TERRY KATH
''CHICAGO PRESENTS THE INNOVATIVE GUITAR OF TERRY KATH''
FEBRUARY 18 1997
74:40
1/Once or Twice
Terry Kath/3:02
2/I'm a Man
Jimmy Miller / Steve Winwood/7:40
3/Dialogue, Pts. 1 & 2
Robert Lamm/7:27
4/Ain't It Blue?
Robert Lamm/3:27
5/25 or 6 to 4
Robert Lamm/7:43
6/Mississippi Delta City Blues
Terry Kath/5:26
7/Listen
Robert Lamm/3:21
8/South California Purples
Robert Lamm/6:27
9/Darlin' Dear
Robert Lamm/2:55
10/An Hour in the Shower: Hard Risin' Morning Without Breakfast/Off to Work
Terry Kath/5:36
11/In the Country
Terry Kath/6:33
12/I Don't Want Your Money
Terry Kath / Robert Lamm/4:46
13/Scrapbook
Robert Lamm/3:29
14/Free Form Guitar
Terry Kath/6:48
Peter Cetera /Guitar (Bass), Vocals, Vocals (Background)
Terry Kath /Guitar, Guitar (Rhythm), Vocals, Vocals (Background)
Robert Lamm /Keyboards, Vocals, Vocals (Background)
Lee Loughnane /Trumpet, Vocals (Background)
James Pankow /Trombone, Vocals (Background)
Walter Parazaider /Saxophone, Vocals (Background), Woodwind
Daniel Seraphine /Drums
REVIEW
by Lindsay Planer
To many, the late Terry Kath (guitar/vocals) was the heart and soul of Chicago. This is especially true of his contributions to the band's early blend of jazz with amped-up unadulterated wailing guitar rock. Sadly, Kath's tenure with the group was cut tragically short when, in late January of 1978, he accidentally and fatally shot himself. In hindsight, the band never fully recovered from the loss, and it would take four years before Chicago would creatively and critically reinvent itself on Chicago 16 (1982). The Innovative Guitar of Terry Kath (1997) includes 14 seminal selections and examples of the string man at the peak of his prowess. While there are no previously unissued songs, this compilation scans the nine Chicago studio long-players that Kath performed on as well the incendiary readings of "25 or 6 to 4" and "Mississippi Delta City Blues" from the must-own Live in Japan 1972 concert set. The track list is rather heavily represented, and rightfully so, by the first three Chicago titles -- Chicago Transit Authority (1969) , Chicago II (1970), and Chicago III (1971). Among them are the fully improvised "Free Form Guitar," "Listen," "An Hour in the Shower," and "South California Purples." Chronologically, later offerings include "Dialogue, Pts. 1-2" from Chicago V (1972) and "Darlin' Dear" off of Chicago VI (1973). Although the follow-up Chicago VII (1974) is glossed over, "Ain't It Blue?" ably represents Chicago VIII (1975) and both the soulful "Scrapbook" and the Memphis-style R&B rave-up on "Once or Twice" are taken from Chicago X (1976). (Note that 1975's Chicago IX was the band's first "best-of" and contained no new songs.) Kath's final effort was Chicago XI (1978); there is nothing featured from that album, although it is represented via the previously mentioned version of "Mississippi Delta City Blues" from Live in Japan 1972. While hardcore enthusiasts will inevitably have all of these selections, the real audience for The Innovative Guitar of Terry Kath is the uninitiated and burgeoning listener who is well-served by the broad range of the selected materials.
BIOGRAPHY
by Greg Prato
Although Chicago is often thought of as a ballad-based soft rock outfit, early on in their career, guitarist/singer Terry Kath brought a much more rock-based edge to the band. Kath proved to be an integral member of the group, who was looked up to as an on-stage leader by the other members, but a senseless tragedy silenced Kath's guitar playing for good in the late '70s. Born on January 31, 1946 in Chicago, IL, Kath learned guitar completely by ear, and by his teenaged years was playing Ventures covers in local outfits. Throughout the early to mi-'60s, Kath played in such forgotten groups as Jimmy Rice & the Gentlemen and Jimmy Ford & the Executives, the latter of which served as the backup group at one point for Dick Clark's Caravan of Stars (Kath also doubled on bass at times for these bands, as well). By the later part of the decade, Kath had signed on with several other Chicago-based musicians to form a rock band that would utilize a horn section, and during early 1967, the Chicago Transit Authority was born. It was after an early CTA performance that Kath received perhaps the highest accolade any guitarist could obtain, when Jimi Hendrix told sax player Walter Parazaider, "Your guitar player is better than me." Later shortening their name to just Chicago, the band would soon go on to become one of the top rock bands during the following decade.
Kath's fine guitar chops could be sampled on such Chicago hits as "25 or 6 to 4" (from 1970's Chicago II) as well as the lesser-known "Free Form Guitar" (off Chicago's self-titled 1969 debut). Appearing on a total of 11 Chicago recordings from 1969 through 1977 (all of which at obtained at least gold certification) and numerous sold-out tours, there was no reason to believe that Chicago's incredible streak of hits wouldn't continue uninterrupted for years to come. But at a party at his house on the evening of January 23, 1978, Kath (who was a longtime gun aficionado) took out one of his weapons to clean, and when asked to put it away, put the gun to his head. Reassuring everyone that it wasn't loaded, Kath pulled the trigger, and the gun did turn out to be loaded -- instantly killing the guitarist barely a week shy of what would have been his 32nd birthday. Chicago would continue on with several different guitarists over the years attempting to fill Kath's shoes, but the results were never quite the same. In 1997, Chicago compiled a 14-track album that spotlighted Kath's finest performances, The Innovative Guitar of Terry Kath, and several years later, Kath's tragic tale was retold in an episode of VH1's Behind the Music series that focused on Chicago. In addition to his skilled guitar work, Kath also possessed a fine singing voice, as evidenced on such Chicago tunes as "Introduction," "I'm a Man," "Free," and "Wishin' You Were Here," plus such hit singles as "Make Me Smile" and "Color My World."
''CHICAGO PRESENTS THE INNOVATIVE GUITAR OF TERRY KATH''
FEBRUARY 18 1997
74:40
1/Once or Twice
Terry Kath/3:02
2/I'm a Man
Jimmy Miller / Steve Winwood/7:40
3/Dialogue, Pts. 1 & 2
Robert Lamm/7:27
4/Ain't It Blue?
Robert Lamm/3:27
5/25 or 6 to 4
Robert Lamm/7:43
6/Mississippi Delta City Blues
Terry Kath/5:26
7/Listen
Robert Lamm/3:21
8/South California Purples
Robert Lamm/6:27
9/Darlin' Dear
Robert Lamm/2:55
10/An Hour in the Shower: Hard Risin' Morning Without Breakfast/Off to Work
Terry Kath/5:36
11/In the Country
Terry Kath/6:33
12/I Don't Want Your Money
Terry Kath / Robert Lamm/4:46
13/Scrapbook
Robert Lamm/3:29
14/Free Form Guitar
Terry Kath/6:48
Peter Cetera /Guitar (Bass), Vocals, Vocals (Background)
Terry Kath /Guitar, Guitar (Rhythm), Vocals, Vocals (Background)
Robert Lamm /Keyboards, Vocals, Vocals (Background)
Lee Loughnane /Trumpet, Vocals (Background)
James Pankow /Trombone, Vocals (Background)
Walter Parazaider /Saxophone, Vocals (Background), Woodwind
Daniel Seraphine /Drums
REVIEW
by Lindsay Planer
To many, the late Terry Kath (guitar/vocals) was the heart and soul of Chicago. This is especially true of his contributions to the band's early blend of jazz with amped-up unadulterated wailing guitar rock. Sadly, Kath's tenure with the group was cut tragically short when, in late January of 1978, he accidentally and fatally shot himself. In hindsight, the band never fully recovered from the loss, and it would take four years before Chicago would creatively and critically reinvent itself on Chicago 16 (1982). The Innovative Guitar of Terry Kath (1997) includes 14 seminal selections and examples of the string man at the peak of his prowess. While there are no previously unissued songs, this compilation scans the nine Chicago studio long-players that Kath performed on as well the incendiary readings of "25 or 6 to 4" and "Mississippi Delta City Blues" from the must-own Live in Japan 1972 concert set. The track list is rather heavily represented, and rightfully so, by the first three Chicago titles -- Chicago Transit Authority (1969) , Chicago II (1970), and Chicago III (1971). Among them are the fully improvised "Free Form Guitar," "Listen," "An Hour in the Shower," and "South California Purples." Chronologically, later offerings include "Dialogue, Pts. 1-2" from Chicago V (1972) and "Darlin' Dear" off of Chicago VI (1973). Although the follow-up Chicago VII (1974) is glossed over, "Ain't It Blue?" ably represents Chicago VIII (1975) and both the soulful "Scrapbook" and the Memphis-style R&B rave-up on "Once or Twice" are taken from Chicago X (1976). (Note that 1975's Chicago IX was the band's first "best-of" and contained no new songs.) Kath's final effort was Chicago XI (1978); there is nothing featured from that album, although it is represented via the previously mentioned version of "Mississippi Delta City Blues" from Live in Japan 1972. While hardcore enthusiasts will inevitably have all of these selections, the real audience for The Innovative Guitar of Terry Kath is the uninitiated and burgeoning listener who is well-served by the broad range of the selected materials.
BIOGRAPHY
by Greg Prato
Although Chicago is often thought of as a ballad-based soft rock outfit, early on in their career, guitarist/singer Terry Kath brought a much more rock-based edge to the band. Kath proved to be an integral member of the group, who was looked up to as an on-stage leader by the other members, but a senseless tragedy silenced Kath's guitar playing for good in the late '70s. Born on January 31, 1946 in Chicago, IL, Kath learned guitar completely by ear, and by his teenaged years was playing Ventures covers in local outfits. Throughout the early to mi-'60s, Kath played in such forgotten groups as Jimmy Rice & the Gentlemen and Jimmy Ford & the Executives, the latter of which served as the backup group at one point for Dick Clark's Caravan of Stars (Kath also doubled on bass at times for these bands, as well). By the later part of the decade, Kath had signed on with several other Chicago-based musicians to form a rock band that would utilize a horn section, and during early 1967, the Chicago Transit Authority was born. It was after an early CTA performance that Kath received perhaps the highest accolade any guitarist could obtain, when Jimi Hendrix told sax player Walter Parazaider, "Your guitar player is better than me." Later shortening their name to just Chicago, the band would soon go on to become one of the top rock bands during the following decade.
Kath's fine guitar chops could be sampled on such Chicago hits as "25 or 6 to 4" (from 1970's Chicago II) as well as the lesser-known "Free Form Guitar" (off Chicago's self-titled 1969 debut). Appearing on a total of 11 Chicago recordings from 1969 through 1977 (all of which at obtained at least gold certification) and numerous sold-out tours, there was no reason to believe that Chicago's incredible streak of hits wouldn't continue uninterrupted for years to come. But at a party at his house on the evening of January 23, 1978, Kath (who was a longtime gun aficionado) took out one of his weapons to clean, and when asked to put it away, put the gun to his head. Reassuring everyone that it wasn't loaded, Kath pulled the trigger, and the gun did turn out to be loaded -- instantly killing the guitarist barely a week shy of what would have been his 32nd birthday. Chicago would continue on with several different guitarists over the years attempting to fill Kath's shoes, but the results were never quite the same. In 1997, Chicago compiled a 14-track album that spotlighted Kath's finest performances, The Innovative Guitar of Terry Kath, and several years later, Kath's tragic tale was retold in an episode of VH1's Behind the Music series that focused on Chicago. In addition to his skilled guitar work, Kath also possessed a fine singing voice, as evidenced on such Chicago tunes as "Introduction," "I'm a Man," "Free," and "Wishin' You Were Here," plus such hit singles as "Make Me Smile" and "Color My World."
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