PRESERVATION HALL JAZZ BAND
''ST. PETER & 57TH ST.''
SEPTEMBER 25 2012
66:35
1. Introduction By George Wein/0:27
2. Burgundy Street Blues/2:32
3. Introduction To The Preservation Hall Jazz Band By Tom Sancton/0:09
4. Bourbon Street Parade/5:36
5. Introduction To The Del McCoury Band By Ed Helms/0:14
6. One More 'Fore I Die/4:59
7. Introduction To Allen Toussaint By Ben Jaffe/0:32
8. Preservation Hall Jazz Band/4:31
9. Introduction To Givers By Ben Jaffe/0:08
10. Just A Closer Walk With Thee/2:50
11. Bonjour Cousin/3:36
12. Introduction To Steve Earle By Mark Braud/0:49
13. T'aint Nobody's Business/3:27
14. Introduction To Tao Seeger By Ben Jaffe/0:49
15. El Manicero/5:42
16. St. James Infirmary, Part 1/7:04
17. St. James Infirmary, Part 2/4:01
18. Tootie Ma/3:58
19. Introduction To Merrill Garbus and Frank Demond By Mark Braud/0:31
20. Careless Love/3:36
21. It Ain't My Fault/4:40
22. I'll Fly Away/6:24
BIOGRAPHY
by Scott Yanow
Although New Orleans' traditional jazz scene had many top players in the 1950s, there was no one center for the city's veteran greats to play. In 1961, local art dealer Larry Borenstein opened a building in the French Quarter called Preservation Hall. The young tuba player Allan Jaffe ran the hall and organized tours for the musicians who often performed there, naming the band after the venue. In the Hall's early days, the key musicians included, at various times, trumpeters Kid Thomas Valentine, Punch Miller, or De De Pierce; trombonists Louis Nelson or Jim Robinson; clarinetists George Lewis, Albert Burbank, or Willie Humphrey; and pianists Joseph Robichaux, Billie Pierce, or Sweet Emma Barrett. By the early '70s, trumpeter Percy Humphrey, his brother Willie on clarinet, and trombonist Jim Robinson (who, after his death in 1976, was succeeded by Frank Demond) usually comprised the front line. The deaths of the Humphreys and Percy's occasional fill-in Kid Sheik Colar in the mid-'90s signalled more lineup changes. Four decades after the group's genesis, the Preservation Hall Jazz Band continues to honor the musical traditions of New Orleans, despite these switches in personnel.
In general, the group's best recordings are their early records under the leadership of Barrett and the Pierces; they also cut three hit-or-miss albums for Columbia during 1976-1992. the Preservation Hall Jazz Band's worldwide tours have resulted in a good deal of goodwill, and the band remained on the road throughout much of 2005 and early 2006, due to the temporary closure of Preservation Hall in the wake of Hurricane Katrina. Although the hurricane devastated the city, it left some of the band's archival recordings unscathed, resulting in the release of Made in New Orleans: The Hurricane Sessions in 2007.
''ST. PETER & 57TH ST.''
SEPTEMBER 25 2012
66:35
1. Introduction By George Wein/0:27
2. Burgundy Street Blues/2:32
3. Introduction To The Preservation Hall Jazz Band By Tom Sancton/0:09
4. Bourbon Street Parade/5:36
5. Introduction To The Del McCoury Band By Ed Helms/0:14
6. One More 'Fore I Die/4:59
7. Introduction To Allen Toussaint By Ben Jaffe/0:32
8. Preservation Hall Jazz Band/4:31
9. Introduction To Givers By Ben Jaffe/0:08
10. Just A Closer Walk With Thee/2:50
11. Bonjour Cousin/3:36
12. Introduction To Steve Earle By Mark Braud/0:49
13. T'aint Nobody's Business/3:27
14. Introduction To Tao Seeger By Ben Jaffe/0:49
15. El Manicero/5:42
16. St. James Infirmary, Part 1/7:04
17. St. James Infirmary, Part 2/4:01
18. Tootie Ma/3:58
19. Introduction To Merrill Garbus and Frank Demond By Mark Braud/0:31
20. Careless Love/3:36
21. It Ain't My Fault/4:40
22. I'll Fly Away/6:24
BIOGRAPHY
by Scott Yanow
Although New Orleans' traditional jazz scene had many top players in the 1950s, there was no one center for the city's veteran greats to play. In 1961, local art dealer Larry Borenstein opened a building in the French Quarter called Preservation Hall. The young tuba player Allan Jaffe ran the hall and organized tours for the musicians who often performed there, naming the band after the venue. In the Hall's early days, the key musicians included, at various times, trumpeters Kid Thomas Valentine, Punch Miller, or De De Pierce; trombonists Louis Nelson or Jim Robinson; clarinetists George Lewis, Albert Burbank, or Willie Humphrey; and pianists Joseph Robichaux, Billie Pierce, or Sweet Emma Barrett. By the early '70s, trumpeter Percy Humphrey, his brother Willie on clarinet, and trombonist Jim Robinson (who, after his death in 1976, was succeeded by Frank Demond) usually comprised the front line. The deaths of the Humphreys and Percy's occasional fill-in Kid Sheik Colar in the mid-'90s signalled more lineup changes. Four decades after the group's genesis, the Preservation Hall Jazz Band continues to honor the musical traditions of New Orleans, despite these switches in personnel.
In general, the group's best recordings are their early records under the leadership of Barrett and the Pierces; they also cut three hit-or-miss albums for Columbia during 1976-1992. the Preservation Hall Jazz Band's worldwide tours have resulted in a good deal of goodwill, and the band remained on the road throughout much of 2005 and early 2006, due to the temporary closure of Preservation Hall in the wake of Hurricane Katrina. Although the hurricane devastated the city, it left some of the band's archival recordings unscathed, resulting in the release of Made in New Orleans: The Hurricane Sessions in 2007.
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