BOBBY PARKER
''BENT OUT OF SHAPE''
1993
53:55
1. Fast Train /4:20
2. It's Hard But It's Fun /3:57
3. Bent Out Of Shape /4:09
4. So Glad I Found You /5:46
5. I Call Her Baby /5:27
6. Watch Your Step /3:31
7. Break It Up /4:35
8. Let That Be The Reason /4:44
9. I've Got A Way With Women /6:00
10. Bobby-A-Go-Go /5:04
11. Blues Get Off My Shoulder /4:53
Sammy Berfect /Organ, Piano
Mark "Kaz" Kazanoff /Horn Arrangements, Sax (Baritone), Sax (Tenor)
Bobby Parker /Bass, Horn Arrangements, Vocals
Jamil Sharif /Trumpet
Willie Singleton /Trumpet
Rick Trolsen /Trombone, Trumpet
Raymond Weber /Drums, Percussion
Lee Allen Zeno /Bass
REVIEW
by Thom Owens
The production on Bent Out of Shape may be a little too clean, but that can't distract from the fact that Bobby Parker's belated first album is a storming statement of purpose. His songwriting is sturdy and memorable, his singing impassioned and his guitar simply stings. He could have carried the album with just a little combo, but he's assembled a large, soulful backing band that gives the album soulful finesse. It would have been nice if the production was a little grittier, since Parker's performances are, but there's no denying his playing and songs elevate Bent Out of Shape to the status of one of the best blues records of the early '90s.
BIOGRAPHY
by Richard Skelly
Guitarist, singer, and songwriter Bobby Parker is one of the most exciting performers in modern blues, a candidate for inheriting the top blues spots left open by the unfortunate early passings of people like Albert King, Johnny "Guitar" Watson, and others. That's because Parker can do it all: he writes brilliant songs, he sings well, and he backs it all up with powerful, stinging guitar. But things weren't always so good for Parker, and much of his success is the result of years of hard work and struggling around the bars in Washington, D.C. and Virginia.
Parker has two brilliant albums out on the BlackTop label out of New Orleans (distributed by Rounder), Shine Me Up (1995) and Bent Out of Shape (1993).
He was born August 31, 1937 in Lafayette, Louisiana but raised in Southern California after his family moved to Los Angeles when he was six. Going to school in Hollywood, the young Parker was bitten by the scenery, and decided he wanted to be in show business. At the Million Dollar Theater, he saw big stage shows by Count Basie, Duke Ellington, Billy Eckstine, and Lionel Hampton. Although he had an early interest in jazz, the blues bit him when artists like T-Bone Walker, Lowell Fulson, Johnny "Guitar" Watson, and Pee Wee Crayton came to town.
He began playing in the late '50s as a guitarist with Otis Williams & the Charms after winning a talent contest sponsored by West Coast blues and R&B legend Johnny Otis. Later, he backed Bo Diddley, which included an appearance on The Ed Sullivan Show, before joining the touring big band of Paul "Hucklebuck" Williams. He settled in Washington, D.C. in the '60s, dropping out of Williams' band and making a go of it on his own.
He is perhaps best known for his 1961 song "Watch Your Step," a single for the V-Tone label that became a hit on British and U.S. R&B charts. Parker's song was later covered by several British blues groups, most prominent among them the Spencer Davis Group. And though Parker may not be a name as familiar to blues fans as say, Eric Clapton or B.B. King, he's been cited as a major musical influence by Davis, John Mayall, Robin Trower, Clapton, Jimmy Page, drummer Mick Fleetwood, John Lennon, and most importantly, Carlos Santana. Parker's style has been described by his protégé Bobby Radcliff as Guitar Slim meets James Brown, and that's not too far off the mark. In the summer of 1994, Santana was so happy about Parker's comeback on the BlackTop/Rounder label that he took him on the road for some arena shows on the East and West Coasts.
"Carlos likes to tell people that he saw me playing in Mexico City when he was a kid, and that inspired him to pick up the guitar," Parker explained. Santana pays homage to Parker on his Havana Moon album, on which he covers "Watch Your Step." Dr. Feelgood also covered the tune in the '70s.
Parker remains an important player on the blues circuit, and is a regular performer in the Washington, D.C. area and at blues festivals in both the U.S. and Canada. Unlike so many other blues musicians, Parker's live shows are almost entirely his own songs. He does very few covers.
"Unless the music of the day has some kind of substance to it, the blues always comes back," Parker says, adding, "I think Stevie Ray Vaughan had a lot to do with bringing the blues to white audiences, and Z.Z. Hill helped bring the black audience back to the blues."
DoWnLoAd
''BENT OUT OF SHAPE''
1993
53:55
1. Fast Train /4:20
2. It's Hard But It's Fun /3:57
3. Bent Out Of Shape /4:09
4. So Glad I Found You /5:46
5. I Call Her Baby /5:27
6. Watch Your Step /3:31
7. Break It Up /4:35
8. Let That Be The Reason /4:44
9. I've Got A Way With Women /6:00
10. Bobby-A-Go-Go /5:04
11. Blues Get Off My Shoulder /4:53
Sammy Berfect /Organ, Piano
Mark "Kaz" Kazanoff /Horn Arrangements, Sax (Baritone), Sax (Tenor)
Bobby Parker /Bass, Horn Arrangements, Vocals
Jamil Sharif /Trumpet
Willie Singleton /Trumpet
Rick Trolsen /Trombone, Trumpet
Raymond Weber /Drums, Percussion
Lee Allen Zeno /Bass
REVIEW
by Thom Owens
The production on Bent Out of Shape may be a little too clean, but that can't distract from the fact that Bobby Parker's belated first album is a storming statement of purpose. His songwriting is sturdy and memorable, his singing impassioned and his guitar simply stings. He could have carried the album with just a little combo, but he's assembled a large, soulful backing band that gives the album soulful finesse. It would have been nice if the production was a little grittier, since Parker's performances are, but there's no denying his playing and songs elevate Bent Out of Shape to the status of one of the best blues records of the early '90s.
BIOGRAPHY
by Richard Skelly
Guitarist, singer, and songwriter Bobby Parker is one of the most exciting performers in modern blues, a candidate for inheriting the top blues spots left open by the unfortunate early passings of people like Albert King, Johnny "Guitar" Watson, and others. That's because Parker can do it all: he writes brilliant songs, he sings well, and he backs it all up with powerful, stinging guitar. But things weren't always so good for Parker, and much of his success is the result of years of hard work and struggling around the bars in Washington, D.C. and Virginia.
Parker has two brilliant albums out on the BlackTop label out of New Orleans (distributed by Rounder), Shine Me Up (1995) and Bent Out of Shape (1993).
He was born August 31, 1937 in Lafayette, Louisiana but raised in Southern California after his family moved to Los Angeles when he was six. Going to school in Hollywood, the young Parker was bitten by the scenery, and decided he wanted to be in show business. At the Million Dollar Theater, he saw big stage shows by Count Basie, Duke Ellington, Billy Eckstine, and Lionel Hampton. Although he had an early interest in jazz, the blues bit him when artists like T-Bone Walker, Lowell Fulson, Johnny "Guitar" Watson, and Pee Wee Crayton came to town.
He began playing in the late '50s as a guitarist with Otis Williams & the Charms after winning a talent contest sponsored by West Coast blues and R&B legend Johnny Otis. Later, he backed Bo Diddley, which included an appearance on The Ed Sullivan Show, before joining the touring big band of Paul "Hucklebuck" Williams. He settled in Washington, D.C. in the '60s, dropping out of Williams' band and making a go of it on his own.
He is perhaps best known for his 1961 song "Watch Your Step," a single for the V-Tone label that became a hit on British and U.S. R&B charts. Parker's song was later covered by several British blues groups, most prominent among them the Spencer Davis Group. And though Parker may not be a name as familiar to blues fans as say, Eric Clapton or B.B. King, he's been cited as a major musical influence by Davis, John Mayall, Robin Trower, Clapton, Jimmy Page, drummer Mick Fleetwood, John Lennon, and most importantly, Carlos Santana. Parker's style has been described by his protégé Bobby Radcliff as Guitar Slim meets James Brown, and that's not too far off the mark. In the summer of 1994, Santana was so happy about Parker's comeback on the BlackTop/Rounder label that he took him on the road for some arena shows on the East and West Coasts.
"Carlos likes to tell people that he saw me playing in Mexico City when he was a kid, and that inspired him to pick up the guitar," Parker explained. Santana pays homage to Parker on his Havana Moon album, on which he covers "Watch Your Step." Dr. Feelgood also covered the tune in the '70s.
Parker remains an important player on the blues circuit, and is a regular performer in the Washington, D.C. area and at blues festivals in both the U.S. and Canada. Unlike so many other blues musicians, Parker's live shows are almost entirely his own songs. He does very few covers.
"Unless the music of the day has some kind of substance to it, the blues always comes back," Parker says, adding, "I think Stevie Ray Vaughan had a lot to do with bringing the blues to white audiences, and Z.Z. Hill helped bring the black audience back to the blues."
DoWnLoAd
