BOW THAYER FEATURING LEVON HELM
''SPEND IT ALL''
NOVEMBER 1 2006
40:43
1 Got My Attention 04:04
2 Thinner 03:41
3 Wingless Angels 04:06
4 The Way That It Swings 04:02
5 Snake Bite 03:48
6 Stoned Kid 03:39
7 10,000 Beer Cans 04:33
8 Nor Easter Snow 04:36
9 Road To Oblivion 04:09
10 Jewel 04:01
All Tracks By Thayer
Bow Thayer/vocals, guitar, electric guitar, harmonica, banjo, resonator ukulele
Levon Helm/drums
ABOUT
from Plochmann Lane
Third solo album from roots rocker and former Benders frontman Thayer, released in November 2006 on the Stockbridge, Vermont indie label, Crooked Root Records. All songs on the CD are written and sung by Bow Thayer. Levon Helm guests on drums.
"The process of recording this album was very trying for the band as the original bassist quit & relocated, original tracks were almost lost, Levon had to drive down to Boston from Woodstock in an ice storm & Bow had to borrow money from a credit card to wrap up the album's production as the original record label went bankrupt. Levon told many a story to Bow & the boys & one related to the late Richard Manuel who would say 'spend it all' whenever things got dicey."
More
After recording Maintenance for Mood Swings I figured I needed to do a record that was more concise, or at least with just one drummer. I recall telling Dave Rizzuti, “Man, I need someone who sounds like Levon Helm. You know, simple, with a lot of character”. Then Dave says, “Why don’t you just get the man himself?” Yeah right, real funny, Rizzuti. But it turns out Dave had recently done a session with him. Call it fate or divine intervention, Levon Helm became the drummer for “Spend It All”.
Mr. Helm drove down in a sketchy ice storm from Woodstock, NY to Boston (his usual driver, Bruce was involved in a little accident and couldn’t make the gig). As I peered out a window from Mad Oak Studios I noticed what I thought was a little old man pulling a kick drum out of the back seat of a Saab; sometimes giants are deceiving.
That afternoon with Levon Helm was the only thing that went smoothly during the making of this record. He played his ass off, and mostly just one take was it. I was like, "Hey Levon, you get that demo I sent ya?" "Nope." "Well, umm... here's how it starts, here's the chorus, end it any way you like" and bang! that was it. Here is a guy who's lucky to be alive (he survived cancer and a hell of a lot more), in his sixties, and nailing first takes on songs he didn't even know.
BIOGRAPHY (LEVON HELM)
by Richard Skelly/AMG
The longtime drummer for the Band, Levon Helm wore many musical hats throughout his long career, including multi-instrumentalist, songwriter, singer, impresario, studio owner, studio engineer, and producer. He grew up working on a farm in Arkansas; his first instrument was guitar, which he began playing at age eight, but after seeing the F.S. Walcott Rabbits Foot Minstrels, he decided to switch to drums. As a youth, Helm listened to the music of the area, including radio broadcasts of The Grand Ole Opry and the blues and R&B shows on WLAC, a clear-channel station out of Nashville that became legendary in the development of R&B and early rock & roll. Accompanied by his sister Linda on washtub bass, he played various fairs and civic club shows until forming his first group, the Jungle Bush Beaters, while in high school.
After seeing an Elvis Presley concert, Helm became keenly interested in rock & roll and musicians like Bo Diddley. Eventually, he moved to Memphis, where he began sitting in with Conway Twitty. Later, he was discovered by a fellow Arkansan, rockabilly singer Ronnie Hawkins, who asked the 17-year-old Helm to join the Hawks, his backing band. The group soon relocated to Toronto, where they'd heard there was a burgeoning scene for their kind of music. In 1959, Hawkins signed to Roulette Records, where he and the Hawks cut a pair of hit records right out of the gate with "Forty Days" and "Mary Lou," which went on to sell in excess of 700,000 copies.
In the early '60s in Toronto, Helm and Hawkins recruited the rest of the members of the group that would become the Band, adding guitarist Robbie Robertson, pianist Richard Manuel, organist Garth Hudson, and bassist Rick Danko to the lineup. After numerous road trips with Hawkins, the group grew tired of the singer's abrasive manner, and they re-formed as Levon & the Hawks, later changing their name to the Canadian Squires for the purpose of recording two singles. Shortly after, they changed their name back to the Hawks. In the mid-'60s, Bob Dylan decided to electrify his sound and wanted the Hawks to be his backing band. After putting up with too many boos at Dylan's newly electrified shows in 1965, Helm decided he'd had enough, and went back to Arkansas, thinking he would leave the music business behind him forever.
But Helm returned to action in mid-1967, when the Hawks (since renamed simply the Band) began working on Music from Big Pink, the first in a string of classic records that made them one of rock's most legendary acts. After the Band's famed 1976 farewell performance, dubbed The Last Waltz, he cut his 1977 debut solo album, Levon Helm & the RCO All Stars, followed a year later by his self-titled sophomore effort. In 1980 he recorded American Son, while another eponymously titled effort was released in 1982. the Band re-formed in 1983 without Robertson; following Manuel's 1986 suicide, the remaining trio released 1993's Jericho, recorded at Helm's home studio in Woodstock, New York. That same year, Helm published his autobiography, This Wheel's on Fire, co-authored with Stephen Davis. the Band's bluesy High on the Hog followed in 1995. The late '90s (and into the next decade) found Helm still making music in a new blues band called Levon Helm & the Barn Burners, with his daughter Amy on keyboards and vocals, guitarist Pat O'Shea, lead vocalist and harmonica player Chris O'Leary, and upright bassist Frankie Ingrao, and with a similar outfit called Crowmatrix. An album of tracks from this era called Souvenir, Vol. 1 appeared in 2000 from Breeze Hill.
Cancer of the vocal cords silenced Helm's unique voice as the 21st century opened, although he kept up his drumming duties, and in time was able to sing again, emerging with a slightly raspier version of his old vocal style. He began holding intimate concerts with various musical friends at his studio in Woodstock, calling them Midnight Rambles, samples of which were released as The Midnight Ramble Sessions, Vol. 1 and The Midnight Ramble Sessions, Vol. 2 in 2006. The following year saw the release of Dirt Farmer, Helm's first solo album in 25 years. The similar but looser Electric Dirt followed in 2009. Ramble at the Ryman, which captured highlights of Helm's 2008 Midnight Ramble concert at Nashville's Ryman Auditorium, was released on both CD and DVD in 2011. In spring of the following year, Helm's family announced that he was in the end stages of cancer, and he died on April 19, 2012. The Midnight Ramble Sessions, Vol. 3 was released the following December.
BIOGRAPHY (BOW THAYER)
By Wikipedia
Bow Thayer is a songwriter, guitarist, banjoist and multi-string instrumentalist currently based in Stockbridge, Vermont. His career spans over two decades with bands including the 7 League Boots, Elbow, Jethro and The Benders as well as solo work. Bow is also the founder of the Tweed River Music Festival.
7 League Boots
Founded in 1990, the 7 League Boots included Bow Thayer, Bobby Sullivan, bassist Richard Feins, and drummer and vocalist Mike Press. The group hailed from Hingham, Massachusetts and formed in Boston.
In 1990 and 1991, they pressed multiple singles to 7” vinyl before releasing their first and only LP, 12 Songs, on Constant Change.
The group embarked on a tour spanning three years, during which time they shared the stage with bands including Fugazi, The Mighty Mighty Bosstones, Red Kross, The Buck Pets, The Lemonheads, Buffalo Tom, Beck. They also were known to influence Rage Against the Machine, and Pearl Jam were openers in their early days.
The group disbanded in the mid-1990s but played a reunion show at the Tweed River Music Festival in 2012.
Elbow and Jethro
Following 7 League Boots, Bow formed the band Elbow. Elbow was composed of Bow on guitar, banjo and vocals, bassist and vocalist Jeremy Moses Curtis and drummer Michael Press. The group released 3 records and frequented both the Boston and New York circuits. The band’s sound was characteristic of the minimalist approach of the electric blues overhaul and was based around slide guitar and a trash-can drumset.
During the same period of time,Bow was also a part of Jethro, playing banjo and singing lead vocals. Also in the band were frequent collaborator Jeremy Moses Curtis on acoustic guitar, Danielle Demarse on bass and vocals and Sean Staples on mandolin. The group combined Bow’s pop-structured songs with the aesthetic of bluegrass and was well received. Both groups eventually moved to Vermont.
The Benders
In the early 2000s, Bow would return to the Boston area frequently to play with The Benders. With Bow and guitarist Jabe Beyer as the chief songwriters, the group also included Sean Staples on mandolin, Nolan McKelvey on upright bass and Tim Kelly on dobro. The Benders embodied the classic bluegrass outfit and built a following locally.
The Benders were known for their original and unique take on string band music while using a traditional recording style, where the four players arranged in an arc around two microphones and essentially recorded live. The debut self-titled record was released in 2002, followed by Mountain Radio in 2003. Both releases were on Pig Pile Records.
Bow Thayer and Perfect Trainwreck
Following the end of the Bender’s era, Bow Thayer formed his solo project, Bow Thayer and Perfect Trainwreck. The group included Bow on guitar, banjo and lead vocals, James Rohr on piano and organ, Jeff Berlin on drums, Steve Mayone on guitar (later replaced by Chris McGandy on pedal steel) and Jeremy Moses Curtis on bass and vocals.
The group recorded three studio albums and one live album. The group’s self-titled debut was released March 1, 2008, at Levon Helm Studios in Woodstock, NY, engineered by Grammy-award winning Justin Guip.
Bottom Of The Sky was released November 12, 2010, and was also recorded at Levon Helm Studios and co-produced, engineered and mixed by Justin Guip. In November 2010, the group had the opportunity to play as the backing band for “Imagine There’s No Hunger” at the Hard Rock Café Hollywood, benefiting Why Hunger. Featured performances included Edgar Winter, Dave Stewart, Booker T. and Ringo Starr.
In April 2012, Bow Thayer and Perfect Trainwreck won Boston’s Rock’n’Roll Rumble, at TT the Bear’s in Cambridge.
Third studio album, Eden was released on March 5, 2013, and was well received both locally and nationally. American Songwriter praised the record, saying “In a different era, Bow Thayer and Perfect Trainwreck would have some well-deserved gold records on their walls.”
Prior to the release of Eden, Bow and Perfect Trainwreck performed the record to the sold-out Chandler Music Hall in Randolph, VT on January 19, 2013. On Earth Day, April 22, 2014, Eden: Live at the Chandler was released as the group’s fourth full length and first live album. The album represents both the first live performance of Eden and one of the group’s last performances.
Work with Levon Helm
While recording in Boston in 2005, Bow mentioned offhand the desire to bring a Levon Helm-inspired feel to his current recording. Session engineer/guitar player Dave Rizzuti had just worked with Helm, and introduced the two. They connected instantly upon meeting and in the studio, and began recording together. Bow’s record Spend It All (featuring Levon Helm) was released November 1, 2006, by Crooked Root Records.
Bow Thayer and Perfect Trainwreck performed at seven of Helm’s Midnight Ramble’s, including the 100th Ramble on July 5, 2008.
Other Solo Work
Other solo recordings by Bow Thayer include The Driftwood Periodicals Vol I released May 1, 2004, and Vol II released October 1, 2008, Maintenance for Mood Swings released September 1, 2006, and Shooting Arrows At The Moon released November 1, 2009.
Hindsight, released August 7, 2012, is a compilation of Bow’s work from Elbow, Jethro, The Benders and The Perfect Trainwreck.
Customized Instruments
Bow cites Mark Sandman, lead singer and bass player of Morphine, as a chief inspiration in his creation of customized instruments. Sandman was known for his signature 2 string slide bass. Morphine’s saxophonist, Dana Colley has also played on nearly all of Bow’s solo records.
Bow has built a number of customized guitars and banjos. One of his creations combines an acoustic guitar, resonator guitar and banjo. The instrument has a chambered guitar body with a resonator and two pickups - a humbucker by the neck and a Piezo under the resonator's biscuit. The low E string of the guitar has been replaced by the drone string of a banjo at the 5th fret. It is expected to go into production by Eastwood Guitars in fall 2014.
Tweed River Music Festival
Bow Thayer is the founder and curator of the Tweed River Music Festival. Now in its 5th year, the festival is held over the course of three days in Bow’s hometown of Stockbridge, VT. Beginning as a gathering of friends for Fourth of July, the festival has become a pilgrimage for grass roots music.[15] The past three editions have been at capacity with about 1,500 attendees per day.
In 2011, a “Tweed River Music Festival: A Documentary” was shot and produced by Grey Sky Films[16] and said to be “a snapshot of the greatest weekend you will ever have." It was awarded the Silver Award for Best Documentary at the 2013 Cinerockom International Film Festival in Beverly Hills, CA.
OFFICIAL SITE
OFFICIAL SITE (THAYER)
2 Thinner 03:41
3 Wingless Angels 04:06
4 The Way That It Swings 04:02
5 Snake Bite 03:48
6 Stoned Kid 03:39
7 10,000 Beer Cans 04:33
8 Nor Easter Snow 04:36
9 Road To Oblivion 04:09
10 Jewel 04:01
All Tracks By Thayer
Bow Thayer/vocals, guitar, electric guitar, harmonica, banjo, resonator ukulele
Levon Helm/drums
ABOUT
from Plochmann Lane
Third solo album from roots rocker and former Benders frontman Thayer, released in November 2006 on the Stockbridge, Vermont indie label, Crooked Root Records. All songs on the CD are written and sung by Bow Thayer. Levon Helm guests on drums.
"The process of recording this album was very trying for the band as the original bassist quit & relocated, original tracks were almost lost, Levon had to drive down to Boston from Woodstock in an ice storm & Bow had to borrow money from a credit card to wrap up the album's production as the original record label went bankrupt. Levon told many a story to Bow & the boys & one related to the late Richard Manuel who would say 'spend it all' whenever things got dicey."
More
After recording Maintenance for Mood Swings I figured I needed to do a record that was more concise, or at least with just one drummer. I recall telling Dave Rizzuti, “Man, I need someone who sounds like Levon Helm. You know, simple, with a lot of character”. Then Dave says, “Why don’t you just get the man himself?” Yeah right, real funny, Rizzuti. But it turns out Dave had recently done a session with him. Call it fate or divine intervention, Levon Helm became the drummer for “Spend It All”.
Mr. Helm drove down in a sketchy ice storm from Woodstock, NY to Boston (his usual driver, Bruce was involved in a little accident and couldn’t make the gig). As I peered out a window from Mad Oak Studios I noticed what I thought was a little old man pulling a kick drum out of the back seat of a Saab; sometimes giants are deceiving.
That afternoon with Levon Helm was the only thing that went smoothly during the making of this record. He played his ass off, and mostly just one take was it. I was like, "Hey Levon, you get that demo I sent ya?" "Nope." "Well, umm... here's how it starts, here's the chorus, end it any way you like" and bang! that was it. Here is a guy who's lucky to be alive (he survived cancer and a hell of a lot more), in his sixties, and nailing first takes on songs he didn't even know.
BIOGRAPHY (LEVON HELM)
by Richard Skelly/AMG
The longtime drummer for the Band, Levon Helm wore many musical hats throughout his long career, including multi-instrumentalist, songwriter, singer, impresario, studio owner, studio engineer, and producer. He grew up working on a farm in Arkansas; his first instrument was guitar, which he began playing at age eight, but after seeing the F.S. Walcott Rabbits Foot Minstrels, he decided to switch to drums. As a youth, Helm listened to the music of the area, including radio broadcasts of The Grand Ole Opry and the blues and R&B shows on WLAC, a clear-channel station out of Nashville that became legendary in the development of R&B and early rock & roll. Accompanied by his sister Linda on washtub bass, he played various fairs and civic club shows until forming his first group, the Jungle Bush Beaters, while in high school.
After seeing an Elvis Presley concert, Helm became keenly interested in rock & roll and musicians like Bo Diddley. Eventually, he moved to Memphis, where he began sitting in with Conway Twitty. Later, he was discovered by a fellow Arkansan, rockabilly singer Ronnie Hawkins, who asked the 17-year-old Helm to join the Hawks, his backing band. The group soon relocated to Toronto, where they'd heard there was a burgeoning scene for their kind of music. In 1959, Hawkins signed to Roulette Records, where he and the Hawks cut a pair of hit records right out of the gate with "Forty Days" and "Mary Lou," which went on to sell in excess of 700,000 copies.
In the early '60s in Toronto, Helm and Hawkins recruited the rest of the members of the group that would become the Band, adding guitarist Robbie Robertson, pianist Richard Manuel, organist Garth Hudson, and bassist Rick Danko to the lineup. After numerous road trips with Hawkins, the group grew tired of the singer's abrasive manner, and they re-formed as Levon & the Hawks, later changing their name to the Canadian Squires for the purpose of recording two singles. Shortly after, they changed their name back to the Hawks. In the mid-'60s, Bob Dylan decided to electrify his sound and wanted the Hawks to be his backing band. After putting up with too many boos at Dylan's newly electrified shows in 1965, Helm decided he'd had enough, and went back to Arkansas, thinking he would leave the music business behind him forever.
But Helm returned to action in mid-1967, when the Hawks (since renamed simply the Band) began working on Music from Big Pink, the first in a string of classic records that made them one of rock's most legendary acts. After the Band's famed 1976 farewell performance, dubbed The Last Waltz, he cut his 1977 debut solo album, Levon Helm & the RCO All Stars, followed a year later by his self-titled sophomore effort. In 1980 he recorded American Son, while another eponymously titled effort was released in 1982. the Band re-formed in 1983 without Robertson; following Manuel's 1986 suicide, the remaining trio released 1993's Jericho, recorded at Helm's home studio in Woodstock, New York. That same year, Helm published his autobiography, This Wheel's on Fire, co-authored with Stephen Davis. the Band's bluesy High on the Hog followed in 1995. The late '90s (and into the next decade) found Helm still making music in a new blues band called Levon Helm & the Barn Burners, with his daughter Amy on keyboards and vocals, guitarist Pat O'Shea, lead vocalist and harmonica player Chris O'Leary, and upright bassist Frankie Ingrao, and with a similar outfit called Crowmatrix. An album of tracks from this era called Souvenir, Vol. 1 appeared in 2000 from Breeze Hill.
Cancer of the vocal cords silenced Helm's unique voice as the 21st century opened, although he kept up his drumming duties, and in time was able to sing again, emerging with a slightly raspier version of his old vocal style. He began holding intimate concerts with various musical friends at his studio in Woodstock, calling them Midnight Rambles, samples of which were released as The Midnight Ramble Sessions, Vol. 1 and The Midnight Ramble Sessions, Vol. 2 in 2006. The following year saw the release of Dirt Farmer, Helm's first solo album in 25 years. The similar but looser Electric Dirt followed in 2009. Ramble at the Ryman, which captured highlights of Helm's 2008 Midnight Ramble concert at Nashville's Ryman Auditorium, was released on both CD and DVD in 2011. In spring of the following year, Helm's family announced that he was in the end stages of cancer, and he died on April 19, 2012. The Midnight Ramble Sessions, Vol. 3 was released the following December.
BIOGRAPHY (BOW THAYER)
By Wikipedia
Bow Thayer is a songwriter, guitarist, banjoist and multi-string instrumentalist currently based in Stockbridge, Vermont. His career spans over two decades with bands including the 7 League Boots, Elbow, Jethro and The Benders as well as solo work. Bow is also the founder of the Tweed River Music Festival.
7 League Boots
Founded in 1990, the 7 League Boots included Bow Thayer, Bobby Sullivan, bassist Richard Feins, and drummer and vocalist Mike Press. The group hailed from Hingham, Massachusetts and formed in Boston.
In 1990 and 1991, they pressed multiple singles to 7” vinyl before releasing their first and only LP, 12 Songs, on Constant Change.
The group embarked on a tour spanning three years, during which time they shared the stage with bands including Fugazi, The Mighty Mighty Bosstones, Red Kross, The Buck Pets, The Lemonheads, Buffalo Tom, Beck. They also were known to influence Rage Against the Machine, and Pearl Jam were openers in their early days.
The group disbanded in the mid-1990s but played a reunion show at the Tweed River Music Festival in 2012.
Elbow and Jethro
Following 7 League Boots, Bow formed the band Elbow. Elbow was composed of Bow on guitar, banjo and vocals, bassist and vocalist Jeremy Moses Curtis and drummer Michael Press. The group released 3 records and frequented both the Boston and New York circuits. The band’s sound was characteristic of the minimalist approach of the electric blues overhaul and was based around slide guitar and a trash-can drumset.
During the same period of time,Bow was also a part of Jethro, playing banjo and singing lead vocals. Also in the band were frequent collaborator Jeremy Moses Curtis on acoustic guitar, Danielle Demarse on bass and vocals and Sean Staples on mandolin. The group combined Bow’s pop-structured songs with the aesthetic of bluegrass and was well received. Both groups eventually moved to Vermont.
The Benders
In the early 2000s, Bow would return to the Boston area frequently to play with The Benders. With Bow and guitarist Jabe Beyer as the chief songwriters, the group also included Sean Staples on mandolin, Nolan McKelvey on upright bass and Tim Kelly on dobro. The Benders embodied the classic bluegrass outfit and built a following locally.
The Benders were known for their original and unique take on string band music while using a traditional recording style, where the four players arranged in an arc around two microphones and essentially recorded live. The debut self-titled record was released in 2002, followed by Mountain Radio in 2003. Both releases were on Pig Pile Records.
Bow Thayer and Perfect Trainwreck
Following the end of the Bender’s era, Bow Thayer formed his solo project, Bow Thayer and Perfect Trainwreck. The group included Bow on guitar, banjo and lead vocals, James Rohr on piano and organ, Jeff Berlin on drums, Steve Mayone on guitar (later replaced by Chris McGandy on pedal steel) and Jeremy Moses Curtis on bass and vocals.
The group recorded three studio albums and one live album. The group’s self-titled debut was released March 1, 2008, at Levon Helm Studios in Woodstock, NY, engineered by Grammy-award winning Justin Guip.
Bottom Of The Sky was released November 12, 2010, and was also recorded at Levon Helm Studios and co-produced, engineered and mixed by Justin Guip. In November 2010, the group had the opportunity to play as the backing band for “Imagine There’s No Hunger” at the Hard Rock Café Hollywood, benefiting Why Hunger. Featured performances included Edgar Winter, Dave Stewart, Booker T. and Ringo Starr.
In April 2012, Bow Thayer and Perfect Trainwreck won Boston’s Rock’n’Roll Rumble, at TT the Bear’s in Cambridge.
Third studio album, Eden was released on March 5, 2013, and was well received both locally and nationally. American Songwriter praised the record, saying “In a different era, Bow Thayer and Perfect Trainwreck would have some well-deserved gold records on their walls.”
Prior to the release of Eden, Bow and Perfect Trainwreck performed the record to the sold-out Chandler Music Hall in Randolph, VT on January 19, 2013. On Earth Day, April 22, 2014, Eden: Live at the Chandler was released as the group’s fourth full length and first live album. The album represents both the first live performance of Eden and one of the group’s last performances.
Work with Levon Helm
While recording in Boston in 2005, Bow mentioned offhand the desire to bring a Levon Helm-inspired feel to his current recording. Session engineer/guitar player Dave Rizzuti had just worked with Helm, and introduced the two. They connected instantly upon meeting and in the studio, and began recording together. Bow’s record Spend It All (featuring Levon Helm) was released November 1, 2006, by Crooked Root Records.
Bow Thayer and Perfect Trainwreck performed at seven of Helm’s Midnight Ramble’s, including the 100th Ramble on July 5, 2008.
Other Solo Work
Other solo recordings by Bow Thayer include The Driftwood Periodicals Vol I released May 1, 2004, and Vol II released October 1, 2008, Maintenance for Mood Swings released September 1, 2006, and Shooting Arrows At The Moon released November 1, 2009.
Hindsight, released August 7, 2012, is a compilation of Bow’s work from Elbow, Jethro, The Benders and The Perfect Trainwreck.
Customized Instruments
Bow cites Mark Sandman, lead singer and bass player of Morphine, as a chief inspiration in his creation of customized instruments. Sandman was known for his signature 2 string slide bass. Morphine’s saxophonist, Dana Colley has also played on nearly all of Bow’s solo records.
Bow has built a number of customized guitars and banjos. One of his creations combines an acoustic guitar, resonator guitar and banjo. The instrument has a chambered guitar body with a resonator and two pickups - a humbucker by the neck and a Piezo under the resonator's biscuit. The low E string of the guitar has been replaced by the drone string of a banjo at the 5th fret. It is expected to go into production by Eastwood Guitars in fall 2014.
Tweed River Music Festival
Bow Thayer is the founder and curator of the Tweed River Music Festival. Now in its 5th year, the festival is held over the course of three days in Bow’s hometown of Stockbridge, VT. Beginning as a gathering of friends for Fourth of July, the festival has become a pilgrimage for grass roots music.[15] The past three editions have been at capacity with about 1,500 attendees per day.
In 2011, a “Tweed River Music Festival: A Documentary” was shot and produced by Grey Sky Films[16] and said to be “a snapshot of the greatest weekend you will ever have." It was awarded the Silver Award for Best Documentary at the 2013 Cinerockom International Film Festival in Beverly Hills, CA.
OFFICIAL SITE
OFFICIAL SITE (THAYER)
No comments :
Post a Comment