LITTLE CAESAR
''THIS TIME IT'S DIFFERENT...!!!''
1998
57:50
**********
01 - Hell To Pay/3:03
02 - Downtown Mama/4:39
03 - Ain't Got It/5:12
04 - So Damn Tired/7:01
05 - Tell Me That You Love Me/3:45
06 - Same Old Story/3:08
07 - Old Enough To Know Better/4:32
08 - New Life/3:18
09 - All Revved Up/3:58
10 - Good Lickin'/4:58
11 - Ridin' On/4:19
12 - Down And Dirty (Live)/4:26
13 - Ballad Of Johnny (Live)/5:30
**********
Ron Young /Vocals
Apache /Guitar
Earl Slick /Guitar
Louren Molinare /Guitar
Tom Morris /Drums
Fidel Paniagua /Bass
**********
OFFICIAL BIOGRAPHY
Nobody quite knew what to think of these longhaired, tattooed bikers singing such soulful, yet ballsy, rock music when they arrived on the scene in Los Angeles in 1987. They stood out amongst the "Hair Bands" that populated the music scene at the time – a distinction the band wore as a badge of honor.
Much hype surrounded the band as they were managed by music legend Jimmy Iovine, guided by legendary A&R man John Kalodner and produced by Bob Rock. It seemed like a formula for success, yet the band met an unfortunate set of circumstances that left many scratching their heads shortly after the release of their self-titled debut album. Many were to speculate why the band never achieved the level of success that their legendary team of backers took as inevitable. Many were to speculate that it was due to the dichotomy between the band's gruff appearance and their sound. The truth was that the band fell prey to an unfortunate set of circumstances that occurred in the limited window of time where bands get to perform - or get exiled in the music business. Three weeks into the band’s initial release, Geffen Records was sold, their label Manager left the company, accountants took over, and their records where lost in transit to their new distributors. As sales dropped off due to the lack of product availability, the accountants shut the project down. And so, another band dies....there's always more where they came from in the rough and tumble world that is the music business.
Little Caesar, featuring Ron Young (vocals), Jimmy Hayne aka. Apache (guitar), Loren Molinare (guitar), Fidel Paniagua (bass) and Tom Morris (drums), first appeared on Metal Blade’s “Street Survivors” compilation. The band then released a four song EP titled “Name Your Poison” (produced by Joe Hardy of ZZ Top fame), which subsequently led to a deal with Geffen Records. Little Caesar’s eponymous 1990 Geffen debut was produced by the infamous Bob Rock (producer of Metallica’s self titled 1991 multi-platinum release, Motley Crue’s “Dr. Feelgood”, and The Cult’s “Sonic Temple” among others). The album was a no-nonsense collection of hard rock in the vein of 70’s giants like Bad Company and Humble Pie, and was also brimming with classic R&B influences, garnering widespread acceptance and positive reviews from the rock media. It also featured two Motown covers, including a ballsy rendition of the classic Aretha Franklin track, “Chain of Fools,” which hit the Billboard Top 100 chart and received strong airplay nationwide on both rock radio and MTV. The group toured extensively opening for such legendary acts as Jane’s Addiction, KISS, Social Distortion, Iggy Pop, Billy Idol, and Lynyrd Skynyrd. They also headlined their own club tours, and appeared on TV’s popular “Arsenio Hall Show”, “The Rick Dees Show”, and MTV’S “Sex” in the 90’s.. Vocalist Ron Young was also featured in the movie “Terminator 2” as a tough talking biker that gets into a fight with the film’s star, Arnold Schwarzenegger. 1992 would bring the second full-length album, “Influence”, which would have Earl Slick (of John Lennon, David Bowie, and Ian Hunter fame) replacing Apache on guitar. The “Influence” album was produced by the well respected, Howard Benson (who has recently produced releases for platinum artists like Daughtry, Papa Roach, and P.O.D. among others). The band completed its first tour of Europe after the release of the album and drew rave reviews and sold out crowds across multiple countries including a sold out headlining performance at the famous Marquee club in London.
As the band slowly recovered from the shock and lessons learned in the nasty world of the music business, they always remained close, as they are a family way before they are a band. They started to do local shows and remember why they loved music and each other. Since the reformation, the band has played high profile shows at venues as House of Blues, California Speedway for NASCAR, and the Rock The Bayou Festival in Houston TX.
In 2010, Little Caesar moved forward with a vengeance on a worldwide level with new release titled "Redemption" as well as touring in the US, Europe and the UK. They also introduced new guitar player Joey Brasler (Etta James, Bob Welch, Cherie Currie) as welcome addition to their musical line up.
In 2012, Little Caesar now releases their latest effort entitled "American Dream" on the Unison Music Group label. Produced by Bruce Witkin, it's a powerful, no nonsense, guitar driven group of songs, that takes the band to that same warm R&B driven Rock and Roll Universe they call home. They embark on a tour of Spain, Germany, Switzerland and Belgium mid June and will be performing at the Hard Rock Hell festival in Wales in Dec 2012.
**********
BIOGRAPHY/AMG
Eduardo Rivadavia
Little Caesar seemed to have everything going for them. Signed to powerhouse Geffen Records at the height of the late-'80s hair metal craze; armed with a solid, Bob Rock-produced hard rock debut; and with wunderkind producer John Kalodner (the man responsible for Aerosmith's miraculous rebirth) guiding their career, the Los Angeles-based quintet was poised to ride the dependable, normally smooth-running Geffen production line on the fast-track to stardom. But there was one small problem: Little Caesar weren't the most handsome bunch. Ugly? These guys were scary even by heavy metal standards. Grimy-haired, covered in tattoos, and looking like a gang of Hell's Angels, the band was never given a chance by the MTV generation; and before they knew it, their albums had stiffed, their record company had abandoned them, and the public had all but forgotten they existed.
Former nightclub doorman Ron Young started Little Caesar in the late '80s with guitarists Louren Moulinaire and Apache, bassist Fidel Paniagua, and drummer Tom Morris. An independently released EP called Name Your Poison brought them to the attention of Geffen Records, who obviously had high hopes for the group, pairing them with A&R wizard John Kalodner and in-demand hard rock producer Bob Rock for their eponymous 1990 debut. A no-nonsense, glam-free collection of earthy hard rock in the vein of '70s giants like Bad Company and Humble Pie, the album was also brimming with classic R&B influences, and garnered mostly positive reviews. It also featured two Motown covers, including a ballsy reading of the classic "Chain of Fools," which cracked the Billboard Top 100 chart. But what had worked for, say, AC/DC or Blue Öyster Cult in the pre-MTV era, when looks were not essential to a band's success, ultimately proved to be Little Caesar's undoing in the image-obsessed early '90s. Simply put, the kids didn't seem to get it, and no amount of talent or record company muscle could overcome the band's ugly mugs and heavily tattooed biker look. (Although, to their credit, at least the band refused to take the Twisted Sister comedy route in countering this problem, only to arrive at the same result anyway.)
Promptly demoted down Geffen's priority list (and losing their Kalodner/Rock dream team in the process), the band returned to action with 1992's even-grittier and fancy-free, albeit increasingly cliché-laden, Influence album. Though it counted with the services of veteran guitarist Earl Slick (Bowie, Dirty White Boy, etc.) replacing the departed Apache, it was much too late for Little Caesar, who disbanded shortly thereafter. Young moved on to a number of similarly ill-fated ventures, including the Four Horsemen, Manic Eden, and Dirt.
**********
WEBSITE
**********
TO THE TOP
**********
''THIS TIME IT'S DIFFERENT...!!!''
1998
57:50
**********
01 - Hell To Pay/3:03
02 - Downtown Mama/4:39
03 - Ain't Got It/5:12
04 - So Damn Tired/7:01
05 - Tell Me That You Love Me/3:45
06 - Same Old Story/3:08
07 - Old Enough To Know Better/4:32
08 - New Life/3:18
09 - All Revved Up/3:58
10 - Good Lickin'/4:58
11 - Ridin' On/4:19
12 - Down And Dirty (Live)/4:26
13 - Ballad Of Johnny (Live)/5:30
**********
Ron Young /Vocals
Apache /Guitar
Earl Slick /Guitar
Louren Molinare /Guitar
Tom Morris /Drums
Fidel Paniagua /Bass
**********
OFFICIAL BIOGRAPHY
Nobody quite knew what to think of these longhaired, tattooed bikers singing such soulful, yet ballsy, rock music when they arrived on the scene in Los Angeles in 1987. They stood out amongst the "Hair Bands" that populated the music scene at the time – a distinction the band wore as a badge of honor.
Much hype surrounded the band as they were managed by music legend Jimmy Iovine, guided by legendary A&R man John Kalodner and produced by Bob Rock. It seemed like a formula for success, yet the band met an unfortunate set of circumstances that left many scratching their heads shortly after the release of their self-titled debut album. Many were to speculate why the band never achieved the level of success that their legendary team of backers took as inevitable. Many were to speculate that it was due to the dichotomy between the band's gruff appearance and their sound. The truth was that the band fell prey to an unfortunate set of circumstances that occurred in the limited window of time where bands get to perform - or get exiled in the music business. Three weeks into the band’s initial release, Geffen Records was sold, their label Manager left the company, accountants took over, and their records where lost in transit to their new distributors. As sales dropped off due to the lack of product availability, the accountants shut the project down. And so, another band dies....there's always more where they came from in the rough and tumble world that is the music business.
Little Caesar, featuring Ron Young (vocals), Jimmy Hayne aka. Apache (guitar), Loren Molinare (guitar), Fidel Paniagua (bass) and Tom Morris (drums), first appeared on Metal Blade’s “Street Survivors” compilation. The band then released a four song EP titled “Name Your Poison” (produced by Joe Hardy of ZZ Top fame), which subsequently led to a deal with Geffen Records. Little Caesar’s eponymous 1990 Geffen debut was produced by the infamous Bob Rock (producer of Metallica’s self titled 1991 multi-platinum release, Motley Crue’s “Dr. Feelgood”, and The Cult’s “Sonic Temple” among others). The album was a no-nonsense collection of hard rock in the vein of 70’s giants like Bad Company and Humble Pie, and was also brimming with classic R&B influences, garnering widespread acceptance and positive reviews from the rock media. It also featured two Motown covers, including a ballsy rendition of the classic Aretha Franklin track, “Chain of Fools,” which hit the Billboard Top 100 chart and received strong airplay nationwide on both rock radio and MTV. The group toured extensively opening for such legendary acts as Jane’s Addiction, KISS, Social Distortion, Iggy Pop, Billy Idol, and Lynyrd Skynyrd. They also headlined their own club tours, and appeared on TV’s popular “Arsenio Hall Show”, “The Rick Dees Show”, and MTV’S “Sex” in the 90’s.. Vocalist Ron Young was also featured in the movie “Terminator 2” as a tough talking biker that gets into a fight with the film’s star, Arnold Schwarzenegger. 1992 would bring the second full-length album, “Influence”, which would have Earl Slick (of John Lennon, David Bowie, and Ian Hunter fame) replacing Apache on guitar. The “Influence” album was produced by the well respected, Howard Benson (who has recently produced releases for platinum artists like Daughtry, Papa Roach, and P.O.D. among others). The band completed its first tour of Europe after the release of the album and drew rave reviews and sold out crowds across multiple countries including a sold out headlining performance at the famous Marquee club in London.
As the band slowly recovered from the shock and lessons learned in the nasty world of the music business, they always remained close, as they are a family way before they are a band. They started to do local shows and remember why they loved music and each other. Since the reformation, the band has played high profile shows at venues as House of Blues, California Speedway for NASCAR, and the Rock The Bayou Festival in Houston TX.
In 2010, Little Caesar moved forward with a vengeance on a worldwide level with new release titled "Redemption" as well as touring in the US, Europe and the UK. They also introduced new guitar player Joey Brasler (Etta James, Bob Welch, Cherie Currie) as welcome addition to their musical line up.
In 2012, Little Caesar now releases their latest effort entitled "American Dream" on the Unison Music Group label. Produced by Bruce Witkin, it's a powerful, no nonsense, guitar driven group of songs, that takes the band to that same warm R&B driven Rock and Roll Universe they call home. They embark on a tour of Spain, Germany, Switzerland and Belgium mid June and will be performing at the Hard Rock Hell festival in Wales in Dec 2012.
**********
BIOGRAPHY/AMG
Eduardo Rivadavia
Little Caesar seemed to have everything going for them. Signed to powerhouse Geffen Records at the height of the late-'80s hair metal craze; armed with a solid, Bob Rock-produced hard rock debut; and with wunderkind producer John Kalodner (the man responsible for Aerosmith's miraculous rebirth) guiding their career, the Los Angeles-based quintet was poised to ride the dependable, normally smooth-running Geffen production line on the fast-track to stardom. But there was one small problem: Little Caesar weren't the most handsome bunch. Ugly? These guys were scary even by heavy metal standards. Grimy-haired, covered in tattoos, and looking like a gang of Hell's Angels, the band was never given a chance by the MTV generation; and before they knew it, their albums had stiffed, their record company had abandoned them, and the public had all but forgotten they existed.
Former nightclub doorman Ron Young started Little Caesar in the late '80s with guitarists Louren Moulinaire and Apache, bassist Fidel Paniagua, and drummer Tom Morris. An independently released EP called Name Your Poison brought them to the attention of Geffen Records, who obviously had high hopes for the group, pairing them with A&R wizard John Kalodner and in-demand hard rock producer Bob Rock for their eponymous 1990 debut. A no-nonsense, glam-free collection of earthy hard rock in the vein of '70s giants like Bad Company and Humble Pie, the album was also brimming with classic R&B influences, and garnered mostly positive reviews. It also featured two Motown covers, including a ballsy reading of the classic "Chain of Fools," which cracked the Billboard Top 100 chart. But what had worked for, say, AC/DC or Blue Öyster Cult in the pre-MTV era, when looks were not essential to a band's success, ultimately proved to be Little Caesar's undoing in the image-obsessed early '90s. Simply put, the kids didn't seem to get it, and no amount of talent or record company muscle could overcome the band's ugly mugs and heavily tattooed biker look. (Although, to their credit, at least the band refused to take the Twisted Sister comedy route in countering this problem, only to arrive at the same result anyway.)
Promptly demoted down Geffen's priority list (and losing their Kalodner/Rock dream team in the process), the band returned to action with 1992's even-grittier and fancy-free, albeit increasingly cliché-laden, Influence album. Though it counted with the services of veteran guitarist Earl Slick (Bowie, Dirty White Boy, etc.) replacing the departed Apache, it was much too late for Little Caesar, who disbanded shortly thereafter. Young moved on to a number of similarly ill-fated ventures, including the Four Horsemen, Manic Eden, and Dirt.
**********
WEBSITE
**********
TO THE TOP
**********
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This is a treasure trove! Thanks so much - loving your blog!
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