STEPPENWOLF
''FOR LADIES ONLY''
NOVEMBER 1971
45:39
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1 For Ladies Only 09:20 (Jerry Edmonton, Kent Henry, John Kay, Goldy McJohn)
2 I'm Asking 04:29 (Jerry Edmonton, Goldy McJohn)
3 Shackles And Chains 05:00 (John Kay)
4 Tenderness 04:55 (Mars Bonfire)
5 The Night Time's For You 03:03 (Mars Bonfire, Morgan Cavett)
6 Jaded Strumpet 04:46 (Jerry Edmonton)
7 Sparkle Eyes 04:34 (George Biondo, John Kay)
8 Black Pit 03:51 (Kent Henry, Goldy McJohn)
9 Ride With Me 03:26 (Mars Bonfire)
10 In Hopes Of A Garden 02:11 (George Biondo)
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John Kay - vocals, guitar
Kent Henry - lead guitar
George Biondo - vocals, bass guitar
Goldy McJohn - keyboards
Jerry Edmonton - drums
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ABOUT THE ALBUM/WIKIPEDIA
For Ladies Only is the sixth studio album by Steppenwolf, released in 1971. It is a political concept album mainly about feminism but with several more conventional songs about romance as well, both unusual themes for Steppenwolf. Some critics saw the album as sexist, citing the lyrics of the songs and a photo of a car shaped like a penis alongside the Hollywood Walk of Fame in the gatefold. The album saw the band hinting toward the progressive rock movement that was popular at the time with more complex arrangements and sophisticated keyboard playing, particularly on the title track. Like their previous album, it was accompanied by two minor hit singles which fell just short of the Top 40.
The album was Steppenwolf's last of new material released prior to the band's initial breakup in February 1972.
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REVIEW/AMG
Joe Viglione
The title track of For Ladies Only is a classic slice of Steppenwolf's brand of hard rock: gritty chord guitar from Blues Image refugee Kent Henry (Steppenwolf went through as many or more guitarist changes as the Guess Who), elegant piano from Goldy McJohn, even jazz flavors on a nine-minute-plus track as blatantly sexist as the album gatefold. The graphic photo of a huge penis car alongside the Hollywood walk of fame tucked inside the cardboard is completely juvenile, while the back of the LP features the boys all reading books, from The Sensuous Woman to Snow White & the Seven Dwarves -- interesting imagery that doesn't complement the music as much as the artists might have thought it did at the time. The Jerry Edmonton/Goldy McJohn composition "I'm Asking" has a heavy "Jumpin' Jack Flash" riff that's all sludged out and a weak non-John Kay vocal -- like, why bother? Kay's snarling voice was as much a part of the sound as the heavy keys, and without it the otherwise fine performance and production are just totally eradicated; it's a song that would've worked better as an instrumental. Ditto for Jerry Edmonton's "Jaded Strumpet," which is also in desperate need of Kay's authoritative tone, which is refreshingly surreal on the singer's co-write with George Biondo that is "Sparkle Eyes."
In retrospect, For Ladies Only remains a neat artifact of a band who might've been called on to create too much too soon. Three Mars Bonfire compositions brighten up the proceedings, including "Tenderness" and the excellent "Ride With Me," perhaps the most memorable tune of the ten, all culled from that ever-flowing fountain that was Mars Bonfire's Faster Than the Speed of Life LP. Interesting that on the vinyl four songs grace side one, while side two has six titles, from two to four and a half minutes in length. The songwriting is shared pretty equally, the bandmembers co-writing in different combinations. Bonfire's brother, Jerry Edmonton; singer John Kay; and keyboardist Goldy McJohn all write or contribute to three titles each with two for the newer members, bassist George Biondo and guitarist Kent Henry.
A very democratic brew, which is interesting but for the most part doesn't have the punch of the title track or the nugget from the Mars Bonfire solo disc, "Ride With Me." The original Sparrow guitarist's presence casts a good shadow and remains as essential to this crew as the lead singer and keyboard player. Why they didn't keep Bonfire on from day one of their journey is the mystery. This 1971 Dunhill release produced by Richard Podolor for Steppenwolf Productions, Inc. makes that point loud and clear, though the Kent Henry/Goldy McJohn instrumental "Black Pit" does tend to sound like Blues Image-meets-Steppenwolf, and proves the point made earlier. If John Kay wasn't in the mood to sing, the material works better with no voice at all. His absence from three of the ten tracks is perhaps an indication that he had his sights set on a solo career. Kent Henry and George Biondo moved on with the singer for his 1972 outing Forgotten Songs & Unsung Heroes.
********************
BIOGRAPHY/AMG
Cub Koda
Led by John Kay (born Joachim Krauledat, April 12, 1944), Steppenwolf's blazing biker anthem "Born to Be Wild" roared out of speakers everywhere in the fiery summer of 1968, John Kay's threatening rasp sounding a mesmerizing call to arms to the counterculture movement rapidly sprouting up nationwide. German immigrant Kay got his professional start in a bluesy Toronto band called Sparrow, recording for Columbia in 1966. After Sparrow disbanded, Kay relocated to the West Coast and formed Steppenwolf, named after the Herman Hesse novel. "Born to Be Wild," their third single on ABC-Dunhill, was immortalized on the soundtrack of Dennis Hopper's underground film classic Easy Rider. The song's reference to "heavy metal thunder" finally gave an assignable name to an emerging genre. Steppenwolf's second monster hit that year, the psychedelic "Magic Carpet Ride," and the follow-ups "Rock Me," "Move Over," and "Hey Lawdy Mama" further established the band's credibility on the hard rock circuit. By the early '70s, Steppenwolf ran out of steam and disbanded. Kay continued to record solo, as other members put together ersatz versions of the band for touring purposes. During the mid-'80s Kay re-formed his own version of Steppenwolf, grinding out his hits (and some new songs) at oldies shows. Nevertheless, they'll be remembered for generations to come for creating one of the ultimate gas'n'go rock anthems of all time.
********************
BIOGRAPHY/WIKIPEDIA
********************
WEBSITE
********************
TO THE TOP
********************
''FOR LADIES ONLY''
NOVEMBER 1971
45:39
********************
1 For Ladies Only 09:20 (Jerry Edmonton, Kent Henry, John Kay, Goldy McJohn)
2 I'm Asking 04:29 (Jerry Edmonton, Goldy McJohn)
3 Shackles And Chains 05:00 (John Kay)
4 Tenderness 04:55 (Mars Bonfire)
5 The Night Time's For You 03:03 (Mars Bonfire, Morgan Cavett)
6 Jaded Strumpet 04:46 (Jerry Edmonton)
7 Sparkle Eyes 04:34 (George Biondo, John Kay)
8 Black Pit 03:51 (Kent Henry, Goldy McJohn)
9 Ride With Me 03:26 (Mars Bonfire)
10 In Hopes Of A Garden 02:11 (George Biondo)
********************
John Kay - vocals, guitar
Kent Henry - lead guitar
George Biondo - vocals, bass guitar
Goldy McJohn - keyboards
Jerry Edmonton - drums
********************
ABOUT THE ALBUM/WIKIPEDIA
For Ladies Only is the sixth studio album by Steppenwolf, released in 1971. It is a political concept album mainly about feminism but with several more conventional songs about romance as well, both unusual themes for Steppenwolf. Some critics saw the album as sexist, citing the lyrics of the songs and a photo of a car shaped like a penis alongside the Hollywood Walk of Fame in the gatefold. The album saw the band hinting toward the progressive rock movement that was popular at the time with more complex arrangements and sophisticated keyboard playing, particularly on the title track. Like their previous album, it was accompanied by two minor hit singles which fell just short of the Top 40.
The album was Steppenwolf's last of new material released prior to the band's initial breakup in February 1972.
********************
REVIEW/AMG
Joe Viglione
The title track of For Ladies Only is a classic slice of Steppenwolf's brand of hard rock: gritty chord guitar from Blues Image refugee Kent Henry (Steppenwolf went through as many or more guitarist changes as the Guess Who), elegant piano from Goldy McJohn, even jazz flavors on a nine-minute-plus track as blatantly sexist as the album gatefold. The graphic photo of a huge penis car alongside the Hollywood walk of fame tucked inside the cardboard is completely juvenile, while the back of the LP features the boys all reading books, from The Sensuous Woman to Snow White & the Seven Dwarves -- interesting imagery that doesn't complement the music as much as the artists might have thought it did at the time. The Jerry Edmonton/Goldy McJohn composition "I'm Asking" has a heavy "Jumpin' Jack Flash" riff that's all sludged out and a weak non-John Kay vocal -- like, why bother? Kay's snarling voice was as much a part of the sound as the heavy keys, and without it the otherwise fine performance and production are just totally eradicated; it's a song that would've worked better as an instrumental. Ditto for Jerry Edmonton's "Jaded Strumpet," which is also in desperate need of Kay's authoritative tone, which is refreshingly surreal on the singer's co-write with George Biondo that is "Sparkle Eyes."
In retrospect, For Ladies Only remains a neat artifact of a band who might've been called on to create too much too soon. Three Mars Bonfire compositions brighten up the proceedings, including "Tenderness" and the excellent "Ride With Me," perhaps the most memorable tune of the ten, all culled from that ever-flowing fountain that was Mars Bonfire's Faster Than the Speed of Life LP. Interesting that on the vinyl four songs grace side one, while side two has six titles, from two to four and a half minutes in length. The songwriting is shared pretty equally, the bandmembers co-writing in different combinations. Bonfire's brother, Jerry Edmonton; singer John Kay; and keyboardist Goldy McJohn all write or contribute to three titles each with two for the newer members, bassist George Biondo and guitarist Kent Henry.
A very democratic brew, which is interesting but for the most part doesn't have the punch of the title track or the nugget from the Mars Bonfire solo disc, "Ride With Me." The original Sparrow guitarist's presence casts a good shadow and remains as essential to this crew as the lead singer and keyboard player. Why they didn't keep Bonfire on from day one of their journey is the mystery. This 1971 Dunhill release produced by Richard Podolor for Steppenwolf Productions, Inc. makes that point loud and clear, though the Kent Henry/Goldy McJohn instrumental "Black Pit" does tend to sound like Blues Image-meets-Steppenwolf, and proves the point made earlier. If John Kay wasn't in the mood to sing, the material works better with no voice at all. His absence from three of the ten tracks is perhaps an indication that he had his sights set on a solo career. Kent Henry and George Biondo moved on with the singer for his 1972 outing Forgotten Songs & Unsung Heroes.
********************
BIOGRAPHY/AMG
Cub Koda
Led by John Kay (born Joachim Krauledat, April 12, 1944), Steppenwolf's blazing biker anthem "Born to Be Wild" roared out of speakers everywhere in the fiery summer of 1968, John Kay's threatening rasp sounding a mesmerizing call to arms to the counterculture movement rapidly sprouting up nationwide. German immigrant Kay got his professional start in a bluesy Toronto band called Sparrow, recording for Columbia in 1966. After Sparrow disbanded, Kay relocated to the West Coast and formed Steppenwolf, named after the Herman Hesse novel. "Born to Be Wild," their third single on ABC-Dunhill, was immortalized on the soundtrack of Dennis Hopper's underground film classic Easy Rider. The song's reference to "heavy metal thunder" finally gave an assignable name to an emerging genre. Steppenwolf's second monster hit that year, the psychedelic "Magic Carpet Ride," and the follow-ups "Rock Me," "Move Over," and "Hey Lawdy Mama" further established the band's credibility on the hard rock circuit. By the early '70s, Steppenwolf ran out of steam and disbanded. Kay continued to record solo, as other members put together ersatz versions of the band for touring purposes. During the mid-'80s Kay re-formed his own version of Steppenwolf, grinding out his hits (and some new songs) at oldies shows. Nevertheless, they'll be remembered for generations to come for creating one of the ultimate gas'n'go rock anthems of all time.
********************
BIOGRAPHY/WIKIPEDIA
********************
WEBSITE
********************
TO THE TOP
********************
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