RAUL MALO
''AFTER HOUR''
JULY 17 2007
36:33
1 Welcome To My World (Johnny Hathcocock, Re Winkler) 04:16
2 (Now And Then There's) A Fool Such As I (William Trader) 02:07
3 For The Good Times (Kris Kristofferson) 04:52
4 Pocket Of A Clown (Dwight Yoakam) 04:07
5 Crying Time (Buck Owens) 03:53
6 Cold, Cold Heart (Hank Williams) 02:27
7 You Can Depend On Me (Louis Dunlap, Earl Hines) 04:13
8 Husbands And Wives (Roger Miller) 03:47
9 It Only Hurts When I Cry (Dwight Yoakam) 02:45
10 Take These Chains From My Heart (Hy Heath, Fred Rose) 04:02
Robert Chevrier/Piano
Jim Hoke/Clarinet, Guitar (Steel), Horn Arrangements, Saxophone
Raul Malo/Guitar (Acoustic), Guitar (Electric), Vocals
(allmusic)
REVIEW
Mark Deming
****/*****
Raul Malo's greatest commercial success has been as lead singer with the progressive country group the Mavericks, but since launching his solo career in 2001, Malo has displayed little interest in catering to the country audience, preferring to indulge his passion for Latin sounds and retro vocal jazz. The set list on 2007's After Hours might suggest to some fans that Malo is keen on winning back the country audience, since it features ten songs made famous by the likes of Eddy Arnold, Ray Price, Hank Williams, Buck Owens, and other old-school country & western heroes. But rather than treat these tunes as relics from Nashville's noble past, on After Hours Malo honors them as standards -- object lessons in great songwriting -- and interprets them as swinging pop tunes (as he reimagines "Cold, Cold Heart" and "[Now and Then There's] A Fool Such As I") or polished late-night supper club laments ("Welcome to My World" and "Crying Time"). The closest thing to a clear country influence on this set is the pedal steel guitar that supports the arrangement on Roger Miller's "Husbands and Wives," but if Malo has taken these tunes out of their traditional context, there's no doubt that he's captured their heart and soul as few singers have; the sadness and desire of "For the Good Times" has rarely been communicated with the strength Malo commands in his performance, and as playful as his take of "Cold, Cold Heart" may be, he gets the essence of the song on tape with accuracy and freshness. Anyone who harbors doubts about Raul Malo's status as one of America's best contemporary vocalists will be pleasantly surprised by the craft and maturity of After Hours, and he does wonders for the classic Nashville songbook at the same time; with any luck, this will be the first in a series from Malo of classic country interpretations.
BIOGRAPHY/AMG
by Eleanor Ditzel
Originally making his mark in the country music world and then slipping into the Latin and jazz arenas via rock & roll, Raul Malo has proven to be an ever-expanding musical talent. Malo, born in Miami of Cuban parents, started playing bass guitar in high school and soon found his way into several small bands. In 1987, he made his first recording with the Basics, and one song, "Paperheart," appeared on the promotional album Unsigned. While the album wasn't a success, the experience whet Malo's appetite for more. Later in the '80s, Malo and a high-school friend, Robert Reynolds (bass), joined together to form their own country band, based on their mutual love for Hank Williams, Johnny Cash, and Patsy Cline. Paul Deakin, with experience in several progressive rock bands, became the drummer, and the group chose the name the Mavericks. This band went on to become one of the outstanding country bands of the '90s.
Under Malo's leadership, the Mavericks released their debut self-titled album in the fall of 1990. The album managed to grab the attention of many big labels, and MCA Records signed the Mavericks in May 1991, when they played their first gig in Nashville. David Lee Holt, who previously played with Carlene Carter, Joe Ely, and Rosie Flores, became the lead guitarist for the band, with Malo concentrating on the songwriting and vocals. MCA released From Hell to Paradise in 1992 and issued five more albums for the band during the '90s. From Hell to Paradise was critically acclaimed, but not a success financially. However, What a Crying Shame brought forth financial fortunes when it was released in 1994, with its title track reaching the Top 40; the album went platinum by spring 1995. Holt was replaced with Nick Kane as lead guitarist for the next releases. Many of the band's singles reached the Top 40, with "O What a Thrill" making number 18 in the summer of 1994 and "There Goes My Heart" reaching number 20. Music for All Occasions, released in 1995, went gold. the Mavericks eventually won a Grammy and the Country Music Association twice bestowed them with Top Vocal Group honors. One of the highlights of the band's career was playing at the Royal Albert Hall in London.
As Malo began to integrate Latin rhythms into his songwriting during the latter part of the '90s, the albums picked up a stronger Havana influence, leaving the country rhythms in the shadows. The band became an eclectic mix of rockabilly, honky tonk, Tejano, native Cuban, and country. The MCA label continued to release the Mavericks' albums and singles throughout the '90s, with the final compilation being 20th Century Masters - The Millennium Collection: The Best of the Mavericks in 2001. Malo then switched to the Universal label for the band's release of O What a Thrill: An Introduction to the Mavericks. Although the Mavericks quit playing gigs together in early 2001, they didn't really break up as a band and Malo still has tight connections with the members.
During the latter years of the '90s, Malo began doing parallel solo work, sometimes accompanied by the Dennis Burnside Orchestra. In October 1999 he completed his first solo tour in the U.K., performing many of his new songs. By 2000 he had become a producer with Ethan Allen and K.T. Oslin, and joined Los Super Seven as a lead vocalist and songwriter, in addition to working with Latin singer Rick Trevino in his studios. Malo's first solo recording, "Bailare (El Merecumbe)," was self-penned in Spanish, and he also did a solo recording of "Downbound Train" by Bruce Springsteen. When the Country Music Association needed a voice that could handle singing all the different hits of those being inducted into the Country Music Hall of Fame in 2001, they called on Malo because of his ability to handle diverse rhythms.
Malo's first album as a solo artist, Today, reflected his Cuban background, but didn't entirely leave out the deep-twang guitar of country music. His exuberance flowed on the album as he mingled the pop sounds of the '60s with salsa and country. Released by OmTown/Higher Octave Music in October 2001, the album also included Shelby Lynne on vocals and a backup band of 11 that produced the big-band sounds of which Malo had become fond. The album featured Malo singing in both Spanish and English, reflecting calypso, carnival, jazz, salsa, and country influences playing out the theme of universal love. Malo also covered "Black Is Black," a Latin rock hit, on Los Straitjackets' 2001 album, and sang on Raffi's compilation of country songs for children. The Nashville Acoustic Sessions, a pared-down collaboration with Nashville session staples Pat Flynn, Rob Ickes, and Dave Pomeroy, was released in 2004. Malo returned to the studio for You're Only Lonely and After Hours in 2006 and 2007, respectively. Lucky One followed in 2009.
In late 2009, Malo signed to Concord's Fantasy imprint and began recording a slew of new tracks at his home studio in Nashville. He took them to Sam "Lightning" Seifert at Bismeaux Studio in Austin and enlisted the help of the legendary Vox Continental organist Augie Meyers; guitarist Shawn Sahm (son of the late Doug Sahm of the Sir Douglas Quintet); accordionist Michael Guerra (known for his work with the Tex Mex Experience); and Austin's lauded vocal group the Trishas (Savannah Welch, Kelley Mickwee, Liz Foster, and Jamie Wilson), who provided background vocals. The end result was Malo's debut for the label, Sinners & Saints, released in October of 2010. In 2012, he delivered Around the World, a set of classic love songs backed by Britain's 30-piece Northern Sinfonia orchestra, including versions of "Let It Be Me," "Make the World Go Away," "Dance the Night Away," and "Around the World."
WEBSITE
TO THE TOP
''AFTER HOUR''
JULY 17 2007
36:33
1 Welcome To My World (Johnny Hathcocock, Re Winkler) 04:16
2 (Now And Then There's) A Fool Such As I (William Trader) 02:07
3 For The Good Times (Kris Kristofferson) 04:52
4 Pocket Of A Clown (Dwight Yoakam) 04:07
5 Crying Time (Buck Owens) 03:53
6 Cold, Cold Heart (Hank Williams) 02:27
7 You Can Depend On Me (Louis Dunlap, Earl Hines) 04:13
8 Husbands And Wives (Roger Miller) 03:47
9 It Only Hurts When I Cry (Dwight Yoakam) 02:45
10 Take These Chains From My Heart (Hy Heath, Fred Rose) 04:02
Robert Chevrier/Piano
Jim Hoke/Clarinet, Guitar (Steel), Horn Arrangements, Saxophone
Raul Malo/Guitar (Acoustic), Guitar (Electric), Vocals
(allmusic)
REVIEW
Mark Deming
****/*****
Raul Malo's greatest commercial success has been as lead singer with the progressive country group the Mavericks, but since launching his solo career in 2001, Malo has displayed little interest in catering to the country audience, preferring to indulge his passion for Latin sounds and retro vocal jazz. The set list on 2007's After Hours might suggest to some fans that Malo is keen on winning back the country audience, since it features ten songs made famous by the likes of Eddy Arnold, Ray Price, Hank Williams, Buck Owens, and other old-school country & western heroes. But rather than treat these tunes as relics from Nashville's noble past, on After Hours Malo honors them as standards -- object lessons in great songwriting -- and interprets them as swinging pop tunes (as he reimagines "Cold, Cold Heart" and "[Now and Then There's] A Fool Such As I") or polished late-night supper club laments ("Welcome to My World" and "Crying Time"). The closest thing to a clear country influence on this set is the pedal steel guitar that supports the arrangement on Roger Miller's "Husbands and Wives," but if Malo has taken these tunes out of their traditional context, there's no doubt that he's captured their heart and soul as few singers have; the sadness and desire of "For the Good Times" has rarely been communicated with the strength Malo commands in his performance, and as playful as his take of "Cold, Cold Heart" may be, he gets the essence of the song on tape with accuracy and freshness. Anyone who harbors doubts about Raul Malo's status as one of America's best contemporary vocalists will be pleasantly surprised by the craft and maturity of After Hours, and he does wonders for the classic Nashville songbook at the same time; with any luck, this will be the first in a series from Malo of classic country interpretations.
BIOGRAPHY/AMG
by Eleanor Ditzel
Originally making his mark in the country music world and then slipping into the Latin and jazz arenas via rock & roll, Raul Malo has proven to be an ever-expanding musical talent. Malo, born in Miami of Cuban parents, started playing bass guitar in high school and soon found his way into several small bands. In 1987, he made his first recording with the Basics, and one song, "Paperheart," appeared on the promotional album Unsigned. While the album wasn't a success, the experience whet Malo's appetite for more. Later in the '80s, Malo and a high-school friend, Robert Reynolds (bass), joined together to form their own country band, based on their mutual love for Hank Williams, Johnny Cash, and Patsy Cline. Paul Deakin, with experience in several progressive rock bands, became the drummer, and the group chose the name the Mavericks. This band went on to become one of the outstanding country bands of the '90s.
Under Malo's leadership, the Mavericks released their debut self-titled album in the fall of 1990. The album managed to grab the attention of many big labels, and MCA Records signed the Mavericks in May 1991, when they played their first gig in Nashville. David Lee Holt, who previously played with Carlene Carter, Joe Ely, and Rosie Flores, became the lead guitarist for the band, with Malo concentrating on the songwriting and vocals. MCA released From Hell to Paradise in 1992 and issued five more albums for the band during the '90s. From Hell to Paradise was critically acclaimed, but not a success financially. However, What a Crying Shame brought forth financial fortunes when it was released in 1994, with its title track reaching the Top 40; the album went platinum by spring 1995. Holt was replaced with Nick Kane as lead guitarist for the next releases. Many of the band's singles reached the Top 40, with "O What a Thrill" making number 18 in the summer of 1994 and "There Goes My Heart" reaching number 20. Music for All Occasions, released in 1995, went gold. the Mavericks eventually won a Grammy and the Country Music Association twice bestowed them with Top Vocal Group honors. One of the highlights of the band's career was playing at the Royal Albert Hall in London.
As Malo began to integrate Latin rhythms into his songwriting during the latter part of the '90s, the albums picked up a stronger Havana influence, leaving the country rhythms in the shadows. The band became an eclectic mix of rockabilly, honky tonk, Tejano, native Cuban, and country. The MCA label continued to release the Mavericks' albums and singles throughout the '90s, with the final compilation being 20th Century Masters - The Millennium Collection: The Best of the Mavericks in 2001. Malo then switched to the Universal label for the band's release of O What a Thrill: An Introduction to the Mavericks. Although the Mavericks quit playing gigs together in early 2001, they didn't really break up as a band and Malo still has tight connections with the members.
During the latter years of the '90s, Malo began doing parallel solo work, sometimes accompanied by the Dennis Burnside Orchestra. In October 1999 he completed his first solo tour in the U.K., performing many of his new songs. By 2000 he had become a producer with Ethan Allen and K.T. Oslin, and joined Los Super Seven as a lead vocalist and songwriter, in addition to working with Latin singer Rick Trevino in his studios. Malo's first solo recording, "Bailare (El Merecumbe)," was self-penned in Spanish, and he also did a solo recording of "Downbound Train" by Bruce Springsteen. When the Country Music Association needed a voice that could handle singing all the different hits of those being inducted into the Country Music Hall of Fame in 2001, they called on Malo because of his ability to handle diverse rhythms.
Malo's first album as a solo artist, Today, reflected his Cuban background, but didn't entirely leave out the deep-twang guitar of country music. His exuberance flowed on the album as he mingled the pop sounds of the '60s with salsa and country. Released by OmTown/Higher Octave Music in October 2001, the album also included Shelby Lynne on vocals and a backup band of 11 that produced the big-band sounds of which Malo had become fond. The album featured Malo singing in both Spanish and English, reflecting calypso, carnival, jazz, salsa, and country influences playing out the theme of universal love. Malo also covered "Black Is Black," a Latin rock hit, on Los Straitjackets' 2001 album, and sang on Raffi's compilation of country songs for children. The Nashville Acoustic Sessions, a pared-down collaboration with Nashville session staples Pat Flynn, Rob Ickes, and Dave Pomeroy, was released in 2004. Malo returned to the studio for You're Only Lonely and After Hours in 2006 and 2007, respectively. Lucky One followed in 2009.
In late 2009, Malo signed to Concord's Fantasy imprint and began recording a slew of new tracks at his home studio in Nashville. He took them to Sam "Lightning" Seifert at Bismeaux Studio in Austin and enlisted the help of the legendary Vox Continental organist Augie Meyers; guitarist Shawn Sahm (son of the late Doug Sahm of the Sir Douglas Quintet); accordionist Michael Guerra (known for his work with the Tex Mex Experience); and Austin's lauded vocal group the Trishas (Savannah Welch, Kelley Mickwee, Liz Foster, and Jamie Wilson), who provided background vocals. The end result was Malo's debut for the label, Sinners & Saints, released in October of 2010. In 2012, he delivered Around the World, a set of classic love songs backed by Britain's 30-piece Northern Sinfonia orchestra, including versions of "Let It Be Me," "Make the World Go Away," "Dance the Night Away," and "Around the World."
WEBSITE
TO THE TOP
2 comments :
The two albums of Raul Malo (The Mavericks) are excellent. A great post. Grateful, Old Rocker!
Olá Carlos, virão mais 3 por aí. Um abraço.
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