SUPERTRAMP
''RETROSPECTABLE: THE SUPERTRAMP ANTHOLOGY, DISC ONE''
OCTOBER 11 2005
154:23
**********
DISC ONE
01 - Surely (Edit) 01:06 (Rick Davies, Roger Hodgson, Richard Palmer)
02 - Your Poppa Don't Mind 02:59
03 - Land Ho (Single Version Remix) 03:54
04 - Summer Romance (Single Version) 02:52
05 - School 05:34
06 - Bloody Well Right 04:32
07 - Dreamer 03:31
08 - Rudy 07:19
09 - Crime Of The Century 05:34
10 - Sister Moonshine 05:18
11 - Ain't Nobody But Me 05:10
12 - Lady 05:24
13 - Two Of Us 03:26
14 - Give A Little Bit 04:08
15 - Downstream 04:02
16 - Even In The Quietest Moments 06:27
17 - From Now On 06:22
Tracks By Rick Davies, Roger Hodgson, Except 01
*****
DISC TWO
01 - Gone Hollywood 05:23
02 - The Logical Song 04:08
03 - Goodbye Stranger 05:48
04 - Breakfast In America 02:39
05 - Oh Darling 03:50
06 - Take The Long Way Home 05:00
07 - You Started Laughing (Live) 04:02
08 - It's Raining Again 04:24
09 - My Kind Of Lady 05:14
10 - Don't Leave Me Now 06:20
11 - Cannonball 07:39 (Rick Davies)
12 - Free As A Bird 04:22 (Rick Davies)
13 - You Win, I Lose 04:33 (Rick Davies)
14 - Another Man's Woman (Live) 09:35
15 - Over You 03:32 (Rick Davies)
Tracks By Rick Davies, Roger Hodgson, Except 11, 12, 13, 15
**********
REVIEW/AMG
Dave Thompson
Considering their career spanned close to 30 years, it's amazing how condensed most people's vision of Supertramp has become. Or maybe not. Few listeners, after all, would disagree that their prime period encompassed the mere six or so years that divided Crime of the Century (their third album) from Breakfast in America (their sixth), and that the pile of vinyl on either side of that is more or less padding. Certainly Retrospectacle has no problem with that scenario. A completist's eye for affairs does permit the first two albums to enjoy a quick look-in, with one song apiece; and similar treatment is meted out to the seven albums that took the band through the '80s and beyond. The meat of the moment, however, arrives with "Land Ho," the first vinyl manifestation of the so-called "classic" 'tramp lineup, and a lost 45 from early 1974. And, from thereon in, it's all plain sailing -- five songs from Crime of the Century, four apiece from Crisis? What Crisis and Even in the Quietest Moments. . ., and a whopping six from Breakfast in America, all selected to depict the band at the peak of its creative and musical powers -- the haunted harp that opens "School," the staccato percussion that powers "Lady," the lurid harmonies of "From Now On," and on to the sheer illogical madness of "The Logical Song" -- in fact, the only weakness here is the substitution of a live "You Started Laughing" for the vastly superior studio B-side. That aside, though, Retrospectacle tells its story with as much panache as the best of Supertramp could ever demand.
**********
BIOGRAPHY/AMG
Mark Deming
Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion.
Supertramp was formed in 1969 by pianist and vocalist Rick Davies. Davies had been a member of a group called the Joint, who had found a financial backer in Dutch millionaire Stanley August Miesegaes; Miesegaes had grown disenchanted with the Joint, but saw promise in Davies, and he offered to bankroll a new band if Davies wanted to launch a fresh project. Davies placed an ad in the British music weekly Melody Maker, and recruited guitarist Richard Palmer, percussionist Robert Millar, and vocalist/bassist Roger Hodgson. Davies initially dubbed the new band Daddy, but to avoid comparison with a number of other paternally named acts, he changed their billing to Supertramp, taking the name from a book by Welsh author William Henry Davies.
Indelibly Stamped
In 1970, Supertramp signed a deal with A&M Records, and their debut album was released later the same year. Dominated by extended prog-based compositions, the album didn't win a large audience, and Supertramp's lineup shifted, as Richard Palmer and Robert Millar left the group, Hodgson moved from bass to guitar, and bassist Frank Farrell, percussionist Kevin Currie, and Dave Winthrop on flue and sax joined the act. The new edition of Supertramp released the album Indelibly Stamped in 1971, but it fared little better in the marketplace than the debut, and Miesegaes cut off his funding of the group. Left to their own devices, Supertramp came close to collapse as most of the group's members moved on, but Davies and Hodgson put together a new version of the group -- Davies on piano and vocals, Hodgson on guitar, electric piano, and vocals, Dougie Thomson on bass, Bob C. Benberg on drums and percussion, and John Anthony Helliwell on sax, woodwinds, and keyboards. This edition of Supertramp boasted a more concise and pop-oriented sound than the band that recorded the first two albums, and 1974's Crime of the Century became Supertramp's commercial breakthrough, spawning the singles "Dreamer" and "Bloody Well Right." 1975's Crisis? What Crisis? didn't fare quite as well commercially, but 1977's Even in the Quietest Moments earned the band another hit single in "Give a Little Bit," and Supertramp's steady road work earned them a reputation as an impressive live act.
Breakfast in America
1979's Breakfast in America elevated Supertramp to true superstar status; three of its songs ("Goodbye Stranger," "Take the Long Way Home," and "The Logical Song") would became Top 20 hits, and the album went to number one on the Billboard charts, selling four million copies in the United States and reaching platinum status in Canada, France, Germany, and the United Kingdom. Supertramp followed the success of Breakfast in America with a live album, 1980's Paris, but it wasn't until 1982 that the group released a new studio LP, Famous Last Words, and in a sense the title was prophetic -- the working relationship between Rick Davies and Roger Hodgson had become contentious, and in 1983, Hodgson, the lead vocalist on the band's biggest hits, left to pursue a solo career. With Davies taking the lead, Supertramp released Brother Where You Bound in 1985, which found the band easing back on their pop side and exploring their progressive influences; the album also featured guest appearances from Pink Floyd guitarist David Gilmour. 1987's Free as a Bird found Supertramp experimenting with synthesizers and electronic dance music, but after a world tour in support of the album, Davies quietly retired the band.
Supertramp
In 1996, Davies re-assembled Supertramp for a concert tour; the new lineup featured Davies, John Anthony Helliwell, guitarist Mark Hart (who had toured with the band in support of Free as a Bird), and percussionist Jesse Siebenberg. The new Supertramp went into the studio after the tour, and Some Things Never Change was released in 1997. More touring followed, which was documented on the album Live 1997. Another studio set, Slow Motion, appeared in 2002. In 2010, Supertramp regrouped for a world tour to celebrate their fortieth anniversary, but while rumors suggested Hodgson might rejoin the band for the occasion, both he and Davies issued statements saying they were not likely to ever work together again, and Hodgson mounted a solo tour concurrently with Supertramp's anniversary celebration.
**********
WEBSITE
**********
TO THE TOP
**********
''RETROSPECTABLE: THE SUPERTRAMP ANTHOLOGY, DISC ONE''
OCTOBER 11 2005
154:23
**********
DISC ONE
01 - Surely (Edit) 01:06 (Rick Davies, Roger Hodgson, Richard Palmer)
02 - Your Poppa Don't Mind 02:59
03 - Land Ho (Single Version Remix) 03:54
04 - Summer Romance (Single Version) 02:52
05 - School 05:34
06 - Bloody Well Right 04:32
07 - Dreamer 03:31
08 - Rudy 07:19
09 - Crime Of The Century 05:34
10 - Sister Moonshine 05:18
11 - Ain't Nobody But Me 05:10
12 - Lady 05:24
13 - Two Of Us 03:26
14 - Give A Little Bit 04:08
15 - Downstream 04:02
16 - Even In The Quietest Moments 06:27
17 - From Now On 06:22
Tracks By Rick Davies, Roger Hodgson, Except 01
*****
DISC TWO
01 - Gone Hollywood 05:23
02 - The Logical Song 04:08
03 - Goodbye Stranger 05:48
04 - Breakfast In America 02:39
05 - Oh Darling 03:50
06 - Take The Long Way Home 05:00
07 - You Started Laughing (Live) 04:02
08 - It's Raining Again 04:24
09 - My Kind Of Lady 05:14
10 - Don't Leave Me Now 06:20
11 - Cannonball 07:39 (Rick Davies)
12 - Free As A Bird 04:22 (Rick Davies)
13 - You Win, I Lose 04:33 (Rick Davies)
14 - Another Man's Woman (Live) 09:35
15 - Over You 03:32 (Rick Davies)
Tracks By Rick Davies, Roger Hodgson, Except 11, 12, 13, 15
**********
REVIEW/AMG
Dave Thompson
Considering their career spanned close to 30 years, it's amazing how condensed most people's vision of Supertramp has become. Or maybe not. Few listeners, after all, would disagree that their prime period encompassed the mere six or so years that divided Crime of the Century (their third album) from Breakfast in America (their sixth), and that the pile of vinyl on either side of that is more or less padding. Certainly Retrospectacle has no problem with that scenario. A completist's eye for affairs does permit the first two albums to enjoy a quick look-in, with one song apiece; and similar treatment is meted out to the seven albums that took the band through the '80s and beyond. The meat of the moment, however, arrives with "Land Ho," the first vinyl manifestation of the so-called "classic" 'tramp lineup, and a lost 45 from early 1974. And, from thereon in, it's all plain sailing -- five songs from Crime of the Century, four apiece from Crisis? What Crisis and Even in the Quietest Moments. . ., and a whopping six from Breakfast in America, all selected to depict the band at the peak of its creative and musical powers -- the haunted harp that opens "School," the staccato percussion that powers "Lady," the lurid harmonies of "From Now On," and on to the sheer illogical madness of "The Logical Song" -- in fact, the only weakness here is the substitution of a live "You Started Laughing" for the vastly superior studio B-side. That aside, though, Retrospectacle tells its story with as much panache as the best of Supertramp could ever demand.
**********
BIOGRAPHY/AMG
Mark Deming
Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion.
Supertramp was formed in 1969 by pianist and vocalist Rick Davies. Davies had been a member of a group called the Joint, who had found a financial backer in Dutch millionaire Stanley August Miesegaes; Miesegaes had grown disenchanted with the Joint, but saw promise in Davies, and he offered to bankroll a new band if Davies wanted to launch a fresh project. Davies placed an ad in the British music weekly Melody Maker, and recruited guitarist Richard Palmer, percussionist Robert Millar, and vocalist/bassist Roger Hodgson. Davies initially dubbed the new band Daddy, but to avoid comparison with a number of other paternally named acts, he changed their billing to Supertramp, taking the name from a book by Welsh author William Henry Davies.
Indelibly Stamped
In 1970, Supertramp signed a deal with A&M Records, and their debut album was released later the same year. Dominated by extended prog-based compositions, the album didn't win a large audience, and Supertramp's lineup shifted, as Richard Palmer and Robert Millar left the group, Hodgson moved from bass to guitar, and bassist Frank Farrell, percussionist Kevin Currie, and Dave Winthrop on flue and sax joined the act. The new edition of Supertramp released the album Indelibly Stamped in 1971, but it fared little better in the marketplace than the debut, and Miesegaes cut off his funding of the group. Left to their own devices, Supertramp came close to collapse as most of the group's members moved on, but Davies and Hodgson put together a new version of the group -- Davies on piano and vocals, Hodgson on guitar, electric piano, and vocals, Dougie Thomson on bass, Bob C. Benberg on drums and percussion, and John Anthony Helliwell on sax, woodwinds, and keyboards. This edition of Supertramp boasted a more concise and pop-oriented sound than the band that recorded the first two albums, and 1974's Crime of the Century became Supertramp's commercial breakthrough, spawning the singles "Dreamer" and "Bloody Well Right." 1975's Crisis? What Crisis? didn't fare quite as well commercially, but 1977's Even in the Quietest Moments earned the band another hit single in "Give a Little Bit," and Supertramp's steady road work earned them a reputation as an impressive live act.
Breakfast in America
1979's Breakfast in America elevated Supertramp to true superstar status; three of its songs ("Goodbye Stranger," "Take the Long Way Home," and "The Logical Song") would became Top 20 hits, and the album went to number one on the Billboard charts, selling four million copies in the United States and reaching platinum status in Canada, France, Germany, and the United Kingdom. Supertramp followed the success of Breakfast in America with a live album, 1980's Paris, but it wasn't until 1982 that the group released a new studio LP, Famous Last Words, and in a sense the title was prophetic -- the working relationship between Rick Davies and Roger Hodgson had become contentious, and in 1983, Hodgson, the lead vocalist on the band's biggest hits, left to pursue a solo career. With Davies taking the lead, Supertramp released Brother Where You Bound in 1985, which found the band easing back on their pop side and exploring their progressive influences; the album also featured guest appearances from Pink Floyd guitarist David Gilmour. 1987's Free as a Bird found Supertramp experimenting with synthesizers and electronic dance music, but after a world tour in support of the album, Davies quietly retired the band.
Supertramp
In 1996, Davies re-assembled Supertramp for a concert tour; the new lineup featured Davies, John Anthony Helliwell, guitarist Mark Hart (who had toured with the band in support of Free as a Bird), and percussionist Jesse Siebenberg. The new Supertramp went into the studio after the tour, and Some Things Never Change was released in 1997. More touring followed, which was documented on the album Live 1997. Another studio set, Slow Motion, appeared in 2002. In 2010, Supertramp regrouped for a world tour to celebrate their fortieth anniversary, but while rumors suggested Hodgson might rejoin the band for the occasion, both he and Davies issued statements saying they were not likely to ever work together again, and Hodgson mounted a solo tour concurrently with Supertramp's anniversary celebration.
**********
WEBSITE
**********
TO THE TOP
**********
No comments :
Post a Comment