LEVON HELM
''AMERICAN SON''
1980
34:54
1 Watermelon Time in Georgia (Howard) 3:52
2 Dance Me Down Easy (Burnette, Henley) 2:57
3 Violet Eyes (Kimmel) 3:12
4 Stay With Me (Carter) 3:05
5 America's Farm (Rogers) 3:11
6 Hurricane (Harris, Schuyler, Stegall) 4:06
7 China Girl (New, Silbar) 3:20
8 Nashville Wimmin' (Howard) 4:13
9 Blue House of Broken Hearts (Cerney, Martin) 3:31
10 Sweet Peach Georgia Wine (Reynolds) 3:53
Beegie Cruzer Adair/Keyboards
Kenneth Buttrey/Drums
Jerry Carrigan/Drums
Fred Carter Jr./Guitar
James Cason/Vocal
Todd Cerney/Vocal
Buddy Emmons/Steel Guitar
Steve Gibson/Guitar
Levon Helm/Vocal, Drums, Guitar, Mandolin
Mitch Humphries/Keyboards
Bobby Ogdin/Keyboards
Buster Phillips/Drums
Hargus "Pig" Robbins/Keyboards
Clifford Robertson/Keyboards
Billy Sanford/Guitar
Steve Schaffer/Bass Guitar
Jerry Shook/Keyboards
Henry Strzelecki/Bass Guitar
ABOUT THE ALBUM
By theband.hiof.no
In 1979 Levon Helm recorded a superb version of Bill Monroe's "Blue Moon of Kentucy" for the soundtrack to the film Coal Miner's Daughter (in which he played Loretta Lynn's father) at the legendary Bradley's Barn studio in Nashville. Produced by his old pal Fred Carter Jr., the session went so well that they decided to cut a few more songs while they were at it. Two weeks later they had laid down twenty tracks, half of which emerged in 1980 on the album American Son. This is probably Levon Helm's best solo album out of the four he made, the country-rock flavour of songs such as Harley Howard's "Watermelon Time in Georgia" suits Levon's voice much better than the ballads and funk tracks that flourish on his three other solo efforts. American Son features seasoned Music City veterans as Buddy Emmons and Steve Gibson, and the arrangements are well-balanced against Levon's distinctive vocal.
A detailed review of this great solo album from Levon Helm appeared in the Usenet newsgroup alt.music.the-band in December 1995.
According to keyboard player Bobby Ogdin, Levon did not play drums in the studio during the recording of American Son, the drumming on the tracks were done by Jerry Carrigan, Kenneth Buttrey, and Buster Phillips. Levon may have overdubbed drums later.
American Son was re-released on CD in Japan by MCA and in the UK by Edsel Records in June 1997, and then again in 2008 as a 2-on-1, paired with Levon Helm & the RCO All-Stars.
BIOGRAPHY
by Richard Skelly/AMG
The longtime drummer for the Band, Levon Helm wore many musical hats throughout his long career, including multi-instrumentalist, songwriter, singer, impresario, studio owner, studio engineer, and producer. He grew up working on a farm in Arkansas; his first instrument was guitar, which he began playing at age eight, but after seeing the F.S. Walcott Rabbits Foot Minstrels, he decided to switch to drums. As a youth, Helm listened to the music of the area, including radio broadcasts of The Grand Ole Opry and the blues and R&B shows on WLAC, a clear-channel station out of Nashville that became legendary in the development of R&B and early rock & roll. Accompanied by his sister Linda on washtub bass, he played various fairs and civic club shows until forming his first group, the Jungle Bush Beaters, while in high school.
After seeing an Elvis Presley concert, Helm became keenly interested in rock & roll and musicians like Bo Diddley. Eventually, he moved to Memphis, where he began sitting in with Conway Twitty. Later, he was discovered by a fellow Arkansan, rockabilly singer Ronnie Hawkins, who asked the 17-year-old Helm to join the Hawks, his backing band. The group soon relocated to Toronto, where they'd heard there was a burgeoning scene for their kind of music. In 1959, Hawkins signed to Roulette Records, where he and the Hawks cut a pair of hit records right out of the gate with "Forty Days" and "Mary Lou," which went on to sell in excess of 700,000 copies.
In the early '60s in Toronto, Helm and Hawkins recruited the rest of the members of the group that would become the Band, adding guitarist Robbie Robertson, pianist Richard Manuel, organist Garth Hudson, and bassist Rick Danko to the lineup. After numerous road trips with Hawkins, the group grew tired of the singer's abrasive manner, and they re-formed as Levon & the Hawks, later changing their name to the Canadian Squires for the purpose of recording two singles. Shortly after, they changed their name back to the Hawks. In the mid-'60s, Bob Dylan decided to electrify his sound and wanted the Hawks to be his backing band. After putting up with too many boos at Dylan's newly electrified shows in 1965, Helm decided he'd had enough, and went back to Arkansas, thinking he would leave the music business behind him forever.
But Helm returned to action in mid-1967, when the Hawks (since renamed simply the Band) began working on Music from Big Pink, the first in a string of classic records that made them one of rock's most legendary acts. After the Band's famed 1976 farewell performance, dubbed The Last Waltz, he cut his 1977 debut solo album, Levon Helm & the RCO All Stars, followed a year later by his self-titled sophomore effort. In 1980 he recorded American Son, while another eponymously titled effort was released in 1982. the Band re-formed in 1983 without Robertson; following Manuel's 1986 suicide, the remaining trio released 1993's Jericho, recorded at Helm's home studio in Woodstock, New York. That same year, Helm published his autobiography, This Wheel's on Fire, co-authored with Stephen Davis. the Band's bluesy High on the Hog followed in 1995. The late '90s (and into the next decade) found Helm still making music in a new blues band called Levon Helm & the Barn Burners, with his daughter Amy on keyboards and vocals, guitarist Pat O'Shea, lead vocalist and harmonica player Chris O'Leary, and upright bassist Frankie Ingrao, and with a similar outfit called Crowmatrix. An album of tracks from this era called Souvenir, Vol. 1 appeared in 2000 from Breeze Hill.
Cancer of the vocal cords silenced Helm's unique voice as the 21st century opened, although he kept up his drumming duties, and in time was able to sing again, emerging with a slightly raspier version of his old vocal style. He began holding intimate concerts with various musical friends at his studio in Woodstock, calling them Midnight Rambles, samples of which were released as The Midnight Ramble Sessions, Vol. 1 and The Midnight Ramble Sessions, Vol. 2 in 2006. The following year saw the release of Dirt Farmer, Helm's first solo album in 25 years. The similar but looser Electric Dirt followed in 2009. Ramble at the Ryman, which captured highlights of Helm's 2008 Midnight Ramble concert at Nashville's Ryman Auditorium, was released on both CD and DVD in 2011. In spring of the following year, Helm's family announced that he was in the end stages of cancer, and he died on April 19, 2012. The Midnight Ramble Sessions, Vol. 3 was released the following December.
OFFICIAL SITE
2 Dance Me Down Easy (Burnette, Henley) 2:57
3 Violet Eyes (Kimmel) 3:12
4 Stay With Me (Carter) 3:05
5 America's Farm (Rogers) 3:11
6 Hurricane (Harris, Schuyler, Stegall) 4:06
7 China Girl (New, Silbar) 3:20
8 Nashville Wimmin' (Howard) 4:13
9 Blue House of Broken Hearts (Cerney, Martin) 3:31
10 Sweet Peach Georgia Wine (Reynolds) 3:53
Beegie Cruzer Adair/Keyboards
Kenneth Buttrey/Drums
Jerry Carrigan/Drums
Fred Carter Jr./Guitar
James Cason/Vocal
Todd Cerney/Vocal
Buddy Emmons/Steel Guitar
Steve Gibson/Guitar
Levon Helm/Vocal, Drums, Guitar, Mandolin
Mitch Humphries/Keyboards
Bobby Ogdin/Keyboards
Buster Phillips/Drums
Hargus "Pig" Robbins/Keyboards
Clifford Robertson/Keyboards
Billy Sanford/Guitar
Steve Schaffer/Bass Guitar
Jerry Shook/Keyboards
Henry Strzelecki/Bass Guitar
ABOUT THE ALBUM
By theband.hiof.no
In 1979 Levon Helm recorded a superb version of Bill Monroe's "Blue Moon of Kentucy" for the soundtrack to the film Coal Miner's Daughter (in which he played Loretta Lynn's father) at the legendary Bradley's Barn studio in Nashville. Produced by his old pal Fred Carter Jr., the session went so well that they decided to cut a few more songs while they were at it. Two weeks later they had laid down twenty tracks, half of which emerged in 1980 on the album American Son. This is probably Levon Helm's best solo album out of the four he made, the country-rock flavour of songs such as Harley Howard's "Watermelon Time in Georgia" suits Levon's voice much better than the ballads and funk tracks that flourish on his three other solo efforts. American Son features seasoned Music City veterans as Buddy Emmons and Steve Gibson, and the arrangements are well-balanced against Levon's distinctive vocal.
A detailed review of this great solo album from Levon Helm appeared in the Usenet newsgroup alt.music.the-band in December 1995.
According to keyboard player Bobby Ogdin, Levon did not play drums in the studio during the recording of American Son, the drumming on the tracks were done by Jerry Carrigan, Kenneth Buttrey, and Buster Phillips. Levon may have overdubbed drums later.
American Son was re-released on CD in Japan by MCA and in the UK by Edsel Records in June 1997, and then again in 2008 as a 2-on-1, paired with Levon Helm & the RCO All-Stars.
BIOGRAPHY
by Richard Skelly/AMG
The longtime drummer for the Band, Levon Helm wore many musical hats throughout his long career, including multi-instrumentalist, songwriter, singer, impresario, studio owner, studio engineer, and producer. He grew up working on a farm in Arkansas; his first instrument was guitar, which he began playing at age eight, but after seeing the F.S. Walcott Rabbits Foot Minstrels, he decided to switch to drums. As a youth, Helm listened to the music of the area, including radio broadcasts of The Grand Ole Opry and the blues and R&B shows on WLAC, a clear-channel station out of Nashville that became legendary in the development of R&B and early rock & roll. Accompanied by his sister Linda on washtub bass, he played various fairs and civic club shows until forming his first group, the Jungle Bush Beaters, while in high school.
After seeing an Elvis Presley concert, Helm became keenly interested in rock & roll and musicians like Bo Diddley. Eventually, he moved to Memphis, where he began sitting in with Conway Twitty. Later, he was discovered by a fellow Arkansan, rockabilly singer Ronnie Hawkins, who asked the 17-year-old Helm to join the Hawks, his backing band. The group soon relocated to Toronto, where they'd heard there was a burgeoning scene for their kind of music. In 1959, Hawkins signed to Roulette Records, where he and the Hawks cut a pair of hit records right out of the gate with "Forty Days" and "Mary Lou," which went on to sell in excess of 700,000 copies.
In the early '60s in Toronto, Helm and Hawkins recruited the rest of the members of the group that would become the Band, adding guitarist Robbie Robertson, pianist Richard Manuel, organist Garth Hudson, and bassist Rick Danko to the lineup. After numerous road trips with Hawkins, the group grew tired of the singer's abrasive manner, and they re-formed as Levon & the Hawks, later changing their name to the Canadian Squires for the purpose of recording two singles. Shortly after, they changed their name back to the Hawks. In the mid-'60s, Bob Dylan decided to electrify his sound and wanted the Hawks to be his backing band. After putting up with too many boos at Dylan's newly electrified shows in 1965, Helm decided he'd had enough, and went back to Arkansas, thinking he would leave the music business behind him forever.
But Helm returned to action in mid-1967, when the Hawks (since renamed simply the Band) began working on Music from Big Pink, the first in a string of classic records that made them one of rock's most legendary acts. After the Band's famed 1976 farewell performance, dubbed The Last Waltz, he cut his 1977 debut solo album, Levon Helm & the RCO All Stars, followed a year later by his self-titled sophomore effort. In 1980 he recorded American Son, while another eponymously titled effort was released in 1982. the Band re-formed in 1983 without Robertson; following Manuel's 1986 suicide, the remaining trio released 1993's Jericho, recorded at Helm's home studio in Woodstock, New York. That same year, Helm published his autobiography, This Wheel's on Fire, co-authored with Stephen Davis. the Band's bluesy High on the Hog followed in 1995. The late '90s (and into the next decade) found Helm still making music in a new blues band called Levon Helm & the Barn Burners, with his daughter Amy on keyboards and vocals, guitarist Pat O'Shea, lead vocalist and harmonica player Chris O'Leary, and upright bassist Frankie Ingrao, and with a similar outfit called Crowmatrix. An album of tracks from this era called Souvenir, Vol. 1 appeared in 2000 from Breeze Hill.
Cancer of the vocal cords silenced Helm's unique voice as the 21st century opened, although he kept up his drumming duties, and in time was able to sing again, emerging with a slightly raspier version of his old vocal style. He began holding intimate concerts with various musical friends at his studio in Woodstock, calling them Midnight Rambles, samples of which were released as The Midnight Ramble Sessions, Vol. 1 and The Midnight Ramble Sessions, Vol. 2 in 2006. The following year saw the release of Dirt Farmer, Helm's first solo album in 25 years. The similar but looser Electric Dirt followed in 2009. Ramble at the Ryman, which captured highlights of Helm's 2008 Midnight Ramble concert at Nashville's Ryman Auditorium, was released on both CD and DVD in 2011. In spring of the following year, Helm's family announced that he was in the end stages of cancer, and he died on April 19, 2012. The Midnight Ramble Sessions, Vol. 3 was released the following December.
OFFICIAL SITE
No comments :
Post a Comment