BOBBY PARKER
''SHINE ME UP''
1995
60:27
1. Man's Gotta Do What A Man's Gotta Do /5:21
2. Kick It Around With You /5:42
3. It's Unfair /5:03
4. Stamps On Your Letter /5:36
5. Shine Me Up /5:46
6. Wild Thing /4:53
7. Skeezer /4:16
8. Somebody's Comin' In My Back Door /6:29
9. Splib's Groove /5:31
10. Drive Me Home /6:25
11. Get Hip /5:00
Marc Adams /Organ, Piano
Steve Howard /Trumpet
Mark "Kaz" Kazanoff /Sax (Baritone), Sax (Tenor), Saxophone
Bobby Parker /Guitar, Vocals
Ward Smith /Sax (Alto), Sax (Baritone), Sax (Tenor)
David Torkanowsky /Organ
Rick Trolsen /Trombone
Raymond Weber /Drums
Dave Woodard /Trombone
Dave Woodward /Trombone
Lee Allen Zeno /Bass
BIOGRAPHY
by Richard Skelly
Guitarist, singer, and songwriter Bobby Parker is one of the most exciting performers in modern blues, a candidate for inheriting the top blues spots left open by the unfortunate early passings of people like Albert King, Johnny "Guitar" Watson, and others. That's because Parker can do it all: he writes brilliant songs, he sings well, and he backs it all up with powerful, stinging guitar. But things weren't always so good for Parker, and much of his success is the result of years of hard work and struggling around the bars in Washington, D.C. and Virginia.
Parker has two brilliant albums out on the BlackTop label out of New Orleans (distributed by Rounder), Shine Me Up (1995) and Bent Out of Shape (1993).
He was born August 31, 1937 in Lafayette, Louisiana but raised in Southern California after his family moved to Los Angeles when he was six. Going to school in Hollywood, the young Parker was bitten by the scenery, and decided he wanted to be in show business. At the Million Dollar Theater, he saw big stage shows by Count Basie, Duke Ellington, Billy Eckstine, and Lionel Hampton. Although he had an early interest in jazz, the blues bit him when artists like T-Bone Walker, Lowell Fulson, Johnny "Guitar" Watson, and Pee Wee Crayton came to town.
He began playing in the late '50s as a guitarist with Otis Williams & the Charms after winning a talent contest sponsored by West Coast blues and R&B legend Johnny Otis. Later, he backed Bo Diddley, which included an appearance on The Ed Sullivan Show, before joining the touring big band of Paul "Hucklebuck" Williams. He settled in Washington, D.C. in the '60s, dropping out of Williams' band and making a go of it on his own.
He is perhaps best known for his 1961 song "Watch Your Step," a single for the V-Tone label that became a hit on British and U.S. R&B charts. Parker's song was later covered by several British blues groups, most prominent among them the Spencer Davis Group. And though Parker may not be a name as familiar to blues fans as say, Eric Clapton or B.B. King, he's been cited as a major musical influence by Davis, John Mayall, Robin Trower, Clapton, Jimmy Page, drummer Mick Fleetwood, John Lennon, and most importantly, Carlos Santana. Parker's style has been described by his protégé Bobby Radcliff as Guitar Slim meets James Brown, and that's not too far off the mark. In the summer of 1994, Santana was so happy about Parker's comeback on the BlackTop/Rounder label that he took him on the road for some arena shows on the East and West Coasts.
"Carlos likes to tell people that he saw me playing in Mexico City when he was a kid, and that inspired him to pick up the guitar," Parker explained. Santana pays homage to Parker on his Havana Moon album, on which he covers "Watch Your Step." Dr. Feelgood also covered the tune in the '70s.
Parker remains an important player on the blues circuit, and is a regular performer in the Washington, D.C. area and at blues festivals in both the U.S. and Canada. Unlike so many other blues musicians, Parker's live shows are almost entirely his own songs. He does very few covers.
"Unless the music of the day has some kind of substance to it, the blues always comes back," Parker says, adding, "I think Stevie Ray Vaughan had a lot to do with bringing the blues to white audiences, and Z.Z. Hill helped bring the black audience back to the blues."
DoWnLoAd
''SHINE ME UP''
1995
60:27
1. Man's Gotta Do What A Man's Gotta Do /5:21
2. Kick It Around With You /5:42
3. It's Unfair /5:03
4. Stamps On Your Letter /5:36
5. Shine Me Up /5:46
6. Wild Thing /4:53
7. Skeezer /4:16
8. Somebody's Comin' In My Back Door /6:29
9. Splib's Groove /5:31
10. Drive Me Home /6:25
11. Get Hip /5:00
Marc Adams /Organ, Piano
Steve Howard /Trumpet
Mark "Kaz" Kazanoff /Sax (Baritone), Sax (Tenor), Saxophone
Bobby Parker /Guitar, Vocals
Ward Smith /Sax (Alto), Sax (Baritone), Sax (Tenor)
David Torkanowsky /Organ
Rick Trolsen /Trombone
Raymond Weber /Drums
Dave Woodard /Trombone
Dave Woodward /Trombone
Lee Allen Zeno /Bass
BIOGRAPHY
by Richard Skelly
Guitarist, singer, and songwriter Bobby Parker is one of the most exciting performers in modern blues, a candidate for inheriting the top blues spots left open by the unfortunate early passings of people like Albert King, Johnny "Guitar" Watson, and others. That's because Parker can do it all: he writes brilliant songs, he sings well, and he backs it all up with powerful, stinging guitar. But things weren't always so good for Parker, and much of his success is the result of years of hard work and struggling around the bars in Washington, D.C. and Virginia.
Parker has two brilliant albums out on the BlackTop label out of New Orleans (distributed by Rounder), Shine Me Up (1995) and Bent Out of Shape (1993).
He was born August 31, 1937 in Lafayette, Louisiana but raised in Southern California after his family moved to Los Angeles when he was six. Going to school in Hollywood, the young Parker was bitten by the scenery, and decided he wanted to be in show business. At the Million Dollar Theater, he saw big stage shows by Count Basie, Duke Ellington, Billy Eckstine, and Lionel Hampton. Although he had an early interest in jazz, the blues bit him when artists like T-Bone Walker, Lowell Fulson, Johnny "Guitar" Watson, and Pee Wee Crayton came to town.
He began playing in the late '50s as a guitarist with Otis Williams & the Charms after winning a talent contest sponsored by West Coast blues and R&B legend Johnny Otis. Later, he backed Bo Diddley, which included an appearance on The Ed Sullivan Show, before joining the touring big band of Paul "Hucklebuck" Williams. He settled in Washington, D.C. in the '60s, dropping out of Williams' band and making a go of it on his own.
He is perhaps best known for his 1961 song "Watch Your Step," a single for the V-Tone label that became a hit on British and U.S. R&B charts. Parker's song was later covered by several British blues groups, most prominent among them the Spencer Davis Group. And though Parker may not be a name as familiar to blues fans as say, Eric Clapton or B.B. King, he's been cited as a major musical influence by Davis, John Mayall, Robin Trower, Clapton, Jimmy Page, drummer Mick Fleetwood, John Lennon, and most importantly, Carlos Santana. Parker's style has been described by his protégé Bobby Radcliff as Guitar Slim meets James Brown, and that's not too far off the mark. In the summer of 1994, Santana was so happy about Parker's comeback on the BlackTop/Rounder label that he took him on the road for some arena shows on the East and West Coasts.
"Carlos likes to tell people that he saw me playing in Mexico City when he was a kid, and that inspired him to pick up the guitar," Parker explained. Santana pays homage to Parker on his Havana Moon album, on which he covers "Watch Your Step." Dr. Feelgood also covered the tune in the '70s.
Parker remains an important player on the blues circuit, and is a regular performer in the Washington, D.C. area and at blues festivals in both the U.S. and Canada. Unlike so many other blues musicians, Parker's live shows are almost entirely his own songs. He does very few covers.
"Unless the music of the day has some kind of substance to it, the blues always comes back," Parker says, adding, "I think Stevie Ray Vaughan had a lot to do with bringing the blues to white audiences, and Z.Z. Hill helped bring the black audience back to the blues."
DoWnLoAd
