BLINDDOG SMOKIN'
''HIGH STEPPIN'''
JULY 17 2015
39:30
1 Pimp Shoes 05:25
2 Bayou Lady 04:25
3 Don't Put No Money on Me 03:49
4 I Caught Her Lyin' 04:51
5 Tell 'Em Shuffle 03:41
6 If I Died Today 05:40
7 Big Behind 03:52
8 Lady's Playin' 04:40
9 Tell 'Em Reprise 03:02
See Scans for Credits and more information
REVIEW/AMG
by Stephen Thomas Erlewine
High Steppin' arrives on the heels of Blues Music Award and Grammy nominations for Blinddog Smokin' -- nominations they received by collaborating with Bobby Rush on his 2014 album Decisions. High Steppin' provides the Southern California-based group an opportunity to showcase what they can do on their own, and this 2015 album does just that, illustrating that this is a thoroughly modern blues band. Blinddog Smokin' are by no means revivalists. By many measures, the band is proudly modern, spending as much time working a nasty funk groove as they do a blues shuffle, but what makes the band unique is how they blend a bit of post-Parliament sleaze with gritty juke joint blues. This is especially true on High Steppin', which spends a little bit of time lingering on both sounds but usually finds a vibrant common ground between soul, blues, and funk, indulging in tight, loose rhythms that are punctuated by horn stabs, chanted choruses, and liquid lead guitar. Some of this pushes at the edge of good taste but that's the fun of High Steppin': it doesn't treat blues or soul (or funk) as a tradition, but as a low-down good time.
OFFICIAL BIOGRAPHY
By Dan Kimpel
Fatback funk, blistering blues, uptown horns and low-down grooves: Grammy nominated Blinddog Smokin’ renders millions of miles and thousands of gigs into a deep American repertoire of profound authenticity.
In 2014 the band garnered a Grammy nomination for the 57th Grammy Awards for a CD/DVD with the bands longtime soulmate, legendary R&B/Soul/Bluesman Bobby Rush and featuring Rock n’ Roll Hall of Famer Dr. John. The album is up for Song of the Year and Best Soul Blues Album in the Blues Music Awards and won an award for Best Soul Blues Album in the Blues Blast Music Awards. The album debuted at #6 on the Blues radio chart and charted on Americana radio, its received glowing press from The Wall Street Journal to USA Today to Living Blues, radio play on Sirius XM’s B.B. King’s Bluesville, and a music video in rotation on MTV, VH1, and Dish.
The music emanates from the rotating community of players and echoes across the legions of folks who have communed with the band at 200 - 320 gigs per year for well over two decades. Blinddog Smokin’ has played every conceivable venue, from Mississippi juke joints to high mountain roadhouses; across Europe and the Mediterranean all the way to the main stage at the King Biscuit Blues Festival in Helena, Arkansas, an event that attracts upwards of 100,000 attendees. Traveling by bus to 42 of the continental United States – plus international tours – they have been rightfully crowned “Ultimate Road Warriors,” by Southland Blues Magazine.
The lead dog in this hard traveling show band is the band’s founder and charismatic front man Carl Gustafson; an adventurer, world traveler and philosopher whose gravel road of a voice is paved with the power of his convictions and the revelations in his songs. First chronicling the band’s adventures in an online column, “Tales Well Told,” he authored the book Ain’t Just The Blues, It’s Showtime: Hard Times, Heartache and Glory Along Blue Highway, an enthralling diary of the band’s journeys. Whether in song, performance or prose, he is a masterful raconteur.
New from the studio in 2014 is the CD Decisions, pairing Blinddog Smokin’ with the King of the Chitlin’ Circuit Bobby Rush, a three-time Grammy-nominated veteran featured in the “Road to Memphis” segment in the Martin Scorcese documentary The Blues. Joining the band on “Another Murder in New Orleans” is the great Dr. John, the legendary six-time Grammy-winning Crescent City kingpin. The song has been licensed by the national non-profit organization Crimestoppers for their New Orleans chapter and premiered with a music video on The Wall Street Journal, directed by Jennifer DeLia and produced by Julie Pacino, daughter of Oscar-winner Al Pacino. Donny Markowitz, a roots auteur extraordinaire and the songwriter of the Oscar, Grammy, and Golden Globe-winning “(I’ve Had) The Time of My Life” is behind the board for the recordings, as he was for the band’s recent CD/DVD Up From the Tracks. The band is gearing up to get back on the road in 2015 behind their Grammy nominated record, with plans to release a new album later in the year.
Blinddog Smokin’ is flexible. They might showcase illustrious guest members like Bobby Rush, Chicago guitar master Carl Weathersby or the brilliant blues harpist Billy Branch. Regular compadres include the original drummer “Chicago” Chuck Gullens, and 13-year bassist Roland Pritzker a.k.a., Junior Bacon, whose respective pistol hot snare shots and subsonic timbres anchor the rhythm section.
The cast is expandable: as the house band at the Snowy Range Music Festival in Wyoming, they brought a 30-piece orchestra to join them for their feature set. Highlighted performers could include regulars like Mo Beeks (keys and vocals), Chris White and Linda Gustafson (backing vocals), Chalo Ortiz (guitar), as well as their regular New Orleans based horn section.
The songs of Blinddog Smokin’ animate a vivid cast of motley characters. They sport “Pimp Shoes,” see visions of “Angels at the Crossroads,” chase young girls like a “Funky Old Man,” ruminate on “Skinny Little Ladies” arrive on “Bobby Rush’s Bus,” and accompany the ancient bluesman who has “Just Come Home to Die.” We meet a disillusioned preacher in a old West saloon on “Church of Fools,” and Miss Peggy, proprietress of the Pic-a-Rib Café, where a teenage runaway Gustafson was first entranced by the rhythm and blues helped shape his destiny.
Rejuvenation, reinvention and forward motion: With Decisions – plus an additional collection of new tracks featuring Bobby Rush ready for release in 2015 and beyond –at their home base in Southern California, Blinddog Smokin’ is loading up the bus. “Why don’t you help us make the right decision,” implores Bobby Rush on the Decisions title track. As they bear witness to their legacy of rocking roadhouse revelations, the band’s decisions are manifest. While there may be millions of miles in their bus’s rear view mirror, loyal fans and new converts alike will witness Blinddog Smokin’ burning up stages at destinations further on up the road.
WEBSITE
TO THE TOP
''HIGH STEPPIN'''
JULY 17 2015
39:30
1 Pimp Shoes 05:25
2 Bayou Lady 04:25
3 Don't Put No Money on Me 03:49
4 I Caught Her Lyin' 04:51
5 Tell 'Em Shuffle 03:41
6 If I Died Today 05:40
7 Big Behind 03:52
8 Lady's Playin' 04:40
9 Tell 'Em Reprise 03:02
See Scans for Credits and more information
REVIEW/AMG
by Stephen Thomas Erlewine
High Steppin' arrives on the heels of Blues Music Award and Grammy nominations for Blinddog Smokin' -- nominations they received by collaborating with Bobby Rush on his 2014 album Decisions. High Steppin' provides the Southern California-based group an opportunity to showcase what they can do on their own, and this 2015 album does just that, illustrating that this is a thoroughly modern blues band. Blinddog Smokin' are by no means revivalists. By many measures, the band is proudly modern, spending as much time working a nasty funk groove as they do a blues shuffle, but what makes the band unique is how they blend a bit of post-Parliament sleaze with gritty juke joint blues. This is especially true on High Steppin', which spends a little bit of time lingering on both sounds but usually finds a vibrant common ground between soul, blues, and funk, indulging in tight, loose rhythms that are punctuated by horn stabs, chanted choruses, and liquid lead guitar. Some of this pushes at the edge of good taste but that's the fun of High Steppin': it doesn't treat blues or soul (or funk) as a tradition, but as a low-down good time.
OFFICIAL BIOGRAPHY
By Dan Kimpel
Fatback funk, blistering blues, uptown horns and low-down grooves: Grammy nominated Blinddog Smokin’ renders millions of miles and thousands of gigs into a deep American repertoire of profound authenticity.
In 2014 the band garnered a Grammy nomination for the 57th Grammy Awards for a CD/DVD with the bands longtime soulmate, legendary R&B/Soul/Bluesman Bobby Rush and featuring Rock n’ Roll Hall of Famer Dr. John. The album is up for Song of the Year and Best Soul Blues Album in the Blues Music Awards and won an award for Best Soul Blues Album in the Blues Blast Music Awards. The album debuted at #6 on the Blues radio chart and charted on Americana radio, its received glowing press from The Wall Street Journal to USA Today to Living Blues, radio play on Sirius XM’s B.B. King’s Bluesville, and a music video in rotation on MTV, VH1, and Dish.
The music emanates from the rotating community of players and echoes across the legions of folks who have communed with the band at 200 - 320 gigs per year for well over two decades. Blinddog Smokin’ has played every conceivable venue, from Mississippi juke joints to high mountain roadhouses; across Europe and the Mediterranean all the way to the main stage at the King Biscuit Blues Festival in Helena, Arkansas, an event that attracts upwards of 100,000 attendees. Traveling by bus to 42 of the continental United States – plus international tours – they have been rightfully crowned “Ultimate Road Warriors,” by Southland Blues Magazine.
The lead dog in this hard traveling show band is the band’s founder and charismatic front man Carl Gustafson; an adventurer, world traveler and philosopher whose gravel road of a voice is paved with the power of his convictions and the revelations in his songs. First chronicling the band’s adventures in an online column, “Tales Well Told,” he authored the book Ain’t Just The Blues, It’s Showtime: Hard Times, Heartache and Glory Along Blue Highway, an enthralling diary of the band’s journeys. Whether in song, performance or prose, he is a masterful raconteur.
New from the studio in 2014 is the CD Decisions, pairing Blinddog Smokin’ with the King of the Chitlin’ Circuit Bobby Rush, a three-time Grammy-nominated veteran featured in the “Road to Memphis” segment in the Martin Scorcese documentary The Blues. Joining the band on “Another Murder in New Orleans” is the great Dr. John, the legendary six-time Grammy-winning Crescent City kingpin. The song has been licensed by the national non-profit organization Crimestoppers for their New Orleans chapter and premiered with a music video on The Wall Street Journal, directed by Jennifer DeLia and produced by Julie Pacino, daughter of Oscar-winner Al Pacino. Donny Markowitz, a roots auteur extraordinaire and the songwriter of the Oscar, Grammy, and Golden Globe-winning “(I’ve Had) The Time of My Life” is behind the board for the recordings, as he was for the band’s recent CD/DVD Up From the Tracks. The band is gearing up to get back on the road in 2015 behind their Grammy nominated record, with plans to release a new album later in the year.
Blinddog Smokin’ is flexible. They might showcase illustrious guest members like Bobby Rush, Chicago guitar master Carl Weathersby or the brilliant blues harpist Billy Branch. Regular compadres include the original drummer “Chicago” Chuck Gullens, and 13-year bassist Roland Pritzker a.k.a., Junior Bacon, whose respective pistol hot snare shots and subsonic timbres anchor the rhythm section.
The cast is expandable: as the house band at the Snowy Range Music Festival in Wyoming, they brought a 30-piece orchestra to join them for their feature set. Highlighted performers could include regulars like Mo Beeks (keys and vocals), Chris White and Linda Gustafson (backing vocals), Chalo Ortiz (guitar), as well as their regular New Orleans based horn section.
The songs of Blinddog Smokin’ animate a vivid cast of motley characters. They sport “Pimp Shoes,” see visions of “Angels at the Crossroads,” chase young girls like a “Funky Old Man,” ruminate on “Skinny Little Ladies” arrive on “Bobby Rush’s Bus,” and accompany the ancient bluesman who has “Just Come Home to Die.” We meet a disillusioned preacher in a old West saloon on “Church of Fools,” and Miss Peggy, proprietress of the Pic-a-Rib Café, where a teenage runaway Gustafson was first entranced by the rhythm and blues helped shape his destiny.
Rejuvenation, reinvention and forward motion: With Decisions – plus an additional collection of new tracks featuring Bobby Rush ready for release in 2015 and beyond –at their home base in Southern California, Blinddog Smokin’ is loading up the bus. “Why don’t you help us make the right decision,” implores Bobby Rush on the Decisions title track. As they bear witness to their legacy of rocking roadhouse revelations, the band’s decisions are manifest. While there may be millions of miles in their bus’s rear view mirror, loyal fans and new converts alike will witness Blinddog Smokin’ burning up stages at destinations further on up the road.
WEBSITE
TO THE TOP
