THE SOULJAZZ ORCHESTRA
''SOLIDARITY''
SEPTEMBER 18 2012
42:50
1/Bibinay
Pierre Chrétien / El Hadji "Élage" M'Baye/6:23
2/Kelen Ati Leen/3:38
3/Cartão Postal
Pierre Chrétien / Rômmel Teixeira Ribeiro/3:55
4/Ya Basta
Pierre Chrétien / Philippe Lafrenière/3:41
5/Jericho
Pierre Chrétien/3:26
6/Serve & Protect
Pierre Chrétien / El Hadji "Élage" M'Baye/6:26
7/Conquering Lion
Pierre Chrétien/4:13
8/Kingpin
Pierre Chrétien/3:43
9/Tanbou Lou
Pierre Chrétien/3:18
10/Nijaay/4:07
Pierre Chrétien /Bass, Choir/Chorus, Guitar, Organ, Piano (Electric), Producer
Nicholas Dyson /Trumpet
Zakari Frantz /Choir/Chorus, Clarinet, Flute, Sax (Alto)
Philippe Lafrenière /Bongos, Choir/Chorus, Congas, Drums, Vocals
Amelia LeClair /Choir/Chorus
El Hadji "Élage" M'Baye /Vocals
Slim Moore /Vocals
Ray Murray /Choir/Chorus, Sax (Baritone), Vocals
Steve Patterson /Choir/Chorus, Sax (Tenor)
Rômmel Teixeira Ribeiro /Vocals
Marielle Rivard /Afuche, Agogo, Choir/Chorus, Claves, Guiro, Maracas, Shekere, Tambourine
REVIEW
by Thom Jurek
Canada's Souljazz Orchestra were well-known to audiences in Europe before their 2010 Strut debut, Rising Sun; it was the sextet's first all-acoustic effort. Meeting with nearly universal acclaim, it spread the sextet's well-deserved reputation for creating a musically adventurous meld of global styles, accurately reflecting roots cultures as they dialogue with one another in the 21st century -- without watering them down. Solidarity furthers the band's reach as it employs vocal talents from a wide range of singers from Canada's vast underground music scene. The band employs its usual meld of Afro-beat, Caribbean, tropical, Latin, and Brazilian styles with jazz, funk, and soul, but the interaction with singers brings the mix to a whole different level. Set opener "Bibinay" features El Hadji "Élage" M'Baye, a Senegalese native who now resides in Quebec. Here, Afro-beat and Afro-jazz meet slippery funk grooves from the modern West. The layers of guitars and distorted keyboards (Pierre Chrétien) meet layers of percussion, horns, and a call-and-response chorus. Immediately following, M'Baye leads the band in the funk number "Kelen Ati Leen." "Ya Basta" showcases the band's horn section as it employs incendiary salsa in a strutter par excellence, with a vocal from the Souljazz Orchestra's resident conguero and drummer, Philippe Lafrenière, leading the furious dance chant. "Jericho" is on the roots reggae tip with baritone saxophonist Ray Murray on vocals, while the more streetwise "Kingpin" goes at reggae with guest Gary "Slim" Moore leading the swaggering bubbler. The other reggae-inflected jam here, "Conquering Lion," is hard on the jazz-funk tip with killer front-line horns on all burners. "Serve & Protect" is a furious rhythm collision of Afro-beat and Latin rhythms. While horns assert themselves at the start, it's the keys, layers of manic percussion, and M'Baye and a chorus that send this one over as the set's strongest cut. Ultimately, Solidarity is seamless. No matter how high they set the bar here, the Souljazz Orchestra execute. Their music is always exciting, soulful, and expertly played; they never fall prey to world fusion clichés.
''SOLIDARITY''
SEPTEMBER 18 2012
42:50
1/Bibinay
Pierre Chrétien / El Hadji "Élage" M'Baye/6:23
2/Kelen Ati Leen/3:38
3/Cartão Postal
Pierre Chrétien / Rômmel Teixeira Ribeiro/3:55
4/Ya Basta
Pierre Chrétien / Philippe Lafrenière/3:41
5/Jericho
Pierre Chrétien/3:26
6/Serve & Protect
Pierre Chrétien / El Hadji "Élage" M'Baye/6:26
7/Conquering Lion
Pierre Chrétien/4:13
8/Kingpin
Pierre Chrétien/3:43
9/Tanbou Lou
Pierre Chrétien/3:18
10/Nijaay/4:07
Pierre Chrétien /Bass, Choir/Chorus, Guitar, Organ, Piano (Electric), Producer
Nicholas Dyson /Trumpet
Zakari Frantz /Choir/Chorus, Clarinet, Flute, Sax (Alto)
Philippe Lafrenière /Bongos, Choir/Chorus, Congas, Drums, Vocals
Amelia LeClair /Choir/Chorus
El Hadji "Élage" M'Baye /Vocals
Slim Moore /Vocals
Ray Murray /Choir/Chorus, Sax (Baritone), Vocals
Steve Patterson /Choir/Chorus, Sax (Tenor)
Rômmel Teixeira Ribeiro /Vocals
Marielle Rivard /Afuche, Agogo, Choir/Chorus, Claves, Guiro, Maracas, Shekere, Tambourine
REVIEW
by Thom Jurek
Canada's Souljazz Orchestra were well-known to audiences in Europe before their 2010 Strut debut, Rising Sun; it was the sextet's first all-acoustic effort. Meeting with nearly universal acclaim, it spread the sextet's well-deserved reputation for creating a musically adventurous meld of global styles, accurately reflecting roots cultures as they dialogue with one another in the 21st century -- without watering them down. Solidarity furthers the band's reach as it employs vocal talents from a wide range of singers from Canada's vast underground music scene. The band employs its usual meld of Afro-beat, Caribbean, tropical, Latin, and Brazilian styles with jazz, funk, and soul, but the interaction with singers brings the mix to a whole different level. Set opener "Bibinay" features El Hadji "Élage" M'Baye, a Senegalese native who now resides in Quebec. Here, Afro-beat and Afro-jazz meet slippery funk grooves from the modern West. The layers of guitars and distorted keyboards (Pierre Chrétien) meet layers of percussion, horns, and a call-and-response chorus. Immediately following, M'Baye leads the band in the funk number "Kelen Ati Leen." "Ya Basta" showcases the band's horn section as it employs incendiary salsa in a strutter par excellence, with a vocal from the Souljazz Orchestra's resident conguero and drummer, Philippe Lafrenière, leading the furious dance chant. "Jericho" is on the roots reggae tip with baritone saxophonist Ray Murray on vocals, while the more streetwise "Kingpin" goes at reggae with guest Gary "Slim" Moore leading the swaggering bubbler. The other reggae-inflected jam here, "Conquering Lion," is hard on the jazz-funk tip with killer front-line horns on all burners. "Serve & Protect" is a furious rhythm collision of Afro-beat and Latin rhythms. While horns assert themselves at the start, it's the keys, layers of manic percussion, and M'Baye and a chorus that send this one over as the set's strongest cut. Ultimately, Solidarity is seamless. No matter how high they set the bar here, the Souljazz Orchestra execute. Their music is always exciting, soulful, and expertly played; they never fall prey to world fusion clichés.
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