KAYAK
''LETTERS FROM UTOPIA, DISC TWO''
2009
80:24
DISC ONE (39:26)
1 Rhea 04:42
2 Because I 03:14
3 Turbulence 03:40
4 Before The Angels Fell 08:38
5 Breaking The News 03:49
6 For All The Wrong Reasons 03:56
7 Under The Radar 02:45
8 Hard Work 03:41
9 Nobody Wins 04:57
Tracks By Scherpenzeel (1, 3, 4, 6, 7), Koopman (2, 9), Reekers & Koopman (5) And Oudshoorn & Koopman (8)
DISC TWO (40:58)
1 Circles In The Sand 03:46
2 Never Was 04:25
3 Glass Bottom Boat 03:42
4 Horror In Action 04:31
5 A Whisper 04:03
6 Parallel Universe 04:05
7 Let The Record Show 03:53
8 Brothers In Rhyme 04:23
9 When The Love Has Gone 04:03
10 Letters From Utopia 04:03
Tracks By Scherpenzeel (1, 2, 3, 5, 6, 9), Scherpenzeel & Linders (10), Reekers (4) And Koopman (7, 8)
Ton Scherpenzeel / keyboards, backing vocals
Pim Koopman / drums, keyboards, backing vocals, guitars
Edward Reekers / lead and backing vocals, keyboards
Cindy Oudshoorn / lead and backing vocals
Jan van Olffen / bass
Rob Vunderink / guitars, lead and backing vocals
Joost Vergoossen / guitars, backing vocals
BIOGRAPHY
by Paul Collins / AMG
With their instrumental prowess and keyboardist Ton Scherpenzeel's facility at writing lyrics in English, you might be forgiven for mistaking Kayak for a bunch of clever proggers from London. But this Dutch band began in 1968 in the city of Hilversum, where Scherpenzeel and drummer Pim Koopman attended a music conservatory. After the addition of guitarist Johan Slager, bassist Cees van Leeuwen, and vocalist Max Werner, the group solidified by 1972 and commenced recording. Stylistically they featured the instrumentation and chops of progressive acts like Yes and Genesis, but the pop song structures of Supertramp and the Alan Parsons Project; as time passed they increasingly favored the pop side of the equation. Royal Bed Bouncer, the most even balance between these two styles, was to be a commercial and artistic high point for the band. They continued to meet with minor success throughout the '70s on a variety of record labels, and in 1974 toured in support of Queen -- a move that influenced the flavor of their later work.
Like most progressive bands, Kayak never had a terribly stable lineup; at one point they went through three bassists in as many years. With Scherpenzeel as the sole constant, Kayak's first lineup also proved to be their finest; but Koopman's asthma forced him to retire in 1976, and Werner was so tortured by stage fright and unfounded doubts over his singing ability that he demanded the vacated drum chair for himself, leaving the vocal duties to new member Edward Reekers. Scherpenzeel's central role in the band eventually wore on the others, and Kayak fell apart in 1980. Scherpenzeel continued on to work with the English band Camel and then compose primarily for the theater. Koopman and Reekers worked in music production and performance; Werner left the stage to become a postal worker; and van Leeuwen became -- of all things -- a prominent lawyer. The band reunited in 1997 for a Dutch TV special, though no new recordings have yet emerged.
OFFICIAL SITE
1 Rhea 04:42
2 Because I 03:14
3 Turbulence 03:40
4 Before The Angels Fell 08:38
5 Breaking The News 03:49
6 For All The Wrong Reasons 03:56
7 Under The Radar 02:45
8 Hard Work 03:41
9 Nobody Wins 04:57
Tracks By Scherpenzeel (1, 3, 4, 6, 7), Koopman (2, 9), Reekers & Koopman (5) And Oudshoorn & Koopman (8)
DISC TWO (40:58)
1 Circles In The Sand 03:46
2 Never Was 04:25
3 Glass Bottom Boat 03:42
4 Horror In Action 04:31
5 A Whisper 04:03
6 Parallel Universe 04:05
7 Let The Record Show 03:53
8 Brothers In Rhyme 04:23
9 When The Love Has Gone 04:03
10 Letters From Utopia 04:03
Tracks By Scherpenzeel (1, 2, 3, 5, 6, 9), Scherpenzeel & Linders (10), Reekers (4) And Koopman (7, 8)
Ton Scherpenzeel / keyboards, backing vocals
Pim Koopman / drums, keyboards, backing vocals, guitars
Edward Reekers / lead and backing vocals, keyboards
Cindy Oudshoorn / lead and backing vocals
Jan van Olffen / bass
Rob Vunderink / guitars, lead and backing vocals
Joost Vergoossen / guitars, backing vocals
BIOGRAPHY
by Paul Collins / AMG
With their instrumental prowess and keyboardist Ton Scherpenzeel's facility at writing lyrics in English, you might be forgiven for mistaking Kayak for a bunch of clever proggers from London. But this Dutch band began in 1968 in the city of Hilversum, where Scherpenzeel and drummer Pim Koopman attended a music conservatory. After the addition of guitarist Johan Slager, bassist Cees van Leeuwen, and vocalist Max Werner, the group solidified by 1972 and commenced recording. Stylistically they featured the instrumentation and chops of progressive acts like Yes and Genesis, but the pop song structures of Supertramp and the Alan Parsons Project; as time passed they increasingly favored the pop side of the equation. Royal Bed Bouncer, the most even balance between these two styles, was to be a commercial and artistic high point for the band. They continued to meet with minor success throughout the '70s on a variety of record labels, and in 1974 toured in support of Queen -- a move that influenced the flavor of their later work.
Like most progressive bands, Kayak never had a terribly stable lineup; at one point they went through three bassists in as many years. With Scherpenzeel as the sole constant, Kayak's first lineup also proved to be their finest; but Koopman's asthma forced him to retire in 1976, and Werner was so tortured by stage fright and unfounded doubts over his singing ability that he demanded the vacated drum chair for himself, leaving the vocal duties to new member Edward Reekers. Scherpenzeel's central role in the band eventually wore on the others, and Kayak fell apart in 1980. Scherpenzeel continued on to work with the English band Camel and then compose primarily for the theater. Koopman and Reekers worked in music production and performance; Werner left the stage to become a postal worker; and van Leeuwen became -- of all things -- a prominent lawyer. The band reunited in 1997 for a Dutch TV special, though no new recordings have yet emerged.
OFFICIAL SITE
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