PETER WOLF
''A CURE FOR LONELINESS''
APRIL 8 2016
37:57
**********
01 - Rolling On 04:06
02 - It Was Always So Easy (To Find An Unhappy Woman) 02:41
03 - Peace Of Mind 03:48
04 - How Do You Know 03:07
05 - Fun For Awhile 03:37
06 - Wastin' Time (Live) 04:00
07 - Some Other Time, Some Other Place 03:51
08 - It's Raining 04:19
09 - Love Stinks (Live) 02:25
10 - Mr. Mistake 01:43
11 - Tragedy 02:46
12 - Stranger 01:29
**********
Kenny White/Keyboards
Duke Levine/Guitar
Kevin Barry/Guitar
Marty Ballou/Bass Guitar
Tom Arey/Drums
Shawn Pelton/Drums
**********
REVIEW
By Jim Fusilli, www.wsj.com
On his new solo album “A Cure for Loneliness” (Concord), Peter Wolf considers his place in today’s rock-and-pop world. In “Peace of Mind,” he sings: “When I was a young man I believed in everything / Now I’m not a young man. I don’t know what song to sing.”
Through the disc, Mr. Wolf, the vocalist and composer for the J. Geils Band, which had a string of hits in the ’70s and early ’80s, examines his standing at this stage in his life. However, he points out in song that he doesn’t want to relive the past. He turns to metaphor in “Some Other Time, Some Other Place”: “Summer is gone and there’s no one around / The beach is all empty and the shops are closed down.” But rather than lament, he adds, “When something is over, something begins.” In “Rolling On,” a chugging ballad in a minor key, he sings: “I don’t intend to fade away or let the world run over me.”
On “A Cure for Loneliness,” which arrives on April 8, the 70-year-old shows his respect for yesteryear by tapping into the music of his youth, including R&B, Cajun, gospel and bluegrass. He brought his touring band into the studio and it supports him with alluring self-assurance. The album includes covers of Moe Bandy’s 1974 country hit “It Was Always So Easy (To Find an Unhappy Woman),” Thomas Wayne and the DeLons’s 1959 tearjerker “Tragedy”—and a live, amped-up bluegrass version of the J. Geils Band’s 1980 hit single, “Love Stinks.”
Mr. Wolf wrote most of the original songs with Grammy- and Academy Award-winning composer Will Jennings. Through the album, Mr. Wolf is his familiar self—a little cocky, a little cute and in fine voice, his delivery informed by a lifetime of studying and singing music that sprang from the blues.
In the late ’60s, the Bronx-born Mr. Wolf worked as an R&B disc jockey in Boston before beginning his singing career. When we spoke by phone last week, he revealed his encyclopedic knowledge of rock-and-pop history, alluding in rapid succession to the legendary and the obscure. “The Wind,” a 1954 doo-wop track by Nolan Strong and the Diablos, was on his mind, as was a melancholy live recording by Hank Williams of “On Top of Old Smokey.” The best art, he said, is never relegated to the past.
“If I’m looking at a Matisse or a Kirchner, it’s as alive as it was when it was painted,” said Mr. Wolf, who studied at the School of the Museum of Fine Arts, Boston. “Louis Armstrong: His music is alive.”
It troubles Mr. Wolf that rock ’n’ roll shifted the focus of popular music toward appeasing teens, in large part by promoting young acts. “Muddy Waters, John Lee Hooker, Art Blakey, Elvin Jones: You never thought about their age. They were just artists. But in rock ’n’ roll, that wasn’t it.”
Mr. Wolf said as a performer and recording artist he had to either “lay down and die or try to prevail.” He’s done more than merely survive: “A Cure for Loneliness” is his follow-up to the excellent “Midnight Souvenirs,” issued in 2010. Listening to Mr. Wolf’s recent recordings can feel like a visit from an old friend who is at ease with himself and willing to confide.
“A Cure for Loneliness” balances the gravitas of its theme with Mr. Wolf’s appreciation for what music has long been for him. Songs like “Some Other Time, Some Other Place” and “Rolling On” are misty and bittersweet, but there’s never a sense that he’s resigned to age and fate. Written with Don Covay, who died last year, “It’s Raining” was intended as a duet between Mr. Wolf and Bobby Womack. But Womack died before they could convene in the recording studio. The song emerges as a tribute to perseverance. “I know some sun is coming after the storm,” Mr. Wolf sings, accompanied by warm horns that echo 1960s Memphis.
In “Fun for Awhile,” Mr. Wolf sings: “No one could stop us then / Don’t want it back again, but it was fun for a while.” Though he has participated in a few J. Geils Band reunions, he said he did so to revisit the songs he wrote with Seth Justman like “Freeze-Frame” or the band’s cover of the Contours’ “First I Look at the Purse.” But, he added, “The solo work is really where my focus is. I tend to put my energy in the present and future.”
**********
BIOGRAPHY/AMG
Richard Skelly
Best known for his tenure fronting the J. Geils Band, singer Peter Wolf was born and raised in the Bronx, and came from a family active in show business. His father was a dancer, song plugger, disc jockey, and singer of light opera; his mother, an organizer for the civil rights and labor movements, was a teacher for inner-city children in the Bronx. Wolf's earliest passion was painting, and he was accepted on a scholarship to the Museum of Modern Art's Special Studies for Children, and later to the High School of Music and Art, just blocks from the Apollo Theater, where the young Wolf would make weekly visits. Seeing performers like Jackie Wilson, Dinah Washington, Otis Redding, and James Brown sparked his early interest in blues and R&B. After graduating from high school, he hitchhiked through the Midwest; in Chicago, he became involved in a couple of blues and folk music societies while studying painting at the University of Chicago. While there, he visited the South Side blues clubs, drawing influences from the musicians he saw there.
With a grant to study at the Boston Museum School of Fine Arts, he became a disc jockey on WBCN-FM, hosting a show called The All-Night House Party. The show touched on many musical bases, and reflected Wolf's own broad musical interests. While still in college in Boston, Wolf joined his first musical group, comprised of fellow art students. They played blues music, and later got to meet and tour with their heroes John Lee Hooker and Muddy Waters. In 1967, he formed the group that would go on to become the J. Geils Band, which began playing clubs around New England. Their first big break was a chance to play at the Fillmore East in New York City, and they became known for their marathon live performances, with Wolf establishing a reputation as a particularly dynamic frontman. The group was signed to Atlantic Records by producer/impresario Jerry Wexler, and toured constantly over the next couple of years, performing as special guests with the Rolling Stones throughout the U.S. and Europe. At one of these concerts, Wolf met actress Faye Dunaway, whom he later married for a short time.
Lights Out
In 1983, the group was at the height of its popularity, and had gone 17 years without a personnel change. Finally, the bandmembers went their separate ways and Wolf went on to produce numerous film soundtracks and run art exhibits of his original paintings. In 1984, he released his first solo album, Lights Out, followed in 1987 by Come as You Are, which spurred the hit single of the same name. In between albums he worked on duets with Mick Jagger and Aretha Franklin, who recruited him specifically for her Who's Zoomin' Who album. In 1989, after a six-month songwriting retreat in Nashville, he recorded his third solo album, Up to No Good, which appeared the following year. In 1994, Wolf assembled a group of musicians and began playing clubs as a way to test out newer material on live audiences. It was the live feeling he so successfully captured on Long Line, his 1996 Reprise release. While on tour in 1997, Wolf met producer Kenny White, and together the pair recorded Fool's Parade, which was released in 1998 on Mercury. It was selected by Rolling Stone magazine as one of the "50 most influential records of the decade." In 1998, he toured with the Royal Soul Review, a star-studded gathering of soul artists including Lloyd Price, Chuck Jackson, Sam Moore, Ben E. King, Irma Thomas, Percy Sledge, Gene Chandler, and Jerry Butler. Soon after, Wolf was asked to record with blues great Little Milton. They worked at the famed Muscle Shoals Sound Studios and are featured on the Malaco album Welcome to Little Milton.
Sleepless
In 1999, J. Geils reunited for an end-of-the-century tour. Wolf reentered the studio with White and cut Sleepless for the Artemis label in 2002. This set, with guests including Mick Jagger, Keith Richards, and Steve Earle, was almost universally regarded as Wolf's finest solo moment and garnered -- again from Rolling Stone -- the honor of being "one of the greatest 500 albums of all time." In 2005, the J. Geils Band reunited once more for a special charity event to benefit the Cam Neely Cancer Foundation, Denis Leary's Firefighters Association of New England, and Michael J. Fox's Parkinson's Disease Research Foundation. The band later reunited in 2009 for a short series of sold-out shows across the U.S.; Wolf claims they were more than likely their very last. He finally re-emerged from his own recording silence in 2010 with Midnight Souvenirs on Verve, co-produced with White; the pair enlisted duet help from Shelby Lynne, Neko Case, and one of Wolf's true heroes, Merle Haggard.
The singer promoted the set on the major network late night shows, his own tour of intimate rock and folk venues, and festival performances. The recording received favorable reviews and landed inside the Top 50 on the album charts. Afterwards, Wolf resumed reunion work with J. Geils Band over the next few summers, playing the large outdoor sheds. During breaks, he was writing new material.
A Cure For Loneliness
When ready to record, Wolf enlisted members of his road band the Midnight Travelers (including keyboardist Kenny White, his co-producer). A Cure for Loneliness marked the singer's debut for Concord. It included nine new originals and three covers -- most notably a bluegrass reworking of the J. Geils Band hit "Love Stinks." It was released in early 2016.
**********
WIKIPEDIA
**********
WEBSITE
**********
TO THE TOP
********************
''A CURE FOR LONELINESS''
APRIL 8 2016
37:57
**********
01 - Rolling On 04:06
02 - It Was Always So Easy (To Find An Unhappy Woman) 02:41
03 - Peace Of Mind 03:48
04 - How Do You Know 03:07
05 - Fun For Awhile 03:37
06 - Wastin' Time (Live) 04:00
07 - Some Other Time, Some Other Place 03:51
08 - It's Raining 04:19
09 - Love Stinks (Live) 02:25
10 - Mr. Mistake 01:43
11 - Tragedy 02:46
12 - Stranger 01:29
**********
Kenny White/Keyboards
Duke Levine/Guitar
Kevin Barry/Guitar
Marty Ballou/Bass Guitar
Tom Arey/Drums
Shawn Pelton/Drums
**********
REVIEW
By Jim Fusilli, www.wsj.com
On his new solo album “A Cure for Loneliness” (Concord), Peter Wolf considers his place in today’s rock-and-pop world. In “Peace of Mind,” he sings: “When I was a young man I believed in everything / Now I’m not a young man. I don’t know what song to sing.”
Through the disc, Mr. Wolf, the vocalist and composer for the J. Geils Band, which had a string of hits in the ’70s and early ’80s, examines his standing at this stage in his life. However, he points out in song that he doesn’t want to relive the past. He turns to metaphor in “Some Other Time, Some Other Place”: “Summer is gone and there’s no one around / The beach is all empty and the shops are closed down.” But rather than lament, he adds, “When something is over, something begins.” In “Rolling On,” a chugging ballad in a minor key, he sings: “I don’t intend to fade away or let the world run over me.”
On “A Cure for Loneliness,” which arrives on April 8, the 70-year-old shows his respect for yesteryear by tapping into the music of his youth, including R&B, Cajun, gospel and bluegrass. He brought his touring band into the studio and it supports him with alluring self-assurance. The album includes covers of Moe Bandy’s 1974 country hit “It Was Always So Easy (To Find an Unhappy Woman),” Thomas Wayne and the DeLons’s 1959 tearjerker “Tragedy”—and a live, amped-up bluegrass version of the J. Geils Band’s 1980 hit single, “Love Stinks.”
Mr. Wolf wrote most of the original songs with Grammy- and Academy Award-winning composer Will Jennings. Through the album, Mr. Wolf is his familiar self—a little cocky, a little cute and in fine voice, his delivery informed by a lifetime of studying and singing music that sprang from the blues.
In the late ’60s, the Bronx-born Mr. Wolf worked as an R&B disc jockey in Boston before beginning his singing career. When we spoke by phone last week, he revealed his encyclopedic knowledge of rock-and-pop history, alluding in rapid succession to the legendary and the obscure. “The Wind,” a 1954 doo-wop track by Nolan Strong and the Diablos, was on his mind, as was a melancholy live recording by Hank Williams of “On Top of Old Smokey.” The best art, he said, is never relegated to the past.
“If I’m looking at a Matisse or a Kirchner, it’s as alive as it was when it was painted,” said Mr. Wolf, who studied at the School of the Museum of Fine Arts, Boston. “Louis Armstrong: His music is alive.”
It troubles Mr. Wolf that rock ’n’ roll shifted the focus of popular music toward appeasing teens, in large part by promoting young acts. “Muddy Waters, John Lee Hooker, Art Blakey, Elvin Jones: You never thought about their age. They were just artists. But in rock ’n’ roll, that wasn’t it.”
Mr. Wolf said as a performer and recording artist he had to either “lay down and die or try to prevail.” He’s done more than merely survive: “A Cure for Loneliness” is his follow-up to the excellent “Midnight Souvenirs,” issued in 2010. Listening to Mr. Wolf’s recent recordings can feel like a visit from an old friend who is at ease with himself and willing to confide.
“A Cure for Loneliness” balances the gravitas of its theme with Mr. Wolf’s appreciation for what music has long been for him. Songs like “Some Other Time, Some Other Place” and “Rolling On” are misty and bittersweet, but there’s never a sense that he’s resigned to age and fate. Written with Don Covay, who died last year, “It’s Raining” was intended as a duet between Mr. Wolf and Bobby Womack. But Womack died before they could convene in the recording studio. The song emerges as a tribute to perseverance. “I know some sun is coming after the storm,” Mr. Wolf sings, accompanied by warm horns that echo 1960s Memphis.
In “Fun for Awhile,” Mr. Wolf sings: “No one could stop us then / Don’t want it back again, but it was fun for a while.” Though he has participated in a few J. Geils Band reunions, he said he did so to revisit the songs he wrote with Seth Justman like “Freeze-Frame” or the band’s cover of the Contours’ “First I Look at the Purse.” But, he added, “The solo work is really where my focus is. I tend to put my energy in the present and future.”
**********
BIOGRAPHY/AMG
Richard Skelly
Best known for his tenure fronting the J. Geils Band, singer Peter Wolf was born and raised in the Bronx, and came from a family active in show business. His father was a dancer, song plugger, disc jockey, and singer of light opera; his mother, an organizer for the civil rights and labor movements, was a teacher for inner-city children in the Bronx. Wolf's earliest passion was painting, and he was accepted on a scholarship to the Museum of Modern Art's Special Studies for Children, and later to the High School of Music and Art, just blocks from the Apollo Theater, where the young Wolf would make weekly visits. Seeing performers like Jackie Wilson, Dinah Washington, Otis Redding, and James Brown sparked his early interest in blues and R&B. After graduating from high school, he hitchhiked through the Midwest; in Chicago, he became involved in a couple of blues and folk music societies while studying painting at the University of Chicago. While there, he visited the South Side blues clubs, drawing influences from the musicians he saw there.
With a grant to study at the Boston Museum School of Fine Arts, he became a disc jockey on WBCN-FM, hosting a show called The All-Night House Party. The show touched on many musical bases, and reflected Wolf's own broad musical interests. While still in college in Boston, Wolf joined his first musical group, comprised of fellow art students. They played blues music, and later got to meet and tour with their heroes John Lee Hooker and Muddy Waters. In 1967, he formed the group that would go on to become the J. Geils Band, which began playing clubs around New England. Their first big break was a chance to play at the Fillmore East in New York City, and they became known for their marathon live performances, with Wolf establishing a reputation as a particularly dynamic frontman. The group was signed to Atlantic Records by producer/impresario Jerry Wexler, and toured constantly over the next couple of years, performing as special guests with the Rolling Stones throughout the U.S. and Europe. At one of these concerts, Wolf met actress Faye Dunaway, whom he later married for a short time.
Lights Out
In 1983, the group was at the height of its popularity, and had gone 17 years without a personnel change. Finally, the bandmembers went their separate ways and Wolf went on to produce numerous film soundtracks and run art exhibits of his original paintings. In 1984, he released his first solo album, Lights Out, followed in 1987 by Come as You Are, which spurred the hit single of the same name. In between albums he worked on duets with Mick Jagger and Aretha Franklin, who recruited him specifically for her Who's Zoomin' Who album. In 1989, after a six-month songwriting retreat in Nashville, he recorded his third solo album, Up to No Good, which appeared the following year. In 1994, Wolf assembled a group of musicians and began playing clubs as a way to test out newer material on live audiences. It was the live feeling he so successfully captured on Long Line, his 1996 Reprise release. While on tour in 1997, Wolf met producer Kenny White, and together the pair recorded Fool's Parade, which was released in 1998 on Mercury. It was selected by Rolling Stone magazine as one of the "50 most influential records of the decade." In 1998, he toured with the Royal Soul Review, a star-studded gathering of soul artists including Lloyd Price, Chuck Jackson, Sam Moore, Ben E. King, Irma Thomas, Percy Sledge, Gene Chandler, and Jerry Butler. Soon after, Wolf was asked to record with blues great Little Milton. They worked at the famed Muscle Shoals Sound Studios and are featured on the Malaco album Welcome to Little Milton.
Sleepless
In 1999, J. Geils reunited for an end-of-the-century tour. Wolf reentered the studio with White and cut Sleepless for the Artemis label in 2002. This set, with guests including Mick Jagger, Keith Richards, and Steve Earle, was almost universally regarded as Wolf's finest solo moment and garnered -- again from Rolling Stone -- the honor of being "one of the greatest 500 albums of all time." In 2005, the J. Geils Band reunited once more for a special charity event to benefit the Cam Neely Cancer Foundation, Denis Leary's Firefighters Association of New England, and Michael J. Fox's Parkinson's Disease Research Foundation. The band later reunited in 2009 for a short series of sold-out shows across the U.S.; Wolf claims they were more than likely their very last. He finally re-emerged from his own recording silence in 2010 with Midnight Souvenirs on Verve, co-produced with White; the pair enlisted duet help from Shelby Lynne, Neko Case, and one of Wolf's true heroes, Merle Haggard.
The singer promoted the set on the major network late night shows, his own tour of intimate rock and folk venues, and festival performances. The recording received favorable reviews and landed inside the Top 50 on the album charts. Afterwards, Wolf resumed reunion work with J. Geils Band over the next few summers, playing the large outdoor sheds. During breaks, he was writing new material.
A Cure For Loneliness
When ready to record, Wolf enlisted members of his road band the Midnight Travelers (including keyboardist Kenny White, his co-producer). A Cure for Loneliness marked the singer's debut for Concord. It included nine new originals and three covers -- most notably a bluegrass reworking of the J. Geils Band hit "Love Stinks." It was released in early 2016.
**********
WIKIPEDIA
**********
WEBSITE
**********
TO THE TOP
********************
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