SCOTT MORGAN
''SCOTT MORGAN''
MAY 18 2010
37:20
1/Something About You/4:08
2/Fallin' for Ya
Scott Morgan/2:27
3/She's Not Just Another Woman
Jackie Wilson/3:17
4/Summer Nights
Jim Diamond / Scott Morgan / Dave Shettler / Matthew Smith / Chris "Box" Taylor/3:06
5/Since I Lost My Baby/3:37
6/Lucy May
Scott Morgan/3:00
7/Mississippi Delta
Bobbie Gentry/4:46
8/Do I Move You
Nina Simone/2:44
9/Memphis Time
Jim Diamond / Scott Morgan / Dave Shettler / Matthew Smith / Chris "Box" Taylor/3:17
10/Bring It on Home to Me
Sam Cooke/3:32
11/Highway
Jim Diamond / Scott Morgan / Dave Shettler / Matthew Smith / Chris "Box" Taylor/3:26
Eddie Baranek /Guest Artist, Guitar, Vocals
Jim Diamond /Bass, Producer, Vocals (Background)
Scott Morgan /Organ, Piano, Vocals
Dave Shettler /Drums, Percussion, Producer, Vocals (Background)
Matthew Smith /Guitar, Piano, Producer, Vocals (Background)
Chris "Box" Taylor /Guitar, Vocals (Background)
REVIEW
by Mark Deming
Scott Morgan had the good fortune of being in two of Michigan's most powerful and important rock bands -- in the 1960s, he was the lead singer with the legendary blue-eyed soul combo the Rationals, and in the '70s, he sang and played guitar with Sonic's Rendezvous Band, a mighty hard rock band formed by Fred "Sonic" Smith of the MC5. However, outside the Midwest, Morgan has never received the attention he deserves -- the Rationals' excellent recording of Otis Redding's "Respect" was stopped dead in its tracks by Aretha Franklin's admittedly outstanding cover, and Sonic's Rendezvous Band never scored the record deal they richly deserved, their recorded legacy during their lifetime limited to just one single. But Morgan has never stopped making great music, continuing to perform and record with a variety of groups over the years, and 2010's Scott Morgan (his first proper solo album) confirms he still has a superb voice that can handle blues, soul, and rock with equal assurance while his songwriting chops are in great shape. Scott Morgan teams the singer with a top-notch crew of Michigan rock talent -- Jim Diamond recorded the sessions at his Ghetto Recorders studio and plays bass, while Matthew Smith (Outrageous Cherry, the Volebeats) and Chris Taylor (Mazinga, Powertrane) handle the guitars, and Dave Shettler (the Sights, SSM) was the drummer. The results blend the hard rock power of Morgan's work with Sonic's Rendezvous Band and Powertrane and the passionate soul sounds of the Rationals while conjuring a tough, funky groove that's fresh and strong while rooted in a classic style. The new tunes on the album (written by Morgan and his bandmates) deliver a muscular, big city variation on classic soul archetypes (celebrated in the joyous "Memphis Time"), while his covers of "Bring It on Home to Me," "Do I Move You," and "Something About You" show Morgan can breathe new life into songs that have been in circulation for years, and his reworking of "Mississippi Delta" is nothing short of brilliant. And while the musicians on the album thoroughly deliver the goods, and Smith and Taylor make a killer guitar combo, it's Morgan who carries this show and he does it with grace, strength, and total authority. Scott Morgan has been quietly earning his reputation as one of America's great unsung rock and soul voices for decades, and on this album, he sums up a great deal of what he's learned over the years; it's one hell of a shakedown party, and you owe it to yourself to check it out.
BIOGRAPHY
by Mark Deming
Scott Morgan is one of the major and enduring figures on the Michigan rock scene, forming his first band well before the British Invasion helped sparked the '60s garage rock explosion and still playing tough, soulful rock & roll nearly 50 years later. Born in Ann Arbor, MI, Morgan came from a family of music fans, and after he caught the music bug as a child his parents bought him a guitar and he learned to play, first inspired by instrumental acts like Lonnie Mack and the Ventures. While attending Forsythe Junior High, Morgan struck up a friendship with fellow student Steve Correll, who also played guitar, and in 1962 they decided to form a band. Steve's brother came up with the name the Rationals, and when a local high-school student named Bob Pretzfelder agreed to play drums, the band had its first proper lineup. By the time Morgan and Correll had moved on to Ann Arbor's Pioneer High School, Bill Figg had replaced Pretzfelder, and when Steve's parents decided to send him to military school for a year, Terry Trabandt became the group's new guitarist. Correll returned to Ann Arbor and Pioneer High by 1964, and with Steve back on guitar and Terry on bass guitar, the classic lineup of the Rationals was in place.
Influenced by the new sounds of British acts like the Beatles and the Kinks and the emotional power of soul and R&B, the Rationals were one of the Midwest's first great blue-eyed soul combos, fueled by Morgan's powerful vocals, and after hooking up with manager and producer Jeep Holland, they became one of the most popular acts in the state, sharing stages with many of the biggest names of the day and cutting a handful of regional hits for Holland's A-Square Records label, including a 1966 version of Otis Redding's "Respect" that predated Aretha Franklin's cover. Cameo-Parkway picked up "Respect" for nationwide release, and their version of the Goffin/King classic "I Need You" won them a short-lived deal with Capitol Records, but as the Rationals began embracing a harder sound and emphasizing the guitar interplay between Correll and Morgan, they parted ways with Holland. The band moved from teen clubs to psychedelic ballrooms, and in 1969, after Morgan turned down an invitation from Al Kooper to join Blood, Sweat & Tears, the Rationals finally recorded their belated debut album. But by the time it was released in 1970, the bandmembers were at odds with one another, and when the album proved to be a commercial disappointment, the Rationals called it quits.
Within a few months of the Rationals' breakup, Morgan and Trabandt formed a new group called Guardian Angel; the band didn't last long, and Morgan next formed a combo called Lightning. In 1973, Morgan cut a solo single, "Take a Look" b/w "Soul Mover," that featured Fred "Sonic" Smith of the MC5 on lead guitar; it marked the beginning of a collaboration with Smith that would lead to the formation of Sonic's Rendezvous Band in 1975. Arguably the best rock band to never cut an album, SRB featured Morgan and Smith on guitars and vocals, Gary Rasmussen of the Up on bass, and Scott Asheton of the Stooges on drums. The group took the high-energy sound of the MC5 as a starting point and made it both leaner and more muscular; SRB earned a passionate following in the Midwest for their electrifying live shows, but without record label interest the band wasn't able to take its local success to the next level, and in 1980 the band broke up after releasing just one single, with the song "City Slang" on both sides. (Eventually the group became a legend among fans of high-energy rock, and a number of posthumous releases of live tapes and demos have appeared, most notably a six-disc box set released by Easy Action Records in 2006.)
After the breakup of Sonic's Rendezvous Band, Morgan formed the Scott Morgan Band, featuring Rasmussen and Asheton on bass and drums; after cutting an album for a French label, the group evolved into Scots Pirates, with Morgan trading off vocals with Kathy Deschaine and playing off a rotating lineup of guitarists, including Brian Delaney, Bobby East, and Michael Katon. (In 1991, before Scots Pirates got off the ground, there was a short-lived Rationals reunion; recordings of the reassembled band appear on the Morgan collection Medium Rare.) After Scots Pirates released a pair of albums for the Michigan-based Schoolkids Records label, Morgan joined the supergroup Dodge Main, which also featured Wayne Kramer of the MC5 and Deniz Tek of Radio Birdman; the short-lived combo released an album for Alive Records in 1996. In 1998, Morgan met up with Nicke Royale of the Swedish hard rock band the Hellecopters; a big fan of Sonic's Rendezvous Band, Royale suggested a collaboration, and he and Morgan formed the Hydromatics, whose 1999 album Parts Unknown paid explicit homage to the high-energy sound of Michigan's golden age. Morgan and Royale have also worked together in another international combo, the Solution, rooted in the sounds of classic soul and R&B and putting Morgan's vocal talents to excellent use.
In 2001, Morgan crossed paths with Robert Gillespie, a talented guitarist who had worked with Rob Tyner, Mitch Ryder, and the Torpedos; after Gillespie played on some studio recordings with Morgan, the two clicked and formed Powertrane with Chris "Box" Taylor (Mazinga, the Avatars) on bass and Andy Frost (Hydromatics, the High Rollers) on drums. A series of shows with guest guitarists Deniz Tek and Ron Asheton of the Stooges were documented on the 2002 live album Ann Arbor Revival Meeting, while their first studio album, Beyond the Sound, was released in 2007. In 2009, Britain's Big Beat Records released a two-disc collection of the Rationals' recordings for A-Square Records, Think Rational!; to celebrate the release, Morgan did a series of live shows with a group of Detroit musicians he dubbed "the Irrationals," playing material from the Rationals' songbook. Several members of "the Irrationals," including Matthew Smith, Jim Diamond, Chris "Box" Taylor, and Dave Shettler, joined Morgan in the studio to record the 2010 album Scott Morgan, his first proper solo album in a recording career spanning five decades.
''SCOTT MORGAN''
MAY 18 2010
37:20
1/Something About You/4:08
2/Fallin' for Ya
Scott Morgan/2:27
3/She's Not Just Another Woman
Jackie Wilson/3:17
4/Summer Nights
Jim Diamond / Scott Morgan / Dave Shettler / Matthew Smith / Chris "Box" Taylor/3:06
5/Since I Lost My Baby/3:37
6/Lucy May
Scott Morgan/3:00
7/Mississippi Delta
Bobbie Gentry/4:46
8/Do I Move You
Nina Simone/2:44
9/Memphis Time
Jim Diamond / Scott Morgan / Dave Shettler / Matthew Smith / Chris "Box" Taylor/3:17
10/Bring It on Home to Me
Sam Cooke/3:32
11/Highway
Jim Diamond / Scott Morgan / Dave Shettler / Matthew Smith / Chris "Box" Taylor/3:26
Eddie Baranek /Guest Artist, Guitar, Vocals
Jim Diamond /Bass, Producer, Vocals (Background)
Scott Morgan /Organ, Piano, Vocals
Dave Shettler /Drums, Percussion, Producer, Vocals (Background)
Matthew Smith /Guitar, Piano, Producer, Vocals (Background)
Chris "Box" Taylor /Guitar, Vocals (Background)
REVIEW
by Mark Deming
Scott Morgan had the good fortune of being in two of Michigan's most powerful and important rock bands -- in the 1960s, he was the lead singer with the legendary blue-eyed soul combo the Rationals, and in the '70s, he sang and played guitar with Sonic's Rendezvous Band, a mighty hard rock band formed by Fred "Sonic" Smith of the MC5. However, outside the Midwest, Morgan has never received the attention he deserves -- the Rationals' excellent recording of Otis Redding's "Respect" was stopped dead in its tracks by Aretha Franklin's admittedly outstanding cover, and Sonic's Rendezvous Band never scored the record deal they richly deserved, their recorded legacy during their lifetime limited to just one single. But Morgan has never stopped making great music, continuing to perform and record with a variety of groups over the years, and 2010's Scott Morgan (his first proper solo album) confirms he still has a superb voice that can handle blues, soul, and rock with equal assurance while his songwriting chops are in great shape. Scott Morgan teams the singer with a top-notch crew of Michigan rock talent -- Jim Diamond recorded the sessions at his Ghetto Recorders studio and plays bass, while Matthew Smith (Outrageous Cherry, the Volebeats) and Chris Taylor (Mazinga, Powertrane) handle the guitars, and Dave Shettler (the Sights, SSM) was the drummer. The results blend the hard rock power of Morgan's work with Sonic's Rendezvous Band and Powertrane and the passionate soul sounds of the Rationals while conjuring a tough, funky groove that's fresh and strong while rooted in a classic style. The new tunes on the album (written by Morgan and his bandmates) deliver a muscular, big city variation on classic soul archetypes (celebrated in the joyous "Memphis Time"), while his covers of "Bring It on Home to Me," "Do I Move You," and "Something About You" show Morgan can breathe new life into songs that have been in circulation for years, and his reworking of "Mississippi Delta" is nothing short of brilliant. And while the musicians on the album thoroughly deliver the goods, and Smith and Taylor make a killer guitar combo, it's Morgan who carries this show and he does it with grace, strength, and total authority. Scott Morgan has been quietly earning his reputation as one of America's great unsung rock and soul voices for decades, and on this album, he sums up a great deal of what he's learned over the years; it's one hell of a shakedown party, and you owe it to yourself to check it out.
BIOGRAPHY
by Mark Deming
Scott Morgan is one of the major and enduring figures on the Michigan rock scene, forming his first band well before the British Invasion helped sparked the '60s garage rock explosion and still playing tough, soulful rock & roll nearly 50 years later. Born in Ann Arbor, MI, Morgan came from a family of music fans, and after he caught the music bug as a child his parents bought him a guitar and he learned to play, first inspired by instrumental acts like Lonnie Mack and the Ventures. While attending Forsythe Junior High, Morgan struck up a friendship with fellow student Steve Correll, who also played guitar, and in 1962 they decided to form a band. Steve's brother came up with the name the Rationals, and when a local high-school student named Bob Pretzfelder agreed to play drums, the band had its first proper lineup. By the time Morgan and Correll had moved on to Ann Arbor's Pioneer High School, Bill Figg had replaced Pretzfelder, and when Steve's parents decided to send him to military school for a year, Terry Trabandt became the group's new guitarist. Correll returned to Ann Arbor and Pioneer High by 1964, and with Steve back on guitar and Terry on bass guitar, the classic lineup of the Rationals was in place.
Influenced by the new sounds of British acts like the Beatles and the Kinks and the emotional power of soul and R&B, the Rationals were one of the Midwest's first great blue-eyed soul combos, fueled by Morgan's powerful vocals, and after hooking up with manager and producer Jeep Holland, they became one of the most popular acts in the state, sharing stages with many of the biggest names of the day and cutting a handful of regional hits for Holland's A-Square Records label, including a 1966 version of Otis Redding's "Respect" that predated Aretha Franklin's cover. Cameo-Parkway picked up "Respect" for nationwide release, and their version of the Goffin/King classic "I Need You" won them a short-lived deal with Capitol Records, but as the Rationals began embracing a harder sound and emphasizing the guitar interplay between Correll and Morgan, they parted ways with Holland. The band moved from teen clubs to psychedelic ballrooms, and in 1969, after Morgan turned down an invitation from Al Kooper to join Blood, Sweat & Tears, the Rationals finally recorded their belated debut album. But by the time it was released in 1970, the bandmembers were at odds with one another, and when the album proved to be a commercial disappointment, the Rationals called it quits.
Within a few months of the Rationals' breakup, Morgan and Trabandt formed a new group called Guardian Angel; the band didn't last long, and Morgan next formed a combo called Lightning. In 1973, Morgan cut a solo single, "Take a Look" b/w "Soul Mover," that featured Fred "Sonic" Smith of the MC5 on lead guitar; it marked the beginning of a collaboration with Smith that would lead to the formation of Sonic's Rendezvous Band in 1975. Arguably the best rock band to never cut an album, SRB featured Morgan and Smith on guitars and vocals, Gary Rasmussen of the Up on bass, and Scott Asheton of the Stooges on drums. The group took the high-energy sound of the MC5 as a starting point and made it both leaner and more muscular; SRB earned a passionate following in the Midwest for their electrifying live shows, but without record label interest the band wasn't able to take its local success to the next level, and in 1980 the band broke up after releasing just one single, with the song "City Slang" on both sides. (Eventually the group became a legend among fans of high-energy rock, and a number of posthumous releases of live tapes and demos have appeared, most notably a six-disc box set released by Easy Action Records in 2006.)
After the breakup of Sonic's Rendezvous Band, Morgan formed the Scott Morgan Band, featuring Rasmussen and Asheton on bass and drums; after cutting an album for a French label, the group evolved into Scots Pirates, with Morgan trading off vocals with Kathy Deschaine and playing off a rotating lineup of guitarists, including Brian Delaney, Bobby East, and Michael Katon. (In 1991, before Scots Pirates got off the ground, there was a short-lived Rationals reunion; recordings of the reassembled band appear on the Morgan collection Medium Rare.) After Scots Pirates released a pair of albums for the Michigan-based Schoolkids Records label, Morgan joined the supergroup Dodge Main, which also featured Wayne Kramer of the MC5 and Deniz Tek of Radio Birdman; the short-lived combo released an album for Alive Records in 1996. In 1998, Morgan met up with Nicke Royale of the Swedish hard rock band the Hellecopters; a big fan of Sonic's Rendezvous Band, Royale suggested a collaboration, and he and Morgan formed the Hydromatics, whose 1999 album Parts Unknown paid explicit homage to the high-energy sound of Michigan's golden age. Morgan and Royale have also worked together in another international combo, the Solution, rooted in the sounds of classic soul and R&B and putting Morgan's vocal talents to excellent use.
In 2001, Morgan crossed paths with Robert Gillespie, a talented guitarist who had worked with Rob Tyner, Mitch Ryder, and the Torpedos; after Gillespie played on some studio recordings with Morgan, the two clicked and formed Powertrane with Chris "Box" Taylor (Mazinga, the Avatars) on bass and Andy Frost (Hydromatics, the High Rollers) on drums. A series of shows with guest guitarists Deniz Tek and Ron Asheton of the Stooges were documented on the 2002 live album Ann Arbor Revival Meeting, while their first studio album, Beyond the Sound, was released in 2007. In 2009, Britain's Big Beat Records released a two-disc collection of the Rationals' recordings for A-Square Records, Think Rational!; to celebrate the release, Morgan did a series of live shows with a group of Detroit musicians he dubbed "the Irrationals," playing material from the Rationals' songbook. Several members of "the Irrationals," including Matthew Smith, Jim Diamond, Chris "Box" Taylor, and Dave Shettler, joined Morgan in the studio to record the 2010 album Scott Morgan, his first proper solo album in a recording career spanning five decades.
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