PHISH
''PHISH AT THE ROXY 1993, DISC SIX''
NOVEMBER 18 2008
RECORDED LIVE FEBRUARY 19, 20, 21 1993, AT THE ROXY THEATRE, ATLANTA, GA
576:33
********************
Trey Anastasio - Guitar, Vocals
Jon Fishman - Drums, Vocals
Mike Gordon - Bass Guitar, Vocals
Page McConnell - Keyboards, Vocals
Jimmy Herring - Guitar On Disc Three, Tracks 3, 4, 5, 6
Jay Von Lehe - Vocals On Disc Five, Track 17
Jeff Mosier - Banjo On Disc Eight, Tracks 12, 13, 14
********************
DISC ONE, TWO, THREE RECORDED AT THE ROXY THEATRE, ATLANTA, GA, FEBRUARY 19, 1993
DISC FOUR, FIVE, SIX RECORDED AT THE ROXY THEATRE, ATLANTA, GA, FEBRUARY 20, 1993
DISC SEVEN, EIGHT RECORDED AT THE ROXY THEATRE, ATLANTA, GA, FEBRUARY 21, 1993
********************
DISC ONE (58:51)
1 - Loving Cup 06:38 (Mick Jagger, Keith Richards)
2 - Rift 06:07 (Tom Marshall, Trey Anastasio)
3 - Split Open And Melt 08:48 (Trey Anastasio)
4 - Fee 05:11 (Trey Anastasio)
5 - Maze 08:53 (Tom Marshall, Trey Anastasio)
6 - Colonel Forbin’s Acsent 05:35 (Trey Anastasio)
7 - Fly Famous Mockingbird 13:29 (Trey Anastasio)
8 - Sparkle 04:07 (Tom Marshall, Trey Anastasio)
********************
DISC TWO (71:56)
1 - My Friend, My Friend 06:50 (Tom Marshall, Trey Anastasio)
2 - Poor Heart 02:33 (Mike Gordon)
3 - David Bowie-Moby Dick 15:43 (Trey Anastasio)-(Jimmy Page, John Bonham, John Paul Jones)
4 - Runaway Jim 08:11 (Tom Marshall, Trey Anastasio)
5 - It's Ice 07:43 (Tom Marshall, Trey Anastasio)
6 - Paul And Silas 03:01 (Traditional)
7 - You Enjoy Myself 21:16 (Trey Anastasio)
8 - Ya Mar 06:34 (Trey Anastasio)
********************
DISC THREE (42:51)
1 Big Ball Jam 02:54 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
2 Lawn Boy 03:26 (Tom Marshall, Trey Anastasio)
3 Funky Bitch 06:36 (Son Seals)
4 My Sweet One 03:38 (Jonathan Fishman)
5 Hold Your Head Up > Love You > Hold Your Head Up 09:45 (Chris White, Rod Argent) > (Syd Barrett) > (Chris White, Rod Argent)
6 Llama 06:19 (Trey Anastasio)
7 Amazing Grace 03:20 (Traditional)
8 AC/DC Bag 06:49 (Trey Anastasio)
********************
DISC FOUR (75:28)
1 Golgi Apparatus 05:18 (Aaron Woolf, Szuter, Tom Marshall, Trey Anastasio)
2 Foam 08:50 (Trey Anastasio)
3 The Sloth 03:43 (Trey Anastasio)
4 Possum > 10:21 (Jeff Holdsworth)
5 Weigh > 05:04 (Mike Gordon)
6 All Things Reconsidered 02:47 (Trey Anastasio)
7 The Divided Sky 13:33 (Trey Anastasio)
8 The Horse > 01:38 (Tom Marshall, Trey Anastasio)
9 Silent In The Morning > 05:09 (Tom Marshall, Trey Anastasio)
10 Fluffhead 14:20 (Trey Anastasio)
11 Cavern 04:42 (Scott Herman, Tom Marshall, Trey Anastasio)
********************
DISC FIVE (60:50)
1 Wilson > 07:20 (Aaron Woolf, Tom Marshall, Trey Anastasio)
2 Reba > 13:35 (Trey Anastasio)
3 Tweezer > 05:28 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
4 Walk Away > 03:41 (Joe Walsh)
5 Tweezer > 01:44 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
6 Glide > 04:43 (Jonathan Fishman, Mike Gordon, Page McConnell, Tom Marshall, Trey Anastasio)
7 Mike's Song > 07:57 (Mike Gordon)
8 My Mind’s Got A Min Of Its Own 01:08 (Butch Hancock)
9 Mike's Song > 00:49 (Mike Gordon)
10 I Am Hydrogen > 00:28 (Marc Daubert, Tom Marshall, Trey Anastasio)
11 Vibration Of Life > 00:58 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
12 Kung > 01:37 (Jonathan Fishman)
13 I Am Hydrogen > 02:59 (Marc Daubert, Tom Marshall, Trey Anastasio)
14 Weekapaug Groove > 02:57 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
15 Have Mercy > 01:53 (Donald Shaw, Fitzroy Simpson,
16 Weekapaug Groove > 01:01 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
17 Rock And Roll All Nite > 00:53 (Gene Simmons, Paul Stanley)
18 Weekapaug Groove 01:32 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
********************
DISC SIX (44:04)
1 Fast Enough For You> 05:08 (Tom Marshall, Trey Anastasio)
2 Big Ball Jam > 02:45 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
3 Hold Your Head Up > Terrapin > Hold Your Head Up > 12:34 (Chris White, Rod Argent) > (Syd Barrett) > (Chris White, Rod Argent)
4 Harry Hood 13:13 (Brian Long, Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
5 Tweezer Reprise 03:50 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
6 Sleeping Monkey 06:31 (Tom Marshall, Trey Anastasio)
********************
DISC SEVEN (61:42)
1 Suzy Greenberg 06:09 (Steve Pollak)
2 Buried Alive 02:57 (Trey Anastasio)
3 Punch You In The Eye 07:14 (Trey Anastasio)
4 Uncle Pen 04:05 (Bill Monroe)
5 Horn 03:35 (Tom Marshall, Trey Anastasio)
6 Chalk Dust Torture 07:22 (Tom Marshall, Trey Anastasio)
7 Esther 10:44 (Trey Anastasio)
8 Dinner And A Movie 03:16 (Steve Pollak, Trey Anastasio)
9 Bouncing Around The Room 03:34 (Tom Marshall, Trey Anastasio)
10 Run Like An Antelope 12:41 (Steve Pollak, Trey Anastasio)
********************
DISC EIGHT (77:33)
1 Axilla 04:42 (Scott Herman, Tom Marshall, Trey Anastasio)
2 The Curtain 06:16 (Tom Marshall, Trey Anastasio)
3 Stash 10:38 (Tom Marshall, Trey Anastasio)
4 Manteca 00:44 (Chano Pozo, Dizzy Gillespie, Gil Fuller)
5 Stash 00:54 (Tom Marshall, Trey Anastasio)
6 The Lizards 10:57 (Trey Anastasio)
7 Bathtub Gin 06:16 (Susannah Goodman, Trey Anastasio)
8 Hold Your Head Up - Cracklin' Rosie - Hold Your Head Up 09:34 (Chris White, Rod Argent) > (Neil Diamond) > (Chris White, Rod Argent)
9 The Squirming Coil 08:44 (Tom Marshall, Trey Anastasio)
10 Big Black Furry Creature From Mars 05:47 (Mike Gordon)
11 Sweet Adeline 03:16 (Harry Armstrong, Richard Gerard)
12 Good Times, Bad Times 03:55 (Jimmy Page, John Bonham, John Paul Jones)
13 Paul And Silas 02:22 (Traditional)
14 Pig In A Pen 03:23 (Traditional)
********************
REVIEW/AMG
Andrew Leahey
Comprising material from a trio of shows in Atlanta, this eight-disc box set captures Phish's ascent to jam band glory in early 1993. The group had begun touring national amphitheaters one year prior, joining bands like Widespread Panic and Blues Traveler for the first annual H.O.R.D.E. Festival. 1993 brought about the band's first amphitheater-sized headlining tour, and At the Roxy captures the young (yet seasoned) musicians on their way to iconic status. Given this box set's length -- 78 songs, eight discs, and multiple hours of noodling improv -- At the Roxy is a fans-only affair; newcomers looking for a primer to Phish's concerts would do well to seek out the three-disc New Year's Eve 1995 instead. Those who crave a boatful of Phish will find this to be an indispensable collector's item, though, for the history it provides as well as its unique track list. Phish had yet to release a live album in 1993; accordingly, the band was still a relatively underground phenomenon, celebrated in some circles but relatively unknown in the mainstream. There's something pure about that, and the fact that Phish sustains its energy over these eight discs -- which brim with cover songs and musical cameos, including an unexpected sit-in with Gene Simmons (!!) -- only further justifies these shows' legendary reputation amongst Phishheads.
********************
BIOGRAPHY/AMG
Stephen Thomas Erlewine
Junta
During the early '90s, Phish emerged as heirs to the Grateful Dead's throne. Although their music was somewhat similar to the Dead's sound -- an eclectic, free-form rock & roll encompassing elements of folk, jazz, country, bluegrass, and pop -- the group adhered more to jazz-derived improvisation than folk tradition. Moreover, they sported a looser, goofier attitude; after all, their drummer regularly played a vacuum during their concerts. However, Phish's main claim as the inheritors to the Dead's legacy was their approach to their musical career. The band didn't concentrate on albums, dedicating themselves instead to live improvisation. Within a few years of their 1988 debut, Phish had become an institution in certain sections of America, particularly college campuses and other liberal locales. While their in-concert popularity didn't necessarily translate to huge record sales (their biggest-selling albums usually halted at gold status, with the notable exceptions of Junta and A Live One), Phish's members were still the de facto leaders of the neo-hippie jam band movement.
Guitarist/vocalist Trey Anastasio, drummer Jon Fishman, and guitarist Jeff Holdsworth formed the band in late 1983 while attending the University of Vermont. After meeting and jamming in their dormitory, the trio posted flyers across campus to recruit a bassist. Mike Gordon answered the advertisement and he was soon added to the original lineup. Phish began practicing regularly and soon assembled a demo tape; by the fall of 1984, they'd also begun performing off-campus concerts. At this stage in their career, the band was augmented by percussionist Marc Daubert and, occasionally, a vocalist called the Dude of Life. Keyboardist Page McConnell soon joined the group, too, having previously booked Phish to play Goddard College's Springfest in 1985. Shortly after McConnell's arrival, Holdsworth left the group, and both Anastasio and Fishman transferred to Goddard College during the fall of 1986.
Lawn Boy
Early in 1988, Phish recorded the debut album Junta, which they sold as a cassette-only release at local shows. The group played their first tour outside of New England the following year, traveling through the Southeast. Phish also recorded another album, Lawn Boy, in 1989, although the album wasn't released until the fall of 1990 (when it was issued by the independent label Absolute A-Go-Go, a subsidiary of Rough Trade). Throughout early 1991, Phish toured America; during the summer, they recorded their third album, as well as a set of sessions with their old friend, the Dude of Life.
A Picture of Nectar
Rough Trade collapsed that August, taking Absolute A-Go-Go with it. Phish were left without a record contract, but they were soon signed by Elektra, which released A Picture of Nectar in February 1992. The group then embarked on an extensive national tour to support the album, including a handful of shows on the H.O.R.D.E. tour. That same summer, Elektra reissued Lawn Boy and Junta, which gave fans greater access to the band's early material. Rift, Phish's fourth album (and the first they recorded with a producer), appeared in February of 1993. During Phish's 1993 tour, the group sold tickets specifically designed for those fans who were taping the concert, a major gesture of goodwill. Hoist, the band's fifth album, was released in 1994; one of its songs, "Down with Disease," became the band's first video and received some airplay on MTV. Hoist sold better than the group's previous albums, which was an indication of how large the group's fan base had become. Crimes of the Mind, the album Phish had originally recorded with the Dude of Life in 1991, was released on Elektra Records before the year's end.
Surrender to the Air
In the summer of 1995, the band released the double-live album A Live One, which attempted to definitively capture the Phish concert experience. The year 1996 saw two additional releases -- one of them a Trey Anastasio solo project (a free-form jazz side project called Surrender to the Air), and the other a full-fledged Phish album entitled Billy Breathes. Produced by Steve Lillywhite, Billy Breathes garnered the group's best reviews yet. Slip, Stitch & Pass, the band's second live LP, followed in 1997, and Phish continued their prolific output in 1998 with the studio effort Story of the Ghost. Hampton Comes Alive, a six-disc release that captured four full live sets over the course of two performances, appeared in late 1999 and went gold, a testament to Phish's rabid following.
Farmhouse
Phish's popularity only grew during the latter half of the '90s, as their ceaseless touring had helped make them one of the top concert draws in the nation. In the spring of 2000, Phish delivered the pastoral studio effort Farmhouse, which was hailed as one of their finest and tightest releases to date; they also landed some mainstream exposure thanks to the single "Heavy Things." However, exhausted by touring and separation from their families, Phish decided to take an extended break, announcing a temporary breakup in October 2000. One month later, Elektra reissued The Siket Disc, which was previously available only through mail order; it featured improvisational tracks from the band's 1997 Story of the Ghost sessions.
The Deep End, Vol. 1
Each member branched out into different directions during this period. Anastasio released a series of demos before collaborating with Primus bassist Les Claypool and former Police drummer Stewart Copeland for the bizarre Oysterhead project. He also released an eponymous solo album during the spring of 2002. Jonathan Fishman worked with his own side project, Pork Tornado, as well as the touring jazz combo Jazz Mandolin Project. Page McConnell released the first recordings from his other band, Vida Blue, and contributed keyboards to Tenacious D's first record. Mike Gordon, meanwhile, did some work with friend and former employer Col. Bruce Hampton; he also dabbled in film work, both in front and behind the camera. Finally, both Gordon and McConnell worked on Gov't Mule's The Deep End, Vol. 1.
Undermind
As for the band, Phish became more a part of American culture than ever before, and they made an appearance on The Simpsons before releasing a massive set of live albums (as well as a DVD) during the spring of 2002. By the end of the year, the group bowed to pressure and announced that they would begin to play live dates again, starting at the end of December. Touring soon commenced and continued for a year and a half; however, following the release of Undermind, the group decided to officially call it quits in the summer of 2004. Of course, this didn't mean that more albums couldn't be released, as a slew of posthumous releases kept the band's spirit alive while maintaining demand for Phish's reunion. The year 2005 saw the release of a 1995 New Year's Eve concert at Madison Square Garden, 2006 witnessed another live album with Live in Brooklyn, and 2008 brought about the mammoth At the Roxy (Atlanta '93), which compiled eight discs of live concert material into one package.
Joy
Phish's official reunion arrived in March 2009, when the band played three sold-out shows at the Hampton Coliseum in Virginia. A reunion tour was launched that summer (with venues including Fenway Park and the main stage at Bonnaroo), and sporadic shows continued throughout the year. In addition to playing live, Phish also released their first studio album in years, having partnered with former Billy Breathes producer Steve Lillywhite for the creation of 2009's Joy; the album debuted at 13 on the Billboard Top 200. From that point on, Phish toured regularly, appearing at festivals of their own making and headlining other events, including the Austin City Limits Music Festival, Outside Lands, and Bonnaroo. Along the way, some archival releases appeared, including the 2013 box set Ventura, which housed two late-'90s concerts performed at the Ventura County Fairgrounds.
Fuego
In 2013 Phish reconvened at their Vermont studio, the Barn, for writing sessions that resulted in a set of ten songs for a new studio album. The bulk of the songs were debuted live at their Halloween concert in Atlantic City, after which the band decamped to Nashville to record with famed producer Bob Ezrin. Entitled Fuego, the album, their tenth, was released in June 2014 and was preceded by the single "Waiting All Night."
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WEBSITE
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TO THE TOP
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''PHISH AT THE ROXY 1993, DISC SIX''
NOVEMBER 18 2008
RECORDED LIVE FEBRUARY 19, 20, 21 1993, AT THE ROXY THEATRE, ATLANTA, GA
576:33
********************
Trey Anastasio - Guitar, Vocals
Jon Fishman - Drums, Vocals
Mike Gordon - Bass Guitar, Vocals
Page McConnell - Keyboards, Vocals
Jimmy Herring - Guitar On Disc Three, Tracks 3, 4, 5, 6
Jay Von Lehe - Vocals On Disc Five, Track 17
Jeff Mosier - Banjo On Disc Eight, Tracks 12, 13, 14
********************
DISC ONE, TWO, THREE RECORDED AT THE ROXY THEATRE, ATLANTA, GA, FEBRUARY 19, 1993
DISC FOUR, FIVE, SIX RECORDED AT THE ROXY THEATRE, ATLANTA, GA, FEBRUARY 20, 1993
DISC SEVEN, EIGHT RECORDED AT THE ROXY THEATRE, ATLANTA, GA, FEBRUARY 21, 1993
********************
DISC ONE (58:51)
1 - Loving Cup 06:38 (Mick Jagger, Keith Richards)
2 - Rift 06:07 (Tom Marshall, Trey Anastasio)
3 - Split Open And Melt 08:48 (Trey Anastasio)
4 - Fee 05:11 (Trey Anastasio)
5 - Maze 08:53 (Tom Marshall, Trey Anastasio)
6 - Colonel Forbin’s Acsent 05:35 (Trey Anastasio)
7 - Fly Famous Mockingbird 13:29 (Trey Anastasio)
8 - Sparkle 04:07 (Tom Marshall, Trey Anastasio)
********************
DISC TWO (71:56)
1 - My Friend, My Friend 06:50 (Tom Marshall, Trey Anastasio)
2 - Poor Heart 02:33 (Mike Gordon)
3 - David Bowie-Moby Dick 15:43 (Trey Anastasio)-(Jimmy Page, John Bonham, John Paul Jones)
4 - Runaway Jim 08:11 (Tom Marshall, Trey Anastasio)
5 - It's Ice 07:43 (Tom Marshall, Trey Anastasio)
6 - Paul And Silas 03:01 (Traditional)
7 - You Enjoy Myself 21:16 (Trey Anastasio)
8 - Ya Mar 06:34 (Trey Anastasio)
********************
DISC THREE (42:51)
1 Big Ball Jam 02:54 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
2 Lawn Boy 03:26 (Tom Marshall, Trey Anastasio)
3 Funky Bitch 06:36 (Son Seals)
4 My Sweet One 03:38 (Jonathan Fishman)
5 Hold Your Head Up > Love You > Hold Your Head Up 09:45 (Chris White, Rod Argent) > (Syd Barrett) > (Chris White, Rod Argent)
6 Llama 06:19 (Trey Anastasio)
7 Amazing Grace 03:20 (Traditional)
8 AC/DC Bag 06:49 (Trey Anastasio)
********************
DISC FOUR (75:28)
1 Golgi Apparatus 05:18 (Aaron Woolf, Szuter, Tom Marshall, Trey Anastasio)
2 Foam 08:50 (Trey Anastasio)
3 The Sloth 03:43 (Trey Anastasio)
4 Possum > 10:21 (Jeff Holdsworth)
5 Weigh > 05:04 (Mike Gordon)
6 All Things Reconsidered 02:47 (Trey Anastasio)
7 The Divided Sky 13:33 (Trey Anastasio)
8 The Horse > 01:38 (Tom Marshall, Trey Anastasio)
9 Silent In The Morning > 05:09 (Tom Marshall, Trey Anastasio)
10 Fluffhead 14:20 (Trey Anastasio)
11 Cavern 04:42 (Scott Herman, Tom Marshall, Trey Anastasio)
********************
DISC FIVE (60:50)
1 Wilson > 07:20 (Aaron Woolf, Tom Marshall, Trey Anastasio)
2 Reba > 13:35 (Trey Anastasio)
3 Tweezer > 05:28 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
4 Walk Away > 03:41 (Joe Walsh)
5 Tweezer > 01:44 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
6 Glide > 04:43 (Jonathan Fishman, Mike Gordon, Page McConnell, Tom Marshall, Trey Anastasio)
7 Mike's Song > 07:57 (Mike Gordon)
8 My Mind’s Got A Min Of Its Own 01:08 (Butch Hancock)
9 Mike's Song > 00:49 (Mike Gordon)
10 I Am Hydrogen > 00:28 (Marc Daubert, Tom Marshall, Trey Anastasio)
11 Vibration Of Life > 00:58 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
12 Kung > 01:37 (Jonathan Fishman)
13 I Am Hydrogen > 02:59 (Marc Daubert, Tom Marshall, Trey Anastasio)
14 Weekapaug Groove > 02:57 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
15 Have Mercy > 01:53 (Donald Shaw, Fitzroy Simpson,
16 Weekapaug Groove > 01:01 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
17 Rock And Roll All Nite > 00:53 (Gene Simmons, Paul Stanley)
18 Weekapaug Groove 01:32 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
********************
DISC SIX (44:04)
1 Fast Enough For You> 05:08 (Tom Marshall, Trey Anastasio)
2 Big Ball Jam > 02:45 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
3 Hold Your Head Up > Terrapin > Hold Your Head Up > 12:34 (Chris White, Rod Argent) > (Syd Barrett) > (Chris White, Rod Argent)
4 Harry Hood 13:13 (Brian Long, Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
5 Tweezer Reprise 03:50 (Jonathan Fishman, Mike Gordon, Page McConnell, Trey Anastasio)
6 Sleeping Monkey 06:31 (Tom Marshall, Trey Anastasio)
********************
DISC SEVEN (61:42)
1 Suzy Greenberg 06:09 (Steve Pollak)
2 Buried Alive 02:57 (Trey Anastasio)
3 Punch You In The Eye 07:14 (Trey Anastasio)
4 Uncle Pen 04:05 (Bill Monroe)
5 Horn 03:35 (Tom Marshall, Trey Anastasio)
6 Chalk Dust Torture 07:22 (Tom Marshall, Trey Anastasio)
7 Esther 10:44 (Trey Anastasio)
8 Dinner And A Movie 03:16 (Steve Pollak, Trey Anastasio)
9 Bouncing Around The Room 03:34 (Tom Marshall, Trey Anastasio)
10 Run Like An Antelope 12:41 (Steve Pollak, Trey Anastasio)
********************
DISC EIGHT (77:33)
1 Axilla 04:42 (Scott Herman, Tom Marshall, Trey Anastasio)
2 The Curtain 06:16 (Tom Marshall, Trey Anastasio)
3 Stash 10:38 (Tom Marshall, Trey Anastasio)
4 Manteca 00:44 (Chano Pozo, Dizzy Gillespie, Gil Fuller)
5 Stash 00:54 (Tom Marshall, Trey Anastasio)
6 The Lizards 10:57 (Trey Anastasio)
7 Bathtub Gin 06:16 (Susannah Goodman, Trey Anastasio)
8 Hold Your Head Up - Cracklin' Rosie - Hold Your Head Up 09:34 (Chris White, Rod Argent) > (Neil Diamond) > (Chris White, Rod Argent)
9 The Squirming Coil 08:44 (Tom Marshall, Trey Anastasio)
10 Big Black Furry Creature From Mars 05:47 (Mike Gordon)
11 Sweet Adeline 03:16 (Harry Armstrong, Richard Gerard)
12 Good Times, Bad Times 03:55 (Jimmy Page, John Bonham, John Paul Jones)
13 Paul And Silas 02:22 (Traditional)
14 Pig In A Pen 03:23 (Traditional)
********************
REVIEW/AMG
Andrew Leahey
Comprising material from a trio of shows in Atlanta, this eight-disc box set captures Phish's ascent to jam band glory in early 1993. The group had begun touring national amphitheaters one year prior, joining bands like Widespread Panic and Blues Traveler for the first annual H.O.R.D.E. Festival. 1993 brought about the band's first amphitheater-sized headlining tour, and At the Roxy captures the young (yet seasoned) musicians on their way to iconic status. Given this box set's length -- 78 songs, eight discs, and multiple hours of noodling improv -- At the Roxy is a fans-only affair; newcomers looking for a primer to Phish's concerts would do well to seek out the three-disc New Year's Eve 1995 instead. Those who crave a boatful of Phish will find this to be an indispensable collector's item, though, for the history it provides as well as its unique track list. Phish had yet to release a live album in 1993; accordingly, the band was still a relatively underground phenomenon, celebrated in some circles but relatively unknown in the mainstream. There's something pure about that, and the fact that Phish sustains its energy over these eight discs -- which brim with cover songs and musical cameos, including an unexpected sit-in with Gene Simmons (!!) -- only further justifies these shows' legendary reputation amongst Phishheads.
********************
BIOGRAPHY/AMG
Stephen Thomas Erlewine
Junta
During the early '90s, Phish emerged as heirs to the Grateful Dead's throne. Although their music was somewhat similar to the Dead's sound -- an eclectic, free-form rock & roll encompassing elements of folk, jazz, country, bluegrass, and pop -- the group adhered more to jazz-derived improvisation than folk tradition. Moreover, they sported a looser, goofier attitude; after all, their drummer regularly played a vacuum during their concerts. However, Phish's main claim as the inheritors to the Dead's legacy was their approach to their musical career. The band didn't concentrate on albums, dedicating themselves instead to live improvisation. Within a few years of their 1988 debut, Phish had become an institution in certain sections of America, particularly college campuses and other liberal locales. While their in-concert popularity didn't necessarily translate to huge record sales (their biggest-selling albums usually halted at gold status, with the notable exceptions of Junta and A Live One), Phish's members were still the de facto leaders of the neo-hippie jam band movement.
Guitarist/vocalist Trey Anastasio, drummer Jon Fishman, and guitarist Jeff Holdsworth formed the band in late 1983 while attending the University of Vermont. After meeting and jamming in their dormitory, the trio posted flyers across campus to recruit a bassist. Mike Gordon answered the advertisement and he was soon added to the original lineup. Phish began practicing regularly and soon assembled a demo tape; by the fall of 1984, they'd also begun performing off-campus concerts. At this stage in their career, the band was augmented by percussionist Marc Daubert and, occasionally, a vocalist called the Dude of Life. Keyboardist Page McConnell soon joined the group, too, having previously booked Phish to play Goddard College's Springfest in 1985. Shortly after McConnell's arrival, Holdsworth left the group, and both Anastasio and Fishman transferred to Goddard College during the fall of 1986.
Lawn Boy
Early in 1988, Phish recorded the debut album Junta, which they sold as a cassette-only release at local shows. The group played their first tour outside of New England the following year, traveling through the Southeast. Phish also recorded another album, Lawn Boy, in 1989, although the album wasn't released until the fall of 1990 (when it was issued by the independent label Absolute A-Go-Go, a subsidiary of Rough Trade). Throughout early 1991, Phish toured America; during the summer, they recorded their third album, as well as a set of sessions with their old friend, the Dude of Life.
A Picture of Nectar
Rough Trade collapsed that August, taking Absolute A-Go-Go with it. Phish were left without a record contract, but they were soon signed by Elektra, which released A Picture of Nectar in February 1992. The group then embarked on an extensive national tour to support the album, including a handful of shows on the H.O.R.D.E. tour. That same summer, Elektra reissued Lawn Boy and Junta, which gave fans greater access to the band's early material. Rift, Phish's fourth album (and the first they recorded with a producer), appeared in February of 1993. During Phish's 1993 tour, the group sold tickets specifically designed for those fans who were taping the concert, a major gesture of goodwill. Hoist, the band's fifth album, was released in 1994; one of its songs, "Down with Disease," became the band's first video and received some airplay on MTV. Hoist sold better than the group's previous albums, which was an indication of how large the group's fan base had become. Crimes of the Mind, the album Phish had originally recorded with the Dude of Life in 1991, was released on Elektra Records before the year's end.
Surrender to the Air
In the summer of 1995, the band released the double-live album A Live One, which attempted to definitively capture the Phish concert experience. The year 1996 saw two additional releases -- one of them a Trey Anastasio solo project (a free-form jazz side project called Surrender to the Air), and the other a full-fledged Phish album entitled Billy Breathes. Produced by Steve Lillywhite, Billy Breathes garnered the group's best reviews yet. Slip, Stitch & Pass, the band's second live LP, followed in 1997, and Phish continued their prolific output in 1998 with the studio effort Story of the Ghost. Hampton Comes Alive, a six-disc release that captured four full live sets over the course of two performances, appeared in late 1999 and went gold, a testament to Phish's rabid following.
Farmhouse
Phish's popularity only grew during the latter half of the '90s, as their ceaseless touring had helped make them one of the top concert draws in the nation. In the spring of 2000, Phish delivered the pastoral studio effort Farmhouse, which was hailed as one of their finest and tightest releases to date; they also landed some mainstream exposure thanks to the single "Heavy Things." However, exhausted by touring and separation from their families, Phish decided to take an extended break, announcing a temporary breakup in October 2000. One month later, Elektra reissued The Siket Disc, which was previously available only through mail order; it featured improvisational tracks from the band's 1997 Story of the Ghost sessions.
The Deep End, Vol. 1
Each member branched out into different directions during this period. Anastasio released a series of demos before collaborating with Primus bassist Les Claypool and former Police drummer Stewart Copeland for the bizarre Oysterhead project. He also released an eponymous solo album during the spring of 2002. Jonathan Fishman worked with his own side project, Pork Tornado, as well as the touring jazz combo Jazz Mandolin Project. Page McConnell released the first recordings from his other band, Vida Blue, and contributed keyboards to Tenacious D's first record. Mike Gordon, meanwhile, did some work with friend and former employer Col. Bruce Hampton; he also dabbled in film work, both in front and behind the camera. Finally, both Gordon and McConnell worked on Gov't Mule's The Deep End, Vol. 1.
Undermind
As for the band, Phish became more a part of American culture than ever before, and they made an appearance on The Simpsons before releasing a massive set of live albums (as well as a DVD) during the spring of 2002. By the end of the year, the group bowed to pressure and announced that they would begin to play live dates again, starting at the end of December. Touring soon commenced and continued for a year and a half; however, following the release of Undermind, the group decided to officially call it quits in the summer of 2004. Of course, this didn't mean that more albums couldn't be released, as a slew of posthumous releases kept the band's spirit alive while maintaining demand for Phish's reunion. The year 2005 saw the release of a 1995 New Year's Eve concert at Madison Square Garden, 2006 witnessed another live album with Live in Brooklyn, and 2008 brought about the mammoth At the Roxy (Atlanta '93), which compiled eight discs of live concert material into one package.
Joy
Phish's official reunion arrived in March 2009, when the band played three sold-out shows at the Hampton Coliseum in Virginia. A reunion tour was launched that summer (with venues including Fenway Park and the main stage at Bonnaroo), and sporadic shows continued throughout the year. In addition to playing live, Phish also released their first studio album in years, having partnered with former Billy Breathes producer Steve Lillywhite for the creation of 2009's Joy; the album debuted at 13 on the Billboard Top 200. From that point on, Phish toured regularly, appearing at festivals of their own making and headlining other events, including the Austin City Limits Music Festival, Outside Lands, and Bonnaroo. Along the way, some archival releases appeared, including the 2013 box set Ventura, which housed two late-'90s concerts performed at the Ventura County Fairgrounds.
Fuego
In 2013 Phish reconvened at their Vermont studio, the Barn, for writing sessions that resulted in a set of ten songs for a new studio album. The bulk of the songs were debuted live at their Halloween concert in Atlantic City, after which the band decamped to Nashville to record with famed producer Bob Ezrin. Entitled Fuego, the album, their tenth, was released in June 2014 and was preceded by the single "Waiting All Night."
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