VARIOUS ARTISTS
''ENDLESS HIGHWAY: THE MUSIC OF THE BAND,DISC TWO''
JANUARY 30 2007
94:48
DISC ONE (47:48)
1 - Guster - This Wheel's On Fire 3:24
2 - Bruce Hornsby - King Harvest 4:02
3 - My Morning Jacket - It Makes No Difference 6:18
4 - Jack Johnson - I Shall Be Released 4:11
5 - Lee Ann Womack - The Weight 4:47
6 - Gomez - Up On Cripple Creek 4:38
7 - The Allman Brothers - The Night They Drove Old Dixie Down 5:04
8 - Blues Traveler - Rag Mama Rag 3:18
9 - John Hiatt & North Mississippi Allstars - Ain't No More Cane 4:16
10 - Jakob Dylan - Whispering Pines 4:03
11 - Animal Liberation Orchestra - Ophelia 3:40
DISC TWO (47:00)
1 - Joe Henry - Bessie Smith 3:55
2 - Jackie Greene - Look Out Cleveland 3:13
3 - Death Cab For Cutie - Rocking Chair 5:25
4 - Government Mule - The Shape I'm In 7:47
5 - Steve Reynolds - Stage Fright 3:44
6 - Rosanne Cash - Unfaithful Servant 4:55
7 - Widespread Panic - Chest Fever 6:33
8 - Josh Turner - When I Paint My Masterpiece 5:02
9 - The Roches - Acadian Driftwood 6:22
REVIEW
by Thom Jurek
As a rule, tribute records are problematic; there are some tunes that shine, others that are interpreted as if the performer has no idea what the original artist was about. Amazingly, that's not so on Endless Highway: The Music of The Band, despite a wider ranging roster than is usually proffered. This is also a celebration of the 30th Anniversary of Martin Scorsese's brilliant film The Last Waltz commemorating the Band's farewell concerts in San Francisco. The array here is simply dazzling. Recordings artists from across the popular music spectrum participate: there are the jam bands like the Allman Brothers, Widespread Panic and Blues Traveler; there are indie rockers like Guster, My Morning Jacket, and Death Cab for Cutie; big modern country names like Josh Turner and Lee Ann Womack; modern adult alternative popsters like Rosanne Cash, Bruce Hornsby and Jack Johnson; unclassifiable rockers like Gomez; and modern-day folkies like Jackie Greene and Steve Reynolds, with the Roches on the set, too. And while Bob Dylan isn't here, Jakob is, in duet with Liz Wright on a gorgeous reading of "Whispering Pines." But then, this whole thing works. Guster's reverent and moving read of "This Wheel's on Fire," opens the set; it's a beautiful place to start because it's followed in true Band fashion by Hornsby's swinging, funky rendition of "King Harvest," only to be underscored by My Morning Jacket's "It Makes No Difference." It's true that nobody could sing this song like Rick Danko, but it's played with such understated passion and tension that it's as necessary a cover as there ever has been. While everybody refers to the Staple Singers cover of "The Weight," Lee Ann Womack brings the song back to its country roots with a vengeance It's still a back porch gospel tune, but Womack underscores the rural grit in the tune.
Wow! Gomez count the Band among their many influences and have been playing its songs for over a decade. Their version of "Up on Cripple Creek" is a testament to this. It's not radically re-interpreted, but as an English band, these cats get the hip and greasy funkiness in the original and bring it out. The live version of "The Night They Drove Old Dixie Down," sung by Gregg Allman, is slow, ragged, and close to stunning. One would have to say that the Roches have been destined by God to cover "Acadian Driftwood." While it is inextricably linked to the Band's drummer Levon Helm, the Roches add a completely different spin on this with their wistful, female take on the dislocation, exile, and regret. Rosanne Cash's "Unfaithful Servant" is one of the finest moments here and shows a great empathy for Robbie Robertson's lyric writing. Yeah, Josh Turner's deep hillbilly reading of Bob Dylan's "When I Paint My Masterpiece," which the Band incomparably covered, is wonderful and nails the simplicity in Dylan's narrative as well as having a backing band that idles up to the Band's instrumental acumen. The set closes with a darkly interpreted version of "Rockin' Chair" by Death Cab for Cutie. The sense of loss, reverie, and loneliness underscores Robertson's intent, and the understated horns evoke the longing for Dixieland emphatically. In fact, there is only one cut here that doesn't work -- Jack Johnson's -- his utter lack of feeling in "I Shall Be Released" is unforgivable for one of the greatest prison songs ever penned by Dylanand definitively recorded by the Band. Johnson's lack of lyricism and forced innocence do not ring true for the material. Otherwise, Endless Highway is not only a fitting tribute to the Band, but a necessary one and a blueprint for how it should be done.
''ENDLESS HIGHWAY: THE MUSIC OF THE BAND,DISC TWO''
JANUARY 30 2007
94:48
DISC ONE (47:48)
1 - Guster - This Wheel's On Fire 3:24
2 - Bruce Hornsby - King Harvest 4:02
3 - My Morning Jacket - It Makes No Difference 6:18
4 - Jack Johnson - I Shall Be Released 4:11
5 - Lee Ann Womack - The Weight 4:47
6 - Gomez - Up On Cripple Creek 4:38
7 - The Allman Brothers - The Night They Drove Old Dixie Down 5:04
8 - Blues Traveler - Rag Mama Rag 3:18
9 - John Hiatt & North Mississippi Allstars - Ain't No More Cane 4:16
10 - Jakob Dylan - Whispering Pines 4:03
11 - Animal Liberation Orchestra - Ophelia 3:40
DISC TWO (47:00)
1 - Joe Henry - Bessie Smith 3:55
2 - Jackie Greene - Look Out Cleveland 3:13
3 - Death Cab For Cutie - Rocking Chair 5:25
4 - Government Mule - The Shape I'm In 7:47
5 - Steve Reynolds - Stage Fright 3:44
6 - Rosanne Cash - Unfaithful Servant 4:55
7 - Widespread Panic - Chest Fever 6:33
8 - Josh Turner - When I Paint My Masterpiece 5:02
9 - The Roches - Acadian Driftwood 6:22
REVIEW
by Thom Jurek
As a rule, tribute records are problematic; there are some tunes that shine, others that are interpreted as if the performer has no idea what the original artist was about. Amazingly, that's not so on Endless Highway: The Music of The Band, despite a wider ranging roster than is usually proffered. This is also a celebration of the 30th Anniversary of Martin Scorsese's brilliant film The Last Waltz commemorating the Band's farewell concerts in San Francisco. The array here is simply dazzling. Recordings artists from across the popular music spectrum participate: there are the jam bands like the Allman Brothers, Widespread Panic and Blues Traveler; there are indie rockers like Guster, My Morning Jacket, and Death Cab for Cutie; big modern country names like Josh Turner and Lee Ann Womack; modern adult alternative popsters like Rosanne Cash, Bruce Hornsby and Jack Johnson; unclassifiable rockers like Gomez; and modern-day folkies like Jackie Greene and Steve Reynolds, with the Roches on the set, too. And while Bob Dylan isn't here, Jakob is, in duet with Liz Wright on a gorgeous reading of "Whispering Pines." But then, this whole thing works. Guster's reverent and moving read of "This Wheel's on Fire," opens the set; it's a beautiful place to start because it's followed in true Band fashion by Hornsby's swinging, funky rendition of "King Harvest," only to be underscored by My Morning Jacket's "It Makes No Difference." It's true that nobody could sing this song like Rick Danko, but it's played with such understated passion and tension that it's as necessary a cover as there ever has been. While everybody refers to the Staple Singers cover of "The Weight," Lee Ann Womack brings the song back to its country roots with a vengeance It's still a back porch gospel tune, but Womack underscores the rural grit in the tune.
Wow! Gomez count the Band among their many influences and have been playing its songs for over a decade. Their version of "Up on Cripple Creek" is a testament to this. It's not radically re-interpreted, but as an English band, these cats get the hip and greasy funkiness in the original and bring it out. The live version of "The Night They Drove Old Dixie Down," sung by Gregg Allman, is slow, ragged, and close to stunning. One would have to say that the Roches have been destined by God to cover "Acadian Driftwood." While it is inextricably linked to the Band's drummer Levon Helm, the Roches add a completely different spin on this with their wistful, female take on the dislocation, exile, and regret. Rosanne Cash's "Unfaithful Servant" is one of the finest moments here and shows a great empathy for Robbie Robertson's lyric writing. Yeah, Josh Turner's deep hillbilly reading of Bob Dylan's "When I Paint My Masterpiece," which the Band incomparably covered, is wonderful and nails the simplicity in Dylan's narrative as well as having a backing band that idles up to the Band's instrumental acumen. The set closes with a darkly interpreted version of "Rockin' Chair" by Death Cab for Cutie. The sense of loss, reverie, and loneliness underscores Robertson's intent, and the understated horns evoke the longing for Dixieland emphatically. In fact, there is only one cut here that doesn't work -- Jack Johnson's -- his utter lack of feeling in "I Shall Be Released" is unforgivable for one of the greatest prison songs ever penned by Dylanand definitively recorded by the Band. Johnson's lack of lyricism and forced innocence do not ring true for the material. Otherwise, Endless Highway is not only a fitting tribute to the Band, but a necessary one and a blueprint for how it should be done.
