11403 - ERIC CLAPTON AND STEVE WINWOOD LIVE FROM MADISON SQUARE GARDEN, DISC TWO (2009)

ERIC CLAPTON AND STEVE WINWOOD
''LIVE FROM MADISON SQUARE GARDEN, DISC TWO''
2009
130:13
********************
DISC ONE (66:54)
1 Had To Cry Today 07:46 (Steve Winwood)
2 Low Down 04:10 (J.J. Cale)
3 Them Changes 05:10 (Buddy Miles)
4 Forever Man 03:33 (Jerry Lynn Williams)
5 Sleeping In The Ground 04:50 (Sam Myers)
6 Presence Of The Lord 05:23 (Eric Clapton)
7 Glad 04:13 (Steve Winwood)
8 Well All Right 05:35 (Jerry Allison, Buddy Holly, Joe B. Mauldin, Norman Petty)
9 Double Trouble 08:06 (Otis Rush)
10 Pearly Queen 06:10 (Jim Capaldi, Steve Winwood)
11 Tell The Truth 06:43 (Eric Clapton, Bobby Whitlock)
12 No Face, No Name, No Number 04:07 (Jim Capaldi, Steve Winwood)
********************
DISC TWO (63:19)
1 After Midnight 04:45 (J.J. Cale)
2 Split Decision 06:26 (Joe Walsh, Steve Winwood)
3 Ramblin’ On My Mind 04:01 (Robert Johnson)
4 Georgia On My Mind 05:05 (Hoagy Carmichael, Stuart Gorrell)
5 Little Wing 06:42 (Jimi Hendrix)
6 Voodoo Chile 16:23 (Jimi Hendrix)
7 Can't Find My Way Home 05:34 (Steve Winwood)
8 Dear Mr. Fantasy 07:41 (Jim Capaldi, Steve Winwood, Chris Wood)
9 Cocaine 06:40 (J.J. Cale)
********************
Willie Weeks/Bass Guitar
Ian Thomas/Drums
Chris Stainton/Keyboards
Eric Clapton/Guitar, Vocals
Steve Winwood/Guitar, Vocals, Keyboards
********************
ABOUT THE ALBUM/WIKIPEDIA
Live from Madison Square Garden is a 2 CD/2 DVD live album by Eric Clapton and Steve Winwood which was released on 19 May 2009 by Duck / Reprise Records. The album is made up of recordings from Clapton and Winwood's performances at Madison Square Garden in February 2008.

The duo performed songs from their time in the band Blind Faith as well as selections from Traffic, Derek and the Dominos, Clapton's and Winwood's solo careers and some rock and blues covers. Their band consisted of Willie Weeks on bass, Ian Thomas on drums and Chris Stainton on keyboards.

Background
Winwood and Clapton first crossed musical paths as members of the one-off group Eric Clapton and the Powerhouse in March 1966. They recorded songs issued on the Elektra Records compilation album What's Shaking. Later they teamed up again in 1969 with the formation of Blind Faith, shortly after Clapton had left Cream. Blind Faith pioneered the fusion of rock and blues into tremendous studio and stage success. Despite critical and popular acclaim, the band was short-lived with only one album and a brief 1969 tour that debuted 12 July at Madison Square Garden and ended 24 August in Hawaii. Since then, Winwood and Clapton have remained friends but have only performed together a few times over the years for an occasional song at a charity event. In 1998, they both appeared in the movie Blues Brothers 2000 as members of the fictional blues group, the Louisiana Gator Boys (Willie Weeks was also a member). During Clapton's 2007 Crossroads Guitar Festival, Clapton and Winwood played six songs together including a few Blind Faith songs. After that successful experience, the two decided to collaborate again. The 2008 Madison Square Garden shows were the first full Winwood-Clapton concerts in almost 40 years.

The night before Buddy Miles died, a friend called him on his cell phone so he could hear Winwood and Clapton perform his best known song "Them Changes". When they found out the next that Miles had died, they dedicated the performance of the song to him.

Tour
On 11 February 2009, the pair announced a 14-city US tour that kicked off on 10 June 2009 in East Rutherford, New Jersey. They were joined on stage by Chris Stainton (keyboards), Willie Weeks (bass), Abe Laboriel, Jr. (drums), as well as backing vocalists Sharon White and Michelle John.

Recording, production and artwork
Live from Madison Square Garden was recorded from 25 to 28 February. The shows were recorded and mixed by James Towler, while the production was handled by James Pluta, John McDermott, and Scooter Weintraub with executive production by John Beug, Michael Eaton, Peter Jackson, and Tom Whalley. Most of the production staff were also involved in the recordings for Clapton's Crossroads Guitar Festivals.

The art direction for the album and DVD was Ellen Wakayama with the design handled by Donny Phillips of the Tehachapi hardcore bands The Warriors and Machines, and photography by Danny Clinch. Phillips is one of the lead graphic designers at Warner Bros. Records, which the other two people mentioned also work for. The artwork was based on the taijitu, although the colours on the packaging were red and blue instead of black and white.
********************
WEBSITE ERIC CLAPTON
********************
WEBSITE STEVE WINWOOD
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TO THE TOP
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11402 - ERIC CLAPTON AND STEVE WINWOOD LIVE FROM MADISON SQUARE GARDEN, DISC ONE (2009)

ERIC CLAPTON AND STEVE WINWOOD
''LIVE FROM MADISON SQUARE GARDEN, DISC ONE''
2009
130:13
********************
DISC ONE (66:54)
1 Had To Cry Today 07:46 (Steve Winwood)
2 Low Down 04:10 (J.J. Cale)
3 Them Changes 05:10 (Buddy Miles)
4 Forever Man 03:33 (Jerry Lynn Williams)
5 Sleeping In The Ground 04:50 (Sam Myers)
6 Presence Of The Lord 05:23 (Eric Clapton)
7 Glad 04:13 (Steve Winwood)
8 Well All Right 05:35 (Jerry Allison, Buddy Holly, Joe B. Mauldin, Norman Petty)
9 Double Trouble 08:06 (Otis Rush)
10 Pearly Queen 06:10 (Jim Capaldi, Steve Winwood)
11 Tell The Truth 06:43 (Eric Clapton, Bobby Whitlock)
12 No Face, No Name, No Number 04:07 (Jim Capaldi, Steve Winwood)
********************
DISC TWO (63:19)
1 After Midnight 04:45 (J.J. Cale)
2 Split Decision 06:26 (Joe Walsh, Steve Winwood)
3 Ramblin’ On My Mind 04:01 (Robert Johnson)
4 Georgia On My Mind 05:05 (Hoagy Carmichael, Stuart Gorrell)
5 Little Wing 06:42 (Jimi Hendrix)
6 Voodoo Chile 16:23 (Jimi Hendrix)
7 Can't Find My Way Home 05:34 (Steve Winwood)
8 Dear Mr. Fantasy 07:41 (Jim Capaldi, Steve Winwood, Chris Wood)
9 Cocaine 06:40 (J.J. Cale)
********************
Willie Weeks/Bass Guitar
Ian Thomas/Drums
Chris Stainton/Keyboards
Eric Clapton/Guitar, Vocals
Steve Winwood/Guitar, Vocals, Keyboards
********************
ABOUT THE ALBUM/WIKIPEDIA
Live from Madison Square Garden is a 2 CD/2 DVD live album by Eric Clapton and Steve Winwood which was released on 19 May 2009 by Duck / Reprise Records. The album is made up of recordings from Clapton and Winwood's performances at Madison Square Garden in February 2008.

The duo performed songs from their time in the band Blind Faith as well as selections from Traffic, Derek and the Dominos, Clapton's and Winwood's solo careers and some rock and blues covers. Their band consisted of Willie Weeks on bass, Ian Thomas on drums and Chris Stainton on keyboards.

Background
Winwood and Clapton first crossed musical paths as members of the one-off group Eric Clapton and the Powerhouse in March 1966. They recorded songs issued on the Elektra Records compilation album What's Shaking. Later they teamed up again in 1969 with the formation of Blind Faith, shortly after Clapton had left Cream. Blind Faith pioneered the fusion of rock and blues into tremendous studio and stage success. Despite critical and popular acclaim, the band was short-lived with only one album and a brief 1969 tour that debuted 12 July at Madison Square Garden and ended 24 August in Hawaii. Since then, Winwood and Clapton have remained friends but have only performed together a few times over the years for an occasional song at a charity event. In 1998, they both appeared in the movie Blues Brothers 2000 as members of the fictional blues group, the Louisiana Gator Boys (Willie Weeks was also a member). During Clapton's 2007 Crossroads Guitar Festival, Clapton and Winwood played six songs together including a few Blind Faith songs. After that successful experience, the two decided to collaborate again. The 2008 Madison Square Garden shows were the first full Winwood-Clapton concerts in almost 40 years.

The night before Buddy Miles died, a friend called him on his cell phone so he could hear Winwood and Clapton perform his best known song "Them Changes". When they found out the next that Miles had died, they dedicated the performance of the song to him.

Tour
On 11 February 2009, the pair announced a 14-city US tour that kicked off on 10 June 2009 in East Rutherford, New Jersey. They were joined on stage by Chris Stainton (keyboards), Willie Weeks (bass), Abe Laboriel, Jr. (drums), as well as backing vocalists Sharon White and Michelle John.

Recording, production and artwork
Live from Madison Square Garden was recorded from 25 to 28 February. The shows were recorded and mixed by James Towler, while the production was handled by James Pluta, John McDermott, and Scooter Weintraub with executive production by John Beug, Michael Eaton, Peter Jackson, and Tom Whalley. Most of the production staff were also involved in the recordings for Clapton's Crossroads Guitar Festivals.

The art direction for the album and DVD was Ellen Wakayama with the design handled by Donny Phillips of the Tehachapi hardcore bands The Warriors and Machines, and photography by Danny Clinch. Phillips is one of the lead graphic designers at Warner Bros. Records, which the other two people mentioned also work for. The artwork was based on the taijitu, although the colours on the packaging were red and blue instead of black and white.
********************
WEBSITE ERIC CLAPTON
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WEBSITE STEVE WINWOOD
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TO THE TOP
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11401 - STEVE WINWOOD - ABOUT TIME (BONUS TRACKS), DISC TWO (2003)

STEVE WINWOOD
''ABOUT TIME (BONUS TRACKS), DISC TWO''
JUNE 17 2003
99:10
********************
DISC ONE (69:41)
1 - Different Light 06:35 (Steve Winwood)
2 - Cigano (For The Gypsies) 06:20 (Jose Neto, Steve Winwood)
3 - Take It To The Final Hour 05:36 (Anthony Crawford, Steve Winwood)
4 - Why Can't We Live Together 06:39 (Timmy Thomas)
5 - Domingo Morning 05:06 (Jose Neto, Steve Winwood)
6 - Now That You're Alive 05:27 (Eugenia Winwood, Steve Winwood)
7 - Bully 05:37 (Eugenia Winwood, Steve Winwood)
8 - Phoenix Rising 07:26 (Steve Winwood, William Topley)
9 - Horizon 04:31 (Eugenia Winwood, Steve Winwood)
10 - Walking On 04:54 (Anthony Crawford, Steve Winwood)
11 - Silvia (Who Is She?) 11:25 (Jose Neto, Steve Winwood)
********************
DISC TWO (29:29)
1 - Dear Mr. Fantasy (Live) 08:08 (Chris Wood, Jim Capaldi, Steve Winwood)
2 - Why Can't We Live Together (Live) 06:32 (Timmy Thomas)
3 - Voodoo Chile 14:48 (Jimi Hendrix)
********************
Steve Winwood - vocals, hammond B-3 organ
José Pires de Almeida Neto - guitar
Walfredo Reyes, Jr. - drums, additional percussion (2, 4)
Karl Vanden Bossche - congas (2, 4, 6, 7, 8, 10)
Richard Bailey - timbales (2, 4, 6, 7, 8, 10)
Karl Denson - saxophone (1, 6), flute (8, 10)
********************
REVIEW/AMG
Stephen Thomas Erlewine
Steve Winwood took an extended break after the ignoble flop of 1997's Junction Seven, resurfacing on his own indie label Wincraft six years later with About Time. Where his last major-label effort fell prey to many of the trappings of a veteran artist gunning for the charts one last time -- an overly slick Narada Michael Walden production, cameos from Des'ree and Lenny Kravitz, songs that were too slick and unmemorable -- About Time finds Winwood scaling back things considerably, keeping himself to a trio featuring him on a Hammond organ, drummer Walfredo Reyes, Jr., and guitarist José Piresde Almeida Neto. Occasionally, congas and timbales and other percussion flesh out the rhythm, while Karl Denson plays flute or saxophone elsewhere, but these are subtle additions to a loose, laid-back, intimate album that harks back to Traffic, even if it is never as freewheeling or unpredictable as that band. Winwood's ambitions with About Time are pretty modest, actually -- to cut R&B-based tunes that bring in jazz and Latin influences and give everybody the chance to jam. Though they meander a bit too much at times, the jams are warm and appealing, and while the songs are a little indistinct, the feel of the music is good, which counts for a lot, since the last two slick solo albums felt distant (surely a byproduct of records that were designed to be Roll with It, Pt. 2). If Winwood's voice is now a little rough (which comes as a surprise), it nevertheless fits the scaled-down, relaxed atmosphere. And if individual songs aren't necessarily memorable, they don't necessarily need to be -- the feel is the thing here, and while it isn't first-rate Steve Winwood, it does feel like a welcome update from an old friend, which, after several years of waiting and several uneven records, is enough.
********************
WEBSITE
********************
TO THE TOP
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11400 - STEVE WINWOOD - ABOUT TIME (BONUS TRACKS), DISC ONE (2003)

STEVE WINWOOD
''ABOUT TIME (BONUS TRACKS), DISC ONE''
JUNE 17 2003
99:10
********************
DISC ONE (69:41)
1 - Different Light 06:35 (Steve Winwood)
2 - Cigano (For The Gypsies) 06:20 (Jose Neto, Steve Winwood)
3 - Take It To The Final Hour 05:36 (Anthony Crawford, Steve Winwood)
4 - Why Can't We Live Together 06:39 (Timmy Thomas)
5 - Domingo Morning 05:06 (Jose Neto, Steve Winwood)
6 - Now That You're Alive 05:27 (Eugenia Winwood, Steve Winwood)
7 - Bully 05:37 (Eugenia Winwood, Steve Winwood)
8 - Phoenix Rising 07:26 (Steve Winwood, William Topley)
9 - Horizon 04:31 (Eugenia Winwood, Steve Winwood)
10 - Walking On 04:54 (Anthony Crawford, Steve Winwood)
11 - Silvia (Who Is She?) 11:25 (Jose Neto, Steve Winwood)
********************
DISC TWO (29:29)
1 - Dear Mr. Fantasy (Live) 08:08 (Chris Wood, Jim Capaldi, Steve Winwood)
2 - Why Can't We Live Together (Live) 06:32 (Timmy Thomas)
3 - Voodoo Chile 14:48 (Jimi Hendrix)
********************
Steve Winwood - vocals, hammond B-3 organ
José Pires de Almeida Neto - guitar
Walfredo Reyes, Jr. - drums, additional percussion (2, 4)
Karl Vanden Bossche - congas (2, 4, 6, 7, 8, 10)
Richard Bailey - timbales (2, 4, 6, 7, 8, 10)
Karl Denson - saxophone (1, 6), flute (8, 10)
********************
REVIEW/AMG
Stephen Thomas Erlewine
Steve Winwood took an extended break after the ignoble flop of 1997's Junction Seven, resurfacing on his own indie label Wincraft six years later with About Time. Where his last major-label effort fell prey to many of the trappings of a veteran artist gunning for the charts one last time -- an overly slick Narada Michael Walden production, cameos from Des'ree and Lenny Kravitz, songs that were too slick and unmemorable -- About Time finds Winwood scaling back things considerably, keeping himself to a trio featuring him on a Hammond organ, drummer Walfredo Reyes, Jr., and guitarist José Piresde Almeida Neto. Occasionally, congas and timbales and other percussion flesh out the rhythm, while Karl Denson plays flute or saxophone elsewhere, but these are subtle additions to a loose, laid-back, intimate album that harks back to Traffic, even if it is never as freewheeling or unpredictable as that band. Winwood's ambitions with About Time are pretty modest, actually -- to cut R&B-based tunes that bring in jazz and Latin influences and give everybody the chance to jam. Though they meander a bit too much at times, the jams are warm and appealing, and while the songs are a little indistinct, the feel of the music is good, which counts for a lot, since the last two slick solo albums felt distant (surely a byproduct of records that were designed to be Roll with It, Pt. 2). If Winwood's voice is now a little rough (which comes as a surprise), it nevertheless fits the scaled-down, relaxed atmosphere. And if individual songs aren't necessarily memorable, they don't necessarily need to be -- the feel is the thing here, and while it isn't first-rate Steve Winwood, it does feel like a welcome update from an old friend, which, after several years of waiting and several uneven records, is enough.
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WEBSITE
********************
TO THE TOP
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11399 - THIRD WORLD - AIYE-KETA (1973)

THE THIRD WORLD
''AIYE-KETA''
JULY 13 1973
36:21
********************
1 Happy Vibes 06:48
2 Irin-Ajo 07:38
3 Black Beauty 04:20
4 Afro Super 07:22
5 Shango 10:11
All Tracks By Remi Kabaka
********************
Steve Winwood - Keyboards, Lead Guitar, Percussion, Moog, Vocals
Abdul Lasisi Amao (Osibisa) - Saxes, Flute, Congas, Percussion, Vocals
Remi Kabaka (Ginger Baker’s Airforce) - Lead Vocals, Piano, Drums, Congas, African Drums & Pot, Rhythm Guitar, Moog Drum
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10807 - REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC FOUR (2010)

STEVE WINWOOD
''REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC FOUR''
JUNE 8 2010
303:41

**********

Disc ONE (74:42)
1 Keep on Running (Jackie Edwards) 2:48
2 Somebody Help Me (Edwards) 2:04
3 Gimme Some Lovin' (Spencer Davis, Steve Winwood, Muff Winwood) 2:57
4 I'm a Man (Jimmy Miller, Winwood) 2:57
5 Paper Sun (Jim Capaldi, Winwood) 4:16
6 Coloured Rain (Capaldi, Winwood, Chris Wood) 2:42
7 No Face, No Name, No Number (Capaldi, Winwood) 3:32
8 Heaven Is in Your Mind (Capaldi, Winwood, Wood) 4:18
9 Smiling Phases (Capaldi, Winwood, Wood) 2:42
10 Dear Mr. Fantasy (Capaldi, Winwood, Wood) 5:39
11 Pearly Queen (Capaldi, Winwood) 4:21
12 40,000 Headmen (Capaldi, Miller, Winwood) 3:16
13 No Time to Live (Capaldi, Winwood) 5:19
14 Who Knows What Tomorrow May Bring (Capaldi, Winwood, Wood) 3:14
15 Shanghai Noodle Factory (Capaldi, Larry Fallon, Dave Mason, Miller, Winwood, Wood) 5:04
16 Medicated Goo (Miller, Winwood) 3:37
17 Withering Tree (Capaldi, Winwood) 3:12
18 Well Alright (Jerry Allison, Buddy Holly, Joe B. Mauldin, Norman Petty) 4:27
19 Can't Find My Way Home (Winwood) 3:18
20 Presence of the Lord (Eric Clapton) 4:52
Tracks 1-4 by The Spencer Davis Group
Tracks 5-17 by Traffic
Tracks 18-20 by Blind Faith

*****

DISC TWO (72:32)
1 Stranger to Himself (Capaldi, Winwood) 3:53
2 John Barleycorn (Must Die) (traditional-arr. Winwood) 6:23
3 Glad (Winwood) 7:01
4 Freedom Rider (Capaldi, Winwood) 5:28
5 Empty Pages (Capaldi, Winwood) 4:36
6 The Low Spark of High-Heeled Boys (Capaldi, Winwood) 12:26
7 Rainmaker (Capaldi, Winwood) 7:44
8 Shoot Out at the Fantasy Factory (Capaldi, Winwood) 6:02
9 Something New (Capaldi, Winwood) 3:16
10 Walking in the Wind (Capaldi, Winwood) 6:46
11 When the Eagle Flies (Capaldi, Winwood) 4:25
12 Mozambique (Capaldi, Winwood) 4:26
All tracks by Traffic

*****

DISC THREE (79:45)
1 Vacant Chair (Viv Stanshall, Winwood) 6:52
2 While You See a Chance (Will Jennings, Winwood) 5:15
3 Arc of a Diver (Stanshall, Winwood) 5:28
4 Spanish Dancer (Jennings, Winwood) 6:10
5 Night Train (Jennings, Winwood) 7:50
6 Valerie (Jennings, Winwood) 4:07
7 Higher Love (Jennings, Winwood) 5:49
8 Freedom Overspill (George Fleming, James Hooker, Winwood) 4:16
9 Back in the High Life Again (Jennings, Winwood) 4:24
10 Don't You Know What the Night Can Do? (Jennings, Winwood) 4:28
11 Spy in the House of Love (Capaldi, Narada Michael Walden, Winwood) 4:44
12 Different Light (Winwood) 6:39
13 Dirty City (featuring Eric Clapton) (Peter Godwin, Winwood) 7:46
14 The Finer Things (Jennings, Winwood) 5:49
All Tracks By Steve Winwood

*****

DISC FOUR (76:42)
1 This Hammer (Davis, Winwood, Winwood, Pete York) 2:18
2 Waltz for Lumumba (Winwood) 4:18
3 When I Come Home (Edwards, Winwood) 1:57
4 Love (Capaldi, Winwood) 3:05
5 In the Light of Day (Jennings, Winwood) 9:43
6 There's a River (Jennings, Winwood) 4:42
7 Hold On (Capaldi, Winwood) 4:29
8 The Morning Side" (Jennings, Winwood) 5:12
9 Far From Home (Capaldi, Winwood) 8:35
10 Holy Ground (Capaldi, Davy Spillane, Winwood) 7:49
11 State of Grace (Capaldi, Winwood) 7:17
12 Why Can't We Live Together (Timmy Thomas) 6:42
13 Domingo Morning (Jose Pires de Almeida Neto, Winwood) 5:09
14 Roll With It (Jennings, Winwood) 5:21
Tracks 1-3 by The Spencer Davis Group
Tracks 4 and 9-11 by Traffic
Tracks 5-8 and 12-14 by Steve Winwood

**********

REVIEW / AMG
Stephen Thomas Erlewine
Not the first box set to distill Steve Winwood’s far-reaching career into four discs, 2010’s Revolutions: The Very Best of Steve Winwood does have a leg up on its 1995 predecessor, The Finer Things, by the virtue of covering the 15 years separating the two sets, plus adding a higher dosage of Blind Faith to the mix. Nevertheless, this 58-track box -- with its songs selected by Winwood himself -- shares a whopping 36 cuts with The Finer Things. It’s such a strong overlap that it does suggest that there’s truly a defined Winwood canon, and even though it doesn’t contain the mega-hit “Roll with It,” along with a handful of other notable tunes, Revolutions doesn’t depart from that canon. Instead, it’s a handsome, effective presentation of it, worthwhile for any serious fan who doesn’t have an extensive Winwood collection.

**********

BIOGRAPHY / AMG
Steve Huey
As a solo artist, Steve Winwood is primarily associated with the highly polished blue-eyed soul-pop that made him a star in the '80s. Yet his turn as a slick, upscale mainstay of adult contemporary radio was simply the latest phase of a long and varied career, one that's seen the former teenage R&B shouter move through jazz, psychedelia, blues-rock, and progressive rock. Possessed of a powerful, utterly distinctive voice, Winwood was also an excellent keyboardist who remained an in-demand session musician for most of his career, even while busy with high-profile projects. That background wasn't necessarily apparent on his solo records, which established a viable commercial formula that was tremendously effective as long as it was executed with commitment.

Stephen Lawrence Winwood was born May 12, 1948, in the Handsworth area of Birmingham, England. First interested in swing and Dixieland jazz, he began playing drums, guitar, and piano as a child, and first performed with his father and older brother Muff in the Ron Atkinson Band at the age of eight. During the early '60s, Muff led a locally popular group called the Muff Woody Jazz Band, and allowed young Steve to join; eventually they began to add R&B numbers to their repertoire, and in 1963 the brothers chose to pursue that music full-time, joining guitarist Spencer Davis to form the Spencer Davis Group. Although he was only 15, Steve's vocals were astoundingly soulful and mature, and his skills at the piano were also advanced beyond his years. Within a year, he'd played with numerous American blues legends both in concert and in the studio; in 1965, he also recorded the solo single "Incense" as the Anglos, crediting himself as Stevie Anglo. Meanwhile, the Spencer Davis Group released a handful of classic R&B-styled singles, including "Keep on Running," "I'm a Man," and the monumental "Gimme Some Lovin'," which stood with any of the gritty hardcore soul music coming out of the American South.

Winwood eventually tired of the tight pop-single format; by the mid-'60s, the cutting edge of rock & roll often involved stretching out instrumentally, and with his roots in jazz, Winwood wanted the same opportunity. Accordingly, he left the Spencer Davis Group in 1967 to form Traffic with guitarist Dave Mason, horn player Chris Wood, and drummer Jim Capaldi, all of whom had played on "Gimme Some Lovin'." The quartet retired to a small cottage in the Berkshire countryside, where they could work out their sound -- a unique blend of R&B, Beatlesque pop, psychedelia, jazz, and British folk -- and jam long into the night without angering neighbors. Traffic debuted in the U.K. with the single "Paper Sun" in May 1967, and soon issued their debut album Mr. Fantasy (retitled Heaven Is in Your Mind in the U.S.); it was followed by the jazzy psychedelic classic Traffic in 1968. However, conflicts had arisen between Winwood and Mason over the latter's tightly constructed folk-pop songs, which didn't fit into Winwood's expansive, jam-oriented conception of the band. Mason left, returned, and was fired again, and Winwood broke up the band at the beginning of 1969. Even so, by that time, he had become the unofficial in-house keyboardist for Traffic's label Island, playing at numerous recording sessions.

Winwood subsequently hooked up with old friend Eric Clapton, who'd recently parted ways with Cream. The two began jamming and found that they enjoyed working together, and rumors of their collaboration spread like wildfire; the enormous anticipation only grew when ex-Cream drummer Ginger Baker signed on, despite Clapton's misgivings over the expectations that would create. Concert promoters rushed to book the band before any material had been completed (hence the band's eventual name, Blind Faith), and offered too much money for them to refuse, despite their lack of rehearsal time. Their self-titled debut, released in the summer of 1969, was a hit, but the extreme pressure on the group led to their breakup even before the end of the year. Winwood joined Baker in a large, eclectic new supergroup called Ginger Baker's Air Force, but Winwood still had contract obligations to Island, and he left not long after Air Force's debut performance at the Royal Albert Hall in early 1970.

Winwood began work on what was slated to be his first solo LP, but he gradually brought in more ex-Traffic members to help him out, to the point where the album simply became a band reunion. John Barleycorn Must Die was released later in 1970, showcasing the sort of jam-happy jazz-rock sound that Winwood had in mind for the group from the start. Several more albums in that vein followed, including 1971's The Low Spark of High-Heeled Boys, which brought Traffic to the peak of their commercial popularity in America. The run was briefly interrupted by Winwood's bout with peritonitis around 1972, but he'd recovered enough to play a major role in Eric Clapton's early-1973 comeback concerts at the Rainbow Theatre. Traffic broke up in 1974, but instead of going solo right away, an exhausted Winwood spent the next few years as a session musician, relaxing on his Gloucestershire farm during his spare time. He also featured prominently as a collaborator with Japanese percussionist Stomu Yamash'ta, appearing on his hit jazz fusion LP, Go, in 1976.

When Winwood finally returned with his self-titled solo debut in 1977, Britain was in the midst of the punk revolution, and the music itself was somewhat disappointing even to Winwood himself. Dismayed, he returned to Gloucestershire and all but disappeared from music. He returned in late 1980 with the little-heralded Arc of a Diver, a much stronger effort on which he played every instrument himself. Modernizing Winwood's sound with more synthesizers and electronic percussion, Arc of a Diver was a platinum-selling hit in the U.S., helped by the hit single "While You See a Chance"; it received highly positive reviews as well, most hailing the freshness of Winwood's newly contemporary sound. The extremely similar 1982 follow-up Talking Back to the Night sounded rushed to some reviewers, and it wasn't nearly as big a hit, with none of its singles reaching the Top 40. Unhappy with the record, Winwood even considered retiring to become a producer (though his brother talked him out of it).

Taking more time to craft his next album, Winwood didn't return until 1986, with an album of slickly crafted, sophisticated pop called Back in the High Life, which was his first '80s album to feature outside session musicians. It was a smash hit, selling over three-million copies and producing Winwood's first number one single in "Higher Love," which also won a Grammy for Record of the Year. In 1987, Virgin offered Winwood a substantial sum of money and successfully pried him away from Island; a remixed version of Talking Back to the Night's "Valerie," featured on the Island-greatest-hits compilation Chronicles, became a Top Ten hit later that year. Winwood's hot streak continued with his first album for Virgin, 1988's Roll With It. The title track became his second number one and his biggest hit ever, and the album topped the charts as well; plus, the smoky ballad "Don't You Know What the Night Can Do?" was featured in a prominent TV ad campaign. Winwood had by now established a large, mostly adult fan base, but that support began to slip with his next album, 1990's Refugees of the Heart. Refugees repeated the slick blue-eyed soul updates of its predecessor, but according to most reviewers it simply wasn't performed with the same passion, save for the lead single "One and Only Man," a collaboration with Traffic mate Jim Capaldi.

Afterward, Winwood continued his pattern of following disappointments with periods of inactivity; he next resurfaced in 1994 as part of a Traffic reunion with Capaldi. Together they released the new album, Far From Home, and toured the world. Winwood subsequently returned to his solo career and spent two years working on Junction Seven, which finally appeared in 1997 and was co-produced by Narada Michael Walden. However, his momentum had stalled, and the album -- which received mixed reviews -- failed to sell well. The following year, Winwood toured with his new project Latin Crossings, a jazz group that also featured Tito Puente and Arturo Sandoval (though they never recorded). He subsequently parted ways with Virgin. The brilliant About Time appeared in 2003, followed in 2008 by Nine Lives.

**********

WEBSITE

**********

TO THE TOP

**********

10806 - REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC THREE (2010)

STEVE WINWOOD
''REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC THREE''
JUNE 8 2010
303:41

**********

Disc ONE (74:42)
1 Keep on Running (Jackie Edwards) 2:48
2 Somebody Help Me (Edwards) 2:04
3 Gimme Some Lovin' (Spencer Davis, Steve Winwood, Muff Winwood) 2:57
4 I'm a Man (Jimmy Miller, Winwood) 2:57
5 Paper Sun (Jim Capaldi, Winwood) 4:16
6 Coloured Rain (Capaldi, Winwood, Chris Wood) 2:42
7 No Face, No Name, No Number (Capaldi, Winwood) 3:32
8 Heaven Is in Your Mind (Capaldi, Winwood, Wood) 4:18
9 Smiling Phases (Capaldi, Winwood, Wood) 2:42
10 Dear Mr. Fantasy (Capaldi, Winwood, Wood) 5:39
11 Pearly Queen (Capaldi, Winwood) 4:21
12 40,000 Headmen (Capaldi, Miller, Winwood) 3:16
13 No Time to Live (Capaldi, Winwood) 5:19
14 Who Knows What Tomorrow May Bring (Capaldi, Winwood, Wood) 3:14
15 Shanghai Noodle Factory (Capaldi, Larry Fallon, Dave Mason, Miller, Winwood, Wood) 5:04
16 Medicated Goo (Miller, Winwood) 3:37
17 Withering Tree (Capaldi, Winwood) 3:12
18 Well Alright (Jerry Allison, Buddy Holly, Joe B. Mauldin, Norman Petty) 4:27
19 Can't Find My Way Home (Winwood) 3:18
20 Presence of the Lord (Eric Clapton) 4:52
Tracks 1-4 by The Spencer Davis Group
Tracks 5-17 by Traffic
Tracks 18-20 by Blind Faith

*****

DISC TWO (72:32)
1 Stranger to Himself (Capaldi, Winwood) 3:53
2 John Barleycorn (Must Die) (traditional-arr. Winwood) 6:23
3 Glad (Winwood) 7:01
4 Freedom Rider (Capaldi, Winwood) 5:28
5 Empty Pages (Capaldi, Winwood) 4:36
6 The Low Spark of High-Heeled Boys (Capaldi, Winwood) 12:26
7 Rainmaker (Capaldi, Winwood) 7:44
8 Shoot Out at the Fantasy Factory (Capaldi, Winwood) 6:02
9 Something New (Capaldi, Winwood) 3:16
10 Walking in the Wind (Capaldi, Winwood) 6:46
11 When the Eagle Flies (Capaldi, Winwood) 4:25
12 Mozambique (Capaldi, Winwood) 4:26
All tracks by Traffic

*****

DISC THREE (79:45)
1 Vacant Chair (Viv Stanshall, Winwood) 6:52
2 While You See a Chance (Will Jennings, Winwood) 5:15
3 Arc of a Diver (Stanshall, Winwood) 5:28
4 Spanish Dancer (Jennings, Winwood) 6:10
5 Night Train (Jennings, Winwood) 7:50
6 Valerie (Jennings, Winwood) 4:07
7 Higher Love (Jennings, Winwood) 5:49
8 Freedom Overspill (George Fleming, James Hooker, Winwood) 4:16
9 Back in the High Life Again (Jennings, Winwood) 4:24
10 Don't You Know What the Night Can Do? (Jennings, Winwood) 4:28
11 Spy in the House of Love (Capaldi, Narada Michael Walden, Winwood) 4:44
12 Different Light (Winwood) 6:39
13 Dirty City (featuring Eric Clapton) (Peter Godwin, Winwood) 7:46
14 The Finer Things (Jennings, Winwood) 5:49
All Tracks By Steve Winwood

*****

DISC FOUR (76:42)
1 This Hammer (Davis, Winwood, Winwood, Pete York) 2:18
2 Waltz for Lumumba (Winwood) 4:18
3 When I Come Home (Edwards, Winwood) 1:57
4 Love (Capaldi, Winwood) 3:05
5 In the Light of Day (Jennings, Winwood) 9:43
6 There's a River (Jennings, Winwood) 4:42
7 Hold On (Capaldi, Winwood) 4:29
8 The Morning Side" (Jennings, Winwood) 5:12
9 Far From Home (Capaldi, Winwood) 8:35
10 Holy Ground (Capaldi, Davy Spillane, Winwood) 7:49
11 State of Grace (Capaldi, Winwood) 7:17
12 Why Can't We Live Together (Timmy Thomas) 6:42
13 Domingo Morning (Jose Pires de Almeida Neto, Winwood) 5:09
14 Roll With It (Jennings, Winwood) 5:21
Tracks 1-3 by The Spencer Davis Group
Tracks 4 and 9-11 by Traffic
Tracks 5-8 and 12-14 by Steve Winwood

**********

REVIEW / AMG
Stephen Thomas Erlewine
Not the first box set to distill Steve Winwood’s far-reaching career into four discs, 2010’s Revolutions: The Very Best of Steve Winwood does have a leg up on its 1995 predecessor, The Finer Things, by the virtue of covering the 15 years separating the two sets, plus adding a higher dosage of Blind Faith to the mix. Nevertheless, this 58-track box -- with its songs selected by Winwood himself -- shares a whopping 36 cuts with The Finer Things. It’s such a strong overlap that it does suggest that there’s truly a defined Winwood canon, and even though it doesn’t contain the mega-hit “Roll with It,” along with a handful of other notable tunes, Revolutions doesn’t depart from that canon. Instead, it’s a handsome, effective presentation of it, worthwhile for any serious fan who doesn’t have an extensive Winwood collection.

**********

BIOGRAPHY / AMG
Steve Huey
As a solo artist, Steve Winwood is primarily associated with the highly polished blue-eyed soul-pop that made him a star in the '80s. Yet his turn as a slick, upscale mainstay of adult contemporary radio was simply the latest phase of a long and varied career, one that's seen the former teenage R&B shouter move through jazz, psychedelia, blues-rock, and progressive rock. Possessed of a powerful, utterly distinctive voice, Winwood was also an excellent keyboardist who remained an in-demand session musician for most of his career, even while busy with high-profile projects. That background wasn't necessarily apparent on his solo records, which established a viable commercial formula that was tremendously effective as long as it was executed with commitment.

Stephen Lawrence Winwood was born May 12, 1948, in the Handsworth area of Birmingham, England. First interested in swing and Dixieland jazz, he began playing drums, guitar, and piano as a child, and first performed with his father and older brother Muff in the Ron Atkinson Band at the age of eight. During the early '60s, Muff led a locally popular group called the Muff Woody Jazz Band, and allowed young Steve to join; eventually they began to add R&B numbers to their repertoire, and in 1963 the brothers chose to pursue that music full-time, joining guitarist Spencer Davis to form the Spencer Davis Group. Although he was only 15, Steve's vocals were astoundingly soulful and mature, and his skills at the piano were also advanced beyond his years. Within a year, he'd played with numerous American blues legends both in concert and in the studio; in 1965, he also recorded the solo single "Incense" as the Anglos, crediting himself as Stevie Anglo. Meanwhile, the Spencer Davis Group released a handful of classic R&B-styled singles, including "Keep on Running," "I'm a Man," and the monumental "Gimme Some Lovin'," which stood with any of the gritty hardcore soul music coming out of the American South.

Winwood eventually tired of the tight pop-single format; by the mid-'60s, the cutting edge of rock & roll often involved stretching out instrumentally, and with his roots in jazz, Winwood wanted the same opportunity. Accordingly, he left the Spencer Davis Group in 1967 to form Traffic with guitarist Dave Mason, horn player Chris Wood, and drummer Jim Capaldi, all of whom had played on "Gimme Some Lovin'." The quartet retired to a small cottage in the Berkshire countryside, where they could work out their sound -- a unique blend of R&B, Beatlesque pop, psychedelia, jazz, and British folk -- and jam long into the night without angering neighbors. Traffic debuted in the U.K. with the single "Paper Sun" in May 1967, and soon issued their debut album Mr. Fantasy (retitled Heaven Is in Your Mind in the U.S.); it was followed by the jazzy psychedelic classic Traffic in 1968. However, conflicts had arisen between Winwood and Mason over the latter's tightly constructed folk-pop songs, which didn't fit into Winwood's expansive, jam-oriented conception of the band. Mason left, returned, and was fired again, and Winwood broke up the band at the beginning of 1969. Even so, by that time, he had become the unofficial in-house keyboardist for Traffic's label Island, playing at numerous recording sessions.

Winwood subsequently hooked up with old friend Eric Clapton, who'd recently parted ways with Cream. The two began jamming and found that they enjoyed working together, and rumors of their collaboration spread like wildfire; the enormous anticipation only grew when ex-Cream drummer Ginger Baker signed on, despite Clapton's misgivings over the expectations that would create. Concert promoters rushed to book the band before any material had been completed (hence the band's eventual name, Blind Faith), and offered too much money for them to refuse, despite their lack of rehearsal time. Their self-titled debut, released in the summer of 1969, was a hit, but the extreme pressure on the group led to their breakup even before the end of the year. Winwood joined Baker in a large, eclectic new supergroup called Ginger Baker's Air Force, but Winwood still had contract obligations to Island, and he left not long after Air Force's debut performance at the Royal Albert Hall in early 1970.

Winwood began work on what was slated to be his first solo LP, but he gradually brought in more ex-Traffic members to help him out, to the point where the album simply became a band reunion. John Barleycorn Must Die was released later in 1970, showcasing the sort of jam-happy jazz-rock sound that Winwood had in mind for the group from the start. Several more albums in that vein followed, including 1971's The Low Spark of High-Heeled Boys, which brought Traffic to the peak of their commercial popularity in America. The run was briefly interrupted by Winwood's bout with peritonitis around 1972, but he'd recovered enough to play a major role in Eric Clapton's early-1973 comeback concerts at the Rainbow Theatre. Traffic broke up in 1974, but instead of going solo right away, an exhausted Winwood spent the next few years as a session musician, relaxing on his Gloucestershire farm during his spare time. He also featured prominently as a collaborator with Japanese percussionist Stomu Yamash'ta, appearing on his hit jazz fusion LP, Go, in 1976.

When Winwood finally returned with his self-titled solo debut in 1977, Britain was in the midst of the punk revolution, and the music itself was somewhat disappointing even to Winwood himself. Dismayed, he returned to Gloucestershire and all but disappeared from music. He returned in late 1980 with the little-heralded Arc of a Diver, a much stronger effort on which he played every instrument himself. Modernizing Winwood's sound with more synthesizers and electronic percussion, Arc of a Diver was a platinum-selling hit in the U.S., helped by the hit single "While You See a Chance"; it received highly positive reviews as well, most hailing the freshness of Winwood's newly contemporary sound. The extremely similar 1982 follow-up Talking Back to the Night sounded rushed to some reviewers, and it wasn't nearly as big a hit, with none of its singles reaching the Top 40. Unhappy with the record, Winwood even considered retiring to become a producer (though his brother talked him out of it).

Taking more time to craft his next album, Winwood didn't return until 1986, with an album of slickly crafted, sophisticated pop called Back in the High Life, which was his first '80s album to feature outside session musicians. It was a smash hit, selling over three-million copies and producing Winwood's first number one single in "Higher Love," which also won a Grammy for Record of the Year. In 1987, Virgin offered Winwood a substantial sum of money and successfully pried him away from Island; a remixed version of Talking Back to the Night's "Valerie," featured on the Island-greatest-hits compilation Chronicles, became a Top Ten hit later that year. Winwood's hot streak continued with his first album for Virgin, 1988's Roll With It. The title track became his second number one and his biggest hit ever, and the album topped the charts as well; plus, the smoky ballad "Don't You Know What the Night Can Do?" was featured in a prominent TV ad campaign. Winwood had by now established a large, mostly adult fan base, but that support began to slip with his next album, 1990's Refugees of the Heart. Refugees repeated the slick blue-eyed soul updates of its predecessor, but according to most reviewers it simply wasn't performed with the same passion, save for the lead single "One and Only Man," a collaboration with Traffic mate Jim Capaldi.

Afterward, Winwood continued his pattern of following disappointments with periods of inactivity; he next resurfaced in 1994 as part of a Traffic reunion with Capaldi. Together they released the new album, Far From Home, and toured the world. Winwood subsequently returned to his solo career and spent two years working on Junction Seven, which finally appeared in 1997 and was co-produced by Narada Michael Walden. However, his momentum had stalled, and the album -- which received mixed reviews -- failed to sell well. The following year, Winwood toured with his new project Latin Crossings, a jazz group that also featured Tito Puente and Arturo Sandoval (though they never recorded). He subsequently parted ways with Virgin. The brilliant About Time appeared in 2003, followed in 2008 by Nine Lives.

**********

WEBSITE

**********

TO THE TOP

**********

10805 - REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC TWO (2010)

STEVE WINWOOD
''REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC TWO''
JUNE 8 2010
303:41

**********

Disc ONE (74:42)
1 Keep on Running (Jackie Edwards) 2:48
2 Somebody Help Me (Edwards) 2:04
3 Gimme Some Lovin' (Spencer Davis, Steve Winwood, Muff Winwood) 2:57
4 I'm a Man (Jimmy Miller, Winwood) 2:57
5 Paper Sun (Jim Capaldi, Winwood) 4:16
6 Coloured Rain (Capaldi, Winwood, Chris Wood) 2:42
7 No Face, No Name, No Number (Capaldi, Winwood) 3:32
8 Heaven Is in Your Mind (Capaldi, Winwood, Wood) 4:18
9 Smiling Phases (Capaldi, Winwood, Wood) 2:42
10 Dear Mr. Fantasy (Capaldi, Winwood, Wood) 5:39
11 Pearly Queen (Capaldi, Winwood) 4:21
12 40,000 Headmen (Capaldi, Miller, Winwood) 3:16
13 No Time to Live (Capaldi, Winwood) 5:19
14 Who Knows What Tomorrow May Bring (Capaldi, Winwood, Wood) 3:14
15 Shanghai Noodle Factory (Capaldi, Larry Fallon, Dave Mason, Miller, Winwood, Wood) 5:04
16 Medicated Goo (Miller, Winwood) 3:37
17 Withering Tree (Capaldi, Winwood) 3:12
18 Well Alright (Jerry Allison, Buddy Holly, Joe B. Mauldin, Norman Petty) 4:27
19 Can't Find My Way Home (Winwood) 3:18
20 Presence of the Lord (Eric Clapton) 4:52
Tracks 1-4 by The Spencer Davis Group
Tracks 5-17 by Traffic
Tracks 18-20 by Blind Faith

*****

DISC TWO (72:32)
1 Stranger to Himself (Capaldi, Winwood) 3:53
2 John Barleycorn (Must Die) (traditional-arr. Winwood) 6:23
3 Glad (Winwood) 7:01
4 Freedom Rider (Capaldi, Winwood) 5:28
5 Empty Pages (Capaldi, Winwood) 4:36
6 The Low Spark of High-Heeled Boys (Capaldi, Winwood) 12:26
7 Rainmaker (Capaldi, Winwood) 7:44
8 Shoot Out at the Fantasy Factory (Capaldi, Winwood) 6:02
9 Something New (Capaldi, Winwood) 3:16
10 Walking in the Wind (Capaldi, Winwood) 6:46
11 When the Eagle Flies (Capaldi, Winwood) 4:25
12 Mozambique (Capaldi, Winwood) 4:26
All tracks by Traffic

*****

DISC THREE (79:45)
1 Vacant Chair (Viv Stanshall, Winwood) 6:52
2 While You See a Chance (Will Jennings, Winwood) 5:15
3 Arc of a Diver (Stanshall, Winwood) 5:28
4 Spanish Dancer (Jennings, Winwood) 6:10
5 Night Train (Jennings, Winwood) 7:50
6 Valerie (Jennings, Winwood) 4:07
7 Higher Love (Jennings, Winwood) 5:49
8 Freedom Overspill (George Fleming, James Hooker, Winwood) 4:16
9 Back in the High Life Again (Jennings, Winwood) 4:24
10 Don't You Know What the Night Can Do? (Jennings, Winwood) 4:28
11 Spy in the House of Love (Capaldi, Narada Michael Walden, Winwood) 4:44
12 Different Light (Winwood) 6:39
13 Dirty City (featuring Eric Clapton) (Peter Godwin, Winwood) 7:46
14 The Finer Things (Jennings, Winwood) 5:49
All Tracks By Steve Winwood

*****

DISC FOUR (76:42)
1 This Hammer (Davis, Winwood, Winwood, Pete York) 2:18
2 Waltz for Lumumba (Winwood) 4:18
3 When I Come Home (Edwards, Winwood) 1:57
4 Love (Capaldi, Winwood) 3:05
5 In the Light of Day (Jennings, Winwood) 9:43
6 There's a River (Jennings, Winwood) 4:42
7 Hold On (Capaldi, Winwood) 4:29
8 The Morning Side" (Jennings, Winwood) 5:12
9 Far From Home (Capaldi, Winwood) 8:35
10 Holy Ground (Capaldi, Davy Spillane, Winwood) 7:49
11 State of Grace (Capaldi, Winwood) 7:17
12 Why Can't We Live Together (Timmy Thomas) 6:42
13 Domingo Morning (Jose Pires de Almeida Neto, Winwood) 5:09
14 Roll With It (Jennings, Winwood) 5:21
Tracks 1-3 by The Spencer Davis Group
Tracks 4 and 9-11 by Traffic
Tracks 5-8 and 12-14 by Steve Winwood

**********

REVIEW / AMG
Stephen Thomas Erlewine
Not the first box set to distill Steve Winwood’s far-reaching career into four discs, 2010’s Revolutions: The Very Best of Steve Winwood does have a leg up on its 1995 predecessor, The Finer Things, by the virtue of covering the 15 years separating the two sets, plus adding a higher dosage of Blind Faith to the mix. Nevertheless, this 58-track box -- with its songs selected by Winwood himself -- shares a whopping 36 cuts with The Finer Things. It’s such a strong overlap that it does suggest that there’s truly a defined Winwood canon, and even though it doesn’t contain the mega-hit “Roll with It,” along with a handful of other notable tunes, Revolutions doesn’t depart from that canon. Instead, it’s a handsome, effective presentation of it, worthwhile for any serious fan who doesn’t have an extensive Winwood collection.

**********

BIOGRAPHY / AMG
Steve Huey
As a solo artist, Steve Winwood is primarily associated with the highly polished blue-eyed soul-pop that made him a star in the '80s. Yet his turn as a slick, upscale mainstay of adult contemporary radio was simply the latest phase of a long and varied career, one that's seen the former teenage R&B shouter move through jazz, psychedelia, blues-rock, and progressive rock. Possessed of a powerful, utterly distinctive voice, Winwood was also an excellent keyboardist who remained an in-demand session musician for most of his career, even while busy with high-profile projects. That background wasn't necessarily apparent on his solo records, which established a viable commercial formula that was tremendously effective as long as it was executed with commitment.

Stephen Lawrence Winwood was born May 12, 1948, in the Handsworth area of Birmingham, England. First interested in swing and Dixieland jazz, he began playing drums, guitar, and piano as a child, and first performed with his father and older brother Muff in the Ron Atkinson Band at the age of eight. During the early '60s, Muff led a locally popular group called the Muff Woody Jazz Band, and allowed young Steve to join; eventually they began to add R&B numbers to their repertoire, and in 1963 the brothers chose to pursue that music full-time, joining guitarist Spencer Davis to form the Spencer Davis Group. Although he was only 15, Steve's vocals were astoundingly soulful and mature, and his skills at the piano were also advanced beyond his years. Within a year, he'd played with numerous American blues legends both in concert and in the studio; in 1965, he also recorded the solo single "Incense" as the Anglos, crediting himself as Stevie Anglo. Meanwhile, the Spencer Davis Group released a handful of classic R&B-styled singles, including "Keep on Running," "I'm a Man," and the monumental "Gimme Some Lovin'," which stood with any of the gritty hardcore soul music coming out of the American South.

Winwood eventually tired of the tight pop-single format; by the mid-'60s, the cutting edge of rock & roll often involved stretching out instrumentally, and with his roots in jazz, Winwood wanted the same opportunity. Accordingly, he left the Spencer Davis Group in 1967 to form Traffic with guitarist Dave Mason, horn player Chris Wood, and drummer Jim Capaldi, all of whom had played on "Gimme Some Lovin'." The quartet retired to a small cottage in the Berkshire countryside, where they could work out their sound -- a unique blend of R&B, Beatlesque pop, psychedelia, jazz, and British folk -- and jam long into the night without angering neighbors. Traffic debuted in the U.K. with the single "Paper Sun" in May 1967, and soon issued their debut album Mr. Fantasy (retitled Heaven Is in Your Mind in the U.S.); it was followed by the jazzy psychedelic classic Traffic in 1968. However, conflicts had arisen between Winwood and Mason over the latter's tightly constructed folk-pop songs, which didn't fit into Winwood's expansive, jam-oriented conception of the band. Mason left, returned, and was fired again, and Winwood broke up the band at the beginning of 1969. Even so, by that time, he had become the unofficial in-house keyboardist for Traffic's label Island, playing at numerous recording sessions.

Winwood subsequently hooked up with old friend Eric Clapton, who'd recently parted ways with Cream. The two began jamming and found that they enjoyed working together, and rumors of their collaboration spread like wildfire; the enormous anticipation only grew when ex-Cream drummer Ginger Baker signed on, despite Clapton's misgivings over the expectations that would create. Concert promoters rushed to book the band before any material had been completed (hence the band's eventual name, Blind Faith), and offered too much money for them to refuse, despite their lack of rehearsal time. Their self-titled debut, released in the summer of 1969, was a hit, but the extreme pressure on the group led to their breakup even before the end of the year. Winwood joined Baker in a large, eclectic new supergroup called Ginger Baker's Air Force, but Winwood still had contract obligations to Island, and he left not long after Air Force's debut performance at the Royal Albert Hall in early 1970.

Winwood began work on what was slated to be his first solo LP, but he gradually brought in more ex-Traffic members to help him out, to the point where the album simply became a band reunion. John Barleycorn Must Die was released later in 1970, showcasing the sort of jam-happy jazz-rock sound that Winwood had in mind for the group from the start. Several more albums in that vein followed, including 1971's The Low Spark of High-Heeled Boys, which brought Traffic to the peak of their commercial popularity in America. The run was briefly interrupted by Winwood's bout with peritonitis around 1972, but he'd recovered enough to play a major role in Eric Clapton's early-1973 comeback concerts at the Rainbow Theatre. Traffic broke up in 1974, but instead of going solo right away, an exhausted Winwood spent the next few years as a session musician, relaxing on his Gloucestershire farm during his spare time. He also featured prominently as a collaborator with Japanese percussionist Stomu Yamash'ta, appearing on his hit jazz fusion LP, Go, in 1976.

When Winwood finally returned with his self-titled solo debut in 1977, Britain was in the midst of the punk revolution, and the music itself was somewhat disappointing even to Winwood himself. Dismayed, he returned to Gloucestershire and all but disappeared from music. He returned in late 1980 with the little-heralded Arc of a Diver, a much stronger effort on which he played every instrument himself. Modernizing Winwood's sound with more synthesizers and electronic percussion, Arc of a Diver was a platinum-selling hit in the U.S., helped by the hit single "While You See a Chance"; it received highly positive reviews as well, most hailing the freshness of Winwood's newly contemporary sound. The extremely similar 1982 follow-up Talking Back to the Night sounded rushed to some reviewers, and it wasn't nearly as big a hit, with none of its singles reaching the Top 40. Unhappy with the record, Winwood even considered retiring to become a producer (though his brother talked him out of it).

Taking more time to craft his next album, Winwood didn't return until 1986, with an album of slickly crafted, sophisticated pop called Back in the High Life, which was his first '80s album to feature outside session musicians. It was a smash hit, selling over three-million copies and producing Winwood's first number one single in "Higher Love," which also won a Grammy for Record of the Year. In 1987, Virgin offered Winwood a substantial sum of money and successfully pried him away from Island; a remixed version of Talking Back to the Night's "Valerie," featured on the Island-greatest-hits compilation Chronicles, became a Top Ten hit later that year. Winwood's hot streak continued with his first album for Virgin, 1988's Roll With It. The title track became his second number one and his biggest hit ever, and the album topped the charts as well; plus, the smoky ballad "Don't You Know What the Night Can Do?" was featured in a prominent TV ad campaign. Winwood had by now established a large, mostly adult fan base, but that support began to slip with his next album, 1990's Refugees of the Heart. Refugees repeated the slick blue-eyed soul updates of its predecessor, but according to most reviewers it simply wasn't performed with the same passion, save for the lead single "One and Only Man," a collaboration with Traffic mate Jim Capaldi.

Afterward, Winwood continued his pattern of following disappointments with periods of inactivity; he next resurfaced in 1994 as part of a Traffic reunion with Capaldi. Together they released the new album, Far From Home, and toured the world. Winwood subsequently returned to his solo career and spent two years working on Junction Seven, which finally appeared in 1997 and was co-produced by Narada Michael Walden. However, his momentum had stalled, and the album -- which received mixed reviews -- failed to sell well. The following year, Winwood toured with his new project Latin Crossings, a jazz group that also featured Tito Puente and Arturo Sandoval (though they never recorded). He subsequently parted ways with Virgin. The brilliant About Time appeared in 2003, followed in 2008 by Nine Lives.

**********

WEBSITE

**********

TO THE TOP

**********

10804 - REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC ONE (2010)

STEVE WINWOOD
''REVOLUTIONS: THE VERY BEST OF STEVE WINWOOD (SPENCER DAVIS GROUP, BLIND FAITH, TRAFFIC), DISC ONE''
JUNE 8 2010
303:41

**********

Disc ONE (74:42)
1 Keep on Running (Jackie Edwards) 2:48
2 Somebody Help Me (Edwards) 2:04
3 Gimme Some Lovin' (Spencer Davis, Steve Winwood, Muff Winwood) 2:57
4 I'm a Man (Jimmy Miller, Winwood) 2:57
5 Paper Sun (Jim Capaldi, Winwood) 4:16
6 Coloured Rain (Capaldi, Winwood, Chris Wood) 2:42
7 No Face, No Name, No Number (Capaldi, Winwood) 3:32
8 Heaven Is in Your Mind (Capaldi, Winwood, Wood) 4:18
9 Smiling Phases (Capaldi, Winwood, Wood) 2:42
10 Dear Mr. Fantasy (Capaldi, Winwood, Wood) 5:39
11 Pearly Queen (Capaldi, Winwood) 4:21
12 40,000 Headmen (Capaldi, Miller, Winwood) 3:16
13 No Time to Live (Capaldi, Winwood) 5:19
14 Who Knows What Tomorrow May Bring (Capaldi, Winwood, Wood) 3:14
15 Shanghai Noodle Factory (Capaldi, Larry Fallon, Dave Mason, Miller, Winwood, Wood) 5:04
16 Medicated Goo (Miller, Winwood) 3:37
17 Withering Tree (Capaldi, Winwood) 3:12
18 Well Alright (Jerry Allison, Buddy Holly, Joe B. Mauldin, Norman Petty) 4:27
19 Can't Find My Way Home (Winwood) 3:18
20 Presence of the Lord (Eric Clapton) 4:52
Tracks 1-4 by The Spencer Davis Group
Tracks 5-17 by Traffic
Tracks 18-20 by Blind Faith

*****

DISC TWO (72:32)
1 Stranger to Himself (Capaldi, Winwood) 3:53
2 John Barleycorn (Must Die) (traditional-arr. Winwood) 6:23
3 Glad (Winwood) 7:01
4 Freedom Rider (Capaldi, Winwood) 5:28
5 Empty Pages (Capaldi, Winwood) 4:36
6 The Low Spark of High-Heeled Boys (Capaldi, Winwood) 12:26
7 Rainmaker (Capaldi, Winwood) 7:44
8 Shoot Out at the Fantasy Factory (Capaldi, Winwood) 6:02
9 Something New (Capaldi, Winwood) 3:16
10 Walking in the Wind (Capaldi, Winwood) 6:46
11 When the Eagle Flies (Capaldi, Winwood) 4:25
12 Mozambique (Capaldi, Winwood) 4:26
All tracks by Traffic

*****

DISC THREE (79:45)
1 Vacant Chair (Viv Stanshall, Winwood) 6:52
2 While You See a Chance (Will Jennings, Winwood) 5:15
3 Arc of a Diver (Stanshall, Winwood) 5:28
4 Spanish Dancer (Jennings, Winwood) 6:10
5 Night Train (Jennings, Winwood) 7:50
6 Valerie (Jennings, Winwood) 4:07
7 Higher Love (Jennings, Winwood) 5:49
8 Freedom Overspill (George Fleming, James Hooker, Winwood) 4:16
9 Back in the High Life Again (Jennings, Winwood) 4:24
10 Don't You Know What the Night Can Do? (Jennings, Winwood) 4:28
11 Spy in the House of Love (Capaldi, Narada Michael Walden, Winwood) 4:44
12 Different Light (Winwood) 6:39
13 Dirty City (featuring Eric Clapton) (Peter Godwin, Winwood) 7:46
14 The Finer Things (Jennings, Winwood) 5:49
All Tracks By Steve Winwood

*****

DISC FOUR (76:42)
1 This Hammer (Davis, Winwood, Winwood, Pete York) 2:18
2 Waltz for Lumumba (Winwood) 4:18
3 When I Come Home (Edwards, Winwood) 1:57
4 Love (Capaldi, Winwood) 3:05
5 In the Light of Day (Jennings, Winwood) 9:43
6 There's a River (Jennings, Winwood) 4:42
7 Hold On (Capaldi, Winwood) 4:29
8 The Morning Side" (Jennings, Winwood) 5:12
9 Far From Home (Capaldi, Winwood) 8:35
10 Holy Ground (Capaldi, Davy Spillane, Winwood) 7:49
11 State of Grace (Capaldi, Winwood) 7:17
12 Why Can't We Live Together (Timmy Thomas) 6:42
13 Domingo Morning (Jose Pires de Almeida Neto, Winwood) 5:09
14 Roll With It (Jennings, Winwood) 5:21
Tracks 1-3 by The Spencer Davis Group
Tracks 4 and 9-11 by Traffic
Tracks 5-8 and 12-14 by Steve Winwood

**********

REVIEW / AMG
Stephen Thomas Erlewine
Not the first box set to distill Steve Winwood’s far-reaching career into four discs, 2010’s Revolutions: The Very Best of Steve Winwood does have a leg up on its 1995 predecessor, The Finer Things, by the virtue of covering the 15 years separating the two sets, plus adding a higher dosage of Blind Faith to the mix. Nevertheless, this 58-track box -- with its songs selected by Winwood himself -- shares a whopping 36 cuts with The Finer Things. It’s such a strong overlap that it does suggest that there’s truly a defined Winwood canon, and even though it doesn’t contain the mega-hit “Roll with It,” along with a handful of other notable tunes, Revolutions doesn’t depart from that canon. Instead, it’s a handsome, effective presentation of it, worthwhile for any serious fan who doesn’t have an extensive Winwood collection.

**********

BIOGRAPHY / AMG
Steve Huey
As a solo artist, Steve Winwood is primarily associated with the highly polished blue-eyed soul-pop that made him a star in the '80s. Yet his turn as a slick, upscale mainstay of adult contemporary radio was simply the latest phase of a long and varied career, one that's seen the former teenage R&B shouter move through jazz, psychedelia, blues-rock, and progressive rock. Possessed of a powerful, utterly distinctive voice, Winwood was also an excellent keyboardist who remained an in-demand session musician for most of his career, even while busy with high-profile projects. That background wasn't necessarily apparent on his solo records, which established a viable commercial formula that was tremendously effective as long as it was executed with commitment.

Stephen Lawrence Winwood was born May 12, 1948, in the Handsworth area of Birmingham, England. First interested in swing and Dixieland jazz, he began playing drums, guitar, and piano as a child, and first performed with his father and older brother Muff in the Ron Atkinson Band at the age of eight. During the early '60s, Muff led a locally popular group called the Muff Woody Jazz Band, and allowed young Steve to join; eventually they began to add R&B numbers to their repertoire, and in 1963 the brothers chose to pursue that music full-time, joining guitarist Spencer Davis to form the Spencer Davis Group. Although he was only 15, Steve's vocals were astoundingly soulful and mature, and his skills at the piano were also advanced beyond his years. Within a year, he'd played with numerous American blues legends both in concert and in the studio; in 1965, he also recorded the solo single "Incense" as the Anglos, crediting himself as Stevie Anglo. Meanwhile, the Spencer Davis Group released a handful of classic R&B-styled singles, including "Keep on Running," "I'm a Man," and the monumental "Gimme Some Lovin'," which stood with any of the gritty hardcore soul music coming out of the American South.

Winwood eventually tired of the tight pop-single format; by the mid-'60s, the cutting edge of rock & roll often involved stretching out instrumentally, and with his roots in jazz, Winwood wanted the same opportunity. Accordingly, he left the Spencer Davis Group in 1967 to form Traffic with guitarist Dave Mason, horn player Chris Wood, and drummer Jim Capaldi, all of whom had played on "Gimme Some Lovin'." The quartet retired to a small cottage in the Berkshire countryside, where they could work out their sound -- a unique blend of R&B, Beatlesque pop, psychedelia, jazz, and British folk -- and jam long into the night without angering neighbors. Traffic debuted in the U.K. with the single "Paper Sun" in May 1967, and soon issued their debut album Mr. Fantasy (retitled Heaven Is in Your Mind in the U.S.); it was followed by the jazzy psychedelic classic Traffic in 1968. However, conflicts had arisen between Winwood and Mason over the latter's tightly constructed folk-pop songs, which didn't fit into Winwood's expansive, jam-oriented conception of the band. Mason left, returned, and was fired again, and Winwood broke up the band at the beginning of 1969. Even so, by that time, he had become the unofficial in-house keyboardist for Traffic's label Island, playing at numerous recording sessions.

Winwood subsequently hooked up with old friend Eric Clapton, who'd recently parted ways with Cream. The two began jamming and found that they enjoyed working together, and rumors of their collaboration spread like wildfire; the enormous anticipation only grew when ex-Cream drummer Ginger Baker signed on, despite Clapton's misgivings over the expectations that would create. Concert promoters rushed to book the band before any material had been completed (hence the band's eventual name, Blind Faith), and offered too much money for them to refuse, despite their lack of rehearsal time. Their self-titled debut, released in the summer of 1969, was a hit, but the extreme pressure on the group led to their breakup even before the end of the year. Winwood joined Baker in a large, eclectic new supergroup called Ginger Baker's Air Force, but Winwood still had contract obligations to Island, and he left not long after Air Force's debut performance at the Royal Albert Hall in early 1970.

Winwood began work on what was slated to be his first solo LP, but he gradually brought in more ex-Traffic members to help him out, to the point where the album simply became a band reunion. John Barleycorn Must Die was released later in 1970, showcasing the sort of jam-happy jazz-rock sound that Winwood had in mind for the group from the start. Several more albums in that vein followed, including 1971's The Low Spark of High-Heeled Boys, which brought Traffic to the peak of their commercial popularity in America. The run was briefly interrupted by Winwood's bout with peritonitis around 1972, but he'd recovered enough to play a major role in Eric Clapton's early-1973 comeback concerts at the Rainbow Theatre. Traffic broke up in 1974, but instead of going solo right away, an exhausted Winwood spent the next few years as a session musician, relaxing on his Gloucestershire farm during his spare time. He also featured prominently as a collaborator with Japanese percussionist Stomu Yamash'ta, appearing on his hit jazz fusion LP, Go, in 1976.

When Winwood finally returned with his self-titled solo debut in 1977, Britain was in the midst of the punk revolution, and the music itself was somewhat disappointing even to Winwood himself. Dismayed, he returned to Gloucestershire and all but disappeared from music. He returned in late 1980 with the little-heralded Arc of a Diver, a much stronger effort on which he played every instrument himself. Modernizing Winwood's sound with more synthesizers and electronic percussion, Arc of a Diver was a platinum-selling hit in the U.S., helped by the hit single "While You See a Chance"; it received highly positive reviews as well, most hailing the freshness of Winwood's newly contemporary sound. The extremely similar 1982 follow-up Talking Back to the Night sounded rushed to some reviewers, and it wasn't nearly as big a hit, with none of its singles reaching the Top 40. Unhappy with the record, Winwood even considered retiring to become a producer (though his brother talked him out of it).

Taking more time to craft his next album, Winwood didn't return until 1986, with an album of slickly crafted, sophisticated pop called Back in the High Life, which was his first '80s album to feature outside session musicians. It was a smash hit, selling over three-million copies and producing Winwood's first number one single in "Higher Love," which also won a Grammy for Record of the Year. In 1987, Virgin offered Winwood a substantial sum of money and successfully pried him away from Island; a remixed version of Talking Back to the Night's "Valerie," featured on the Island-greatest-hits compilation Chronicles, became a Top Ten hit later that year. Winwood's hot streak continued with his first album for Virgin, 1988's Roll With It. The title track became his second number one and his biggest hit ever, and the album topped the charts as well; plus, the smoky ballad "Don't You Know What the Night Can Do?" was featured in a prominent TV ad campaign. Winwood had by now established a large, mostly adult fan base, but that support began to slip with his next album, 1990's Refugees of the Heart. Refugees repeated the slick blue-eyed soul updates of its predecessor, but according to most reviewers it simply wasn't performed with the same passion, save for the lead single "One and Only Man," a collaboration with Traffic mate Jim Capaldi.

Afterward, Winwood continued his pattern of following disappointments with periods of inactivity; he next resurfaced in 1994 as part of a Traffic reunion with Capaldi. Together they released the new album, Far From Home, and toured the world. Winwood subsequently returned to his solo career and spent two years working on Junction Seven, which finally appeared in 1997 and was co-produced by Narada Michael Walden. However, his momentum had stalled, and the album -- which received mixed reviews -- failed to sell well. The following year, Winwood toured with his new project Latin Crossings, a jazz group that also featured Tito Puente and Arturo Sandoval (though they never recorded). He subsequently parted ways with Virgin. The brilliant About Time appeared in 2003, followed in 2008 by Nine Lives.

**********

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2749 - STEVE WINWOOD - The Finer Things, Disc Four (1995)

STEVE WINWOOD
''THE FINER THINGS,DISC FOUR''
MARCH 21 1995
309:55

DISC ONE
1/Dimples
James C. Bracken / John Lee Hooker /The Spencer Davis Group/2:19
2/I Can't Stand It
Steve McAllister /The Spencer Davis Group/2:08
3/Every Little Bit Hurts
Ed Cobb /The Spencer Davis Group/3:29
4/Strong Love
Mary Brown / Deadric Malone / Ed Silvers /The Spencer Davis Group/2:13
5/Keep on Running
J. Edwards / Jackie Edwards /The Spencer Davis Group/2:45
6/Somebody Help Me
Jackie Edwards /The Spencer Davis Group/2:01
7/When I Come Home
Jackie Edwards / Scott McKnight / Steve Winwood /The Spencer Davis Group/1:57
8/I Want to Know /Eric Clapton/2:14
9/Crossroads
Ahmad Jamal / Robert Johnson / Traditional /Eric Clapton/2:16
10/Gimme Some Lovin'
Spencer Davis / Muff Winwood / Steve Winwood /The Spencer Davis Group/2:56
11/I'm a Man
Jimmy Miller / Steve Winwood /The Spencer Davis Group/2:55
12/Paper Sun
Jim Capaldi / Steve Winwood /Traffic/4:14
13/Dealer
Jim Capaldi / Steve Winwood /Traffic/3:11
14/Coloured Rain
Jim Capaldi / Steve Winwood / Chris Wood /Traffic/2:42
15/No Face, No Name, No Number
Jim Capaldi / Steve Winwood /Traffic/3:32
16/Heaven Is in Your Mind
Jim Capaldi / Steve Winwood / Chris Wood /Traffic/4:16
17/Smiling Phases
Jim Capaldi / Steve Winwood / Chris Wood /Traffic/2:40
18/Dear Mr. Fantasy
Jim Capaldi / Steve Winwood / Chris Wood /Traffic/5:38
19/Pearly Queen
Jim Capaldi / Steve Winwood /Traffic/4:18
20/Forty Thousand Headmen
Jim Capaldi / Steve Winwood /Traffic/3:13
21/No Time to Live
Jim Capaldi / Steve Winwood /Traffic/5:19
22/Shanghai Noodle Factory
Jim Capaldi / Larry Fallon / Jimmy Miller / Steve Winwood / Chris Wood /Traffic/5:03
23/Medicated Goo
Jimmy Miller / Steve Winwood /Traffic/3:34
24/Withering Tree
Jim Capaldi / Steve Winwood /Traffic/3:03

DISC TWO
1/Had to Cry Today
Steve Winwood /Blind Faith/8:47
2/Can't Find My Way Home
Steve Winwood /Blind Faith/5:40
3/Sea of Joy
Steve Winwood /Blind Faith/5:22
4/Sleeping in the Ground
Sam Myers /Blind Faith/4:33
5/Under My Thumb
Mick Jagger / Keith Richards /Blind Faith/5:48
6/Stranger to Himself
Jim Capaldi / Steve Winwood /Traffic/3:52
7/John Barleycorn
Traditional / Steve Winwood /Traffic/6:22
8/Glad
Steve Winwood /Traffic/6:58
9/Freedom Rider
Jim Capaldi / Steve Winwood /Traffic/5:26
10/Empty Pages
Jim Capaldi / Steve Winwood /Traffic/4:33
11/The Low Spark of High Heeled Boys
Jim Capaldi / Steve Winwood /Traffic/11:41
12/Rainmaker /Traffic/7:51

DISC THREE
1/Shoot Out at the Fantasy Factory
Jim Capaldi / Steve Winwood /Traffic/6:00
2/(Sometimes I Feel So) Uninspired
Jim Capaldi / Steve Winwood /Traffic/10:30
3/Happy Vibes
Remi Kabaka /Steve Winwood Feat. Amao, Kabaka/4:53
4/Something New
Jim Capaldi / Pat DiNizio / Steve Winwood /Traffic/3:15
5/Dream Gerrard
Vivian Stanshall / Steve Winwood /Traffic/11:01
6/Walking in the Wind
Jim Capaldi / Steve Winwood /Traffic/6:53
7/When the Eagle Flies
Jim Capaldi / Steve Winwood /Traffic/4:24
8/Winner/Loser
Steve Winwood /Stomu Yamashta/4:17
9/Crossing the Line
Michael Quartermain / Stomu Yamashta /Stomu Yamashta/7:46
10/Hold On
Jim Capaldi / Steve Winwood /Steve Winwood/4:31
11/Time Is Running Out
Jim Capaldi / Steve Winwood /Steve Winwood/6:28
12/Vacant Chair
Vivian Stanshall / Steve Winwood /Steve Winwood/6:55

DISC FOUR
1/While You See a Chance
Will Jennings / Steve Winwood /Steve Winwood/5:15
2/Arc of a Diver
Vivian Stanshall / Steve Winwood /Steve Winwood/5:27
3/Spanish Dancer
Will Jennings / Steve Winwood /Steve Winwood/6:00
4/Night Train
Duke Ellington / Will Jennings / Steve Winwood /Steve Winwood/7:50
5/Dust
George Fleming / Steve Winwood /Steve Winwood/6:20
6/Valerie
Will Jennings / Richard Thompson / Steve Winwood /Steve Winwood/4:07
7/Talking Back to the Night
Will Jennings / Steve Winwood /Steve Winwood/5:45
8/Your Silence Is Your Song
Will Jennings / Steve Winwood /Steve Winwood/5:15
9/Higher Love
Martin Gore / Will Jennings / Steve Winwood /Steve Winwood/5:47
10/Freedom Overspill
George Fleming / Jake Hooker / Steve Winwood /Steve Winwood/4:15
11/Back in the High Life Again
Will Jennings / Steve Winwood /Steve Winwood/4:22
12/The Finer Things
Will Jennings / Steve Winwood /Steve Winwood/4:11
13/Roll with It
Will Jennings / Steve Winwood /Steve Winwood/4:30
14/Don't You Know What the Night Can Do?
Will Jennings / Steve Winwood /Steve Winwood/4:30
15/One and Only Man
Jim Capaldi / Steve Winwood /Steve Winwood/4:39

Amao
Ginger Baker /Drums, Percussion
Chris Blackwell /Producer
Blind Faith
Randy Brecker /Guest Artist, Trumpet
Jack Bruce /Bass, Guest Artist
Jim Capaldi /Drums, Percussion, Timpani, Trombone, Vocals
Eric Clapton /Guitar
Jimmy Cliff /Vocals, Bass, Guest Artist
Spencer Davis /Guitar (Rhythm), Vocals
The Spencer Davis Group
Lew Del Gatto /Sax (Baritone), Sax (Tenor)
Steve Ferrone /Drums
David Frank /Arranger, Horn
Rick Grech /Bass
Dan Hartman /Guest Artist
James Ingram /Guest Artist
Wayne Jackson /Trombone, Trumpet
Bashiri Johnson /Percussion
Paul Jones /Harmonica
Chaka Khan /Guest Artist, Vocals (Background)
Mike Lawler /Keyboards
Andrew Love /Sax (Tenor)
Tom "Bones" Malone /Trombone
Eddie Martinez /Guitar, Guitar (Rhythm)
Dave Mason /Bass, Guitar, Percussion, Sitar, Trombone, Vocals
The Memphis Horns
Jimmy Miller /Percussion, Producer
Bob Mintzer /Sax (Tenor)
Tessa Niles /Vocals (Background)
Ben Palmer /Piano
Paul Pesco /Guitar
John "J.R." Robinson /Drums
Nile Rodgers /Guitar (Rhythm)
Philippe Saisse /Synthesizer
Kenny Salmon /Organ
Klaus Schulze /Guest Artist
Carole Steele /Congas, Percussion
Russ Titelman /Producer
Traffic
Joe Walsh /Slide Guitar
Mark Williamson /Guest Artist, Vocals (Background)
Muff Winwood /Bass, Vocals
Steve Winwood /Arranger, Bass, Drums, Guitar, Harmonica, Keyboards, Mandolin, Organ, Percussion, Piano, Producer, Programming, Synthesizer, Vocals
Chris Wood /Bells, Flute, Organ, Percussion, Sax (Soprano), Saxophone, Vocals
Stomu Yamashta
Pete York /Drums
George Young /Sax (Alto)

REVIEW
by Stephen Thomas Erlewine
Steve Winwood has led a long and varied career, recording everything from straight R&B and jazz-flavored rock to folk and pop. Over the course of four discs, The Finer Things chronicles the entirety of his career, beginning with the Spencer Davis Group, through Traffic and Blind Faith, right until his successful solo career. It includes all of the hits and many of his finest album tracks, yet the overall approach is rather exhausting -- the rarities are rarely illuminating, they're just there for the sake of being there. Nevertheless, it is a worthwhile purchase for anyone wanting a comprehensive picture of Winwood in all of his various guises.

BIOGRAPHY
by Steve Huey
As a solo artist, Steve Winwood is primarily associated with the highly polished blue-eyed soul-pop that made him a star in the '80s. Yet his turn as a slick, upscale mainstay of adult contemporary radio was simply the latest phase of a long and varied career, one that's seen the former teenage R&B shouter move through jazz, psychedelia, blues-rock, and progressive rock. Possessed of a powerful, utterly distinctive voice, Winwood was also an excellent keyboardist who remained an in-demand session musician for most of his career, even while busy with high-profile projects. That background wasn't necessarily apparent on his solo records, which established a viable commercial formula that was tremendously effective as long as it was executed with commitment.
Stephen Lawrence Winwood was born May 12, 1948, in the Handsworth area of Birmingham, England. First interested in swing and Dixieland jazz, he began playing drums, guitar, and piano as a child, and first performed with his father and older brother Muff in the Ron Atkinson Band at the age of eight. During the early '60s, Muff led a locally popular group called the Muff Woody Jazz Band, and allowed young Steve to join; eventually they began to add R&B numbers to their repertoire, and in 1963 the brothers chose to pursue that music full-time, joining guitarist Spencer Davis to form the Spencer Davis Group. Although he was only 15, Steve's vocals were astoundingly soulful and mature, and his skills at the piano were also advanced beyond his years. Within a year, he'd played with numerous American blues legends both in concert and in the studio; in 1965, he also recorded the solo single "Incense" as the Anglos, crediting himself as Stevie Anglo. Meanwhile, the Spencer Davis Group released a handful of classic R&B-styled singles, including "Keep on Running," "I'm a Man," and the monumental "Gimme Some Lovin'," which stood with any of the gritty hardcore soul music coming out of the American South.
Winwood eventually tired of the tight pop-single format; by the mid-'60s, the cutting edge of rock & roll often involved stretching out instrumentally, and with his roots in jazz, Winwood wanted the same opportunity. Accordingly, he left the Spencer Davis Group in 1967 to form Traffic with guitarist Dave Mason, horn player Chris Wood, and drummer Jim Capaldi, all of whom had played on "Gimme Some Lovin'." The quartet retired to a small cottage in the Berkshire countryside, where they could work out their sound -- a unique blend of R&B, Beatlesque pop, psychedelia, jazz, and British folk -- and jam long into the night without angering neighbors. Traffic debuted in the U.K. with the single "Paper Sun" in May 1967, and soon issued their debut album Mr. Fantasy (retitled Heaven Is in Your Mind in the U.S.); it was followed by the jazzy psychedelic classic Traffic in 1968. However, conflicts had arisen between Winwood and Mason over the latter's tightly constructed folk-pop songs, which didn't fit into Winwood's expansive, jam-oriented conception of the band. Mason left, returned, and was fired again, and Winwood broke up the band at the beginning of 1969. Even so, by that time, he had become the unofficial in-house keyboardist for Traffic's label Island, playing at numerous recording sessions.
Winwood subsequently hooked up with old friend Eric Clapton, who'd recently parted ways with Cream. The two began jamming and found that they enjoyed working together, and rumors of their collaboration spread like wildfire; the enormous anticipation only grew when ex-Cream drummer Ginger Baker signed on, despite Clapton's misgivings over the expectations that would create. Concert promoters rushed to book the band before any material had been completed (hence the band's eventual name, Blind Faith), and offered too much money for them to refuse, despite their lack of rehearsal time. Their self-titled debut, released in the summer of 1969, was a hit, but the extreme pressure on the group led to their breakup even before the end of the year. Winwood joined Baker in a large, eclectic new supergroup called Ginger Baker's Air Force, but Winwood still had contract obligations to Island, and he left not long after Air Force's debut performance at the Royal Albert Hall in early 1970.
Winwood began work on what was slated to be his first solo LP, but he gradually brought in more ex-Traffic members to help him out, to the point where the album simply became a band reunion. John Barleycorn Must Die was released later in 1970, showcasing the sort of jam-happy jazz-rock sound that Winwood had in mind for the group from the start. Several more albums in that vein followed, including 1971's The Low Spark of High-Heeled Boys, which brought Traffic to the peak of their commercial popularity in America. The run was briefly interrupted by Winwood's bout with peritonitis around 1972, but he'd recovered enough to play a major role in Eric Clapton's early-1973 comeback concerts at the Rainbow Theatre. Traffic broke up in 1974, but instead of going solo right away, an exhausted Winwood spent the next few years as a session musician, relaxing on his Gloucestershire farm during his spare time. He also featured prominently as a collaborator with Japanese percussionist Stomu Yamash'ta, appearing on his hit jazz fusion LP, Go, in 1976.
When Winwood finally returned with his self-titled solo debut in 1977, Britain was in the midst of the punk revolution, and the music itself was somewhat disappointing even to Winwood himself. Dismayed, he returned to Gloucestershire and all but disappeared from music. He returned in late 1980 with the little-heralded Arc of a Diver, a much stronger effort on which he played every instrument himself. Modernizing Winwood's sound with more synthesizers and electronic percussion, Arc of a Diver was a platinum-selling hit in the U.S., helped by the hit single "While You See a Chance"; it received highly positive reviews as well, most hailing the freshness of Winwood's newly contemporary sound. The extremely similar 1982 follow-up Talking Back to the Night sounded rushed to some reviewers, and it wasn't nearly as big a hit, with none of its singles reaching the Top 40. Unhappy with the record, Winwood even considered retiring to become a producer (though his brother talked him out of it).
Taking more time to craft his next album, Winwood didn't return until 1986, with an album of slickly crafted, sophisticated pop called Back in the High Life, which was his first '80s album to feature outside session musicians. It was a smash hit, selling over three-million copies and producing Winwood's first number one single in "Higher Love," which also won a Grammy for Record of the Year. In 1987, Virgin offered Winwood a substantial sum of money and successfully pried him away from Island; a remixed version of Talking Back to the Night's "Valerie," featured on the Island-greatest-hits compilation Chronicles, became a Top Ten hit later that year. Winwood's hot streak continued with his first album for Virgin, 1988's Roll With It. The title track became his second number one and his biggest hit ever, and the album topped the charts as well; plus, the smoky ballad "Don't You Know What the Night Can Do?" was featured in a prominent TV ad campaign. Winwood had by now established a large, mostly adult fan base, but that support began to slip with his next album, 1990's Refugees of the Heart. Refugees repeated the slick blue-eyed soul updates of its predecessor, but according to most reviewers it simply wasn't performed with the same passion, save for the lead single "One and Only Man," a collaboration with Traffic mate Jim Capaldi.
Afterward, Winwood continued his pattern of following disappointments with periods of inactivity; he next resurfaced in 1994 as part of a Traffic reunion with Capaldi. Together they released the new album, Far From Home, and toured the world. Winwood subsequently returned to his solo career and spent two years working on Junction Seven, which finally appeared in 1997 and was co-produced by Narada Michael Walden. However, his momentum had stalled, and the album -- which received mixed reviews -- failed to sell well. The following year, Winwood toured with his new project Latin Crossings, a jazz group that also featured Tito Puente and Arturo Sandoval (though they never recorded). He subsequently parted ways with Virgin. The brilliant About Time appeared in 2003, followed in 2008 by Nine Lives.

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