10525 - BAREFOOT SERVANTS 2 (2005) (REPOST)
BAREFOOT SERVANTS
''2''
2005
47:11
**********
1/Pharaoh's House
Jon Butcher/3:43
2/I Don't Care at All
Jon Butcher/3:14
3/Crazy
Jon Butcher/4:21
4/When the Day Comes
Jon Butcher / Leland Sklar / Neal Wilkinson/2:46
5/Rude Boy
Jon Butcher/2:51
6/Take My Breath Away
Jon Butcher/3:55
7/Bells of St. Mary's
Jon Butcher/3:37
8/Brown Penny
Jon Butcher/4:32
9/Monsters in Bethlehem/3:08
10/Crack the Sky
Jon Butcher/3:35
11/Love You Too Much
Jon Butcher/3:05
12/Dog Days
Jon Butcher/4:38
13/Phases of the Moon
Jon Butcher/3:46
**********
Jon Butcher /Guitar, Vocals
George Massenburg /Vocal Coach
Ben Schultz /Guitar, Vocals
Leland Sklar /Bass
Neal Wilkinson /Drums, Sound Effects
**********
REVIEW/AMG
Joe Viglione
Eleven years after the Barefoot Servants' debut on Epic Records in 1994 came the return of this four-piece supergroup of session players with a supremely commercial outing that begs for airplay and recognition. Cleverly titled Barefoot Servants 2 from the Bob Dylan song "All Along the Watchtower," the 15 compositions have passion and distinct identities -- no two songs sounding alike. Where the Section, a '70s ensemble which also featured Leland Sklar, had somewhat faceless compositions, these players decide to model songs which sound like their favorite artists -- some of whom they've played with. Guitarist Ben Schultz's time with Rod Stewart is documented here in "Brown Penny," an Every Picture Tells a Story-styled ballad featuring Jon Butcher at his throaty raspiest. There's no denying that opening track "Pharaoh's House" has Exile on Main St. overtones absent from the Rolling Stones' 1990s efforts, while "Love You Too Much" is a sequel to "She Drives Me Crazy" that Fine Young Cannibals could never find. These seasoned pros attack the original material with a seriousness, and that's how they pull off the tongue-in-cheek nods to their respective careers. As Jon Butcher has never denied his adoration of Hendrix, there's the obligatory nod to Jimi's genius. "Over Lovin' You" would make the guitar master proud, and it's probably the only place where Butcher indulges his own passions, displaying an ability to change genres as each song demands. The record is an absolute delight, mirroring the band RTZ's Lost album, where Brad Delp and Barry Goudreau from the band Boston take on styles and sounds that they hold near and dear. The independent Atom Records label has reissued the album with two additional tracks, as the first pressing sold out rather quickly. Drummer Neal Wilkinson has played with a diverse bunch, from John Tesh and Livingston Taylor to Brit-rock phenoms Ultravox. His percussive genius lifts "Crazy" to a unique space. The quartet may not have the name recognition of the individual members of Blind Faith, nor does this album tread that sacred ground, but it's clear that these journeyman know their trade and it's also very clear that their combined chops and intelligence have created a record which actually sounds as fun as it probably was to make. These days that is truly something special, putting Barefoot Servants 2 in a league all its own.
**********
BIOGRAPHY/AMG
Greg Prato
Jimi Hendrix disciple Jon Butcher achieved some moderate chart success in the mid-'80s as the singer/guitarist for the Jon Butcher Axis. Coming out of the Boston club scene in the early '80s, the Butcher Axis (which also included members Chris Mann on bass and Derek Blevins on drums), issued such albums as 1983's self-titled debut, 1984's Stare at the Sun, and 1985's Along the Axis (Butcher dropped the Axis for such releases as 1986's Wishes and 1989's Pictures From the Front), opened for local Boston heroes the J. Geils Band in addition to other harder-edged bands, and issued a few singles that enjoyed some success on radio and MTV -- "Wishes," "Goodbye Saving Grace," and "Life Takes a Life." Butcher continued issuing solo albums in the '90s -- Positively the Blues (1995) and Electric Factory (1996) -- while a hits compilation (1998's The Best Of: Dreamers Would Ride) and an archival concert (1999's King Biscuit Flower Hour Presents) were also issued. In addition to his musical career, Butcher founded the Electric Factory Recording Studio, which focuses primarily on film, TV, and multimedia work.
**********
BIOGRAPHY/WIKIPEDIA
**********
WEBSITE
**********
TO THE TOP
**********
''2''
2005
47:11
**********
1/Pharaoh's House
Jon Butcher/3:43
2/I Don't Care at All
Jon Butcher/3:14
3/Crazy
Jon Butcher/4:21
4/When the Day Comes
Jon Butcher / Leland Sklar / Neal Wilkinson/2:46
5/Rude Boy
Jon Butcher/2:51
6/Take My Breath Away
Jon Butcher/3:55
7/Bells of St. Mary's
Jon Butcher/3:37
8/Brown Penny
Jon Butcher/4:32
9/Monsters in Bethlehem/3:08
10/Crack the Sky
Jon Butcher/3:35
11/Love You Too Much
Jon Butcher/3:05
12/Dog Days
Jon Butcher/4:38
13/Phases of the Moon
Jon Butcher/3:46
**********
Jon Butcher /Guitar, Vocals
George Massenburg /Vocal Coach
Ben Schultz /Guitar, Vocals
Leland Sklar /Bass
Neal Wilkinson /Drums, Sound Effects
**********
REVIEW/AMG
Joe Viglione
Eleven years after the Barefoot Servants' debut on Epic Records in 1994 came the return of this four-piece supergroup of session players with a supremely commercial outing that begs for airplay and recognition. Cleverly titled Barefoot Servants 2 from the Bob Dylan song "All Along the Watchtower," the 15 compositions have passion and distinct identities -- no two songs sounding alike. Where the Section, a '70s ensemble which also featured Leland Sklar, had somewhat faceless compositions, these players decide to model songs which sound like their favorite artists -- some of whom they've played with. Guitarist Ben Schultz's time with Rod Stewart is documented here in "Brown Penny," an Every Picture Tells a Story-styled ballad featuring Jon Butcher at his throaty raspiest. There's no denying that opening track "Pharaoh's House" has Exile on Main St. overtones absent from the Rolling Stones' 1990s efforts, while "Love You Too Much" is a sequel to "She Drives Me Crazy" that Fine Young Cannibals could never find. These seasoned pros attack the original material with a seriousness, and that's how they pull off the tongue-in-cheek nods to their respective careers. As Jon Butcher has never denied his adoration of Hendrix, there's the obligatory nod to Jimi's genius. "Over Lovin' You" would make the guitar master proud, and it's probably the only place where Butcher indulges his own passions, displaying an ability to change genres as each song demands. The record is an absolute delight, mirroring the band RTZ's Lost album, where Brad Delp and Barry Goudreau from the band Boston take on styles and sounds that they hold near and dear. The independent Atom Records label has reissued the album with two additional tracks, as the first pressing sold out rather quickly. Drummer Neal Wilkinson has played with a diverse bunch, from John Tesh and Livingston Taylor to Brit-rock phenoms Ultravox. His percussive genius lifts "Crazy" to a unique space. The quartet may not have the name recognition of the individual members of Blind Faith, nor does this album tread that sacred ground, but it's clear that these journeyman know their trade and it's also very clear that their combined chops and intelligence have created a record which actually sounds as fun as it probably was to make. These days that is truly something special, putting Barefoot Servants 2 in a league all its own.
**********
BIOGRAPHY/AMG
Greg Prato
Jimi Hendrix disciple Jon Butcher achieved some moderate chart success in the mid-'80s as the singer/guitarist for the Jon Butcher Axis. Coming out of the Boston club scene in the early '80s, the Butcher Axis (which also included members Chris Mann on bass and Derek Blevins on drums), issued such albums as 1983's self-titled debut, 1984's Stare at the Sun, and 1985's Along the Axis (Butcher dropped the Axis for such releases as 1986's Wishes and 1989's Pictures From the Front), opened for local Boston heroes the J. Geils Band in addition to other harder-edged bands, and issued a few singles that enjoyed some success on radio and MTV -- "Wishes," "Goodbye Saving Grace," and "Life Takes a Life." Butcher continued issuing solo albums in the '90s -- Positively the Blues (1995) and Electric Factory (1996) -- while a hits compilation (1998's The Best Of: Dreamers Would Ride) and an archival concert (1999's King Biscuit Flower Hour Presents) were also issued. In addition to his musical career, Butcher founded the Electric Factory Recording Studio, which focuses primarily on film, TV, and multimedia work.
**********
BIOGRAPHY/WIKIPEDIA
**********
WEBSITE
**********
TO THE TOP
**********
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