonight" and "P.M. Magazine", 'til they were cancelled, and later as a weekly featured reporter for TV8's "First Look". It was only natural he'd find music calling him again, and he overlapped his television career with a new one in radio broadcasting--as afternoon disc jockey and on-air personality at Cleveland's WNCX 98.5...
Coming Up For Air...
In December, 1991, during a Las Vegas vacation, Michael suffered a heart attack. The near-tragedy resulted in Michael's re-evaluation of his life and career, and, with renewed determination and perspective, he began building a life of balance, exploring new interests while rediscovering old ones. He 'settled in', buying Chagrin Falls acreage, and lent his support to a number of good causes and charitable projects. Former Ohio native and MSB-fan, Razor & Tie Records' Cliff Chenfield, had contacted him, and the 'compilation' release they had discussed, "Right Back At Ya", was released in February, 1992, leading to a following decision to 're-issue' the entire Michael Stanley catalog. Michael remarked, in a 1994 Cleveland Magazine interview, "After a six-year draught, we had eight albums out one year and four the next. I finally got to have a copy of everything we'd done."
In 1993, Michael reunited with Jonah Koslen, Bob Pelander and Jennifer Lee (an area singer whose vocals had contributed to many MSB studio projects and concert appearances) to form The Ghost Poets. With the MSB reissues selling so well, Cliff Chenfield decided to release the group's eponymously-titled "The Ghost Poets" through Razor & Tie Records in 1994. Sales that followed were good, but local airplay was difficult--a Cleveland 'blackout' had resulted, as many radio stations viewed Michael Stanley--WNCX's highly-visible personality--as a competitor. The Ghost Poets continued to perform for a little over a year after the release, when a decision was made to disband the effort, and move on...
Following the quiet disbanding of The Ghost Poets, Michael went into the studio with another set of former MSB bandmates--including Bob Pelander, drummer Tommy Dobeck, bassist Michael Gismondi and guitarist Danny Powers--and recorded his first 'solo' endeavor since 1973's "Friends & Legends".
"Coming Up For Air", a quiet, intensely emotional and introspective album that centered around the title track--Stanley's chilling reliving of his recent heart attack--was released through Intersound Music (now Platinum Entertainment) on February 27, 1996.
"Though declaring a 1994 Blossom 'MSB reunion' concert as the 'final' one, Michael Stanley continued to perform with several long-time friends and former band members in and around the Cleveland area, billed as 'Michael Stanley & Friends'. Not surprisingly, his solo work led him to a decidedly 'acoustic' approach: in April, 1997, a two-nighter at Akron's Tangiers was duly recorded, and released by Razor & Tie Records as "Live In Tangiers: The Acoustic Shows" on June 3, 1998...
The release was received warmly by his fans and new converts alike, and the following 2 years were ones spent engaged in work on his next studio release. On June 6, 2000, of "Eighteen Down": elegantly titled (as an eighteenth album -- nineteen if one includes his debut endeavor with Silk, "Smooth As Raw Silk" -- spanning a musical career of over three decades) and brimming with new songs that both rocked with heartland spirit and embraced an oftimes-reflective maturity. Again, many familiar names joined Michael Stanley in the creation of that effort. (for MORE on "Eighteen Down", click here.)
Now, and on "The Ground"...
The following year saw Michael maintaining a busy schedule of work at WNCX, 'Friends' appearances and creative time in the studio mulling his next move. All was right in the world...
September 11, 2001, changed a lot of lives, and Michael was no exception. Tragedy has long inspired art, perhaps as a memorial to loss, grief and change. And, in the process, we are tutored as to what is really 'right in the world', and made stronger by the realization. It was a muse that would lead Stanley to pen new material that reflected this, to cherish family and embrace friends.
By now, "Michael Stanley & The Resonators" had become the band's performing moniker, and they were pleasing their loyal MSB fans while winning over new ones, with a setlist of old favorites and clever covers interspersed with fresh originals...
Not long after, a gumbo of Cleveland talent began rocking the Northcoast music scene as "The Midlife Chryslers", composed of musical alumni of the Resonators, MSB, The TopKats, My Old School, Jonah Koslen and the Gentleman Rockers, Wish You Were Here and more...
It was during this storm of creative activity that Michael somehow found the time to hit the studio and begin work on what is now his most recent work, "The Ground", to release on October 21, 2003. Michael continues to man the airwaves as afternoon 'drive-time' personality at Cleveland's popular WNCX, while performing with "The Resonators" and "Midlife Chryslers" throughout Ohio...
The pace shows no signs of letting up...
**********
BIOGRAPHY/AMG
Bret Adams
Cleveland native Michael Stanley became a regional phenomenon, but the singer/songwriter/guitarist and his Michael Stanley Band deserved more national success than they achieved. Stanley, whose real name is Michael Stanley Gee, played bass with the folk-rock group Silk in the late '60s. He then went solo and released two solo albums in the early '70s that fit right in with the "singer/songwriter" era. His talent attracted the likes of producer Bill Szymczyk and guest musicians Joe Walsh, Todd Rundgren, and David Sanborn from the beginning. He formed the Michael Stanley Band (aka MSB) in 1975 and pursued a more straightforward rock direction. MSB recorded a string of albums through the late '70s and early '80s that were modest successes nationally but major hits in Ohio. In fact, the Michael Stanley Band was such a sensation at home that it still holds attendance records at major concert venues. 1980's Heartland was easily MSB's best album, and Stanley agrees. It included the hit single "He Can't Love You" (sung by vocalist/keyboardist Kevin Raleigh) and the minor hit "Lover" (sung by Stanley and featuring blistering saxophone by Clarence Clemons). MSB's second and last Top 40 hit was Stanley's anthem "My Town" in 1983. After recording for Epic, Arista, and EMI, MSB independently released two albums on their own before breaking up in 1987.
The Michael Stanley Band was a reliably consistent, meat-and-potatoes enterprise responsible for superb Midwestern rock & roll. Stanley went on to become a popular television and radio personality in Cleveland. He still regularly releases albums -- solo and the one-off group project the Ghost Poets -- and performs annual summer and New Year's Eve shows along with occasional acoustic dates; these concerts and albums both feature MSB alumni and other Cleveland musicians. Razor & Tie has reissued most of MSB's catalog and two excellent best-of collections on compact disc.
**********
BIO/WIKIPEDIA
**********
WEBSITE
**********
TO THE TOP
**********
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